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Authors: Nick Lake

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BOOK: Whisper to Me
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I held the bottle in my hand. “I can’t. I don’t—”

“You’re worried about the risperidone? Because—”

“No. I’m just … well. Underage.”

She rolled her eyes. “Drink. You need to calm down a little.”

“Don’t even think about it,” said the voice. “I will make you whine like a dog.”

I hesitated.

“Yes. Give it back,” said the voice. “And then go home. Or you will pay.”

Oh, **** it
, I thought. I’m going to pay anyway, for going to this group thing.

I tilted the bottle back; swallowed. It was like swallowing fire: it seared down my throat and warmed my stomach. A beeping came from the kitchen.

“Time is up for you, *****,” said the voice. “I swear I’m going to—”

“Ah!” said Paris. “Cookies.”

 

Paris put the vodka back in the cupboard, took my hand, and dragged me back to the kitchen. She opened the oven, slipped on a flowery mitt that I never would have pictured in her apartment, and took out a tray of huge chocolate cookies, perfectly browned.

“Ta-da!” she said.

I mimed clapping.

Paris expertly slid the cookies onto a plate and then led the way back into the living room. She indicated for me to sit down again.

Right. The moment I’d been putting off. The awkwardness.

“Eat,” said Paris. She pushed the plate at me. They looked good—soft in the middle, the chocolate still molten.

I swallowed. “Um. Sorry … I should have said before … I’m allergic,” I said. “Peanuts. I’m really sorry. They look amazing.”

“No peanuts in these.”

I gave a half smile, embarrassed. I hated this, I always had. “It’s more complicated than that. What about the flour?”

“What about it?”

“Is it made in a facility that handles nuts? The chocolate?”

Her eyes widened. “Really? It’s that serious?”

“Yep.” I held up the bag I always carried with me, the one my mother had embroidered my name onto, and showed her the two EpiPens inside, the bronchodilating inhaler. “The smallest trace, and I could die.”

She went to the kitchen and came back with a bag of chocolate chips. I turned it over, showed her the label:
MAY CONTAIN NUTS
.

“Sorry,” I said.

She shrugged. “Don’t be. Next time I’ll get the right stuff. Can’t have you dying on me.”

I smiled.

She started carrying the plate of cookies back to the kitchen.

“You’re not having one?” I asked.

“Carbs? Are you kidding me?”

I frowned. “But you baked them.”

“Yeah. I like the distraction. It’s therapeutic.”

“Oh. Okay.”

Paris was wearing a long bodycon dress with vivid neon flowers all over it. Her hair was piled up, secured with chopsticks. She looked much better than she had at the hospital. She threw herself down on the chair opposite me, splayed herself—she had a way of sitting down like a cat; her limbs didn’t seem to have the same bones as most people.

“Your condo is beautiful,” I said.

“Thanks.”

“Is it … um … do you …”

“Do I pay for it with the ill-gotten gains from taking my clothes off on a webcam?”

THE VOICE: ******* slut whore.

“Uh, yeah.”

“Partly. But my dad pays too. Sends a check in the mail. His signature on those checks is pretty much the only communication I ever have from him.”

“You’re not close?”

She smiled. “You could say that.”

“Does he live in Oakwood?”

She shook her head. “New York. Mom too. But, I mean, in separate apartments. They can’t stand each other. I went to high school there, but as soon as I could I got out.”

“Headed to the glamorous Jersey Shore,” I said.

“Yeah,” said Paris, grinning. “But with the checks from my dad, and my work too, I got this sweet pad. So I’m happy.”

“Do your parents know about … you know. The cam stuff?”

“No, thank God. They don’t check up on me, which is good, because they have some serious problems with my lifestyle choices as it is. We are, what would you say? We are somewhat estranged.”

“Sorry.”

“Sorry what?”

“That you’re, I don’t know, estranged.”

She waved this away. “Only one of my
many
issues.”

“How does it work?” I asked. “The modeling. I mean … do you have, like, an agency?”

Paris laughed. “Cass! It’s the twenty-first century. I have Instagram for promotion, and then I have a website. People subscribe, and they can watch me when I decide to stream a video. Or book me for an event or whatever.”

“People? You mean men?”

“Well, yeah. I guess.”

I remembered her card. “And the bachelor parties?”

“Stripping, basically,” she said. “Private parties. Way more lucrative than the clubs. Five hundred bucks a pop. Julie hates it.”

“Because …”

“Because she thinks it’s not safe. But these are birthday parties, you know? College graduations, bachelor parties.”

“But … what about … safety? Don’t you get scared?”

“I have a no-touching policy,” said Paris. “That puts off the worst creeps, I figure. And Julie drives me if I go to a party. Plus, there’s kind of a network, you know? Someone gets a bit rough, one of the other girls will e-mail about it. Post it on one of the forums—his e-mail address, that kind of thing. We watch out for one another.”

“Wow.” I seemed to keep saying that.

She looked at her watch. It was a men’s Rolex—I recognized it because it was like the one my dad got from the Navy stores, but much newer. A black-bezeled Submariner. A diving watch.

“You dive?” I asked.

“What?”

I pointed at her watch. She laughed again. “No. I just like shiny things. Like a magpie.” That was Paris—always a bird. Light bones, mind flitting from place to place, acquiring things. Something tailored from wind, unanchored in the sky. She walked over to a big flat-screen TV. “Anyway, we have forty minutes. Just enough time for
Project Runway
before we go. I DVRed it.”

 

We walked to the bowling alley. The place was kind of run-down. There was an empty lot next to it, full of weeds, cordoned off by a wire fence. I guessed it had been built when Oakwood was still a tourism boomtown, before people started flying to Mexico. A long, flat edifice, warehouse-like, squat.

There was a neon sign out front, still lit, one of those ones with three images kind of overlapping so it looks animated—a guy holding up a ball, then kneeling, then releasing it. Except the third batch of tubes was busted, so the guy was just standing and then kneeling, standing and then kneeling, like he was proposing or something.

Or having a stroke.

Inside, we walked past an empty reception area. The place was closed; I mean, it was closed for bowling. Behind the desks were rows of compartments holding white-soled sneakers in different sizes. We cut right and went past the lanes; the lights above them were off, but screen savers cycled on the computers above them, showing cartoons of shocked-looking pins tumbling end over end, creating flickering shadows. It felt like an introductory scene in a horror movie.

“Spooky, isn’t it?” said Paris.

“Uh-huh.”

The balls gleamed in their racks. Green and blue and black and red, the colors pearlescent, swirling like gasoline in a puddle. They gave me a sick feeling. They reminded me of bruises. I could smell stale popcorn.

“In here,” said Paris. She opened a utilitarian fire door with a letter-sized piece of paper taped to it, saying
PRIVATE MEETING IN SESSION VSG SOUTH JERSEY BRANCH
.

I followed her in. There was an oldish-looking guy sitting on a cheap plastic chair with steel legs; ten or so empty chairs were arranged in a circle in front of him. The room was bare—against one wall was a table with a paper cloth over it, and a coffeepot and cups.

“I’m hoping someone’s going to bring cookies,” he said. He had gray hair, twinkling eyes. Kind of handsome, in a scruffy, old-guy kind of way. He was wearing Nike sneakers with jeans and a polo shirt. He looked like the antidoctor. He looked like, I don’t know, an advertising executive or something. Not that I know what an advertising executive looks like.

“****,” said Paris. “I baked some. I swear. Then we were watching
Project Runway
.”

“A valuable use of your time, no doubt,” said the old guy. But he was smiling as he said it. He turned to me. “Dr. Lewis,” he said. “But you can call me Mike. And you must be … what do you prefer? Cassandra? Cass? Cassie?”

I shrugged. “Whatever.”

The voice said,

“Manners, Cass. For ****’s sake.”

“I mean, I don’t mind,” I said. This was weird. The voice wanted me to be polite to this guy? Suddenly I felt scared. I mean, this was the thing that had made me slap myself and inject myself with epinephrine, and it wanted me to play nice with the doctor?

Anything the voice
wanted
had to be bad, didn’t it?

But I squashed this thought down, jumped on it, like Daffy Duck jumping on Bugs Bunny when he’s trying to get out of his hole. I didn’t want to be taking the drugs either; I didn’t want to be a zombie all my life.

“Cass?” said Paris. “Earth to Cass?”

“Sorry,” I said. “I’m here.”

“That you are,” said Dr. Lewis. Mike. “And it’s an important first step. So. Why don’t you take a seat and tell me about it. Paris, you mind giving us the room?”

A nervous voice inside me spoke up then, not
the
voice, but an instinct voice. It said,

You want to be alone in here with this guy you don’t know?

Then the actual voice said,

“Shut the **** up, *****. Stop being so pathetic.” It was quiet from the risperidone, but it was still pretty forceful.

I closed my eyes as my inner voices argued. “Can she … can she stay?” I said.

Paris looked at the doctor.

“Why don’t we leave the door open?” he said. “Paris can wait in the main hall. She could even bowl a few rounds.”

“Bowl?” said Paris, like he was suggesting necrophilia or something.

He shrugged. “The balls are there. Might as well use them.”

Paris smiled. “The philosophy of every male,” she said. “Okay, fine. You need me, Cass, you call for me.”

And then she swept out the room, long legs tick-tocking. I watched her go, amazed as I always was by her, by her self-possession and her grace, despite her illness. She was like a machine in tight-fitting clothes, engineered to hold the eye, but she had charisma too, blazing out of every pore.

“She shines like a star, doesn’t she?” said Dr. Lewis, more succinctly. “I just hope she doesn’t turn out to be meteor.”

“Why?” I said.

He looked sad all of a sudden, thoughtful. “Because they fall to the earth. And they burn.”

DR. LEWIS:
Take a seat. Sorry about the plastic chairs.
ME:
That’s okay.
DR. LEWIS:
Paris has told me a little about you. But why don’t you tell me something.
ME:
Like what?
DR. LEWIS:
I don’t know. How about your favorite music.
ME:
Oh. Uh, I used to like hip-hop stuff. But now I mostly listen to, I don’t know what you would call it; electronica. Stuff without voices. Just … beats and bass, you know?
DR. LEWIS:
(Rolls up his sleeve. There is a tattoo reading
COME AS YOU ARE
in gothic script down his forearm and an anarchy symbol.) I listen to a whole load of stuff. When Kurt Cobain died, that was the day I decided to be a psychologist. Sounds stupid, but it’s completely true. I was, what, seventeen?
ME:
(inside my head)
Oh, he’s not as old as I thought. It’s the gray hair, I guess.
DR. LEWIS:
I just thought, what a waste, you know? I thought if I could stop one person from doing what he did, then my life would be worthwhile. It’s like … a world ending, every time. Do you know what I mean?
ME:
(thinking of my mother, her likes and dislikes, her opinions, her favorite foods and movies and her jokes and smiles and angry days, the songs she liked to sing, reduced to a red puddle of blood on a tiled floor) Yes.
DR. LEWIS:
The loud music helps?
ME:
With?
DR. LEWIS:
Your voice.
ME:
Oh. Yes. It does.
DR. LEWIS:
This voice, do you have any idea who it might be?
ME:
(puzzled) I don’t … I don’t think I …
DR. LEWIS:
I mean, is it someone you know? Someone you knew?
ME:
It’s a voice. It’s not real.
DR. LEWIS:
The shrinks told you that, right?
ME:
(nods)
DR. LEWIS:
(sighs) The voice is real to you, is it not? I mean, you hear it, like any other voice? With your ears?
ME:
Uh, yes.
DR. LEWIS:
So it’s real. It’s a real phenomenon. It doesn’t matter if you can see it or not. It’s real
to you
.
ME:
I guess.
DR. LEWIS:
It’s possible to do scans, you know. Functional MRI. Electrical signals. What we know is that a person who hears voices, when they do hear them, the exact same brain areas light up as when they hear real speech. It is, for the purposes of the brain,
exactly the same experience as hearing an actual person speaking
.
ME:
Okay.
DR. LEWIS:
Anyway. Your voice, it isn’t someone you know.
ME:
(suddenly too hot, suddenly itchy all over) I don’t think so.
DR. LEWIS:
History of mental illness? Other hallucinations?
ME:
No.
DR. LEWIS:
And what does it say, the voice?
ME:
Horrible things.
DR. LEWIS:
Like?
ME:
To hurt myself. To not talk to people or it will punish me. Stuff like that. But not so much now.
DR. LEWIS:
Drugs?
ME:
Yes.
DR. LEWIS:
Hmm. And when did the voice first speak to you?
ME:
The police precinct. I’d just found a foot on the beach.
DR. LEWIS:
That was you?
ME:
Yes.
DR. LEWIS:
Wow. And what precise words did it use?
ME:
I think … it said, “You’re disgusting.” I think.
DR. LEWIS:
Interesting. Did you agree?
ME:
Um, with what?
DR. LEWIS:
Did you agree with the voice that you were disgusting?
ME:
(Thinking how weird this is, how Dr. Rezwari never wanted to know anything about what the voice
said
. Only that it threatened stuff, and that meant it had to be stopped.) Um. Yeah. I guess so.
DR. LEWIS:
Gender? Age?
ME:
The voice?
DR. LEWIS:
Yes.
ME:
A woman. I don’t know how old. Forty? Not young.
DR. LEWIS:
Hmm.
ME:
Does that mean anything?
DR. LEWIS:
Do you think it means anything?
ME:
I thought … it’s dumb, but I thought maybe the voice was a ghost. Of one of the dead prostitutes, you know? And that it wanted me to solve the murder.
DR. LEWIS:
Imaginative. But I doubt it.
ME:
You said the voice was real.
DR. LEWIS:
Real
to you.
Because it is you. On some level. Often, the people I talk to, their voices say things that deep down they think about themselves. The voice says they’re dressed like ****, or whatever, and the person looks in the mirror and thinks, yeah, I’ve become a bit of a slob. Or the voice bans contact with other people, but actually the sufferer really, unconsciously maybe, believes that they don’t deserve contact with other people.
ME:
(blank mind)
DR. LEWIS:
It’s a lot to deal with. We have to take it step-by-step.
ME:
You think I’m … doing this to myself?
THE VOICE:
Who is this man? What are you doing? You ******* worthless piece of ****. When you get home you’re going to bleed. I’m going to—
ME:
(screams)
DR. LEWIS:
I’m sorry. I don’t mean to distress you.
THE VOICE:
******** ***** this ******* ******.
ME:
(puts hands over ears)
DR. LEWIS:
The voice is speaking to you now?
ME:
(nods)
DR. LEWIS:
Okay, okay. Let’s leave it there. Listen. I don’t know if I can help you. But I would like to try. Would you accept that?
ME:
(nods)
DR. LEWIS:
I’d like to think we can get you off the meds too. They’re not necessary, if you can cope with the voice. Control it.
ME:
(looking up, feeling the voice recede into quietness) You think?
DR. LEWIS:
Oh, I know it. There are many in this group who take no drugs at all, yet their voices, if they still hear them, are managed. They come when the person wishes it, and not otherwise. They are no longer aggressive.
ME:
(inside:
This sounds too good to be true.
)
DR. LEWIS:
I promise it’s true. If you’re willing to try. And to talk through some things. Wherever this voice comes from, it is most likely in your past. Some recent studies say that in somewhere around sixty percent of voice hearers, it’s triggered by a past trauma. Usually childhood. Not an underlying mental illness. You might be in the other forty percent of course, those who really are schizophrenic, or what have you. But I suspect not. And then, some of my colleagues would argue that even those who are ill are often made so by abuse. Or neglect. Or whatever. Sorry. I am rambling. It’s a tendency of mine. What I mean is: you can help yourself. I assure you of that.
ME:
So what do I do?
DR. LEWIS:
Come here. Once a week. You can talk or you can listen or you can do both. That’s it.
ME:
And that’s going to help? Just talking?
DR. LEWIS:
It’s a support group. It will support you.
ME:
Like … therapy?
DR. LEWIS:
No. This isn’t a treatment. It’s a circle of survivors. The source of therapeutic change is the social contact itself. The talking about the problem. A problem shared, et cetera.
ME:
Right.
DR. LEWIS:
I’d also like you to come fifty minutes before the group starts for the first few weeks. So we can get a handle on your particular voice experience.
ME:
We’d … we’d have, like, one-on-one sessions?
DR. LEWIS:
Yes. To begin with.
ME:
And … what would that cost?
DR. LEWIS:
Cost?
ME:
What would you charge?
DR. LEWIS:
(laughing) I don’t charge.
ME:
Seriously?
DR. LEWIS:
Seriously.
ME:
Oh. Okay. Why not?
DR. LEWIS:
Well, for one, as I said, this isn’t a treatment group. It’s a support group. And I am a support facilitator, not a clinical psychologist. Or rather, I am. But not in this context.
ME:
Oh now I’m clear.
DR. LEWIS:
(laughing) It’s just talking. And some guidelines for dealing with voices, which we have found to be helpful.
ME:
And for two?
DR. LEWIS:
Pardon?
ME:
You said, “For one, as I said, this isn’t a treatment group.” So what’s for two?
DR. LEWIS:
I think … I think I was probably going to say that the other reason I don’t charge is that I’m not here for money. I want to help people.
ME:
(staring blankly, unable to compute)
DR. LEWIS:
Turn up, we talk, that’s it. (pause) Oh, and tell your doctor you’re talking to me. You’re seeing … ?
ME:
Dr. Rezwari.
DR. LEWIS:
Inform her you’ve joined the group. She knows about us. She might not absolutely
agree
with us, but she can’t deny the data. The recoveries.
ME:
But you think she’s wrong to prescribe drugs?
DR. LEWIS:
Whoa! I didn’t say that. I think the overriding prerogative of the health care system is to protect the public and the patient. Which they do well. Just sometimes … the cost is … a certain quality of life.
ME:
(thinking of my constant need to sleep, my loss of appetite, my inability to read) Uh-huh.
DR. LEWIS:
So, tell her, and stick to whatever she tells you when it comes to drugs. She knows her business. If we make some real progress, you can discuss it with her again. Oh, I’ll also need to speak to your parents. Get their permission for you to come. It’s boring, I know. Sorry.
ME:
(inside: ****.) Um … It’s just my dad. My mom is … That is … It’s just me and him. And you can’t talk to him.
DR. LEWIS:
I can’t?
ME:
I don’t … I don’t really want him to know if I … if I come. Here.
DR. LEWIS:
I’m afraid it’s not an opt-in, opt-out kind of situation. If we’re talking, he needs to know about it. (shrugs apologetically) It’s the law.
ME:
(shaking my head) No. He’d … he’d freak out. He’d be angry.
DR. LEWIS:
Your father gets angry often?
ME:
Yeah.
DR. LEWIS:
Any particular reason?
ME:
He was a SEAL. In Afghanistan. He got hurt. And … And he hates me. I mean (
**** Cassie why did you say that?
) he doesn’t
hate
me. But he’s always ****ed with me. I have to be super careful, or he kind of explodes. Even little things set him off. If I told him about this …
DR. LEWIS:
He seeing anyone about that—his anger I mean?
ME:
No. He used to have some kind of therapist, in the Navy, but he didn’t like it.
DR. LEWIS:
Let me get this straight. It sounds like you’re telling me that your father has untreated post-traumatic stress disorder from his time in the Navy, that he has a temper that is triggered by even small things, and that if he knew you were pursuing this treatment, he may harm you or jeopardize your recovery. Is that a correct summation?
ME:
I don’t know about harm. He wouldn’t … hasn’t … hurt me. But yeah. Apart from that.
DR. LEWIS:
Apart from that, you’d agree with my statement? This is important.
ME:
Yes.
DR. LEWIS:
In that case my view is that it is in your best interests that he should not know.
ME:
Mine too.
DR. LEWIS:
Okay then.
ME:
Okay? Seriously?
DR. LEWIS:
(nods)
ME:
You called it a treatment though. I thought it wasn’t a treatment.
DR. LEWIS:
(smiling) You’re right. I can see that these are going to be interesting sessions.
ME:
I—
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