Read Democracy of Sound Online
Authors: Alex Sayf Cummings
Tags: #Music, #Recording & Reproduction, #History, #Social History
TI,
208
Times Up
(Buzzcocks),
154
TMQ (Trade Mark of Quality) label,
102
–3,
113
,
152
Tokyo Round,
192
Top Hat label,
36
Touch of Evil
(Orson Welles),
63
Toyota,
208
trademark,
14
,
49
,
100
,
102
–3,
125
,
135
–6,
183
,
192
–4
Traffic,
158
“Trans Europe Express” (Kraftwerk),
166
transformative appropriation,
205
–6
transistor,
81
–2
Triple Cee,
167
TRIPS (Agreement on Trade Related Intellectual Property Rights),
193
–8
Troitsky, Artemy,
93
Troubled Troubadour
,
101
Tweedy, Jeff,
214
Twin/Tone Records,
163
UK Anti-Piracy Group,
184
Ultra Rare Trax series (The Beatles),
163
unfair competition,
32
,
46
–50,
73
,
75
,
118
,
125
,
130
,
136
,
142
United Nations World Intellectual Property Organization,
186
United States Constitution.
See
Constitution (US)
Universal Studios,
202
Uptown Records,
168
Uruguay Round,
192
–5
US Government Accountability Office,
208
US Record Corporation,
35
Vail, Theodore,
67
Varsity label,
35
Venzor, Osvaldo,
140
Verdi,
76
Viacom,
8
Vicky Vinyl,
156
Victor Talking Machine Company.
See
RCA Victor
Victorian era,
70
vinyl record,
11
–2,
38
,
76
,
84
–7,
95
,
121
,
131
,
135
,
142
,
176
,
180
as bootleg medium,
55
,
65
,
94
,
157
introduction of,
51
–2
Wagner-Nichols,
48
–9,
125
–6.
See also Metropolitan Opera v. Wagner-Nichols
(1950)
Walbrunn, Magda,
76
Walkman,
181
Warner Brothers,
108
Warner Communications International,
181
Wattenberg, Philip P.,
122
Watts, Alan,
106
War on Drugs,
212
–3
Wax label,
50
wax cylinder,
2
,
12
–6,
20
,
30
,
41
,
69
–70,
87
,
89
,
96
,
212
WBAI station,
108
(fig.)
WBO Broadcasting,
45
–6,
48
.
See also RCA v. Whiteman
(1940)
Weiss, Hy,
132
Welles, Orson,
63
Wenders, Wim,
93
Westerberg, Paul,
163
What’s Happening!!
,
150
–1
Whatever and Ever Amen
(Ben Folds Five),
8
White Album
(The Beatles),
99
–100,
104
White, Byron,
138
“White Power” (The Beatles),
104
Whiteman, Paul,
45
–6,
48
.
See also RCA v. Whiteman
(1940)
White-Smith Music Publishing Company.
See White-Smith v. Apollo
(1908)
White-Smith v. Apollo
(1908),
19
–21,
23
,
28
,
31
–2,
120
,
137
Whitford Committee (UK),
187
–8
Who, The,
94
Wilco,
214
–5
“Wild One” (Bobby Rydell),
57
Wilen, Dennis,
104
Wilson, Pete,
195
wire recording,
see
magnetic recording
Wizardo label,
153
WNEW station,
45
Wolff, Sanford,
147
Wood, Kimba,
200
Wood, Park,
124
–5
World’s Fair (1939),
69
WTO (World Trade Organization),
194
Yancey, Jimmy,
53
–5
“Yancey Special” (Meade Lux Lewis),
53
–4
Young, Neil,
115
ZAP (Ze Anonym Plattenspieler) label,
102
–3,
155
(fig.)
Zappa, Frank,
158
Zongo, Ousame,
212
Table of Contents
Part One The Birth and Growth of Piracy, 1877–1955
1. Music, Machines, and Monopoly
2. Collectors, Con Men, and the Struggle for Property Rights
3. Piracy and the Rise of New Media
Part Two The Legal Backl Ash, 1945–1998
4. Counterculture, Popular Music, and the Bootleg Boom
5. The Criminalization of Piracy
6. Deadheads, Hip-Hop, and the Possibility of Compromise
7. The Global War on Piracy