Catherine De Medici (39 page)

"I shall be glad if they can lay my heart bare before you," said Marie, without the slightest fear.

"I know why sorcerers don't frighten you,--because you are a witch yourself."

"Will you have a peach?" she said, offering him some delicious fruit on a gold plate. "See these grapes, these pears; I went to Vincennes myself and gathered them for you."

"Yes, I'll eat them; there is no poison there except a philter from your hands."

"You ought to eat a great deal of fruit, Charles; it would cool your blood, which you heat by such excitements."

"Must I love you less?"

"Perhaps so," she said. "If the things you love injure you--and I have feared it--I shall find strength in my heart to refuse them. I adore Charles more than I love the king; I want the man to live, released from the tortures that make him grieve."

"Royalty has ruined me."

"Yes," she replied. "If you were only a poor prince, like your brother-in-law of Navarre, without a penny, possessing only a miserable little kingdom in Spain where he never sets his foot, and Bearn in France which doesn't give him revenue enough to feed him, I should be happy, much happier than if I were really Queen of France."

"But you are more than the Queen of France. She has King Charles for the sake of the kingdom only; royal marriages are only politics."

Marie smiled and made a pretty little grimace as she said: "Yes, yes, I know that, sire. And my sonnet, have you written it?"

"Dearest, verses are as difficult to write as treaties of peace; but you shall have them soon. Ah, me! life is so easy here, I wish I might never leave you. However, we must send for those Italians and question them. /Tete-Dieu/! I thought one Ruggiero in the kingdom was one too many, but it seems there are two. Now listen, my precious; you don't lack sense, you would make an excellent lieutenant of police, for you can penetrate things--"

"But, sire, we women suppose all we fear, and we turn what is probable into truths; that is the whole of our art in a nutshell."

"Well, help me to sound these men. Just now all my plans depend on the result of their examination. Are they innocent? Are they guilty? My mother is behind them."

"I hear Jacob's voice in the next room," said Marie.

Jacob was the favorite valet of the king, and the one who accompanied him on all his private excursions. He now came to ask if it was the king's good pleasure to speak to the two prisoners. The king made a sign in the affirmative, and the mistress of the house gave her orders.

"Jacob," she said, "clear the house of everybody, except the nurse and Monsieur le Dauphin d'Auvergne, who may remain. As for you, stay in the lower hall; but first, close the windows, draw the curtains of the salon, and light the candles."

The king's impatience was so great that while these preparations were being made he sat down upon a raised seat at the corner of a lofty fireplace of white marble in which a bright fire was blazing, placing his pretty mistress by his side. His portrait, framed in velvet, was over the mantle in place of a mirror. Charles IX. rested his elbow on the arm of the seat as if to watch the two Florentines the better under cover of his hand.

The shutters closed, and the curtains drawn, Jacob lighted the wax tapers in a tall candelabrum of chiselled silver, which he placed on the table where the Florentines were to stand,--an object, by the bye, which they would readily recognize as the work of their compatriot, Benvenuto Cellini. The richness of the room, decorated in the taste of Charles IX., now shone forth. The red-brown of the tapestries showed to better advantage than by daylight. The various articles of furniture, delicately made or carved, reflected in their ebony panels the glow of the fire and the sparkle of the lights. Gilding, soberly applied, shone here and there like eyes, brightening the brown color which prevailed in this nest of love.

Jacob presently gave two knocks, and, receiving permission, ushered in the Italians. Marie Touchet was instantly affected by the grandeur of Lorenzo's presence, which struck all those who met him, great and small alike. The silvery whiteness of the old man's beard was heightened by a robe of black velvet; his brow was like a marble dome.
His austere face, illumined by two black eyes which cast a pointed flame, conveyed an impression of genius issuing from solitude, and all the more effective because its power had not been dulled by contact with men. It was like the steel of a blade that had never been fleshed.

As for Cosmo Ruggiero, he wore the dress of a courtier of the time.
Marie made a sign to the king to assure him that he had not exaggerated his description, and to thank him for having shown her these extraordinary men.

"I would like to have seen the sorceresses, too," she whispered in his ear.

V

THE ALCHEMISTS

Again absorbed in thought, Charles IX. made her no answer; he was idly flicking crumbs of bread from his doublet and breeches.

"Your science cannot change the heavens or make the sun to shine, messieurs," he said at last, pointing to the curtains which the gray atmosphere of Paris darkened.

"Our science can make the skies what we like, sire," replied Lorenzo Ruggiero. "The weather is always fine for those who work in a laboratory by the light of a furnace."

"That is true," said the king. "Well, father," he added, using an expression familiar to him when addressing old men, "explain to us clearly the object of your studies."

"What will guarantee our safety?"

"The word of a king," replied Charles IX., whose curiosity was keenly excited by the question.

Lorenzo Ruggiero seemed to hesitate, and Charles IX. cried out: "What hinders you? We are here alone."

"But is the King of France here?" asked Lorenzo.

Charles reflected an instant, and then answered, "No."

The imposing old man then took a chair, and seated himself. Cosmo, astonished at this boldness, dared not imitate it.

Charles IX. remarked, with cutting sarcasm: "The king is not here, monsieur, but a lady is, whose permission it was your duty to await."

"He whom you see before you, madame," said the old man, "is as far above kings as kings are above their subjects; you will think me courteous when you know my powers."

Hearing these audacious words, with Italian emphasis, Charles and Marie looked at each other, and also at Cosmo, who, with his eyes fixed on his brother, seemed to be asking himself: "How does he intend to get us out of the danger in which we are?"

In fact, there was but one person present who could understand the boldness and the art of Lorenzo Ruggiero's first step; and that person was neither the king nor his young mistress, on whom that great seer had already flung the spell of his audacity,--it was Cosmo Ruggiero, his wily brother. Though superior himself to the ablest men at court, perhaps even to Catherine de' Medici herself, the astrologer always recognized his brother Lorenzo as his master.

Buried in studious solitude, the old savant weighed and estimated sovereigns, most of whom were worn out by the perpetual turmoil of politics, the crises of which at this period came so suddenly and were so keen, so intense, so unexpected. He knew their ennui, their lassitude, their disgust with things about them; he knew the ardor with which they sought what seemed to them new or strange or fantastic; above all, how they loved to enter some unknown intellectual region to escape their endless struggle with men and events. To those who have exhausted statecraft, nothing remains but the realm of pure thought. Charles the Fifth proved this by his abdication. Charles IX., who wrote sonnets and forged blades to escape the exhausting cares of an age in which both throne and king were threatened, to whom royalty had brought only cares and never pleasures, was likely to be roused to a high pitch of interest by the bold denial of his power thus uttered by Lorenzo. Religious doubt was not surprising in an age when Catholicism was so violently arraigned; but the upsetting of all religion, given as the basis of a strange, mysterious art, would surely strike the king's mind, and drag it from its present preoccupations. The essential thing for the two brothers was to make the king forget his suspicions by turning his mind to new ideas.

The Ruggieri were well aware that their stake in this game was their own life, and the glances, so humble, and yet so proud, which they exchanged with the searching, suspicious eyes of Marie and the king, were a scene in themselves.

"Sire," said Lorenzo Ruggiero, "you have asked me for the truth; but, to show the truth in all her nakedness, I must also show you and make you sound the depths of the well from which she comes. I appeal to the gentleman and the poet to pardon words which the eldest son of the Church might take for blasphemy,--I believe that God does not concern himself with human affairs."

Though determined to maintain a kingly composure, Charles IX. could not repress a motion of surprise.

"Without that conviction I should have no faith whatever in the miraculous work to which my life is devoted. To do that work I must have this belief; and if the finger of God guides all things, then--I am a madman. Therefore, let the king understand, once for all, that this work means a victory to be won over the present course of Nature.
I am an alchemist, sire. But do not think, as the common-minded do, that I seek to make gold. The making of gold is not the object but an incident of our researches; otherwise our toil could not be called the GREAT WORK. The Great Work is something far loftier than that. If, therefore, I were forced to admit the presence of God in matter, my voice must logically command the extinction of furnaces kept burning throughout the ages. But to deny the direct action of God in the world is not to deny God; do not make that mistake. We place the Creator of all things far higher than the sphere to which religions have degraded Him. Do not accuse of atheism those who look for immortality. Like Lucifer, we are jealous of our God; and jealousy means love. Though the doctrine of which I speak is the basis of our work, all our disciples are not imbued with it. Cosmo," said the old man, pointing to his brother, "Cosmo is devout; he pays for masses for the repose of our father's soul, and he goes to hear them. Your mother's astrologer believes in the divinity of Christ, in the Immaculate Conception, in Transubstantiation; he believes also in the Pope's indulgences and in hell, and in a multitude of such things. His hour has not yet come. I have drawn his horoscope; he will live to be almost a centenarian; he will live through two more reigns, and he will see two kings of France assassinated."

"Who are they?" asked the king.

"The last of the Valois and the first of the Bourbons," replied Lorenzo. "But Cosmo shares my opinion. It is impossible to be an alchemist and a Catholic, to have faith in the despotism of man over matter, and also in the sovereignty of the divine."

"Cosmo to die a centenarian!" exclaimed the king, with his terrible frown of the eyebrows.

"Yes, sire," replied Lorenzo, with authority; "and he will die peaceably in his bed."

"If you have power to foresee the moment of your death, why are you ignorant of the outcome of your researches?" asked the king.

Charles IX. smiled as he said this, looking triumphantly at Marie Touchet. The brothers exchanged a rapid glance of satisfaction.

"He begins to be interested," thought they. "We are saved!"

"Our prognostics depend on the immediate relations which exist at the time between man and Nature; but our purpose itself is to change those relations entirely," replied Lorenzo.

The king was thoughtful.

"But, if you are certain of dying you are certain of defeat," he said, at last.

"Like our predecessors," replied Lorenzo, raising his hand and letting it fall again with an emphatic and solemn gesture, which presented visibly the grandeur of his thought. "But your mind has bounded to the confines of the matter, sire; we must return upon our steps. If you do not know the ground on which our edifice is built, you may well think it doomed to crumble with our lives, and so judge the Science cultivated from century to century by the greatest among men, as the common herd judge of it."

The king made a sign of assent.

"I think," continued Lorenzo, "that this earth belongs to man; he is the master of it, and he can appropriate to his use all forces and all substances. Man is not a creation issuing directly from the hand of God; but the development of a principle sown broadcast into the infinite of ether, from which millions of creatures are produced, --differing beings in different worlds, because the conditions surrounding life are varied. Yes, sire, the subtle element which we call /life/ takes its rise beyond the visible worlds; creation divides that principle according to the centres into which it flows; and all beings, even the lowest, share it, taking so much as they can take of it at their own risk and peril. It is for them to protect themselves from death,--the whole purpose of alchemy lies there, sire. If man, the most perfect animal on this globe, bore within himself a portion of the divine, he would not die; but he does die. To solve this difficulty, Socrates and his school invented the Soul. I, the successor of so many great and unknown kings, the rulers of this science, I stand for the ancient theories, not the new. I believe in the transformations of matter which I see, and not in the possible eternity of a soul which I do not see. I do not recognize that world of the soul. If such a world existed, the substances whose magnificent conjunction produced your body, and are so dazzling in that of Madame, would not resolve themselves after your death each into its own element, water to water, fire to fire, metal to metal, just as the elements of my coal, when burned, return to their primitive molecules.
If you believe that a certain part of us survives, /we/ do not survive; for all that makes our actual being perishes. Now, it is this actual being that I am striving to continue beyond the limit assigned to life; it is our present transformation to which I wish to give a greater duration. Why! the trees live for centuries, but man lives only years, though the former are passive, the others active; the first motionless and speechless, the others gifted with language and motion. No created thing should be superior in this world to man, either in power or in duration. Already we are widening our perceptions, for we look into the stars; therefore we ought to be able to lengthen the duration of our lives. I place life before power. What good is power if life escapes us? A wise man should have no other purpose than to seek, not whether he has some other life within him, but the secret springs of his actual form, in order that he may prolong its existence at his will. That is the desire which has whitened my hair; but I walk boldly in the darkness, marshalling to the search all those great intellects that share my faith. Life will some day be ours,--ours to control."