William Shakespeare: The Complete Works 2nd Edition (599 page)

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Authors: William Shakespeare

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BOOK: William Shakespeare: The Complete Works 2nd Edition
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Bate, Jonathan, and Russell Jackson (eds.),
Shakespeare
: An
Illustrated Stage History
(Oxford: Oxford University Press, I996)
 
Bevington, David M.,
Action is Eloquence: Shakespeare’s Language of Gesture
(Cambridge MA: Harvard University Press, 1984)
 
Bulman, James C.,
Shakespeare, Theory and Performance
(London: Routledge, 1996)
 
Hill,
Errol, Shakespeare in Sable: A History of Black Shakespearean Actors
(Amherst MA: University of Massachusetts Press, 1984)
 
Hodgdon, Barbara,
The Shakespeare Trade: Performances and Appropriations
(Philadelphia PA: University of Pennsylvania Press, 1998)
 
Howard, Jean E.,
Shakespeare’s Art of Orchestration: Stage Technique and Audience Response
(Urbana IL: University of Illinois Press, 1984)
 
Joseph, Bertram,
Acting Shakespeare
, 2nd rev. edn. (New York: Theatre Arts Books, 1969)
 
Salgado, Gamini,
Eyewitnesses of Shakespeare: First-Hand Accounts of Performances 1590-1890
(London: University of Sussex Press for Chatto & Windus, 1975)
 
Shattuck, Charles H.,
The Shakespeare Promptbooks
: A
Descriptive Catalogue
(Urbana IL: University of Illinois Press, 1965)
 
Shaughnessy, Robert (ed.),
Shakespeare in Performance
, New Casebooks (Basingstoke: Macmillan, 2000)
 
Speaight, Robert,
Shakespeare on the Stage: An Illustrated History of Shakespearian Performance
(London: Collins, 1973)
 
Sprague, A. C.,
The Doubling of Parts in Shakespeare’s Plays
(London: Society for Theatre Research, 1966)
 
Stern, Tiffany,
Making Shakespeare from Stage to Page
(London: Routledge, 2004)
 
Styan, J. L.,
Shakespeare’s Stagecraft
(Cambridge: Cambridge University Press, 1967)
Wells, Stanley (ed.),
Shakespeare in the Theatre: An Anthology of Criticism
(Oxford: Clarendon Press, 1997)
 
—and Sarah Stanton (eds.),
The Cambridge Companion to Shakespeare on Stage
(Cambridge: Cambridge University Press, 2002)
 
Williams, Simon, Shakespeare on the German Stage, Vol. I:
1586-1914
(Cambridge: Cambridge University Press, 1990)
Shakespeare’s playhouse
 
Baldwin, T. W.,
The Organisation and Personnel of the Company
(Princeton NJ: Princeton University Press, 1927; repr. New York: Russell and Russell, 1961)
 
Barroll, J. Leeds,
Politics, Plague and Shakespeare’s Theater: The Stuart Years (
Ithaca NY: Cornell University Press, rpp r)
 
Beckerman, Bernard,
Shakespeare at the Globe, 1599-1609
(New York: Macmillan, 1962)
 
Bentley, G. E.,
The Jacobean and Caroline Stage,
7 vols (Oxford: Clarendon Press, 1941-68)
 
—The Profession of Dramatist in Shakespeare’s Time, 1590-1642
(Princeton NJ: Princeton University Press, 1971)
 
—
The Profession of Player in Shakespeare’s Time, 1590-1642
(Princeton NJ: Princeton University Press, 1984)
 
Berry, Herbert, Shakespeare’s Playhouses (New York: AMS, 1987)
 
Chambers, E. K.,
The Elizabethan Stage
, 4 vols (Oxford: Clarendon Press, 1923)
 
Cook, Ann Jennalie,
The Privileged Playgoers of Shakespeare’s London, 1576
-
1642
(Princeton NJ: Princeton University Press, 1981)
 
Dessen, Alan C.,
Recovering Shakespeare’s Theatrical Vocabulary (Cambridge: Cambridge
University Press, 1995)
 
—and Leslie
Thomson, A Dictionary of Stage Directions in English Drama, 1580-1642
(Cambridge: Cambridge University Press, 1999)
 
Gurr, Andrew,
The Shakespearean Stage 1574-1642
, 3rd edn. (Cambridge: Cambridge University Press, 1992)
 
—
Playgoing in Shakespeare’s London,
3rd edn. (Cambridge: Cambridge University Press, 2004)
 
—
The Shakespearian Playing Companies
(Oxford: Clarendon Press, 1996)
 
—
The Shakespeare Company 1594-1642
(Cambridge: Cambridge University Press, 2004)
 
—with John Orrell,
Rebuilding Shakespeare’s Globe
(London: Weidenfeld & Nicolson, 1989)
Hodges, C. Walter,
Shakespeare’s Second Globe, the Missing Monument
(London: Oxford University Press, 1973)
 
King, T. J.,
Shakespearian Staging
,
1599-1642
(Cambridge MA: Harvard University Press, 1971)
 
—
Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642
(Cambridge: Cambridge University Press, 1992)
 
Knutson, Roslyn Lander
, The Repertory of Shakespeare’s Company 1594-1613
(Fayetteville AR: University of Arkansas Press, 1991)
 
Linthicum, M. Channing,
Costume in the Drama of Shakespeare and His Contemporaries
(Oxford: Clarendon Press, I936)
 
Montrose, Louis Adrian,
The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre
(Chicago IL: University of Chicago Press, 1996)
 
Mulryne, J. R., and Margaret Shewring (eds.),
Shakespeare’s Globe Rebuilt
(Cambridge: Cambridge University Press, 1997)
 
Nungezer, Edwin,
A Dictionary of Actors and Other Persons Associated with the Public Presentation of Plays in England before 1642
(New Haven CT: Yale University Press, 1929)
 
Orrell, John,
The Quest for Shakespeare’s Globe
(Cambridge: Cambridge University Press, 1983)
 
Thomson, Peter,
Shakespeare’s Professional Career
(Cambridge: Cambridge University Press, 1992)
 
—
Shakespeare’s Theatre
, 2nd edn. (London: Routledge, 1992)
 
Wiles, David,
Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse
(Cambridge: Cambridge University Press, 1987)
1700-1900
 
Foulkes, Richard (ed.),
Shakespeare and the Victorian Stage
(Cambridge: Cambridge University Press, 1986)
 
Hogan, Charles Beecher,
Shakespeare in the Theatre
,
1701
-
1800,
2 vols (Oxford: Clarendon Press, 1952-7)
 
Hughes, Alan,
Henry Irving, Shakespearean
(Cambridge: Cambridge University Press, 1981)
 
Odell, George C. D.,
Shakespeare from Betterton
to
Irving,
2 vols (New York: Scribner, 1920)
 
Shattuck, Charles H.,
Shakespeare on the American Stage
[Vol. I]: From the
Hallams
to Edwin Booth (Washington DC: Folger Shakespeare Library, 1976)
 
—
Shakespeare on the American Stage, Vol. 2: From Booth and Barrett to Sothern and Marlowe
(London: Associated University Presses, 1987)
 
Sprague, A. C.,
Shakespeare and the Actors: The Stage Business in his Plays, 1660-1905
(Cambridge MA: Harvard University Press, 1945; repr. New York: Russell and Russell, 1963)
From 1900
 
Barton, John,
Playing Shakespeare
(London: Methuen, 1984)
 
Berry, Ralph,
On Directing Shakespeare: Interviews with Contemporary Directors
(London: Hamish Hamilton, 1989)
 
Brockbank, J. P., Russell Jackson, R. L. Smallwood (eds.),
Players of Shakespeare
(Cambridge: Cambridge University Press, 1985-)
 
Brown, John Russell,
Shakespeare’s Plays in Performance
(London: Edward Arnold, 1966)
 
—Free Shakespeare (
London: Heinemann International, 1974)
 
—New Sites for Shakespeare: Theatre, the Audience and Asia
(London: Routledge, 1999)
 
Coursen, H. R.,
Shakespearean Performance as Interpretation
(London: Associated University Presses, 1992)
 
David, Richard,
Shakespeare in the Theatre
(Cambridge: Cambridge University Press, 1978)
 
Holland, Peter,
English Shakespeares: Shakespeare on the English Stage in the 1990s
(Cambridge: Cambridge University Press, 1997)
 
Hortmann, Wilhelm,
Shakespeare on the German Stage: The Twentieth Century
(Cambridge: Cambridge University Press, 1998)
 
Kennedy, Dennis,
Looking at Shakespeare: A Visual History of Twentieth-Century Performance
, 2nd edn. (Cambridge: Cambridge University Press, 2001)
 
—(ed.),
Foreign Shakespeare: Contemporary Performance
(Cambridge: Cambridge University Press, 1993)
 
Kerr, Heather, Robin Eaden and Madge Mitton (eds.),
Shakespeare: World Views
(London: Associated University Presses, 1996)
 
Li, Ruru,
Shashibiya: Staging Shakespeare in China
(London: Eurospan, 2003)
 
Mazer, Cary M.,
Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages
(Ann Arbor MI: UMI Research Press, 1981)
 
Minami, Ryuta, Ian Carruthers and John Gillies (eds.),
Performing Shakespeare in Japan
(Cambridge: Cambridge University Press, 2001)
 
Quince, Rohan,
Shakespeare in South Africa: Stage Productions During the Apartheid
Era (New York: Peter Lang, 2000)
 
Rutter, Carol,
Clamorous Voices: Shakespeare’s Women Today,
ed. Faith Evans (London: The Women’s Press, 1988)
 
Sasayama, Takashi, J. R. Mulryne and Margaret Shewring (eds.),
Shakespeare and the Japanese Stage
(Cambridge: Cambridge University Press, 1998)
 
Sprague, Arthur Colby, and J. C. Trewin,
Shakespeare’s Plays Today: Some Customs and Conventions of the Stage
(London: Sidgwick & Jackson, 1970)
 
Styan, J. L.,
The Shakespeare Revolution: Criticism and Performance in the Twentieth Century
(Cambridge: Cambridge University Press, 1977)
 
Trewin, J. C.,
Shakespeare on the English Stage
1900-1964 (London: Barrie and Rockliff, 1964)
 
Worthen, W. B.,
Shakespeare and the Authority of Performance
(Cambridge: Cambridge University Press, 1997)
TV and Film
 
Ball, Robert Hamilton,
Shakespeare on Silent Film: A Strange Eventful History
(London: George Allen & Unwin, 1968)
 
Boose, Lynda E., and Richard Burt (eds.),
Shakespeare the Movie: Popularizing the Plays on Film, TV and Video
(London: Routledge, 1997)
 
—
Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video and DVD
(London: Routledge, 2003)
 
Buchman, Lorne M.,
Still in Movement: Shakespeare on Screen
(Oxford: Oxford University Press, 1991)
 
Bulman, J. C., and H. R. Coursen (eds.),
Shakespeare on Television: An Anthology of Essays and Reviews
(London: University Press of New England, 1988)
 
Burnett, Mark Thornton, and Ramona Wray (eds.),
Shakespeare, Film, Fin de Siècle
(Basingstoke: Macmillan, 2000)
 
Burt, Richard,
Unspeakable Shaxxxspeares:
Queer Theory and
American Kiddie Culture
(New York: St Martin’s Press, 1998)
 
Collick, John, Shakespeare, Cinema and Society (Manchester: Manchester University Press, 1989)

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