Complete Works of Joseph Conrad (Illustrated) (178 page)
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Authors: JOSEPH CONRAD
“‘Intimacy grows quick out there,’ I said. ‘I knew him as well as it is possible for one man to know another.’
“‘And you admired him,’ she said. ‘It was impossible to know him and not to admire him. Was it?’
“‘He was a remarkable man,’ I said, unsteadily. Then before the appealing fixity of her gaze, that seemed to watch for more words on my lips, I went on, ‘It was impossible not to — ’
“‘Love him,’ she finished eagerly, silencing me into an appalled dumbness. ‘How true! how true! But when you think that no one knew him so well as I! I had all his noble confidence. I knew him best.’
“‘You knew him best,’ I repeated. And perhaps she did. But with every word spoken the room was growing darker, and only her forehead, smooth and white, remained illumined by the unextinguishable light of belief and love.
“‘You were his friend,’ she went on. ‘His friend,’ she repeated, a little louder. ‘You must have been, if he had given you this, and sent you to me. I feel I can speak to you — and oh! I must speak. I want you — you who have heard his last words — to know I have been worthy of him. . . . It is not pride. . . . Yes! I am proud to know I understood him better than anyone on earth — he told me so himself. And since his mother died I have had no one — no one — to — to — ’
“I listened. The darkness deepened. I was not even sure whether he had given me the right bundle. I rather suspect he wanted me to take care of another batch of his papers which, after his death, I saw the manager examining under the lamp. And the girl talked, easing her pain in the certitude of my sympathy; she talked as thirsty men drink. I had heard that her engagement with Kurtz had been disapproved by her people. He wasn’t rich enough or something. And indeed I don’t know whether he had not been a pauper all his life. He had given me some reason to infer that it was his impatience of comparative poverty that drove him out there.
“‘. . . Who was not his friend who had heard him speak once?’ she was saying. ‘He drew men towards him by what was best in them.’ She looked at me with intensity. ‘It is the gift of the great,’ she went on, and the sound of her low voice seemed to have the accompaniment of all the other sounds, full of mystery, desolation, and sorrow, I had ever heard — the ripple of the river, the soughing of the trees swayed by the wind, the murmurs of wild crowds, the faint ring of incomprehensible words cried from afar, the whisper of a voice speaking from beyond the threshold of an eternal darkness. ‘But you have heard him! You know!’ she cried.
“‘Yes, I know,’ I said with something like despair in my heart, but bowing my head before the faith that was in her, before that great and saving illusion that shone with an unearthly glow in the darkness, in the triumphant darkness from which I could not have defended her — from which I could not even defend myself.
“‘What a loss to me — to us!’ — she corrected herself with beautiful generosity; then added in a murmur, ‘To the world.’ By the last gleams of twilight I could see the glitter of her eyes, full of tears — of tears that would not fall.
“‘I have been very happy — very fortunate — very proud,’ she went on. ‘Too fortunate. Too happy for a little while. And now I am unhappy for — for life.’
“She stood up; her fair hair seemed to catch all the remaining light in a glimmer of gold. I rose too.
“‘And of all this,’ she went on, mournfully, ‘of all his promise, and of all his greatness, of his generous mind, of his noble heart, nothing remains — nothing but a memory. You and I — ’
“‘We shall always remember him,’ I said, hastily.
“‘No!’ she cried. ‘It is impossible that all this should be lost — that such a life should be sacrificed to leave nothing — but sorrow. You know what vast plans he had. I knew of them too — I could not perhaps understand, — but others knew of them. Something must remain. His words, at least, have not died.’
“‘His words will remain,’ I said.
“‘And his example,’ she whispered to herself. ‘Men looked up to him, — his goodness shone in every act. His example — ’
“‘True,’ I said; ‘his example too. Yes, his example. I forgot that.’
“‘But I do not. I cannot — I cannot believe — not yet. I cannot believe that I shall never see him again, that nobody will see him again, never, never, never.’
“She put out her arms as if after a retreating figure, stretching them black and with clasped pale hands across the fading and narrow sheen of the window. Never see him! I saw him clearly enough then. I shall see this eloquent phantom as long as I live, and I shall see her too, a tragic and familiar Shade, resembling in this gesture another one, tragic also, and bedecked with powerless charms, stretching bare brown arms over the glitter of the infernal stream, the stream of darkness. She said suddenly very low, ‘He died as he lived.’
“‘His end,’ said I, with dull anger stirring in me, ‘was in every way worthy of his life.’
“‘And I was not with him,’ she murmured. My anger subsided before a feeling of infinite pity.
“‘Everything that could be done — ’ I mumbled.
“‘Ah, but I believed in him more than anyone on earth — more than his own mother, more than — himself. He needed me! Me! I would have treasured every sigh, every word, every sign, every glance.’
“I felt like a chill grip on my chest. ‘Don’t,’ I said, in a muffled voice.
“‘Forgive me. I — I — have mourned so long in silence — in silence. . . . You were with him — to the last? I think of his loneliness. Nobody near to understand him as I would have understood. Perhaps no one to hear. . . .’
“‘To the very end,’ I said, shakily. ‘I heard his very last words. . . .’
I stopped in a fright.
“‘Repeat them,’ she said in a heart-broken tone. ‘I want — I want — something — something — to — to live with.’
“I was on the point of crying at her, ‘Don’t you hear them?’ The dusk was repeating them in a persistent whisper all around us, in a whisper that seemed to swell menacingly like the first whisper of a rising wind. ‘The horror! The horror!’
“‘His last word — to live with,’ she murmured. ‘Don’t you understand I loved him — I loved him — I loved him!’
“I pulled myself together and spoke slowly.
“‘The last word he pronounced was — your name.’
“I heard a light sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. ‘I knew it — I was sure!’ . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn’t he said he wanted only justice? But I couldn’t. I could not tell her. It would have been too dark — too dark altogether. . . .”
Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. “We have lost the first of the ebb,” said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky — seemed to lead into the heart of an immense darkness.
ROMANCE
By Joseph Conrad and F. M. Hueffer
Conrad with his wife at their Ashford home
CONTENTS
PART FIRST — THE QUARRY AND THE BEACH
PART SECOND — THE GIRL WITH THE LIZARD
PART FOURTH — BLADE AND GUITAR
TO
ELSIE AND JESSIE
“C’est toi qui dors dans Vombre, O sacré Souvenir.”
If we could have remembrance now
And see, as in the days to come
We shall, what’s venturous in these hours:
The swift, intangible romance of fields at home,
The gleams of sun, the showers,
Our workaday contentments, or our powers
To fare still forward through the uncharted haze
Of present days. . . .
For, looking back when years shall flow
Upon this olden day that’s now,
We’ll see, romantic in dimm’d hours,
These memories of ours.
PART FIRST — THE QUARRY AND THE BEACH
ROMANCE
CHAPTER ONE
To yesterday and to to-day I say my polite “vaya usted con Dios.” What are these days to me? But that far-off day of my romance, when from between the blue and white bales in Don Ramon’s darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the typical West Indian store, the indescribable smell of damp gloom, of locos, of pimento, of olive oil, of new sugar, of new rum; the glassy double sheen of Ramon’s great spectacles, the piercing eyes in the mahogany face, while the tap, tap, tap of a cane on the flags went on behind the inner door; the click of the latch; the stream of light. The door, petulantly thrust inwards, struck against some barrels. I remember the rattling of the bolts on that door, and the tall figure that appeared there, snuffbox in hand. In that land of white clothes, that precise, ancient, Castilian in black was something to remember. The black cane that had made the tap, tap, tap dangled by a silken cord from the hand whose delicate blue-veined, wrinkled wrist ran back into a foam of lawn ruffles. The other hand paused in the act of conveying a pinch of snuff to the nostrils of the hooked nose that had, on the skin stretched tight over the bridge, the polish of old ivory; the elbow pressing the black cocked-hat against the side; the legs, one bent, the other bowing a little back — this was the attitude of Seraphina’s father.
Having imperiously thrust the door of the inner room open, he remained immovable, with no intention of entering, and called in a harsh, aged voice: “Señor Ramon! Señor Ramon!” and then twice: “Sera-phina — Seraphina!” turning his head back.
