Paradiso (182 page)

pessimism about future of the Church,
XXVII.136–138

speaking in present tense,
XXXIII.61

“three Dantes,”
XXXIII.91–93

use of acrostics,
XIX.115–139

use of
exempla
,
XVII.133–142
,
XIX.18

Dante (as author):

Convivio
,
I.1
,
1–36
,
37–45
;
II.1–6
,
10–12
,
59–60
,
112–114
,
139–141
;
III.91–96
;
IV.24
,
25
,
33
,
43–48
,
49–54
,
82–87
,
139–142
;
V.1–6
,
129
;
VI.34
,
40–42
,
55–57
;
VIII.3
,
9
,
12
,
34–39
,
39
,
40–41
,
55–57
,
112–114
,
118–120
,
136
;
IX.40
,
49–51
;
X.1–6
,
6
,
9
,
32–33
,
37–39
,
52–54
,
61–63
,
109–114
,
121–129
;
XI.5
,
67–69
;
XII.3
,
9
,
82–85
;
XIII.16–18
,
59
,
97
,
133–138
,
139
;
XIV.88–96
,
97–102
,
101
;
XV.22–24
,
26
;
XVI.1–9
,
33
;
XVII.58
,
91–93
,
118
,
127–129
;
XVIII.22–27
,
74
,
91–93
,
91
;
XIX.40
,
79–81
,
85
;
XX.6
,
121
;
XXI.25–27
;
XXII.145–146
;
XXIV.5
,
134
;
XXVII.9
,
61–63
,
100–102
,
115–120
,
145–148
,
148
;
XXVIII.55–57
,
97–129
,
130–135
;
XXIX.50
;
XXX.1–3
,
4–6
,
25–27
,
30
,
38–42
,
XXXI.19–27
,
140
;
XXXII.35

De vulgari eloquentia
,
IX.84
;
XIII.139
;
XVI.10–12
,
33
;
XVII.31
;
XIX.133–138
;
XXIII.64–66
;
XXIV.4
;
XXVI.114
,
124–126
,
134
;
XXVIII.105
;
XXIX.70–81
;
XXX.22–27

Egloghe
,
XV.51
;
XXIII.55–59
,
130–132
;
XXV.1
,
7
,
7–9

Epistola a Cangrande
,
I.1–36
,
2–3
,
4
,
9
,
10–12
,
13–36
,
13–15
;
IV.13–15
,
43–48
,
55–63
;
IX.29–30
;
X.131–132
;
XI.139
;
XIII.103–105
;
XIV.33
;
XVII.52–54
,
85
;
XVIII.91–93
;
XXIII.50
;
XXIV.4
;
XXVI.16–18
;
XXVIII.55–57
;
XXXI.109–111

Epistole
(I–XII),
IV.29
;
XI.99
;
XVII.46–48
,
118
;
XXII.16–18
,
151
;
XXIII.133–135
;
XXIV.4
;
XXVII.145–148
;
XXX.133–138
,
135
,
139

Monarchia
,
VI.35–36
,
55–57
,
82–91
,
94–96
;
VIII.55–57
,
112–114
;
X.27
;
XI.99
;
XIII.125
,
140–142
;
XV.26
;
XVI.1–9
;
XVII.118
;
XIX.88–90
;
XX.8
,
55–60
;
XXI.127–135
;
XXII.151
;
XXIV.59
,
124–126
;
XXVII.61–63
,
136–138
;
XXIX.70–81
;
XXXI.30

Questio
,
VIII.112–114

Rime
,
XXV.2
,
4

Vita nuova
,
III.1
;
VII.14
;
XV.39
,
48
;
XXIII.31–33
,
49–51
,
54
,
64–66
;
XXV.8
,
18
;
XXVI.13–15
,
42
;
XXVII.1–3
,
67–72
;
XXX.25–27
,
28–29
;
XXXI.79–81
,
103–111
;
XXXIII.121

Il Fiore
(attributed to Dante by some),
II.59–60
;
X.133–138
;
XXX.124

dating of
Monarchia
,
V.19–24

David,
IV.29
;
VI.55–57
;
XVIII.118–136
;
XX.37–39
,
40–42
;
XXIV.70–78
,
73–78
;
XXVI.135
;
XXXII.11–12
;
XXXIII.1

decretals,
IX.133–135

desire, language of,
I.7

“digressions” in
Paradiso, Intro
. (3)

Dionysius the Areopagite,
X.115–117
;
XXIX.97–102
,
100

Donatus, as “people’s grammarian,”
XII.137–138

Dostoyevski, Fyodor,
XVII.91–93

“double truth” and Siger of Brabant,
X.133–135

duration of time in
Paradiso, Intro
. (2)

eagle, capacity to look directly into the Sun,
I.46–48

earth, circumference of,
XXX.1–3

effige
(likeness),
XXXIII.96

Egidio Romano,
XXVI.130

Eliot, T.S.,
XXII.67

epic:

autobiographical narrative,
XV.130–148

Calliope, Muse of,
XVIII.82

Chanson de Roland
,
XVIII.43

chansons de geste
,
XVIII.46

classical,
I.12
;
VI.2–3
;
X.82–99
;
XI.67–69
;
XX.19–21

martial,
I.68
;
XVIII.28–36
,
39

“mini-epic,”
VI.1
;
XVIII.51

theological,
Intro.
(1)

epicyclical motion,
VIII.3
,
12

Euclid,
XIII.101–102

Eusebius,
XXVI.118–120

examination in theology, medieval universities,
XXIV.46–51
,
48

exilic figures (Adam, Virgil, Dante),
XXVI.116

faith, implicit,
XIX.103–105

fioco
(weak, indistinct),
XXXIII.121

first figures in each canticle,
III.35–36

first women in each canticle,
III.97–99

flesh of the saved, corruptible or incorruptible?
VII.145–148

Florence, last time mentioned in the poem,
XXXI.39

Folchetto di Marsiglia,
IX.40
,
77–78
,
82–93
,
94
,
96
,
106–108
,
124–126
;
XII.46–47
;
XXVI.132

Forese Donati,
III.47–48
;
XII.71–75
;
XV.95–96

form (Scholastic term),
I.106–108
;
III.79

Francesca da Rimini,
III.85
,
86–87
,
97–99
;
V.1–2
;
VIII.9
;
XVI.13–15
,
16–18
;
XXV.19–24
;
XXIX.9
;
XXX.11

Francis, St.,
III.1
,
X.70–75
,
121–129
;
XI.43–117
,
53–54
,
58–60
,
61–63
,
64–66
,
91
;
XII.35
;
XXII.37–45
;
XXXII.37–39

Franciscans, Spiritual vs. Conventual,
XI.58–60
;
XII.124–126

frate
(brother), presence of the word in the
Commedia,
III.70–84
;
XXII.61

Friars Minor, Order of,
XI.79–84

fullness of time (
kairos
),
VI.55–57
;
XXVII.148

Gades
(and not Cadiz),
XXVII.82

giardino
(garden),
XXIII.71

Giovanni del Virgilio,
IX.29–30
;
XV.28–30
,
51
;
XXI.115–139
;
XXV.1
,
1–9
,
7–9

glossolalia
,
VII.1–3
,
6
;
XV.32–33
,
39

Goethe, Johann Wolfgang von,
XXXIII.144

grace, as operating or cooperating,
XII.40–45

gravity, spiritual,
I.136–141
;
III.86–87

“great prayers” of the Church,
XXVII.1–3

Great Year (Platonic),
XXVI.121–123

Gregory the Great (pope),
VIII.34–39
;
XVII.27
;
XX.106–117
,
108
;
XXII.37–45
;
XXVIII.130–135
;
XXIX.133–135

Guinizzelli, Guido,
IX.96
;
XII.26–30
;
XV.16–18
;
XVI.16
;
XXVIII.4

hapax legomenon
,
VIII.3
;
X.27
;
XI.82
,
99
;
XII.91
;
XIV.1–9
,
33
,
88–96
,
96
;
XV.74
;
XVII.31
;
XX.13–15
,
121
;
XXIII.43
,
50
,
132
;
XXVI.44
,
76
;
XXVII.115–120

Hegel,
VI.31–33

Henry VII:

as, in Dante’s mind, in the imperial line of chosen emperors,
VI.82–91
;
VIII.49–51
;
XXX.137

as Saul,
IV.29

Cangrande as heir to his imperial project,
XVII.78
,
91–93

death as reflected by tone of depiction of Charles Martel,
VIII.49–51

Italy as unripe for his guidance,
XXX.133–138

opposition of Pope Clement V,
XVII.82–84

Scaligieri as imperial vicars of,
XVII.70–71
,
76–90

Hezekiah, as “type” of Dante,
XX.49–51

holocaust (burnt offering),
XIV.89

Homer,
XXIII.64–66

honorific
voi,
XVI.10–12
,
16–18
;
XVIII.130
,
XXXI.79–90

Horace,
XXIII.4–6
;
XXVI.137–138

Hugh of St. Cher,
I.70–72

hyle
(unformed matter),
XXIX.22–24
,
51

hymns sung in the Starry Sphere,
XXIV.113–114

hysteron proteron,
II.23–26
;
V.91–92
;
VII.112–120
;
XXII.109–110
;
XXXII.4–6

Iacopone da Todi,
XI.64–66

Icarus,
X.70–75
;
XV.54
;
XXXII.145–148

impresa
(enterprise),
XXXIII.95

inconsistencies in
Paradiso, Intro.
(1);
III.29–30
;
IV.34
;
VI.74
;
IX.119–123
;
XIV.108
;
XX.130–148
;
XXVIII.135

ineffability,
I.1–36
;
XIV.103

ingegno
(genius),
IV.40
;
XIV.103
;
XVIII.82–87
;
XXII.112–123

ingegno
paired with
arte,
XIV.117

invocations,
I.36
;
XVIII.82–87
,
82
;
XXII.112–123
,
121–123
;
XXIII.61–63
;
XXIV.58–60
;
XXX.97–99
;
XXXIII.67–75

Isidore of Seville,
XXI.111
;
XXIV.59
;
XXVI.118–120
,
134
;
XXVIII.133–135

Jason,
II.1–18
,
16
,
17–18
;
XVI.28–32
;
XXV.1–9
,
7

Jerome, St.,
V.66–68
;
VII.1–3
;
XIII.140–142
;
XVIII.91–93
;
XXVI.118–120
;
XXIX.37–45
,
82–84
,
97–102
,
100

Jews in Heaven,
XXXI.25–27

Joachim of Flora’s three ages,
XIV.28–29
,
67–68

John of Sacrobosco,
XXVIII.13–15

John the Baptist,
XVIII.130–136
;
XXIV.13–18
;
XXV.1–9

John the Evangelist,
IV.29
;
XXXII.127–129
,
139

John XXII (pope),
XXVII.22–24
,
58–60
,
136–138
;
XXX.129
,
148

Julius Caesar,
VI.52–53
,
55–72
,
61–63
,
69
,
76–78
,
82–91
,
88–90
;
XV.28–30
;
XVI.10–12
;
XX.67–72

justice:

and Justinian,
VI.1–27

Aristotle’s eleventh moral virtue,
XX.121

as central theme of
Commedia
,
XVIII.91–93
,
91