Read Collected Earlier Poems Online
Authors: Anthony Hecht
Similarly the Turks, but know
Nothing of the more delicate thin sweat
Of plants, breathing their scented oxygen upon
Brooklyn’s botanical gardens, roofed with glass and run
So to the pleasure of each leafy pet,
Manured, addressed in Latin, so
To its thermostatic happiness—
Spreading its green and innocence to the ground
Where pipes, like Satan masquerading as the snake,
Coil and uncoil their frightful liquid length, and make
Gurglings of love mixed with a rumbling sound
Of sharp intestinal distress—
So to its pleasure, as I said,
That each particular vegetable may thrive,
Early and late, as in the lot first given Man,
Sans interruption, as when Universal Pan
Led on the Eternal Spring. The spears of chive,
The sensitive plant, showing its dread,
The Mexican flytrap, that can knit
Its quilled jaws pitilessly, and would hurt
A fly with pleasure, leading Riley’s life in bed
Of peat moss and of chemicals, and is thoughtfully fed
Flies for the entrée, flies for the dessert,
Fruit flies for fruit, and all of it
Administered as by a wife—
Lilith our lady, patroness of plants,
Who sings,
Lullay myn lykyng, myn owyn dere derlyng
,
Madrigals nightly to the spiny stalk in sterling
Whole notes of admiration and romance—
This, then, is what is called The Life.
And we, like disinherited heirs,
Old Adams, can inspect the void estate
At visiting hours: the unconditional garden spot,
The effortless innocence preserved, for God knows what,
And think, as we depart by the toll gate:
No one has lived here these five thousand years.
Our world is turned on points, is whirled
On wheels, Tibetan prayer wheels, French verb wheels,
The toothy wheels of progress, the terrible torque
Insisting, and in the sky, even above New York
Rotate the marvelous four-fangled seals
Ezekiel saw. The mother-of-pearled
Home of the bachelor oyster lies
Fondled in fluent shifts of bile and lime
As sunlight strikes the water, and it is of our world,
And will appear to us sometime where the finger is curled
Between the frets upon a mandolin,
Fancy cigar boxes, and eyes
Of ceremonial masks; and all
The places where Kilroy inscribed his name,
For instance, the ladies’ rest room in the Gare du Nord,
The iron rump of Buddha, whose hallowed, hollowed core
Admitted tourists once but all the same
Housed a machine gun, and let fall
A killing fire from its eyes
During the war; and Polyphemus hurled
Tremendous rocks that stand today off Sicily’s coast
Signed with the famous scrawl of our most travelled ghost;
And all these various things are of our world.
But what’s become of Paradise?
Ah, it is lodged in glass, survives
In Brooklyn, like a throwback, out of style,
Like an incomprehensible veteran of the Grand
Army of the Republic in the reviewing stand
Who sees young men in a mud-colored file
March to the summit of their lives,
For glory, for their country, with the flag
Joining divergent stars of North and South
In one blue field of heaven, till they fall in blood
And are returned at last unto their native mud—
The eyes weighed down with stones, the sometimes mouth
Helpless to masticate or gag
Its old inheritance of earth.
In the sweat of thy face shalt thou manage, said the Lord.
And we, old Adams, stare through the glass panes and wince,
Fearing to see the ancestral apple, pear, or quince,
The delicacy of knowledge, the fleshed Word,
The globe of wisdom that was worth
Our lives, or so our parents thought,
And turn away to strengthen our poor breath
And body, keep the flesh rosy with hopeful dreams,
Peach-colored, practical, to decorate the bones, with schemes
Of life insurance, Ice-Cream-After-Death,
Hormone injections, against the
mort
’
Saison
, largely to babble praise
Of Simeon Pyrites, patron saint
Of our Fools’ Paradise, whose glittering effigy
Shines in God’s normal sunlight till the blind men see
Visions as permanent as artists paint:
The body’s firm, nothing decays
Upon the heirloom set of bones
In their gavotte. Yet we look through the glass
Where green lies ageless under snow-stacked roofs in steam-
Fitted apartments, and reflect how bud and stem
Are wholly flesh, and the immaculate grass
Does without buttressing of bones.
In open field or public bed
With ultraviolet help, man hopes to learn
The leafy secret, pay his most outstanding debt
To God in the salt and honesty of his sweat,
And in his streaming face manly to earn
His daily and all-nourishing bread.
It was a miniature country once
To my imagination; Home of the Short,
And also the academy of stunts
Where acrobats are taught
The famous secrets of the trade:
To cycle in the big parade
While spinning plates upon their parasols,
Or somersaults that do not touch the ground,
Or tossing seven balls
In Most Celestial Order round and round.
A child’s quick sense of the ingenious stamped
All their invention: toys I used to get
At Christmastime, or the peculiar, cramped
Look of their alphabet.
Fragile and easily destroyed,
Those little boats of celluloid
Driven by camphor round the bathroom sink,
And delicate the folded paper prize
Which, dropped into a drink
Of water, grew up right before your eyes.
Now when we reached them it was with a sense
Sharpened for treachery compounding in their brains
Like mating weasels; our Intelligence
Said: The Black Dragon reigns
Secretly under yellow skin,
Deeper than dyes of atabrine
And deadlier. The War Department said:
Remember you are Americans; forsake
The wounded and the dead
At your own cost; remember Pearl and Wake.
And yet they bowed us in with ceremony,
Told us what brands of Sake were the best,
Explained their agriculture in a phony
Dialect of the West,
Meant vaguely to be understood
As a shy sign of brotherhood
In the old human bondage to the facts
Of day-to-day existence. And like ants,
Signaling tiny pacts
With their antennae, they would wave their hands.
At last we came to see them not as glib
Walkers of tightropes, worshipers of carp,
Nor yet a species out of Adam’s rib
Meant to preserve its warp
In Cain’s own image. They had learned
That their tough eye-born goddess burned
Adoring fingers. They were very poor.
The holy mountain was not moved to speak.
Wind at the paper door
Offered them snow out of its hollow peak.
Human endeavor clumsily betrays
Humanity. Their excrement served in this;
For, planting rice in water, they would raise
Schistosomiasis
Japonica, that enters through
The pores into the avenue
And orbit of the blood, where it may foil
The heart and kill, or settle in the brain.
This fruit of their nightsoil
Thrives in the skull, where it is called insane.
Now the quaint early image of Japan
That was so charming to me as a child
Seems like a bright design upon a fan,
Of water rushing wild
On rocks that can be folded up,
A river which the wrist can stop
With a neat flip, revealing merely sticks
And silk of what had been a fan before,
And like such winning tricks,
It shall be buried in excelsior.
My demoiselle, the cats are in the street,
Making a shrill cantata to their kind,
Accomplishing their furry, vigorous feat,
And I observe you shiver at it. You
Would rather have their little guts preserved
In the sweet excellence of a string quartet.
But, speaking for myself, I do not mind
This boisterous endeavor; it can do
Miracles for a lady who’s unnerved
By the rude leanings of a family pet.
What Argus could not see was not worth seeing.
The fishy slime of his one hundred eyes
Shimmered all over his entire being
To lubricate his vision. A Voyeur
Of the first order, he would hardly blench
At the fine calculations of your dress.
Doubtless the moonlight or the liquor lies
Somewhere beneath this visible
bonheur
,
Yet I would freely translate from the French
The labials of such fleet happiness.
“If youth were all, our plush minority
Would lack no instrument to trick it out;
All cloth would emphasize it; not a bee
Could lecture us in offices of bliss.
Then all the appetites, arranged in rows,
Would dance cotillions absolute as ice
In high decorum rather than in rout.”
He answered her, “Youth wants no emphasis,
But in extravagance of nature shows
A rigor more demanding than precise.”
“Pride is an illness rising out of pain,”
Said the ensnaffled Fiend who would not wince.
Does the neat corollary then obtain,
Humility comes burgeoning from pleasure?
Ah, masters, such a calculus is foul,
Of no more substance than a wasting cloud.
I cannot frame a logic to convince
Your honors of the urgent lawless measure
Of love, the which is neither fish nor fowl.
The meekest rise to tumble with the proud.
Goliath lies upon his back in Hell.
Out of his nostrils march a race of men,
Each with a little spear of hair; they yell,
“Attack the goat! O let us smite the goat!”
(An early German vision.) They are decked
With horns and beards and trappings of the brute
Capricorn, who remarked their origin.
Love, like a feather in a Roman throat,
Returned their suppers. They could not connect
Sentiment with a craving so acute.
Those paragraphs most likely to arouse
Pear-shaped nuances to an ovoid brain,
Upstanding nipples under a sheer blouse,
Wink from the bold original, and keep
Their wicked parlance to confound the lewd
American, deftly obscured from sin
By the Fig-Leaf Edition of Montaigne.
But “summer nights were not devised for sleep,”
And who can cipher out, however shrewd,
The Man-in-the-Moon’s microcephalic grin?
These public dances and other exercises of the young maidens naked, in the sight of the young men, were moreover incentives to marriage; and to use Plato’s expression, drew them almost as necessarily by the attraction of love as a geometrical conclusion is drawn from the premises.
PLUTARCH
Although I do not not know your name, although
It was a silly dance you did with apple flowers
Bunched in your hands after the racing games,
My friends and I have spent these several hours
Watching. Although I do not know your name,
I saw the sun dress half of you with shadow, and I saw
The wind water your eyes as though with tears
Until they flashed like newly-pointed spears.
This afternoon there was a giant daw
Turning above us—though I put no trust
In all these flying omens, being just
A plain man and a warrior, like my friends—
Yet I am mastered by uncommon force
And made to think of you, although it blends
Not with my humor, or the businesses
Of soldiering. I have seen a horse
Moving with more economy, and know
Armor is surer than a girl’s promises.
But it is a compelling kind of law
Puts your design before me, even though
I put no faith or fancy in that daw
Turning above us. There’s some rigor here,
More than in nature’s daily masterpiece
That brings for us, with absolute and clear
Insistence, worms from their midnight soil,
Ungodly honk and trumpeting of geese
In the early morning, and at last the toil
Of soldiering. This is a simple code,
Far simpler than Lycurgus has set down.
The sheep come out of the hills, the sheep come down
When it rains, or gather under a tree,
And in the damp they stink most heartily.
Yet the hills are not so tough but they will yield
Brass for the kitchen, and the soft wet hair
Of the sheep will occupy some fingers. In the bottom fields
The herd’s deposit shall assist the spring
Out of the earth and up into the air.
No. There is not a more unbending thing
In nature. It is an order that shall find
You out. There’s not a season or a bird can bring
You to my senses or so harness me
To my intention. Let the Helots mind
The barley fields, lest they should see a daw
Turning to perch on some adjacent tree
And fancy it their sovereign ruler. No.
However we are governed, it shall draw
Both of us to its own conclusion, though
I do not even know you by your name.