You Are the Music: How Music Reveals What it Means to be Human (28 page)

BOOK: You Are the Music: How Music Reveals What it Means to be Human
9.12Mb size Format: txt, pdf, ePub

16
Eysenck, H. (1967),
The biological basis of personality
. Springfield, IL: Thomas.

17
Cassidy, G., and MacDonald, R.A.R. (2007), ‘The effect of background music and background noise on the task performance of introverts and extraverts’,
Psychology of Music
, 35(3), 517–537.

18
Chamorro-Premuzic, T., and Furnham, A. (2007), ‘Personality and music: Can traits explain how people use music in everyday life?’,
Journal of British Psychology
, 98(2), 175–185.

19
Martí Pérez, J. (1997), ‘When music becomes noise: Sound and music that people in Barcelona hear but don’t want to listen to’,
World of Music
, 39(2), 9–17.

20
Parente, J.A. (1976), ‘Musical preference as a factor of music distraction’,
Perceptual and Motor Skills
, 43, 337–338.

21
Greasley, A.E. (2008), ‘Engagement with music in everyday life: An in-depth study of adults’ musical preferences and listening behaviours’ (Unpublished doctoral thesis, Keele University, Stoke-on-Trent, UK).

22
Cassidy, G.G., and MacDonald, R.A.R. (2010), ‘The effects of music on time perception and performance of a driving game’,
Scandinavian Journal of Psychology
, 51(6), 455–464.

23
Hartley, L.R., and Williams, T. (1977), ‘Steady state noise and music and vigilance’,
Ergonomics
, 20(3), 277–285.

24
Oakes, S., and North, A.C. (2006), ‘The impact of background musical tempo and timbre congruity upon ad content recall and affective response’,
Applied Cognitive Psychology
, 20(4), 505–520.

25
Ransdell, S.E., and Gilroy, L. (2001), ‘The effects of background music on word processed writing’,
Computers in Human Behavior
, 17(2), 141–148.

26
Kämpfe, J., Sedlmeier, P., and Renkewitz, F. (2011), ‘The impact of background music on adult listeners: A meta-analysis’,
Psychology of Music
, 39(4), 424–448.

27
Lanza, J. (1994),
Elevator music: A surreal history of Muzak, easy-listening and other moodsong
. New York: St Martin’s Press.

28
Frith, S. (2002), ‘Music and everyday life’,
Critical Quarterly
, 44(1), 35–48.

29
Wearden, J.H., and Penton-Voak, I.S. (1995), ‘Feeling the heat: body temperature and the rate of subjective time, revisited’,
Quarterly Journal of Experimental Psychology
, 48(2), 129–41.

30
Hammond, C. (2012),
Time warped.
Edinburgh: Canongate Books Ltd.

31
Yalch, R.F., and Spangenberg, E.R. (2000), ‘The effects of music in a retail setting on real and perceived shopping times’,
Journal of Business Research
, 42(2), 139–147.

32
Yalch, R.F., and Spangenberg, E. R. (1990), ‘Effects of store music on shopping behavior’,
Journal of Consumer Marketing
, 7(2), 55–63.

33
Kellaris, J.J., and Kent, R.J. (1992), ‘The influence of music on consumers’ temporal perceptions: Does time fly when you’re having fun?’,
Journal of Consumer Psychology
, 1(4), 365–376.

34
North, A.C., and Hargreaves, D.J. (2008),
The social and applied psychology of music
. Oxford: Oxford University Press.

35
Smith, P.C., and Curnow, R. (1966), ‘“Arousal Hypothesis” and the Effects of Music on Purchase Behavior’,
Journal of Applied Psychology
, 50, 255–256.

36
Milliman, R.E. (1982), ‘Using Background Music to Affect Behavior of Supermarket Shoppers’,
Journal of Marketing
, 46 (Summer), 86–91.

37
Caldwell, C., and Hibbert, S.A. (1999), ‘Play That One Again: The effect of music tempo on consumer behaviour in a Restaurant’, in
European Advances
in Consumer Research
, Volume 4 (eds. Bernard Dubois, Tina M. Lowrey, L.J. Shrum, and Marc Vanhuele), pp. 58–62.

38
Guêguen, N., Jacob, C., Lourle, M., and Le Guellec, H. (2007), ‘Effect of background music on consumer’s behavior: A field experiment in an open-air market’,
European Journal of Scientific Research
, 16(2), 268–272.

39
North, A.C., Hargreaves, D.J., and McKendrick, J. (1999), ‘Music and on-hold waiting time’,
British Journal of Psychology
, 90, 161–164.

40
Lai, C.-J., et al. (2011), ‘Effect of Background Music Tempo and Playing Method on Shopping Website Browsing’,
Smart Innovation, Systems and Technologies
, 10, 439–447.

41
Areni, C.S., and Kim, D. (1993), ‘The influence of background music on shopping behaviour: Classical versus Top Forty music in a wine store’, in
Advances in Consumer Research
, Volume 20 (eds. L. McAlister and M.L. Rothschild), pp. 336–340.

42
North, A.C., Shilcock, A., and Hargreaves, D.J. (2003), ‘The effect of musical style on restaurant customers’ spending’,
Environment and Behavior
, 35, 712–718.

43
Wilson, S. (2003), ‘The effect of music on perceived atmosphere and purchase intentions in a restaurant’,
Psychology of Music
, 31(1), 93–112.

44
North, A.C., Hargreaves, D.J., and McKendrick, J. (1999), ‘The effect of music on instore wine selections’,
Journal of Applied Psychology
, 84(2), 271–276.

45
Jacob, C., Guéguen, N., Boulbry, G., and Sami, S. (2009), ‘“Love is in the air”: congruence between background music and goods in a florist’,
The International Review of Retail, Distribution and Consumer Research
, 19(1), 75–79.

46
MacInnis, D.J., and Park, C.W. (1991), ‘The Differential Role of Characteristics of Music on High- and Low-involvement Consumers’ Processing of Ads’,
Journal of Consumer Research,
18, 161–173.

47
Oakes, S. (2007), ‘Evaluating Empirical Research into Music in Advertising: A Congruity Perspective’,
Journal of Advertising Research
, 47(1), 38–50.

48
Beverland, M., Lim, E.A.C., Morrison, M., and Terziovski, M. (2006), ‘In-store music and consumer–brand relationships: relational transformation following experiences of (mis)fit’,
Journal of Business Research
, 59 (9), 982–989.

49
Zander, M.F. (2006), ‘Musical influences in advertising: how music modifies first impressions of product endorsers and brands’,
Psychology of Music
, 34 (4), 465–480.

Chapter 6: Music at play

1
North, A.C., Hargreaves, D.J., and Hargreaves, J.J. (2004), ‘Uses of music in everyday life’,
Music Perception
, 22(1), 41–77.

2
Krause, A.E., North, A.C., and Hewitt, L.Y. (2013), ‘Music listening in everyday life: Devices and choice’.
Psychology of Music
, DOI: 10.1177/0305735613496860.

3
Besson, M., and Schön, D. (2001), ‘Comparison between language and music’,
Annals of the New York Academy of Sciences
, 930, 232–258.

4
Camurri, A., et al. (2004), ‘Multimodal Analysis of Expressive Gesture in Music and Dance Performances’,
Gesture-Based Communication in Human-Computer Interaction
, 2915, 20–39. Marin, M.M., and Bhattacharya, J. (2010), ‘Music induced emotions: Some current issues and crossmodal comparisons’, in J. Hermida and M. Ferrero (eds),
Music Education
(pp. 1–38). Hauppauge, NY: Nova Science Publishers.

5
Hagen, E.H., and Bryant, G.A. (2003), ‘Music and dance as a coalition signalling system’,
Human Nature
, 14(1), 21–51.

6
Witek, M.A.G. (2009), ‘Groove Experience: Emotional and Physiological Responses to Groove-Based Music’,
Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music, ESCOM
, University of Jyvaskyla. Senn, O., and Kilchenmann, L. (2011), ‘The secret ingredient – State of affairs and future directions in groove studies’, in Antonio Baldassarre (ed.),
Musik, Raum, Akkord, Bild – Festschrift for Dorothea Baumann’s 65th Birthday
, Bern: pp. 799–810.

7
Winkler, I., et al. (2009), ‘Newborn infants detect the beat in music’,
Proceedings of the National Academy of Sciences,
106, 2468–2471.

8
Honing, H., et al. (2012). ‘Rhesus monkeys (
Macaca mulatta
) detect rhythmic groups in music, but not the beat’,
PLOS ONE
, 7(12), e51369.

9
Patel, A.D., Iversen, J.R., Bregman, M.R., and Schulz, I. (2009), ‘Experimental evidence for synchronization to a musical beat in a nonhuman animal’,
Current Biology
, 19, 827–830.

10
Fitch, W.T. (2013), ‘Rhythmic cognition in humans and animals: distinguishing meter and pulse perception’,
Frontiers in Systems Neuroscience
, 31, 7:68.

11
Schachner, A., Brady, T.F., Pepperberg, I.M., and Hauser, M.D. (2009), ‘Spontaneous motor entrainment to music in multiple vocal mimicking species’,
Current Biology
, 19(10), 831–836.

12
Hattori, Y., Tomonaga, M., and Matsuzawa, T. (2013), ‘Spontaneous synchronized tapping to an auditory rhythm in a chimpanzee’,
Scientific Reports 3
, 1566. Cook, P., Rouse, A., Wilson, M., and Reichmuth, C. (2013),
‘A California Sea Lion (
Zalophus californianus
) Can Keep the Beat: Motor Entrainment to Rhythmic Auditory Stimuli in a Non Vocal Mimic’,
Journal of Comparative Psychology
.

13
Luck, G., Saarikallio, S., Thompson, M., Burger, B., and Toiviainen, P. (2012), ‘Hips don’t lie: Multi-dimensional ratings of opposite-sex dancers’ perceived attractiveness’, in E. Cambouropoulos, C. Tsougras, P. Mavromatis and K. Pastiadis (eds),
Proceedings of 12th International Conference on Music Perception and Cognition
(Thessaloniki, Greece).

14
Zillmann, D., and Bhatia, A. (1989), ‘Effects of associating with musical genres on heterosexual attraction’,
Communication Research
, 16(2), 263–288.

15
Guéguen, N., Jacob, C., and Lamy, L. (2010), ‘“Love is in the air”: Effects of songs with romantic lyrics on compliance with a courtship request’,
Psychology of Music
, 38(3), 303–307.

16
Guéguen, N., Meineri, S., and Fischer-Lokou, J. (2013), ‘Men’s music ability and attractiveness to women in a real-life courtship context’,
Psychology of Music
, published online 1 May 2013.

17
North, A.C., Tarrant, M., and Hargreaves, D.J. (2004), ‘The effects of music on helping behaviour: a field study’,
Environment and Behaviour
, 36(2), 266–275.

18
Lamy, L., Fischer-Lokou, J., and Guéguen, N. (2009), ‘Induced reminiscence of love and chivalrous helping’,
Current Psychology
, 28(3), 202–209.

19
LeDoux, J.E. (2000), ‘Emotion circuits in the brain’,
Annual Review of Neuroscience,
23, 155–184.

20
Koelsch, S., et al. (2006), ‘Investigating emotion with music: an fMRI study’,
Human Brain Mapping
, 27(3), 239–250. Blood, A.J., and Zatorre, R.J. (2001), ‘Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion’,
Proceedings of the National Academy of Sciences,
98(2), 11818–11823.

21
Griffiths, T.D., Warren, J.D., Dean, J.L., and Howard, D. (2004), ‘“When the feeling’s gone”: a selective loss of musical emotion’,
Journal of Neurology, Neurosurgery & Psychiatry,
75, 344–345.

22
Gosselin, N., et al. (2005), ‘Impaired recognition of scary music following unilateral temporal lobe excision’,
Brain
, 128(3), 628–640.

23
Eldar, E., et al. (2007), ‘Feeling the real world: limbic response to music depends on related content’,
Cerebral Cortex
, 17(12), 2828–2840.

24
Boltz, M.G. (2001), ‘Musical soundtracks as a schematic influence on the cognitive processing of filmed events’,
Music Perception
, 18:427–454.

25
Phan, K.L., Wager, T.D., Taylor, S.F., and Liberzon, I. (2002), ‘Functional neuroanatomy of emotion: a meta-analysis of emotion activation studies in PET and fMRI’,
Neuroimage
, 16(2), 331–348.

26
Cohen, A.J. (2001), ‘Music as a source of emotion in film’, in Juslin, P.N., Sloboda, J.A. (eds.),
Music and emotion
. New York: Oxford University Press. pp. 249–272.

27
Austin, A., Moore, E., Chordia, P., and Gupta, U. (2010), ‘Characterization of Movie Genre Based on Music Score’, in
Proceedings of the 35th IEEE Conference of Acoustics, Speech, and Signal Processing
, 421–424.

28
Baumgartner, T., Lutz, K., Schmidt, C.F., and Jäncke, L. (2006), ‘The emotional power of music: how music enhances the feeling of affective pictures’,
Brain Research
, 23, 1075(1), 151–164

29
Huron, D. (2011), ‘Why is sad music pleasurable? A possible role for prolactin’,
Musicae Scientiae
, 15(2), 146–158.

30
Koelsch, S. (2012),
Brain and music
. Wiley.

31
http://filmsound.org/gustavo/leitmotif-revisted.htm

32
Hargreaves, D.J., and North, A.C. (2008),
The Social and Applied Psychology of Music
. Oxford: Oxford University Press.

33
The British Association of Sport and Exercise Sciences statement on the use of music in exercise:
http://www.bases.org.uk/write/Documents/SES_EXPERT_3.pdf

34
Crust, L., and Clough, P.J. (2006), ‘The influence of rhythm and personality in the endurance response to motivational asynchronous music’,
Journal of Sports Sciences
, 24(2), 187–195.

35
Karageorghis, C.I., Terry, P.C., and Lane, A.M. (1999), ‘Development and initial validation of an instrument to assess the motivational qualities of music in exercise and sport: The Brunel Music Rating Inventory’,
Journal of Sports Sciences
, 17(9), 713–724.

36
Karageorghis, C.I., and Priest, D.L. (2012), ‘Music in the exercise domain: A review and synthesis (Part I)’,
International Review of Sport and Exercise Psychology
, 5(1): 44–66.

Other books

Ira Divina by José Rodrigues Dos Santos
Star Born by Andre Norton
Evenings at Five by Gail Godwin
Damaged and the Cobra by Bijou Hunter
Mustard on Top by Wanda Degolier
Fire Me Up by Katie MacAlister
War In Heaven by C. L. Turnage
Sweet Indulgences 2 by Susan Fox