the factory or something that happened to her as a child, in
01
Poland.
02
“I can’t give her back her finger, or her family. But she
03
should be treated the right way, in America, after all.” He
04
pauses. “You know what scares me the most?”
05
“What?” I whisper.
06
“That people will forget, and it will happen again. Another
07
Hitler, more camps. If Jews aren’t seen as equal, then when
08
will it ever stop?” Something clenches hard in my chest, so
09
hard that for a moment I cannot breathe. What if Joshua’s
10
right? What if it could happen to me again?
But Margie Frank-
11
lin is not a Jew,
I remind myself.
And it could not in happen
12
America. Maybe a few terrible incidents, but not another Hitler.
13
More camps.
14
We stop at the entrance to my building, and I turn and
15
look at Joshua. In the soft shadow of the moonlight, he tilts
16
his head, and he looks younger than he does at work, sitting
17
there at his desk, his brow stretched with concentration. Now
18
I can see Joshua as a younger man, a teenager, like the Peter
19
I remember. He is vulnerable, in the moonlight, pondering
20
about the fate of humanity. I want to reach up and touch his
21
cheek, but I clasp my hands together, not only because Joshua
22
might think it strange if I touched him, but also because the
23
feeling of Peter and me there, that last night on the divan, it
24
so fresh in my mind now. It feels wrong that I should like
25
Joshua so much. A betrayal.
26
Joshua lets go of my arm, and he looks at me. I blink, until
27
Peter’s face disappears. In the moonlight Joshua’s gray-green
S28
N29
01
eyes take on a yellowish cast.
You know what scares me
02
most
. . .
When will it ever stop?
03
“Okay,” I say to him now.
04
“Okay?”
05
“I will help you.”
06
He smiles at me and puts his hand on my shoulder, a ges
07
ture of kindness, or maybe it is just to make sure I am steady
08
on my feet. We are standing close now, close enough that I
09
could feel his breath almost against my cheek as he spoke.
10
His eyes trace my face, as if he is seeing something the way
11
he did that day in January when Alaska became a state and
12
he invited me for a drink.
13
He begins to say something else, then stops and hesitates
14
for a moment, and he takes a step back.
15
“What is it?” I ask.
16
“I was just thinking I could walk you up, say hi to Mr.
17
Katz.” My heart pounds so hard and loud in my chest that I
18
am certain that Joshua can hear it, or possibly even see it puls
19
ing through my sweater. Joshua wants to walk up, come inside
20
my apartment? I try to remember if I put the yellow paper back
21
in my satchel, my sister’s book back on the shelf, my pile of
22
freshly laundered sweaters back in the drawer . . . “But it’s get
23
ting late,” Joshua says. He shrugs. “I probably shouldn’t.”
24
“Another time,” I say, and the boldness of my words sur
25
prises me.
26
“Another time,” he repeats. He smiles at me, and takes
27
another step back, so he is walking away now, slowly, but
28S
away nonetheless. I turn to walk into my building. “Margie,”
29N
he calls out, and his voice echoes against the empty night
sidewalk. I turn back around to look at him. “I’m lucky to have
01
you, you know that?”
02
He smiles at me, and waves and then he turns and takes
03
off walking quickly back toward Sixteenth Street as I walk
04
inside,
stilllight-headed.
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
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S28
N29
01
02
03
04
Chapter Nineteen
05
06
07
08
09
10
11
12
13
14
When I first came to work for Joshua in January of
15
1956, I did not realize he was the kind of lawyer who defends
16
criminals, or that later on he would become the kind of
17
lawyer who would convince me to help him with a case like
18
Bryda’s.
19
I’m thinking about this Monday morning as Joshua’s new
20
client, Charles Bakerfield, a rich man accused of killing his
21
wife, is sitting in the chair by my desk, waiting for Joshua to
22
arrive for their ten o’clock appointment. Charles is tall, with
23
green eyes that chill me a little when he stares at me too hard
24
as I am typing.
25
Joshua is running late this morning. At five minutes to ten,
26
he has not even stepped foot in the office yet, and I am filled
27
with a nervous sort of anticipation, not only because of
28S
Charles Bakerfield’s intense stare, but also at the thought of
29N
seeing Joshua again, this morning.
I’m lucky to you have you,
01
you know that, Margie.
02
I’m lucky to be here,
I think.
03
I saw Joshua’s advertisement in the
Inquirer
for a legal sec
04
retary the week before Christmas, 1955, over a lunch with Ilsa
05
of ginger tea and ham sandwiches, in which I’d cautiously
06
removed the ham and eaten only the bread and cheese. Just
07
before lunch, I had helped Ilsa string garlands and tinsel
08
around the thick evergreen tree that rested in front of their
09
fireplace, where Ilsa had hung an extra stocking, just for me.
10
Ilsa had asked me to climb the ladder and place the yellow
11
star on top of the tree. Not the Star of David. The Star of
12
Death. But a star that seemed all wrong, so unfamiliar that to
13
me, it barely looked like a star at all.
14
“After lunch, we’ll unpack the baby Jesus,” Ilsa said to me
15
as she chewed delicately on her ham. My days with Ilsa were
16
spent alongside her as she shopped and decorated. She taught
17
me to sew curtains and make dolls. She consulted me on mat
18
ters of color and materials, dinner recipes and grocery lists. I
19
knew she was trying so hard to be kind, to include me in her
20
life, so I would never tell her that decorating made my brain
21
feel dull, that her ham and her baby Jesus and her star, they
22
all made me feel more than a little uneasy, even if I had
23
already told her that I no longer planned on being Jewish in
24
America.
25
Then I saw it, there in the paper, Joshua’s notice:
Rosen-
26
stein, Greenberg and Moscowitz.
Their Jewishness, it was right
27
there, so obvious.
S28
N29
01
I couldn’t help it. I had to apply. There is this wayward sort
02
of homesickness that eats Margie Franklin, the Gentile, at
03
her core. In the law office often, even now, it is the place
04
where I feel most at home.
05
06
07
Joshua arrives promptly at ten and ushers Charles Bakerfield
08
right back into his office. He runs in quickly, without even so
09
much a glance at me, and I am overcome with a sense of
10
disappointment. I’m not sure what I was expecting, really, but
11
it wasn’t that.
12
I watch them now through the glass window, Joshua and
13
Charles. Charles seems much taller than Joshua even just
14
sitting across the desk from him. It’s possible Charles is inno
15
cent, though more likely, I think, he is not. The majority of
16
the law firm’s clients are not who I would count among the
17
good people of the world, but the ones who are accused mur
18
derers, they make me the most uneasy. Shelby says that
19
someone has to defend them, that it is only fair and right
20
under American law that a person is innocent until proven
21
guilty, but still, I wish it didn’t have to be Joshua.
22
This is a case Ezra has insisted Joshua take on. Shelby and
23
I had listened last week as Ezra had yelled at Joshua about it
24
through the paper walls, talking about redemption and bring
25
ing in some money for the firm. Joshua either hadn’t responded
26
to Ezra’s rant, or had kept his voice low enough so Shelby and
27
I hadn’t heard his reply.
28S
So I suppose I can understand it, then, why Joshua wants
29N
to help Bryda so badly. Why he is asking so much of me, more
01
than he knows.
Money is not greatness,
he told me.
Bravery is
02
greatness.
Still, sitting there at my desk, watching the two of
03
them through the glass, watching Joshua pull at the nonexis
04
tent beard on his chin, I realize that helping Joshua with
05
Bryda’s case, it will not be the same at all as helping him type
06
notes and compile documents for a trial, not even a murder
07
trial.
08
This will be no different,
I tell myself.
No different from all
09
the other lies I’ve told.
Yet somehow it feels different.
10
11
12
Joshua’s meeting lasts nearly two hours, and when Charles
13
Bakerfield exits, with an almost eerily contemptuous nod in
14
my direction, Joshua walks out of his office right behind,
15
looking browbeaten.
16
“Lunch?” he says to me, quietly, tapping the corner of my
17
metal desk with his forefinger. He grabs his hat from the rack,
18
and tosses it atop his curls.
19
Shelby stops typing, and her jaw nearly plummets to the
20
floor. I can almost see the wheels of her brain turning, won
21
dering about his weekend with Penny, and about the fact that
22
Joshua and I went to lunch together on Friday. And she does
23
not even know about the drink on Friday night. I think again
24
about him standing there, on Ludlow Street, the way his voice
25
floated and his eyes traced my face, and I have the strangest
26
feeling that we share something now, something more than
27
work, a thought which makes me smile.
S28
N29
01
Joshua turns and looks at Shelby, and she nods at him and
02
continues her typing. I stand up, grab my satchel, and follow
03
him to the elevator.
04
05
06
“You have to eat more than an apple and a cup of soup,”
07
Joshua says as we stand in line at Isaac’s counter. “Really,
08
don’t be shy about it, Margie.”
09
“I’m not a big lunch person,” I say. Or dinner. Or breakfast.
10
“All right.” Joshua shrugs. “As long as it’s not on my account.”
11
I shake my head. “But really, Margie, you’re thin as a bird. I
12
worry about you, and I say that as a friend not as your boss.”
13
“I’m fine,” I say, because lies, they are so easy now. And
14
really, what I’m thinking about is that Joshua has called me a
15
friend, that my thought back in the office was right: somehow
16
we are connected now, more than we were. Bryda Korzynski,
17
her case, it has made Joshua begin to see me.
I’m lucky to have
18
you, Margie.
This is a thought that both thrills and terrifies me.
19
“So I wanted to tell you what I’ve done,” Joshua says, after
20
we are seated at the same table by the window. I gnaw care
21
fully on my apple. I nod, and he continues. “I stopped at the
22
Inquirer
offices this morning before work. That’s why I was so
23
late. Anyway, the ad will begin running tomorrow. It has your
24
phone number, with a note to call between the hours of five
25
and six only. This way, it will only be an extra hour you will
26
be bothered with work, and you can leave a little early to
27
make it home by five, all right?”
28S
“All right,” I say, though secretly, I am already hoping that
29N
no one calls. I think Joshua is overestimating. He does not
really understand it, as much as he may want to, the contin
01
ued need to hide and to stay hidden. Bryda Korzynski cannot
02
be the only one who feels she deserves more than she is get
03
ting at the factory, but how many others will truly come for
04
ward to complain openly as she has done?
05
“Let’s have lunch again at the end of the week, and you
06
bring the list of callers with you. Then we’ll see where we are.”
07
“Okay,” I say. His eyes seem greener in the daylight, and
08
because we are sitting by the large picture window, sunlight
09
streams past me and onto his face. I smile at him.
10
But he shakes his head, as if his mind is off somewhere
11
else, perhaps contemplating the fate of humanity once more.
12
“You know that man who was in my office all morning?”
13
he finally says. I nod. “He’s guilty as sin,” Joshua whispers.
14
“And I’m going to keep him out of jail.”
15
“That’s your job,” I tell him, though it seems little conso
16
lation.
17
“Yeah,” he says, and his voice is thick with something I
18
don’t recognize from him. Joshua, whose voice is usually so
19
easy, so filled with that American happiness. Now there is a
20
layer of something like gloom, or sadness. “That’s my job,” he
21
repeats, and then I realize what it is. Joshua is bitter. Joshua
22
dislikes his job.
23
How is it that I have worked for him for three years, this
24
whole time, watching him through the glass by his office door
25
as his brow furrowed in concentration, his gray-green eyes
26
dancing with laughter, and I have not understood before now,
27
how unhappy Joshua is with his work?
S28
Maybe Joshua is as good at lying as I am.
N29