William Shakespeare: The Complete Works 2nd Edition (212 page)
Read William Shakespeare: The Complete Works 2nd Edition Online
Authors: William Shakespeare
Tags: #Drama, #Literary Criticism, #Shakespeare
BOOK: William Shakespeare: The Complete Works 2nd Edition
2.76Mb size Format: txt, pdf, ePub
SOLANIO (
to Antonio
)
to Antonio
)
Believe me, sir, had I such venture forth
The better part of my affections would
Be with my hopes abroad. I should be still
Plucking the grass to know where sits the wind,
Peering in maps for ports and piers and roads,
And every object that might make me fear
Misfortune to my ventures out of doubt
Would make me sad.
The better part of my affections would
Be with my hopes abroad. I should be still
Plucking the grass to know where sits the wind,
Peering in maps for ports and piers and roads,
And every object that might make me fear
Misfortune to my ventures out of doubt
Would make me sad.
SALERIO My wind cooling my broth
Would blow me to an ague when I thought
What harm a wind too great might do at sea.
I should not see the sandy hour-glass run
But I should think of shallows and of flats,
And see my wealthy Andrew, decks in sand,
Vailing her hightop lower than her ribs
To kiss her burial. Should I go to church
And see the holy edifice of stone 30
And not bethink me straight of dangerous rocks
Which, touching but my gentle vessel’s side,
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks,
And, in a word, but even now worth this,
And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me. I know Antonio
Is sad to think upon his merchandise.
What harm a wind too great might do at sea.
I should not see the sandy hour-glass run
But I should think of shallows and of flats,
And see my wealthy Andrew, decks in sand,
Vailing her hightop lower than her ribs
To kiss her burial. Should I go to church
And see the holy edifice of stone 30
And not bethink me straight of dangerous rocks
Which, touching but my gentle vessel’s side,
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks,
And, in a word, but even now worth this,
And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me. I know Antonio
Is sad to think upon his merchandise.
ANTONIO
Believe me, no. I thank my fortune for it,
My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year.
Therefore my merchandise makes me not sad.
My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year.
Therefore my merchandise makes me not sad.
SOLANIO
Why then, you are in love.
ANTONIOFie, fie.
SOLANIO
Not in love neither? Then let us say you are sad
Because you are not merry, and ’twere as easy
For you to laugh, and leap, and say you are merry
Because you are not sad. Now, by two-headed Janus,
Nature hath framed strange fellows in her time:
Some that will evermore peep through their eyes
And laugh like parrots at a bagpiper,
And other of such vinegar aspect
That they’ll not show their teeth in way of smile
Though Nestor swear the jest be laughable.
Because you are not merry, and ’twere as easy
For you to laugh, and leap, and say you are merry
Because you are not sad. Now, by two-headed Janus,
Nature hath framed strange fellows in her time:
Some that will evermore peep through their eyes
And laugh like parrots at a bagpiper,
And other of such vinegar aspect
That they’ll not show their teeth in way of smile
Though Nestor swear the jest be laughable.
Enter Bassanio, Lorenzo, and Graziano
Here comes Bassanio, your most noble kinsman,
Graziano, and Lorenzo. Fare ye well.
We leave you now with better company.
Graziano, and Lorenzo. Fare ye well.
We leave you now with better company.
SALERIO
I would have stayed till I had made you merry
If worthier friends had not prevented me.
If worthier friends had not prevented me.
ANTONIO
Your worth is very dear in my regard.
I take it your own business calls on you,
And you embrace th’occasion to depart.
I take it your own business calls on you,
And you embrace th’occasion to depart.
SALERIO Good morrow, my good lords. 65
BASSANIO
Good signors both, when shall we laugh? Say, when?
You grow exceeding strange. Must it be so?
You grow exceeding strange. Must it be so?
SALERIO
We’ll make our leisures to attend on yours.
Exeunt Salerio and Solanio
LORENZO
My lord Bassanio, since you have found Antonio,
We two will leave you; but at dinner-time
I pray you have in mind where we must meet.
We two will leave you; but at dinner-time
I pray you have in mind where we must meet.
BASSANIO I will not fail you.
GRAZIANO
You look not well, Signor Antonio.
You have too much respect upon the world.
They lose it that do buy it with much care.
Believe me, you are marvellously changed.
You have too much respect upon the world.
They lose it that do buy it with much care.
Believe me, you are marvellously changed.
ANTONIO
I hold the world but as the world, Graziano—
A stage where every man must play a part,
And mine a sad one.
A stage where every man must play a part,
And mine a sad one.
GRAZIANO Let me play the fool.
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster,
Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and ‘tis my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain
With purpose to be dressed in an opinion
Of wisdom, gravity, profound conceit,
As who should say ‘I am Sir Oracle,
And when I ope my lips, let no dog bark.’
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing, when I am very sure,
If they should speak, would almost damn those ears
Which, hearing them, would call their brothers fools.
I’ll tell thee more of this another time.
But fish not with this melancholy bait
For this fool gudgeon, this opinion.—
Come, good Lorenzo.—Fare ye well a while.
I’ll end my exhortation after dinner.
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster,
Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and ‘tis my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain
With purpose to be dressed in an opinion
Of wisdom, gravity, profound conceit,
As who should say ‘I am Sir Oracle,
And when I ope my lips, let no dog bark.’
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing, when I am very sure,
If they should speak, would almost damn those ears
Which, hearing them, would call their brothers fools.
I’ll tell thee more of this another time.
But fish not with this melancholy bait
For this fool gudgeon, this opinion.—
Come, good Lorenzo.—Fare ye well a while.
I’ll end my exhortation after dinner.
LORENZO (
to Antonio and Bassanio
)
to Antonio and Bassanio
)
Well, we will leave you then till dinner-time. 105
I must be one of these same dumb wise men,
For Graziano never lets me speak.
I must be one of these same dumb wise men,
For Graziano never lets me speak.
GRAZIANO
Well, keep me company but two years more
Thou shalt not know the sound of thine own tongue.
Thou shalt not know the sound of thine own tongue.
ANTONIO
Fare you well. I’ll grow a talker for this gear.
GRAZIANO
Thanks, i’faith, for silence is only commendable
In a neat’s tongue dried and a maid not vendible.
In a neat’s tongue dried and a maid not vendible.
Exeunt Graziano and Lorenzo
ANTONIO Yet is that anything now?
BASSANIO Graziano speaks an infinite deal of nothing,
more than any man in all Venice. His reasons are as
two grains of wheat hid in two bushels of chaff: you
shall seek all day ere you find them, and when you
have them they are not worth the search.
more than any man in all Venice. His reasons are as
two grains of wheat hid in two bushels of chaff: you
shall seek all day ere you find them, and when you
have them they are not worth the search.
ANTONIO
Well, tell me now what lady is the same
To whom you swore a secret pilgrimage,
That you today promised to tell me of.
To whom you swore a secret pilgrimage,
That you today promised to tell me of.
BASSANIO
’Tis not unknown to you, Antonio,
How much I have disabled mine estate
By something showing a more swelling port
Than my faint means would grant continuance,
Nor do I now make moan to be abridged
From such a noble rate; but my chief care
Is to come fairly off from the great debts
Wherein my time, something too prodigal,
Hath left me gaged. To you, Antonio,
I owe the most in money and in love,
And from your love I have a warranty
To unburden all my plots and purposes
How to get clear of all the debts I owe.
How much I have disabled mine estate
By something showing a more swelling port
Than my faint means would grant continuance,
Nor do I now make moan to be abridged
From such a noble rate; but my chief care
Is to come fairly off from the great debts
Wherein my time, something too prodigal,
Hath left me gaged. To you, Antonio,
I owe the most in money and in love,
And from your love I have a warranty
To unburden all my plots and purposes
How to get clear of all the debts I owe.
ANTONIO
I pray you, good Bassanio, let me know it,
And if it stand as you yourself still do,
Within the eye of honour, be assured
My purse, my person, my extremest means
Lie all unlocked to your occasions.
And if it stand as you yourself still do,
Within the eye of honour, be assured
My purse, my person, my extremest means
Lie all unlocked to your occasions.
BASSANIO
In my schooldays, when I had lost one shaft,
I shot his fellow of the selfsame flight
The selfsame way, with more advised watch,
To find the other forth; and by adventuring both,
I oft found both. I urge this childhood proof
Because what follows is pure innocence.
I owe you much, and, like a wilful youth,
That which I owe is lost; but if you please
To shoot another arrow that self way
Which you did shoot the first, I do not doubt,
As I will watch the aim, or to find both
Or bring your latter hazard back again,
And thankfully rest debtor for the first.
I shot his fellow of the selfsame flight
The selfsame way, with more advised watch,
To find the other forth; and by adventuring both,
I oft found both. I urge this childhood proof
Because what follows is pure innocence.
I owe you much, and, like a wilful youth,
That which I owe is lost; but if you please
To shoot another arrow that self way
Which you did shoot the first, I do not doubt,
As I will watch the aim, or to find both
Or bring your latter hazard back again,
And thankfully rest debtor for the first.
ANTONIO
You know me well, and herein spend but time
To wind about my love with circumstance;
And out of doubt you do me now more wrong
In making question of my uttermost
Than if you had made waste of all I have.
Then do but say to me what I should do
That in your knowledge may by me be done,
And I am pressed unto it. Therefore speak.
To wind about my love with circumstance;
And out of doubt you do me now more wrong
In making question of my uttermost
Than if you had made waste of all I have.
Then do but say to me what I should do
That in your knowledge may by me be done,
And I am pressed unto it. Therefore speak.
BASSANIO
In Belmont is a lady richly left,
And she is fair, and, fairer than that word,
Of wondrous virtues. Sometimes from her eyes
I did receive fair speechless messages.
Her name is Portia, nothing undervalued
To Cato’s daughter, Brutus’ Portia;
Nor is the wide world ignorant of her worth,
For the four winds blow in from every coast
Renowned suitors, and her sunny locks
Hang on her temples like a golden fleece,
Which makes her seat of Belmont Colchis’ strand,
And many Jasons come in quest of her.
O my Antonio, had I but the means
To hold a rival place with one of them,
I have a mind presages me such thrift
That I should questionless be fortunate
And she is fair, and, fairer than that word,
Of wondrous virtues. Sometimes from her eyes
I did receive fair speechless messages.
Her name is Portia, nothing undervalued
To Cato’s daughter, Brutus’ Portia;
Nor is the wide world ignorant of her worth,
For the four winds blow in from every coast
Renowned suitors, and her sunny locks
Hang on her temples like a golden fleece,
Which makes her seat of Belmont Colchis’ strand,
And many Jasons come in quest of her.
O my Antonio, had I but the means
To hold a rival place with one of them,
I have a mind presages me such thrift
That I should questionless be fortunate
ANTONIO
Thou know’st that all my fortunes are at sea,
Neither have I money nor commodity
To raise a present sum. Therefore go forth—
Try what my credit can in Venice do;
That shall be racked even to the uttermost
To furnish thee to Belmont, to fair Portia.
Go presently enquire, and so will I,
Where money is; and I no question make
To have it of my trust or for my sake.
Neither have I money nor commodity
To raise a present sum. Therefore go forth—
Try what my credit can in Venice do;
That shall be racked even to the uttermost
To furnish thee to Belmont, to fair Portia.
Go presently enquire, and so will I,
Where money is; and I no question make
To have it of my trust or for my sake.
Exeunt
[
severally
]
Enter Portia with Nerissa, her waiting-woman
PORTIA By my troth, Nerissa, my little body is aweary of this great world.
NERISSA You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are; and yet, for aught I see, they are as sick that surfeit with too much as they that starve with nothing. It is no mean happiness, therefore, to be seated in the mean. Superfluity comes sooner by white hairs, but competency lives longer.
PORTIA Good sentences, and well pronounced.
NERISSA They would be better if well followed.
PORTIA If to do were as easy as to know what were good to do, chapels had been churches, and poor men’s cottages princes’ palaces. It is a good divine that follows his own instructions. I can easier teach twenty what were good to be done than to be one of the twenty to follow mine own teaching. The brain may devise laws for the blood, but a hot temper leaps o‘er a cold decree. Such a hare is madness, the youth, to skip o’er the meshes of good counsel, the cripple. But this reasoning is not in the fashion to choose me a husband. O me, the word ‘choose’ I may neither choose who I would nor refuse who I dislike; so is the will of a living daughter curbed by the will of a dead father. Is it not hard, Nerissa, that I cannot choose one nor refuse none?
NERISSA Your father was ever virtuous, and holy men at their death have good inspirations; therefore the lottery that he hath devised in these three chests of gold, silver, and lead, whereof who chooses his meaning chooses you, will no doubt never be chosen by any rightly but one who you shall rightly love. But what warmth is there in your affection towards any of these princely suitors that are already come?
PORTIA I pray thee overname them, and as thou namest them I will describe them; and according to my description, level at my affection.
NERISSA First there is the Neapolitan prince.
PORTIA Ay, that’s a colt indeed, for he doth nothing but talk of his horse, and he makes it a great appropriation to his own good parts that he can shoe him himself. I am much afeard my lady his mother played false with a smith.
NERISSA Then is there the County Palatine.
PORTIA He doth nothing but frown, as who should say ‘An you will not have me, choose’. He hears merry tales and smiles not. I fear he will prove the weeping philosopher when he grows old, being so full of unmannerly sadness in his youth. I had rather be married to a death’s-head with a bone in his mouth than to either of these. God defend me from these two!
NERISSA How say you by the French lord, Monsieur le Bon?
PORTIA God made him, and therefore let him pass for a man. In truth, I know it is a sin to be a mocker, but he—why, he hath a horse better than the Neapolitan‘s, a better bad habit of frowning than the Count Palatine. He is every man in no man. If a throstle sing, he falls straight a-cap’ring. He will fence with his own shadow. If I should marry him, I should marry twenty husbands. If he would despise me, I would forgive him, for if he love me to madness, I shall never requite him.
NERISSA What say you then to Falconbridge, the young baron of England?
PORTIA You know I say nothing to him, for he understands not me, nor I him. He hath neither Latin, French, nor Italian, and you will come into the court and swear that I have a poor pennyworth in the English. He is a proper man’s picture, but alas, who can converse with a dumb show? How oddly he is suited! I think he bought his doublet in Italy, his round hose in France, his bonnet in Germany, and his behaviour everywhere.
NERISSA What think you of the Scottish lord, his neighbour?
PORTIA That he hath a neighbourly charity in him, for he borrowed a box of the ear of the Englishman and swore he would pay him again when he was able. I think the Frenchman became his surety, and sealed under for another.
NERISSA How like you the young German, the Duke of Saxony’s nephew?
PORTIA Very vilely in the morning when he is sober, and most vilely in the afternoon when he is drunk. When he is best he is a little worse than a man, and when he is worst he is little better than a beast. An the worst fall that ever fell, I hope I shall make shift to go without him.
NERISSA If he should offer to choose, and choose the right casket, you should refuse to perform your father’s will if you should refuse to accept him.
Other books
Sapphire - Book 2 by Elizabeth Rose
Under the Stars and Bars by J. T. Edson
All That I Am by Anna Funder
Cracks by Caroline Green
Burial Ground by Shuman, Malcolm
Army of the Dead by Richard S. Tuttle
Two Time by Chris Knopf
Slow Cooker: The Best Cookbook Ever by Diane Phillips
Unfurl by Swanson, Cidney
The It Girl by Katy Birchall
