Authors: Marge Piercy
Suppose hell were a room
where the lovers you broke
up with, the spouses you left,
the friends you discarded
all were waiting to question
you, with no time limit ever
but the explanations could last
halfway into eternity. Who
wouldn’t sooner leap into
a fire? There is no excuse
for the end of love or for
the fact that it never started
its engine into that lovely
roar but just coughed again
and again until you gave up
and got out and went off.
Some friendships are just not
sturdy enough to bear the daily
wear and weight. How to say,
but simply you bored me.
Then all the people you did
not help, the ones you hung
up on, letters unanswered,
loans denied, calls not returned
that endless line will be snaking
through the horizon, waiting
to demand what you would
not give, life’s unpaid bills.
Our minds cannot hold the dead.
They seep away. Their voices,
gone to silence no matter how
hard I try to cup them in my ear.
Their faces come apart, cubist
explosions of dark eyes, blue,
grey green, her nose, his flyaway
hair, the crumpled skin of hands.
Did she really say that? Or was
it April instead of October? What
year did measles hit? The color
of her red dress with fishscale sequins.
Did the glass break when he slammed
the door? He told that joke forty
times at least. Then suddenly he
laughs in my hair and I know him.
How we come apart in death,
not only our bodies decomposing
but our lives, stuck in random
pieces in the brains of others
who loved or hated us, who carry
us in memory or in their genes, who
slowly must let us drift like autumn
leaves down to the final ground.
We lie inert half open and spent
like flowers just past peak, loosened
but gloriously scented. When
a couple loves intensely, we
are even closer after sex than
during. More content. We still
touch but lightly in a kind of lull
that is totally complete.
We never ask, how was that
for you, because we know.
Practice makes whatever
of perfection we can have.
No longer joined at genitals
but in a larger longer joining
two meandering hard flowing
rivers melding into one.
We lie at peace on the sunporch
the woods all around us, wrens
tittering, a dragonfly just over
us on the translucent roof,
two cats snoozing one on each
red cushion and Xena watching
those wrens through the screen.
Everybody is safe. Today. Now.
The wonder of it, building a home
in one another after so many false
starts, collapses, fires set
intentionally or by default,
paper houses the cold winds
blew into shreds.
Our foundation was tentative
enough, part-time. We began
with a rickety lean-to propped
against the walls of previous
matings. Then brick of trust
by brick we laid
this structure in which we
dwell, decade upon decade,
adding a room here, a bay
window to let the sun come
in, a new roof to keep out
the wind and snow.
Repairing is work that never
lets up, always some leak or stained
wall, loose floorboard, burnt
out plug. But we’ll never leave
this house except feet first
on a final stretcher.
NOTE ON A RECIPE IN A COOKBOOK
I could use some time in a marinade
myself. Perhaps Madeira on winter
evenings. A nice refreshing Chablis.
Champagne would be ritzy but ticklish.
A nice dry martini bath on hot days
would soften me up nicely.
Some days I feel leathery
as a snapping turtle. Some days
I am dry as burnt pie dough.
Some days the winds of trouble
have left me scorched and crumbly.
Sometimes I’m just a bald tire.
Yes, prepare me a marinade, dear.
Soak me in it overnight. Tomorrow
you’ll find me far easier to digest.
Strange, these soft lumps on my front.
Like men with their pricks, women
whose breasts are large tend to be
somewhat obsessed with you.
We are always having to watch out
for you, pick out bras with the care
men spend selecting a new car.
Can’t lie on my stomach for long.
Watch you don’t get bumped too
hard. Notice blouses won’t button
when otherwise they fit just fine.
Men stare at them when addressing
me as if my nipples were talking.
Some of us are selfconscious,
wearing muumuus and sweat
shirts or layer over layer. Others
seek clothes that show you off.
My identity contains a streak
of you. But sometimes I feel
as if I walk around behind you
like a person behind a parade
float, just tagging along.
All the words I never spoke in time
in the flashing moments when they
could have, might have but didn’t—
they follow me like vultures circling
so that I know something rotten
lies in the field. The apologies
never delivered age in the dead
letter office of the brain, yellowing.
But the promises’ broken bits
have worked their way into
the mattress and poke my sleep,
words I should never have said.
Gossip, curses, whispers behind
closed doors, in bed; words
hurled in argument, justification,
the stinging gnats of lies:
sticky words, overpoweringly
fragrant like lilies in a closed room,
rancid, spiky. Such are words made
flesh, made bread, made dagger.
Missing can be seen as a hole
in the heart, that imaginary
valentine where we store
our emotions.
Absence of someone loved
can be a presence, a lack
that whispers, that raises
hair on your neck
with fear of no return.
Final absence is a black
hole sucking your whole
life into it unless
you thrust it from you
again and again and
again, supper with the plate
solemn as a moon;
two a.m. waking to empty-
ness louder than a shout;
a voice you hear, but
no one is speaking, ever.
Nobody rules. They all
take turns. I can never
tell who will chase who
playing war over the couch
and chairs, round and
round again until suddenly
they stop as if a whistle
blew in their heads.
Five of them, aged fifteen
to two. Who will curl
together making one cushion
of patchwork fur? Who
will painstakingly lick
a friend, washing and
cuddling. Who will growl
at their friend of last hour?
The one rule is where each
sleeps at night, their spot
in the bed and with whom?
It is written in bone.
What traces have I left
on all the bodies I have held?
Do they remember my mouth?
Let them forget.
Some come like cats howling
in the night for sex withheld.
Some have gone from my mind.
Their scent has drifted off.
Some I remember with anger
but that too runs down the drain.
Maybe the sink is still dirty.
Maybe the water is clean.
I dream of none of them.
I dream of my mother and cats.
I dream of danger and hunger.
I dream my dying.
What prints do we leave
on old lovers? Do they wash
off or wear down? Sometimes
they turn up expecting
that I will be that girl they
bedded, maybe they still
see her smooth and willing.
They find only me
like an old oak rooted deep,
like a cat who has learned
where to find her food
and where she will only starve.
What we weave, day into night into day
now and again, I’m sure looks lumpy
rough burlap from the outside, but
in its house like an oriole’s nest
hanging from our sugar maple, we curl
and coil and feed and doze together.
We exchange dreams in the thick
night. We pass tasks between us.
We polish each other’s noses
like doorknobs. We crawl into
each other turning round and round
like a cat making a place to sleep.
A long marriage is a quiet epic
full of battles won and lost and ended
by treaties and half forgotten,
of full-throated songs and whispered
treatises, of wispy and rocky promises,
of friendships that dried up like old
apples stored too long and friendships
with cycles of famine and plenty. Cycles
of discovery exploring new islands, cycles
of retreat back into the couple exploring
each other’s strange core and familiar
skin, making it new again and again.
I gripped you like a speckled serpent
sinewy, twisting in my tiring arms,
finally breaking free to bite me.
I thought us more alike than we
ever were. In part we invented
each other in a clouded mirror.
We talked, oh long into the night
but did we ever listen? What
did we hear but our wishes?
I gave and you graciously
accepted and then I resented.
When is my turn that never came?
The turning came: the scorpion end
with the poison sting in its tail.
The polychrome egg of our friend-
ship broke open and the rot within
dyed the air mustard yellow. How
long ago that embryo must’ve died.
Unless illness sticks a knife in you
between the ribs like a mugger
from behind, you never imagine
your death until your friends
begin to die. There you are
in a field suddenly stripped bare
with a north wind sandpapering
your skin and when you look
around, where have all the flowers
and bushes and prancing hares
gone? Where are the quick
foxes, the wandering butterflies?
Even your dog at heel has passed
under the soil and rain pours
through him. Then you feel the skull
pressing through your cheeks
as if eager to expose itself
like a flasher in the park.
All the friends, the lovers,
the cats and dogs with whom
you shared rooms and beds—
their memories bloom like ghost
flowers brighter, more vivid
than the remaining weeds that grow.
My old cat Malkah howls at night
waking me. Sometimes I’m
kind, get up and bring her
to bed, pet and cuddle.
Sometimes I’m pissed off
chase her from the bedroom
shut the door tight. I wonder
what she is wanting in darkness
when we are all in bed, when
even the other cats sleep.
She is frail, gets two kinds
of medicine daily.
I am not so frisky myself—
arthritis in my knees
from a treadmill accident
in a run-down gym.
I think her howling scares
me because I hear in it
the vault of loneliness old
age threatens to us all.
That I could face not so much
death but years of getting up
in a silent house, pottering
around talking to myself
because there is no one
to care any longer what
I say and so my words
dry up and turn to dust.
Pumpkin I call you, sweet
and spicy pie. Mango
juicy. Scotch bonnet hot.
Dark chocolate. Espresso.
Fresh squeezed orange
juice thick with pulp.
You come through for
me time after time and
again. Reliable as Old
Faithful. Solid as granite.
You always give me
the gift of laughter.