William Shakespeare: The Complete Works 2nd Edition (601 page)
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Authors: William Shakespeare
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BOOK: William Shakespeare: The Complete Works 2nd Edition
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Lenz, Carolyn Ruth Swift, Gayle Greene and Carol Thomas Neely, The Woman’s Part: Feminist Criticism of Shakespeare (Urbana IL: University of Illinois Press, 1980)
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England (Cambridge: Cambridge University Press, 1996)
Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in
Shakespearean
Drama (London: Routledge, 1992)
Shakespearean
Drama (London: Routledge, 1992)
Wayne, Valerie (ed.), The Matter of Difference: Materialist Feminist Criticism of Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1991)
ComedyBarber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom (Princeton NJ: Princeton University Press, 1959)
Carroll, William C., The Metamorphoses of Shakespearean Comedy (Princeton NJ: Princeton University Press, 1985)
Evans, Bertrand, Shakespeare’s Comedies (Oxford: Clarendon Press, 1960)
Freedman, Barbara, Staging the Gaze:
Postmodernism, Psychoanalysis
and
Shakespearean
Comedy (Ithaca NY: Cornell University Press, 1991)
Postmodernism, Psychoanalysis
and
Shakespearean
Comedy (Ithaca NY: Cornell University Press, 1991)
Frye, Northrop, The Myth of Deliverance: Reflections on Shakespeare’s Problem Comedies, introduction by A.C. Hamilton (Toronto: Toronto University Press, 1993) (First published 1983)
Mowat, Barbara A., The
Dramaturgy
of
Shakespeare’s
Romances (Athens GA: University of Georgia Press, 1976)
Dramaturgy
of
Shakespeare’s
Romances (Athens GA: University of Georgia Press, 1976)
Tillyard, E. M. W.,
Shakespeare’s Early Comedies
(London: Chatto & Windus, 1965)
Shakespeare’s Early Comedies
(London: Chatto & Windus, 1965)
Wheeler, Richard P.,
Shakespeare’s Development and the Problem Comedies
:
Turn and Counterturn
(Berkeley CA: University of California Press, 1981)
HistoryShakespeare’s Development and the Problem Comedies
:
Turn and Counterturn
(Berkeley CA: University of California Press, 1981)
Charney, Maurice,
Shakespeare’s Roman Plays: The Function of Imagery in the Drama
(Cambridge MA: Harvard University Press, 1963)
Shakespeare’s Roman Plays: The Function of Imagery in the Drama
(Cambridge MA: Harvard University Press, 1963)
Howard, Jean E., and Phyllis Rackin,
Engendering a Nation: A Feminist Account of Shakespeare’s English Histories
(London: Routledge, 1997)
Engendering a Nation: A Feminist Account of Shakespeare’s English Histories
(London: Routledge, 1997)
Kahn, Coppélia,
Roman Shakespeare: Warriors, Wounds and Women
(London: Routledge, 1997)
Roman Shakespeare: Warriors, Wounds and Women
(London: Routledge, 1997)
Rackin, Phyllis,
Stages of History: Shakespeare’s English Chronicles
(London: Routledge, 1991)
Stages of History: Shakespeare’s English Chronicles
(London: Routledge, 1991)
Saccio, Peter,
Shakespeare’s English Kings: History, Chronicle and Drama
, 2nd edn. (Oxford: Oxford University Press, 2000)
Shakespeare’s English Kings: History, Chronicle and Drama
, 2nd edn. (Oxford: Oxford University Press, 2000)
Siegel, Paul N.,
Shakespeare’s English and Roman History Plays: A Marxist Approach
(London: Associated University Presses, 1986)
Shakespeare’s English and Roman History Plays: A Marxist Approach
(London: Associated University Presses, 1986)
Tillyard, E. M. W.,
Shakespeare’s History Plays
(London: Chatto and Windus, 1944)
TragedyShakespeare’s History Plays
(London: Chatto and Windus, 1944)
Bradley, A. C.,
Shakespearean
Tragedy:
Lectures on ‘Hamlet’, ‘Othello’, ‘King Lear’, ‘Macbeth
’, with a foreword by John Bayley (London: Penguin, 1991) (First published 1904)
Shakespearean
Tragedy:
Lectures on ‘Hamlet’, ‘Othello’, ‘King Lear’, ‘Macbeth
’, with a foreword by John Bayley (London: Penguin, 1991) (First published 1904)
Garner, Shirley Nelson, and Madelon Sprengnether (eds.),
Shakespearean Tragedy and Gender
(Bloomington IN: Indiana University Press, 1996)
Shakespearean Tragedy and Gender
(Bloomington IN: Indiana University Press, 1996)
Snyder, Susan,
The Comic Matrix of Shakespeare’s Tragedies: ‘Romeo and Juliet’, ‘Hamlet’, ‘Othello’, and ‘King Lear
’ (Princeton NJ: Princeton University Press, 1979)
The Comic Matrix of Shakespeare’s Tragedies: ‘Romeo and Juliet’, ‘Hamlet’, ‘Othello’, and ‘King Lear
’ (Princeton NJ: Princeton University Press, 1979)
Whitaker, Virgil K.,
The Mirror Up to Nature: The Technique of Shakespeare’s Tragedies
(San Marino CA: Huntington Library, 1965)
Poems and SonnetsThe Mirror Up to Nature: The Technique of Shakespeare’s Tragedies
(San Marino CA: Huntington Library, 1965)
Akrigg, G. P. V.,
Shakespeare and the Earl of Southampton
(London: Hamish Hamilton, 1968)
Shakespeare and the Earl of Southampton
(London: Hamish Hamilton, 1968)
Booth, Stephen,
An Essay on Shakespeare’s Sonnets
(New Haven CT: Yale University Press, 1969)
An Essay on Shakespeare’s Sonnets
(New Haven CT: Yale University Press, 1969)
Donaldson, Ian,
The Rapes of Lucretia: A Myth and Its Transformations
(Oxford: Clarendon Press, 1982)
The Rapes of Lucretia: A Myth and Its Transformations
(Oxford: Clarendon Press, 1982)
Dubrow, Heather,
Captive Victors: Shakespeare’s Narrative
Poems and Sonnets (Ithaca NY: Cornell University Press, 1987)
Captive Victors: Shakespeare’s Narrative
Poems and Sonnets (Ithaca NY: Cornell University Press, 1987)
Edmondson, Paul, and Stanley Wells,
Shakespeare’s Sonnets
(Oxford: Oxford University Press, 2004)
Shakespeare’s Sonnets
(Oxford: Oxford University Press, 2004)
Fineman, Joel,
Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets
(Berkeley CA: University of California Press, 1986)
Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets
(Berkeley CA: University of California Press, 1986)
Jones, Peter (ed.),
Shakespeare, ‘The Sonnets’
, A Casebook (Basingstoke: Macmillan, 1977)
Shakespeare, ‘The Sonnets’
, A Casebook (Basingstoke: Macmillan, 1977)
Kerrigan, John (ed.),
Motives of Woe: Shakespeare and ‘Female Complaint’, A Critical Anthology
(Oxford: Clarendon Press, 1991)
Motives of Woe: Shakespeare and ‘Female Complaint’, A Critical Anthology
(Oxford: Clarendon Press, 1991)
Knight, G. Wilson,
The Mutual Flame: On Shakespeare’s ‘Sonnets’ and ‘The Phoenix and the Turtle
’, G. Wilson Knight Collected Works, 5 (London: Routledge, 2002) (First published 1955)
The Mutual Flame: On Shakespeare’s ‘Sonnets’ and ‘The Phoenix and the Turtle
’, G. Wilson Knight Collected Works, 5 (London: Routledge, 2002) (First published 1955)
Pequigney, Joseph,
Such Is My Love: A Study of Shakespeare’s Sonnets
(Chicago IL: University of Chicago Press, 1985)
Such Is My Love: A Study of Shakespeare’s Sonnets
(Chicago IL: University of Chicago Press, 1985)
Smith, Hallett,
The Tension of the Lyre: Poetry in Shakespeare’s Sonnets
(San Marino CA: Huntington Library, 1981)
The Tension of the Lyre: Poetry in Shakespeare’s Sonnets
(San Marino CA: Huntington Library, 1981)
Vendler, Helen,
The Art of Shakespeare’s Sonnets
(Cambridge MA: The Belknap Press of Harvard University Press, 1997)
Individual PlaysThe Art of Shakespeare’s Sonnets
(Cambridge MA: The Belknap Press of Harvard University Press, 1997)
Carroll, William C.,
The Great Feast of Language in ‘Love’s Labour’s Lost
’ (Princeton NJ: Princeton University Press, 1976)
The Great Feast of Language in ‘Love’s Labour’s Lost
’ (Princeton NJ: Princeton University Press, 1976)
Dolan, Frances E. (ed.),
‘The Taming of the Shrew’: Texts and
Contexts (Basingstoke: Macmillan, 1996)
‘The Taming of the Shrew’: Texts and
Contexts (Basingstoke: Macmillan, 1996)
Gilbert, Miriam,
Love’s Labour’s Lost
, Shakespeare in Performance (Manchester: Manchester University Press, 1993)
Love’s Labour’s Lost
, Shakespeare in Performance (Manchester: Manchester University Press, 1993)
Griffiths, Trevor R. (ed.),
A Midsummer Night’s Dream,
Shakespeare in Production (Cambridge: Cambridge University Press, 1996)
A Midsummer Night’s Dream,
Shakespeare in Production (Cambridge: Cambridge University Press, 1996)
Halio, Jay L.,
A Midsummer Night’s Dream,
Shakespeare in Performance (Manchester: Manchester University Press, 1994)
A Midsummer Night’s Dream,
Shakespeare in Performance (Manchester: Manchester University Press, 1994)
Haring-Smith, Tori,
From Farce to Metadrama: A Stage History of ‘The Taming of the Shrew’ 1594
-
1983
(Westport CT: Greenwood Press, 1985)
From Farce to Metadrama: A Stage History of ‘The Taming of the Shrew’ 1594
-
1983
(Westport CT: Greenwood Press, 1985)
Holderness, Graham,
The Taming of the Shrew,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
The Taming of the Shrew,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
Kennedy, Judith M., and Richard F. Kennedy (eds.), A
Midsummer Night’s Dream
, Shakespeare: the Critical Tradition (London: Athlone, 1999)
Midsummer Night’s Dream
, Shakespeare: the Critical Tradition (London: Athlone, 1999)
Miola, Robert S. (ed.),
‘The Comedy of Errors’: Critical Essays
(New York: Garland, 1997)
‘The Comedy of Errors’: Critical Essays
(New York: Garland, 1997)
Paster, Gail Kern (ed.),
A Midsummer Night’s Dream: Texts and Contexts
(Basingstoke: Macmillan, 1999)
A Midsummer Night’s Dream: Texts and Contexts
(Basingstoke: Macmillan, 1999)
Riehle, Wolfgang,
Shakespeare, Plautus and the Humanist Tradition
(Cambridge: D. S. Brewer, 1990)
Shakespeare, Plautus and the Humanist Tradition
(Cambridge: D. S. Brewer, 1990)
Schafer, Elizabeth (ed.),
The Taming of the Shrew,
Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
The Taming of the Shrew,
Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
Schlueter, June (ed.),
‘Two
Gentlemen of Verona’:
Critical Essays
(New York: Garland, 1996)
‘Two
Gentlemen of Verona’:
Critical Essays
(New York: Garland, 1996)
Selbourne, David,
The Making of ‘A Midsummer Night’s Dream’: An Eye-witness Account of Peter Brook’s Production from First Rehearsal to First Night,
with an introductory essay by Simon Trussler (London: Methuen, 1982)
The Making of ‘A Midsummer Night’s Dream’: An Eye-witness Account of Peter Brook’s Production from First Rehearsal to First Night,
with an introductory essay by Simon Trussler (London: Methuen, 1982)
Warren, Roger,
A Midsummer Night’s Dream,
Text and Performance (Basingstoke: Macmillan, 1983)
A Midsummer Night’s Dream,
Text and Performance (Basingstoke: Macmillan, 1983)
Wiles, David,
Shakespeare’s Almanac: ‘A Midsummer Night’s Dream’, Marriage and the Elizabethan Calendar
(Cambridge: D. S. Brewer, 1993)
Shakespeare’s Almanac: ‘A Midsummer Night’s Dream’, Marriage and the Elizabethan Calendar
(Cambridge: D. S. Brewer, 1993)
Williams, Gary Jay,
Our Moonlight Revels: ‘A Midsummer Night’s Dream’ in the Theatre
(Iowa City IA: University of Iowa Press, 1997)
Our Moonlight Revels: ‘A Midsummer Night’s Dream’ in the Theatre
(Iowa City IA: University of Iowa Press, 1997)
Yates, Frances
A., A Study of ‘Love’s Labour’s Lost’
(Cambridge: Cambridge University Press, 1936)
A., A Study of ‘Love’s Labour’s Lost’
(Cambridge: Cambridge University Press, 1936)
Young, David P.,
Something of Great Constancy: The Art of ‘A Midsummer Night’s Dream’
(New Haven CT: Yale University Press, 1966)
The Middle Comedies:Something of Great Constancy: The Art of ‘A Midsummer Night’s Dream’
(New Haven CT: Yale University Press, 1966)
As You Like It, The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, Twelfth Night
Billington, Michael (ed.),
Directors’ Shakespeare: Approaches to ‘Twelfth Night’ by Bill Alexander, John Barton, John Caird, Terry Hands
(London: Nick Hern, 1990)
Directors’ Shakespeare: Approaches to ‘Twelfth Night’ by Bill Alexander, John Barton, John Caird, Terry Hands
(London: Nick Hern, 1990)
Cerasano, S. P. (ed.),
A Routledge Literary Sourcebook on William Shakespeare’s ‘The Merchant of Venice’
(London: Routledge, 2004)
A Routledge Literary Sourcebook on William Shakespeare’s ‘The Merchant of Venice’
(London: Routledge, 2004)
Cox, John F. (ed.),
Much Ado About Nothing,
Shakespeare in Production (Cambridge: Cambridge University Press, 1997)
Much Ado About Nothing,
Shakespeare in Production (Cambridge: Cambridge University Press, 1997)
Danson, Lawrence,
The Harmonies of ‘The Merchant of Venice’
(New Haven CT: Yale University Press, 1978)
The Harmonies of ‘The Merchant of Venice’
(New Haven CT: Yale University Press, 1978)
Draper, John W.,
The ‘Twelfth Night’ of Shakespeare’s Audience
(Stanford CA: Stanford University Press, 1950)
The ‘Twelfth Night’ of Shakespeare’s Audience
(Stanford CA: Stanford University Press, 1950)
Edelman, Charles (ed.),
The Merchant of Venice,
Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
The Merchant of Venice,
Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
Gay, Penny,
William Shakespeare, ‘As You Like It’
, Writers and Their Work (Plymouth: Northcote House in Association with the British Council, 1999)
William Shakespeare, ‘As You Like It’
, Writers and Their Work (Plymouth: Northcote House in Association with the British Council, 1999)
Gilbert, Miriam,
The Merchant of Venice
, Shakespeare at Stratford (London: Arden Shakespeare, 2002)
The Merchant of Venice
, Shakespeare at Stratford (London: Arden Shakespeare, 2002)
Gross, John J.,
Shylock: Four Hundred Years in the Life of a Legend
(London: Chatto and Windus, 1992)
Shylock: Four Hundred Years in the Life of a Legend
(London: Chatto and Windus, 1992)
Hotson, Leslie,
The First Night of ‘Twelfth Night
’ (London: Hart Davis, 1954)
The First Night of ‘Twelfth Night
’ (London: Hart Davis, 1954)
Marshall, Cynthia (ed.),
As You Like It
, Shakespeare in Production (Cambridge: Cambridge University Press, 2004)
As You Like It
, Shakespeare in Production (Cambridge: Cambridge University Press, 2004)
Mason, Pamela,
Much Ado about Nothing,
Text and Performance (Basingstoke: Macmillan Education, 1992)
Much Ado about Nothing,
Text and Performance (Basingstoke: Macmillan Education, 1992)
Osbourne, Laurie E.,
The Trick of Singularity: ‘Twelfth Night’ and the Performance Editions
(Iowa City IA: University of Iowa Press, 1996)
The Trick of Singularity: ‘Twelfth Night’ and the Performance Editions
(Iowa City IA: University of Iowa Press, 1996)
Overton, Bill,
The Merchant of Venice,
Text and Performance (Basingstoke: Macmillan, 1987)
The Merchant of Venice,
Text and Performance (Basingstoke: Macmillan, 1987)
Pennington, Michael, ‘
Twelfth Night’: A User’s Guide
(London: Nick Hern, 2000)
Twelfth Night’: A User’s Guide
(London: Nick Hern, 2000)
Potter, Lois,
Twelfth Night
, Text and Performance (Basingstoke: Macmillan, 1985)
Twelfth Night
, Text and Performance (Basingstoke: Macmillan, 1985)
Prouty, Charles T.,
The Sources of ‘Much Ado about Nothing’: A Critical Study together with the Text of Peter Beverley’s ‘Ariodante and Ieneura’
(New Haven CT: Yale University Press, 1950)
The Sources of ‘Much Ado about Nothing’: A Critical Study together with the Text of Peter Beverley’s ‘Ariodante and Ieneura’
(New Haven CT: Yale University Press, 1950)
Roberts, Jeanne Addison,
Shakespeare’s English Comedy: ‘The Merry Wives of Windsor’ in Context
(Lincoln NE: University of Nebraska Press, 1979)
Shakespeare’s English Comedy: ‘The Merry Wives of Windsor’ in Context
(Lincoln NE: University of Nebraska Press, 1979)
Smallwood, Robert,
As You Like It
, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
As You Like It
, Shakespeare at Stratford (London: Arden Shakespeare, 2003)
Smith, Bruce R. (ed.), ‘
Twelfth Night or, What You Will’: Texts and Contexts
(Basingstoke: Palgrave, 2001)
Twelfth Night or, What You Will’: Texts and Contexts
(Basingstoke: Palgrave, 2001)
Wells, Stanley, ‘Editorial Treatment of Foul-Paper Texts:
Much Ado about Nothing as Test Case’, Review of English Studies
, 31 (1980), 1-16
Much Ado about Nothing as Test Case’, Review of English Studies
, 31 (1980), 1-16
White, R. S. (ed.),
Twelfth Night, New
Casebooks (Basingstoke: Macmillan, 1996)
Twelfth Night, New
Casebooks (Basingstoke: Macmillan, 1996)
Wynne-Davies, Marion (ed.), ‘
Much Ado about Nothing’ and ‘The Taming of the Shrew’, New
Casebooks (Basingstoke: Palgrave, 2001)
Much Ado about Nothing’ and ‘The Taming of the Shrew’, New
Casebooks (Basingstoke: Palgrave, 2001)
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