Authors: Marge Piercy
books, images like genii rose murmuring
your wish is my etcetera. But she
commanded nothing except my child
labor rubbing, scrubbing what could
never be clean, as factory soot
drifted down like ebony snow.
When there was wind, it found
every crack and chink in the walls.
On winter mornings, the windows
were etched with landscapes
of frost eerie and delicate.
Rising from my cold bed
into the cold room, my clothes
laid out for school stiff, rustling
with cold, I would run to stand
over the hot air register, hoping
the furnace had been fed coal.
My father’s cigarette cough
rattled from their room.
I smelled oatmeal. Once we
ate it for three weeks of hunger.
My clothes were shaped
by other bodies, my books
had corners turned down,
notes I could not read.
Rummage sales were our malls.
My mother fed birds, talking
with them as they flew to perch
near her, leftovers, stale bread,
crumbs. We too survived
on what no one else wanted.
I remember hauling carpets out to the clothes
lines in the yard and knocking the dust out
in great cough-making clouds with wire
carpet beaters like diagrams of cellos.
Defrosting the refrigerator required much
boiling of water on the stove and flat pans
into which fingers of ice fell. Every five
minutes water cooled and needed refilling.
The coal truck came and down the chute
into the coal bin the black rocks
clattered and thundered. The floors
upstairs shook in a local quake.
The furnace with its many arms lurked
in the basement and every few days
clinkers must be removed, often still
smoking, and ashes hauled out.
During the war we collected cans
and stomped them underfoot, handing
them in. We bundled newspapers,
magazines for distant factories.
I miss none of this. They were chores
not pleasures, but still I remember
and my age hangs on me like icicles
that bear down the branches of pine.
I am old enough to remember the sad
horses that pulled open-sided carts
loaded with vegetables and fruit,
the knife sharpener’s whirring stone,
the rag man in the alley, the closed
dripping wagon of the ice man.
They were always brown or grey.
They walked and stopped, walked
on then stopped, their heads bowed
under the burden of dragging
heaviness across hot asphalt, day
after day for what scant reward?
Police horses are bigger and glossy.
I never pitied them when they
charged us. They were the enemy
grim as war horses that snuffled
fire as they trampled the infantry,
stallions bred to die on pikes.
Even the glass bottles of milk
were carried to our breakfasts
by horses. The photographer
went house to house with his pony
black and white spotted, adorned
with bells, but the working stiffs
never had tails plaited or manes
brushed out. I spoke to them
and their red-rimmed eyes would
turn to me. Then off they would clop
clop in the harness we were
each supposed to grow into.
I kept a diary my twelfth summer
when we took our first long trip
since before the war. I wrote up
every meal, a skinny pale blue
child with sprouting sore breasts
I slumped to hide. Always hungry.
“For lunch at a place called The
Green Frog I had fried cat
fish, corn bread and mashed
potatoes. For dessert I ate
strawberry ice cream!! It
was all very delicious.”
Besides every piece of food
I mentioned only animals. An owl
tethered at a restaurant in Frankenmuth
Michigan, an owl called Jerry
a woman bathed and dried.
I described a horse who whinnied
at me over a fence in Wyoming.
I lovingly listed cattle and eagles,
antelope and elk, bison. Animals
I trusted as frightened children
do. My father’s temper. My mother’s
anger. I would have run away
with a wolf pack. In Yellowstone
I decided my future as a ranger.
I would live among pine trees
and follow bison through
the tall grass. We met a man
who lived up in a fire tower
and I wanted to become him.
I wanted a tower not like Rapunzel
to coax a lover to climb,
but to rise up and hide, high
above smoky buzzing Detroit
streets, the tiny asbestos shack
thrumming with unpaid bills
and the marriage of the cat
and dog with their unloved
offspring thin as a knife—
all of us with edges that
made each other bleed.
I remember the lakes of my Michigan
childhood. Here they are called ponds.
Lakes belonged to summer, two-week
vacations that my father was granted by
Westinghouse when we rented some cabin.
Never mind the dishes with spiderweb
cracks, the crooked aluminum sauce
pans, the crusted black frying pans.
Never mind the mattresses shaped
like the letter V. Old jangling springs.
Moldy bathrooms. Low ceilings
that leaked. The lakes were mysteries
of sand and filmy weeds and minnows
flickering through my fingers. I rowed
into freedom. Alone on the water
that freckled into small ripples,
that raised its hackles in storms,
that lay glassy at twilight reflecting
the sunset then sucking up the dark,
I was unobserved as the quiet doe
coming with her fauns to drink
on the opposite shore. I let the row-
boat drift as the current pleased, lying
faceup like a photographer’s plate
the rising moon turned to a ghost.
And though the voices called me
back to the rented space we shared
I was sure I left my real self there—
a tiny black pupil in the immense
eye of a silver pool of silence.
The girl was closed on herself
tight as a winter bud on a sugar
maple, protecting what lay within.
She imagined herself a foundling—
secret offspring of some kind, rich
parents, but the mirror contradicted.
Her shoulders hunched over newly
sprouted breasts sour as crab
apples and as hard to the touch.
Her shoulders hunched over dreams
cradled within like wet birds
just broken free of the eggshell.
Her hair fell over her face, a black
veil hiding her staring eyes that
sought distance and strange places.
Within her will was tempered
like fine steel by every rebuke
every insult, every beating—
a weapon she honed in dreams,
in solitude till its double-bladed
ax could knock a hole in any wall.
The neighborhood women
always came to my mother,
never she to them. Salesmen,
solicitors, invited couples
rang the front doorbell.
The women came to the grade
door in the yard, following
the cracked cement walk around
the asbestos siding, then knocking,
calling,
Bert
, my mother’s full name,
or softening it to
Bertie! Bertie
.…
She would summon them up
the steps to the kitchen past
rows of shoe polish and garden
tools on the shelf to the side
into the kitchen with its worn
yellow linoleum and oilcloth
covered table. She would serve
tea or lemonade and they would
hold out their palms to her,
hands cracked or water-softened
with labor, a few manicured,
some twisted with arthritis
to gnarled burls. She would study
their palms and then she would
tell them what was and would
be, what to fear and what to
avoid and sometime promises
of windfalls or even love.
Again and again they came
as if she could change their
futures. Sometimes she’d give
them folk remedies for ailments
they would not tell the doctor
or hadn’t the money for him.
By four she’d shoo them out
because what
she
feared might
come at any moment, my father’s
bolt of temper, acid mockery.
She wiped the table and set it.
My mother cooked as drudgery
the same fifteen dishes round
and round like a donkey bound
to a millstone grinding dust.
My mother baked as a dance,
the flour falling from the sifter
in a rain of fine white pollen.
The sugar was sweet snow.
The dough beneath her palms
was the warm flesh of a baby
when they were all hers before
their wills sprouted like mushrooms.
Cookies she formed in rows
on the baking sheets, oatmeal,
molasses, lemon, chocolate chip,
delights anyone could love.
Love was in short supply,
but pies were obedient to her
command of their pastry, crisp
holding the sweetness within.
Desserts were her reward for endless
cleaning in the acid yellow cloud
of Detroit, begging dollars from
my father, mending, darning, bleaching.
In the oven she made sweetness
where otherwise there was none.
By the river of Detroit
I did not weep but sulked
and stormed and bit hard
into anything sweet or
succulent I came upon.
My adolescence was grey,
fogged in with prohibitions
My lust was a stunted gnarled
tree that bore onions—
fruit tough as horse chestnuts.
I would have run off
with any stranger who asked.
I beat against the walls
of my room like a rabid
bat and in my diary
I confessed madness
and amorphous sins I
could find no partner
to share. I praised suicide
and went on crossly living.
I understand those girls
who hang themselves in closets.
Wait, I want to whisper,
then run and hide and run
out of that mangling time
only jocks, pink girls and idiots
think wonderful. Get
thee to a place where
other freaks and geeks
flourish and join the dance.
I walk down the same street
as always past the same brick
apartment house with the marble
step, past the scabby clapboard
the owners never bother to paint.
There’s the porch with plastic
geraniums, there’s the woman
with the goiter peering through
lace curtains hoping to spy
an affair or theft ripe for gossip.
There’s the house where upstairs
Dolly’s dressinggown caught fire
at the stove. I watched firemen
carrying her out. Her dog
went whimpering after them,
was left at the curb. How
could I know that cloudy morning
was the last? In my mind
those houses still stand peeling,
lace curtained, everything stuck
in a diorama of working-class
fifties while I am the bird
that has flown east, south, west,
across the ocean and back
to some place but never there.
Oh my city of origin, city who taught
me about class and class warfare,
who informed me how to survive
on your ashgrey burning streets
when as a Jew I was not white yet,
easy among friends of all colors,
how you have been plundered
and picked to pitted rusting bones.
Around you squat suburbs that never
saw a rat or woke to sirens cutting
machete wounds through the night,
whose lush lawns were fertilized
by your jobs exported to China,
by bodies of desperate murders.
This sand is fertile. Two years
after fire leaves a blackened pit
bushes are already sprouting
among blue and gold wildflowers.
In blocks of zombie houses, crack
houses, walls of gang graffiti,
where packs of wild dogs turn back
to wolves and the police never come,
people still try with little help
to remake community, to reach up