Art of War (Barnes & Noble Classics Series) (48 page)

BOOK: Art of War (Barnes & Noble Classics Series)
11.37Mb size Format: txt, pdf, ePub
ads
33. How to make the best of both strong and weak—that is a question involving the proper use of ground.
Mei Yao-ch’ên’s paraphrase is: “The way to eliminate the differences of strong and weak and to make both serviceable is to utilise accidental features of the ground.” Less reliable troops, if posted in strong positions, will hold out as long as better troops on more exposed terrain. The advantage of position neutralises the inferiority in stamina and courage.
Col. Henderson says: “With all respect to the text books, and to ordinary tactical teaching, I am inclined to think that the study of ground is often overlooked, and that by no means sufficient importance is attached to the selection of positions . . . and to the immense advantages that are to be derived, whether you are defending or attacking, from the proper utilisation of natural features” [
The Science of War
].
34. Thus the skilful general conducts his army just as though he were leading a single man, willy-nilly, by the hand.
 
Tu Mu says: “The simile has reference to the ease with which he does it.” [The Chinese] means that he makes it impossible for his troops to do otherwise than obey.
35. It is the business of a general to be quiet and thus ensure secrecy; upright and just, and thus maintain order.
 
[The Chinese] seems to combine the meanings “noiseless” and “imperturbable,” both of which attributes would of course conduce to secrecy.
36. He must be able to mystify his officers and men by false reports and appearances, and thus keep them in total ignorance.
 
Ts’ao Kung gives us one of his excellent apophthegms: “The troops must not be allowed to share your schemes in the beginning; they may only rejoice with you over the happy outcome.”
“To mystify, mislead, and surprise the enemy,” is one of the first principles in war, as has been frequently pointed out. But how about the other process—the mystification of one’s own men? Those who may think that Sun Tzu is over-emphatic on this point would do well to read Col. Henderson’s remarks on Stonewall Jackson’s Valley campaign: “The infinite pains,” he says, “with which Jackson sought to conceal, even from his most trusted staff officers, his movements, his intentions, and his thoughts, a commander less thorough would have pronounced useless”—etc., etc. [
Stonewall Jackson
, Vol. 1].
In the year 88 A.D., . . . , “Pan Ch’ao took the field with 25,000 men from Khotan and other Central Asian states with the object of crushing Yarkand. The King of Kutcha replied by dispatching his chief commander to succour the place with an army drawn from the kingdoms of Wên-su, Ku-mo and Wei-t’ou, totalling 50,000 men. Pan Ch’ao summoned his officers and also the King of Khotan to a council of war, and said: “Our forces are now outnumbered and unable to make head against the enemy. The best plan, then, is for us to separate and disperse, each in a different direction. The King of Khotan will march away by the easterly route, and I will then return myself towards the west. Let us wait until the evening drum has sounded and then start.”
Pan Ch’ao now secretly released the prisoners whom he had taken alive, and the King of Kutcha was thus informed of his plans. Much elated by the news, the latter set off at once at the head of 10,000 horsemen to bar Pan Ch’ao’s retreat in the west, while the King of Wên-su rode eastwards with 8000 horse in order to intercept the King of Khotan. As soon as Pan Ch’ao knew that the two chieftains had gone, he called his divisions together, got them well in hand, and at cock-crow hurled them against the army of Yarkand, as it lay encamped.
The barbarians, panic-stricken, fled in confusion, and were closely pursued by Pan Ch’ao. Over 5000 heads were brought back as trophies, besides immense spoils in the shape of horses and cattle and valuables of every description. Yarkand then capitulating, Kutcha and the other kingdoms drew off their respective forces. From that time forward, Pan Ch’ao’s prestige completely overawed the countries of the west.” In this case, we see that the Chinese general not only kept his own officers in ignorance of his real plans, but actually took the bold step of dividing his army in order to deceive the enemy.
37. By altering his arrangements and changing his plans, he keeps the enemy without definite knowledge.
 
 
Chang Yü quotes [another commentator] as saying: “The axiom, that war is based on deception, does not apply only to deception of the enemy. You must deceive even your own soldiers. Make them follow you, but without letting them know why.”
By shifting his camp and taking circuitous routes, he prevents the enemy from anticipating his purpose.
38. At the critical moment, the leader of an army acts like one who has climbed up a height and then kicks away the ladder behind him. He carries his men deep into hostile territory before he shows his hand.
39. He burns his boats and breaks his cooking-pots; like a shepherd driving a flock of sheep, he drives his men this way and that, and none knows whither he is going.
 
Tu Mu says: “The army is only cognisant of orders to advance or retreat; it is ignorant of the ulterior ends of attacking and conquering.”
40. To muster his host and bring it into danger:—this may be termed the business of the general.
 
Sun Tzu means that after mobilisation there should be no delay in aiming a blow at the enemy’s heart. Note how he returns again and again to this point [see paragraph 23 above]. Among the warring states of ancient China, desertion was no doubt a much more present fear and serious evil than it is in the armies of to-day.
41. The different measures suited to the nine varieties of ground;
 
Chang Yü says: “One must not be hide-bound in interpreting the rules for the nine varieties of ground.”
BOOK: Art of War (Barnes & Noble Classics Series)
11.37Mb size Format: txt, pdf, ePub
ads

Other books

How to Kill a Rock Star by Debartolo, Tiffanie
Talk of the Town by Suzanne Macpherson
Twisted by Imari Jade
Blurring the Lines by Mia Josephs
Redwood Bend by Robyn Carr
So Pretty It Hurts by Kate White
Caught in the Net by Breanna Hayse
The Sword of Straw by Amanda Hemingway