William Shakespeare: The Complete Works 2nd Edition (602 page)
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Authors: William Shakespeare
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BOOK: William Shakespeare: The Complete Works 2nd Edition
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The Problem Plays:
All’s
Well
That Ends Well, Measure for Measure, Troilus and Cressida
Antony and Cleopatra, Coriolanus, Julius Caesar, Titus Andronicus
All’s
Well
That Ends Well, Measure for Measure, Troilus and Cressida
Adamson, Janet,
Troilus and Cressida,
Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, I987)
Troilus and Cressida,
Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, I987)
Bennett, Josephine Waters, ‘
Measure for Measure’ as Royal Entertainment
(New York: Columbia University Press, 1966)
Measure for Measure’ as Royal Entertainment
(New York: Columbia University Press, 1966)
Cole, Howard C., The
‘All’s Well’ Story from Boccaccio to Shakespeare
(Urbana IL: University of Illinois Press, 1981)
‘All’s Well’ Story from Boccaccio to Shakespeare
(Urbana IL: University of Illinois Press, 1981)
Geckle, George L. (ed.),
Measure for Measure
, Shakespeare: the Critical Tradition (London: Athlone, 2001)
Measure for Measure
, Shakespeare: the Critical Tradition (London: Athlone, 2001)
Gless, Darryl J., ‘
Measure for Measure’: The Law and the Convent
(Princeton NJ: Princeton University Press, 1979)
Measure for Measure’: The Law and the Convent
(Princeton NJ: Princeton University Press, 1979)
Hawkins, Harriett,
Measure for Measure
, Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, 1987)
Measure for Measure
, Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, 1987)
Jowett, John, ‘The Audacity of
Measure for Measure
in 1621’,
Ben Jonson Journal
, 8 (2001), 229-47
Measure for Measure
in 1621’,
Ben Jonson Journal
, 8 (2001), 229-47
Kimbrough, Robert,
Shakespeare’s ‘Troilus and Cressida’ and its Setting
(Cambridge MA: Harvard University Press, 1964)
Shakespeare’s ‘Troilus and Cressida’ and its Setting
(Cambridge MA: Harvard University Press, 1964)
Nicholls, Graham,
Measure for Measure,
Text and Performance (Basingstoke: Macmillan Education, 1986)
Measure for Measure,
Text and Performance (Basingstoke: Macmillan Education, 1986)
Price, Joseph G.,
The Unfortunate Comedy: A Study of ‘All’s Well That Ends Well’ and Its Critics
(Liverpool: Liverpool University Press, 1968)
The Unfortunate Comedy: A Study of ‘All’s Well That Ends Well’ and Its Critics
(Liverpool: Liverpool University Press, 1968)
Rollins, Hyder E.,
The Troilus-Cressida Story from Chaucer to Shakespeare
(New York: Haskell House, 1972) (Reprinted from
PMLA,
32.3 (1917))
The Troilus-Cressida Story from Chaucer to Shakespeare
(New York: Haskell House, 1972) (Reprinted from
PMLA,
32.3 (1917))
Shuger, Debora K.,
Political Theologies in Shakespeare’s England: The Sacred and the State in ‘Measure for Measure’
(Basingstoke: Palgrave, 2001)
Political Theologies in Shakespeare’s England: The Sacred and the State in ‘Measure for Measure’
(Basingstoke: Palgrave, 2001)
Styan, J. L.,
All’s Well That Ends Well,
Shakespeare in Performance (Manchester: Manchester University Press, 1984)
All’s Well That Ends Well,
Shakespeare in Performance (Manchester: Manchester University Press, 1984)
Taylor, Gary, ‘Shakespeare’s Mediterranean
Measure for Measure’, in Shakespeare and the Mediterranean,
eds. Tom Clayton, Susan Brock, Vicente Fores (Newark DE: University of Delaware Press, 2004)
Measure for Measure’, in Shakespeare and the Mediterranean,
eds. Tom Clayton, Susan Brock, Vicente Fores (Newark DE: University of Delaware Press, 2004)
Zitner, Sheldon P.,
All’s
Well That Ends Well, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1989)
The Late Plays: All is True (Henry VIII), Cymbeline, Pericles, The Tempest, The Two Noble Kinsmen, The Winter’s TaleAll’s
Well That Ends Well, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1989)
Bartholomeusz, Dennis,
‘The Winter’s Tale’ in Performance in England and America, 1611-1976
(Cambridge: Cambridge University Press, 1982)
‘The Winter’s Tale’ in Performance in England and America, 1611-1976
(Cambridge: Cambridge University Press, 1982)
Bertram, Paul,
Shakespeare and ‘The Two Noble Kinsmen’
(New Brunswick NJ: Rutgers University Press, 1965)
Shakespeare and ‘The Two Noble Kinsmen’
(New Brunswick NJ: Rutgers University Press, 1965)
Draper, R. P.,
The Winter’s Tale
, Text and Performance (Basingstoke: Macmillan, 1985)
The Winter’s Tale
, Text and Performance (Basingstoke: Macmillan, 1985)
Dymkowski, Christine (ed.),
The Tempest
, Shakespeare in Production (Cambridge: Cambridge University Press, 2000)
The Tempest
, Shakespeare in Production (Cambridge: Cambridge University Press, 2000)
Frey, Charles H.,
Shakespeare’s Vast Romance: A Study of ‘The Winter’s Tale’
(Columbia MO: University of Missouri Press, 1980)
Shakespeare’s Vast Romance: A Study of ‘The Winter’s Tale’
(Columbia MO: University of Missouri Press, 1980)
Goldberg, Jonathan,
Tempest in the Caribbean
(Minneapolis MI: University of Minnesota Press, 2004)
Tempest in the Caribbean
(Minneapolis MI: University of Minnesota Press, 2004)
Graff, Gerald, and James Phelan (eds.),
‘The Tempest’: A Case Study in Critical Controversy
(Basingstoke: Macmillan, 2000)
‘The Tempest’: A Case Study in Critical Controversy
(Basingstoke: Macmillan, 2000)
Hamilton, Donna B.,
Virgil and ‘The Tempest’: The Politics of Imitation
(Columbus OH: Ohio State University Press, 1990)
Virgil and ‘The Tempest’: The Politics of Imitation
(Columbus OH: Ohio State University Press, 1990)
Hirst, David L.,
The Tempest
, Text and Performance (Basingstoke: Macmillan, 1984)
The Tempest
, Text and Performance (Basingstoke: Macmillan, 1984)
Jackson, MacD. P., Defining
Shakespeare: ‘Pericles’ as Test Case
(Oxford: Oxford University Press, 2003)
Shakespeare: ‘Pericles’ as Test Case
(Oxford: Oxford University Press, 2003)
Law, Ernest,
Shakespeare’s ‘Tempest’ as Originally Produced at Court
(London: For the Shakespeare Association [by] Chatto and Windus, 1920)
Shakespeare’s ‘Tempest’ as Originally Produced at Court
(London: For the Shakespeare Association [by] Chatto and Windus, 1920)
Lindley, David,
The Tempest
, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
The Tempest
, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
Marsh, Derick R. C.,
The Recurring Miracle: A Study of ‘Cymbeline’ and the Last Plays
(Pietermaritzburg: University of Natal Press, 1962)
The Recurring Miracle: A Study of ‘Cymbeline’ and the Last Plays
(Pietermaritzburg: University of Natal Press, 1962)
Potter, Lois,
‘The Two Noble Kinsmen:
Spectacle and Narrative’, in
The Show Within: Dramatic and Other Insets (English Renaissance Drama) 155
0-
1642
, ed. François Laroque (Montpellier: Publications de l’Université Paul-Valéry-Montpellier III, 1992)
‘The Two Noble Kinsmen:
Spectacle and Narrative’, in
The Show Within: Dramatic and Other Insets (English Renaissance Drama) 155
0-
1642
, ed. François Laroque (Montpellier: Publications de l’Université Paul-Valéry-Montpellier III, 1992)
Richmond, Hugh M.,
King Henry VIII,
Shakespeare in Performance (Manchester: Manchester University Press, 1994)
King Henry VIII,
Shakespeare in Performance (Manchester: Manchester University Press, 1994)
Skeele, David,
Thwarting the Wayward Seas: A Critical and Theatrical History of Shakespeare’s ‘Pericles’ in the Nineteenth and Twentieth Centuries
(London: Associated University Presses, 1998)
Thwarting the Wayward Seas: A Critical and Theatrical History of Shakespeare’s ‘Pericles’ in the Nineteenth and Twentieth Centuries
(London: Associated University Presses, 1998)
Tatspaugh, Patricia E.,
The Winter’s Tale,
Shakespeare at Stratford (London: Arden Shakespeare, 2002)
The Winter’s Tale,
Shakespeare at Stratford (London: Arden Shakespeare, 2002)
Vaughan, Alden T., and Virginia Mason Vaughan,
Shakespeare’s Caliban: A Cultural History
(Cambridge: Cambridge University Press, 1991)
Shakespeare’s Caliban: A Cultural History
(Cambridge: Cambridge University Press, 1991)
Warren, Roger,
Cymbeline,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Cymbeline,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
White, R. S. (ed.),
The Tempest: William Shakespeare
, New Casebooks (Basingstoke: Macmillan, 1999)
The Tempest: William Shakespeare
, New Casebooks (Basingstoke: Macmillan, 1999)
Zabus, Chantal,
Tempests after Shakespeare
(Basingstoke: Palgrave, 2002)
The Roman Plays:Tempests after Shakespeare
(Basingstoke: Palgrave, 2002)
Antony and Cleopatra, Coriolanus, Julius Caesar, Titus Andronicus
Adelman, Janet, The Common Liar: An Essay on ‘Antony and Cleopatra’ (New Haven: Yale University Press, 1973)
Barroll, J. Leeds,
Shakespearean Tragedy: Genre, Tradition and Change in ‘Antony and Cleopatra’
(London: Associated University Presses, 1984)
Shakespearean Tragedy: Genre, Tradition and Change in ‘Antony and Cleopatra’
(London: Associated University Presses, 1984)
Dessen, Alan C.,
Titus Andronicus,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Titus Andronicus,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Drakakis, John (ed.),
Antony and Cleopatra: William Shakespeare,
New Casebooks (Basingstoke: Macmillan, 1994)
Antony and Cleopatra: William Shakespeare,
New Casebooks (Basingstoke: Macmillan, 1994)
Lamb, Margaret,
‘Antony and Cleopatra’ on the English Stage
(London: Associated University Presses, 1980)
‘Antony and Cleopatra’ on the English Stage
(London: Associated University Presses, 1980)
Madelaine, Richard (ed.),
Antony and Cleopatra,
Shakespeare in Production (Cambridge: Cambridge University Press, 1998)
Antony and Cleopatra,
Shakespeare in Production (Cambridge: Cambridge University Press, 1998)
Metz, G. Harold,
Shakespeare’s Earliest Tragedy: Studies in ‘Titus Andronicus
’ (London: Associated University Presses, 1996)
Shakespeare’s Earliest Tragedy: Studies in ‘Titus Andronicus
’ (London: Associated University Presses, 1996)
Poole, Adrian,
Coriolanus,
Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1988)
Coriolanus,
Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1988)
Ripley, John,
‘Julius Caesar’ on Stage in England and America 1599
-
1973
(Cambridge: Cambridge University Press, 1980)
‘Julius Caesar’ on Stage in England and America 1599
-
1973
(Cambridge: Cambridge University Press, 1980)
—
‘Coriolanus’ on Stage in England and America 1609-1994
(London: Associated University Presses, 1998)
‘Coriolanus’ on Stage in England and America 1609-1994
(London: Associated University Presses, 1998)
Scott, Michael,
Antony and Cleopatra,
Text and Performance (London: Macmillan, 1983)
Antony and Cleopatra,
Text and Performance (London: Macmillan, 1983)
Steppat, Michael,
The Critical Reception of Shakespeare’s ‘Antony and Cleopatra’ from 1607-1905,
Bochumer anglistische Studien 9 (Amsterdam: Grüner, 1980)
The Critical Reception of Shakespeare’s ‘Antony and Cleopatra’ from 1607-1905,
Bochumer anglistische Studien 9 (Amsterdam: Grüner, 1980)
Wilson, Richard,
William Shakespeare: ‘Julius Caesar’,
Penguin Critical Studies (London: Penguin, 1992)
HamletWilliam Shakespeare: ‘Julius Caesar’,
Penguin Critical Studies (London: Penguin, 1992)
Calderwood, James L.,
To Be and Not to Be: Negation and Metadrama in ‘Hamlet’
(New York: Columbia University Press, 1983)
To Be and Not to Be: Negation and Metadrama in ‘Hamlet’
(New York: Columbia University Press, 1983)
Clayton, Thomas (ed.),
The ‘Hamlet’ First Published (QI, 1603): Origins, Form, Intertextualities
(London: Associated University Presses, 1992)
The ‘Hamlet’ First Published (QI, 1603): Origins, Form, Intertextualities
(London: Associated University Presses, 1992)
Dawson, Anthony B.,
Hamlet
, Shakespeare in Performance (Manchester: Manchester University Press, 1995)
Hamlet
, Shakespeare in Performance (Manchester: Manchester University Press, 1995)
Farley-Hills, David (ed.),
Critical Responses to ‘Hamlet’ 1600- 1900
, Vols I- (New York: AMS Press, 1996-)
Critical Responses to ‘Hamlet’ 1600- 1900
, Vols I- (New York: AMS Press, 1996-)
Frye, Roland Mushat,
The Renaissance ‘Hamlet’: Issues and Responses in 1600
(Princeton NJ: Princeton University Press, 1984)
The Renaissance ‘Hamlet’: Issues and Responses in 1600
(Princeton NJ: Princeton University Press, 1984)
Greenblatt, Stephen,
Hamlet in Purgatory
(Princeton NJ: Princeton University Press, 2001)
Hamlet in Purgatory
(Princeton NJ: Princeton University Press, 2001)
Jones, Ernest,
Hamlet and Oedipus
(London: Gollancz, 1949)
Hamlet and Oedipus
(London: Gollancz, 1949)
Kliman, Bernice W.,
‘Hamlet’: Film, Television, and Audio Performance
(London: Associated University Presses, 1988)
‘Hamlet’: Film, Television, and Audio Performance
(London: Associated University Presses, 1988)
Pennington, Michael,
‘Hamlet’: A User’s Guide
(London: Nick Hern, 1996)
‘Hamlet’: A User’s Guide
(London: Nick Hern, 1996)
Prosser, Eleanor,
Hamlet and Revenge,
2nd edn. (Stanford CA: Stanford University Press, 1971)
Hamlet and Revenge,
2nd edn. (Stanford CA: Stanford University Press, 1971)
Rosenberg, Marvin,
The Masks of ‘Hamlet’
(London: Associated University Presses, 1992)
The Masks of ‘Hamlet’
(London: Associated University Presses, 1992)
Shakespeare, William,
The Three-Text ‘Hamlet’: Parallel Texts of the First and Second Quartos and First Folio,
eds. Paul Bertram and Bernice W. Kliman (New York: AMS Press, 1991)
The Three-Text ‘Hamlet’: Parallel Texts of the First and Second Quartos and First Folio,
eds. Paul Bertram and Bernice W. Kliman (New York: AMS Press, 1991)
Taylor, Gary,
‘Hamlet
in Africa 1607’, in Ivo Kamps and Jyotsna Singh (eds.),
Travel Knowledge: European ‘Discoveries’ in the Early Modern Period
(Basingstoke: Palgrave, 2001)
‘Hamlet
in Africa 1607’, in Ivo Kamps and Jyotsna Singh (eds.),
Travel Knowledge: European ‘Discoveries’ in the Early Modern Period
(Basingstoke: Palgrave, 2001)
Weitz, Morris,
‘Hamlet’ and the Philosophy of Literary Criticism
(London: Faber and Faber, 1965)
King Lear‘Hamlet’ and the Philosophy of Literary Criticism
(London: Faber and Faber, 1965)
Blayney, Peter W. M.,
The Texts of ‘King Lear’ and their Origins,
Vol. I:
Nicholas Okes and the First Quarto
(Cambridge: Cambridge University Press, 1982)
The Texts of ‘King Lear’ and their Origins,
Vol. I:
Nicholas Okes and the First Quarto
(Cambridge: Cambridge University Press, 1982)
Bratton, J. S. (ed.),
‘King Lear’, William Shakespeare
, Plays in Performance (Bristol: Bristol Classical Press, 1987)
‘King Lear’, William Shakespeare
, Plays in Performance (Bristol: Bristol Classical Press, 1987)
Carson, Christie, and Jacky Bratton (eds.),
The Cambridge ‘King Lear
’
CD-ROM: Text and Performance Archive
(Cambridge: Cambridge University Press, 2000)
The Cambridge ‘King Lear
’
CD-ROM: Text and Performance Archive
(Cambridge: Cambridge University Press, 2000)
Hawkes, Terence,
William Shakespeare, ‘King Lear’,
Writers and their Work (Plymouth: Northcote House in Association with the British Council, 1995)
William Shakespeare, ‘King Lear’,
Writers and their Work (Plymouth: Northcote House in Association with the British Council, 1995)
Leggatt, Alexander,
King Lear
, Shakespeare in Performance (Manchester: Manchester University Press, 1991)
King Lear
, Shakespeare in Performance (Manchester: Manchester University Press, 1991)
Lusardi, James P., and June Schlueter,
Reading Shakespeare in Performance: ‘King Lear
’ (London: Associated University Presses, 1991)
Reading Shakespeare in Performance: ‘King Lear
’ (London: Associated University Presses, 1991)
Mack, Maynard,
‘King Lear’ in Our Time
(London: Methuen, 1966)
‘King Lear’ in Our Time
(London: Methuen, 1966)
Reibetanz, John,
The ‘Lear’ World: A Study of ‘King Lear’ in its Dramatic Context
(London: Heinemann, 1977)
The ‘Lear’ World: A Study of ‘King Lear’ in its Dramatic Context
(London: Heinemann, 1977)
Rosenberg, Marvin,
The Masks of ‘King Lear’
(Berkeley CA: University of California Press, 1972)
The Masks of ‘King Lear’
(Berkeley CA: University of California Press, 1972)
Ryan, Kiernan (ed.), ‘
King Lear’: William Shakespeare
, New Casebooks (Basingstoke: Macmillan, 1993)
King Lear’: William Shakespeare
, New Casebooks (Basingstoke: Macmillan, 1993)
Salgado, Gamini,
King Lear,
Text and Performance (Basingstoke: Macmillan, 1984)
King Lear,
Text and Performance (Basingstoke: Macmillan, 1984)
Stone, P. W. K.,
The Textual History of ‘King Lear’
(London: Scolar Press, 1980)
The Textual History of ‘King Lear’
(London: Scolar Press, 1980)
Taylor, Gary, ‘The War in
King Lear’, Shakespeare Survey
, 33 (1980), 27-34
King Lear’, Shakespeare Survey
, 33 (1980), 27-34
—and Michael Warren (eds.),
The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear’
(Oxford: Clarendon Press, 1983)
The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear’
(Oxford: Clarendon Press, 1983)
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