Playing with Piper (Menage MfM Romance Novel) (Playing for Love Book 3)

BOOK: Playing with Piper (Menage MfM Romance Novel) (Playing for Love Book 3)
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Playing With Piper (A Menage MfM Romance Novel)
A Playing For Love Novel
Tara Crescent

Text copyright © 2016 Tara Crescent

All Rights Reserved

N
o part
of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. 

T
his book is
a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

My editor Jim takes the comma-filled words that emerge from my keyboard and shapes it into a story worth reading. As always, my undying gratitude.

Cover Design by Eris Adderly,
http://erisadderly.com/

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Never on a Sunday

Stephanie Rice has her sex life all figured out. She fucks six different men on six days of the week. Monday is the Chef. Tuesday, the Technician. Wednesday is the Playboy. Thursday, Mr. Buttman has his way with her. Friday, she has an appointment with the Doctor, and on Saturday, the Dominant works her over.

On Sunday, she normally does laundry. However, on this particular Sunday, her worlds collide. All six men find out about each other, and they are determined to give Stephanie an evening she will never forget.

1

If you can't stand the heat, get out of the kitchen.

Harry S. Truman

Piper:

B
ad news
always comes in threes,
my Aunt Vera used to say. Judging from the day I’m having, she was right.

The first blow comes from my restaurant’s landlord.  “Ms. Jackson,” Michael O’Connor wheezes into the phone. “I’m afraid I’m going to have to increase your rent.”

My heart sinks to my toes. I’ve been dreading this moment ever since I took over
Aladdin’s Lamp
in early January and discovered the lease was going to expire in five months.

Mr. O’Connor is a nice older man who lives above the restaurant, and he seems to have had a soft spot for my Aunt Vera, from whom I inherited the place. But property developers have been sniffing around, and I know he’s been getting offers.

“How much?” I ask, my fingers crossed as I hope for the best.

“Three thousand dollars a month,” he responds. His voice softens with sympathy. “I’m sorry, Piper. I know that’s a steep increase…”

“But it’s still below market rate,” I finish. “I understand, Mr. O’Connor.”

He promises me the increase won’t take effect for another month and he hangs up.

Of course, I can’t afford three thousand extra dollars. I’m already struggling to stay afloat. But there’s nothing I can do, so I get dressed and trudge toward the restaurant. If I’m lucky, we’ll have a larger lunch crowd than normal.

I
’m not lucky
— the place is almost empty. I don my chef’s hat and apron and take over from Josef, the surly Lebanese man who loosely functions as my sous-chef. The reason I say loosely? Josef has a pretty serious alcohol problem, and doesn’t show up to work on any kind of regular basis.

Not for the first time, I wish I could fire him, but Aunt Vera’s will forbids me from doing so. I’m not allowed to fire any of the existing staff unless I can give them a year’s salary as a severance bonus. I’m stuck with Josef, who fails to show up to work every third day, and Kimmie, who chews gum in front of the customers. My only useful employee is the waitress I hired a month after I took over. Petra is a gem.

“I’ve made the lentil soup,” Josef says, wobbling a little as he speaks. Great, he’s drunk already. I make a mental note to taste the soup before I send it out, when my cell phone vibrates in my pocket.

I look at the display and grimace. It’s my mother. Cue the second disaster of the day.

“Darling,” she exclaims when I answer. “Are you sitting down?”

This is Lillian Jackson’s standard greeting when she has some piece of gossip to give me. “No mother,” I reply. “I’m working.”

She huffs dismissively. My mother thinks
Aladdin's Lamp
is a hobby of mine, and one day, I’ll get tired of playing chef, go back home to New Orleans, and marry some suitable young man from the right family. Trying to get her to take what I do seriously is a waste of time, and I don’t even try. “What’s the matter?” I ask, hoping she’ll get to the point quickly.

“Your cousin Angelina is getting married,” she responds. “Piper dear, this is going to be hard for you to hear, so I thought I should be the first person to tell you. She’s getting married to Anthony. You remember Anthony, don’t you? Your fiancé?” Her breath catches. “Piper, I’m so sorry, honey.”

“Ma, I’m fine.”
So much drama.
Anthony and I went on five dates before he proposed in front of the entire family on Christmas Eve, knowing I’d be pressured into saying
yes
. My break up with him was the topic of gossip for my mother’s friends for months.

Kimmie’s come in with a ticket, and she gives me an impatient look. I need to get working on it. I can’t afford to chase away the small handful of customers I have. “Anthony and I are old history,” I tell her. “I’m very excited for Angelina. Listen, I have to go, okay? Some diners just walked in.”

“Your father and I are very worried about you, Piper,” she pronounces, ignoring my feeble attempt at ending our conversation. “We’re coming up to see you.”

My heart sinks. Oh God, more family interference. “You are?”

“Yes dear.” Her tone is firm. “We’ve already bought our airline tickets. We’re coming this weekend.”

“Ma.” I exhale in annoyance. “I work in a restaurant. I can’t take the weekend off, you already know that.” I’ve said this to my mother a million times. She never listens.

“Don’t be ridiculous, dear.” She dismisses my concern with an airy laugh. “Of course you can. You’re in charge, aren’t you? You can do whatever you want.”

I bite my tongue and count to ten.
Just tell them you can’t entertain them,
a voice inside me urges.
Tell them your rent was increased by three thousand dollars. Tell them you’re on the verge of failure, and you can’t afford to take a weekend off. Tell them that Sebastian Ardalan, a two-star Michelin chef, didn’t think your restaurant would survive another six months in business, and you’re feeling bruised and damaged as a result.

But I’ve never been able to effectively stand up to my mother. My moments of rebellion are few and far between. Most of the time, I just do as I’m told. It seems easier that way.

Kimmie’s tapping her feet in annoyance. I need to get off the phone. “Fine,” I sigh. “I’ll see you in a few days. I have to go now.”

I hang up and fight the urge to bang my head repeatedly against the ancient walk-in freezer. The damn thing is temperamental and will probably just stop working.

It’s just after noon, and already, my day is a wreck.

Troubles always come in threes,
Aunt Vera used to say.

I wonder what lies ahead.

2

The past is strapped to our backs. We do not have to see it; we can always feel it.

Mignon McLaughlin

Owen:

I
meet
Eduardo Mendez at a busy McDonald’s, where a constant stream of people enter and leave, and no one gives two men seated in a corner a second glance.

“Lamb.” The detective greets me, his voice a raspy growl, as always, rendered hoarse by the two packs of cigarettes he smokes each day.

I nod in reply, feeling the familiar excitement rush up and grip me. Mendez has a job for me. He never makes contact otherwise.

I take a sip of my steaming hot coffee and wait for him to speak. In the seventeen years I’ve known him, I’ve learned Mendez can’t be rushed. Whatever he wants, he’ll tell me when he’s ready.

“Hell’s Kitchen,” he says at last. “What do you know about it?”

I know enough to avoid it. The Manhattan neighborhood of Hell’s Kitchen has rapidly gentrified in the last couple of decades, but before its revitalization, it was home to poor and working class Irish Americans. Given my past, it’s not the safest neighborhood for me to spend time in. The death sentence on me has never been lifted, and if someone wanted to curry favor with those in charge back in Dublin, they might think that killing me is the best way. “Not a lot.”

He coughs. “Word on the street is that the Westies are moving back in.”

“In Hell’s Kitchen?” I raise an eyebrow. “The neighborhood’s been clean for decades.”

“I’m telling you what I know,” he snaps. “The opium trade is flourishing, and these guys aren’t dealing on street corners anymore. They’re using local restaurants to distribute.” He fixes me with a piercing look. “You know what that’s like, don’t you, Lamb?”

Just like that, the memories come rushing back. My mother’s voice, raised in argument with my father. He wants to testify against the mob; my mom urges caution.
What if they come for us?
Even now, even after seventeen years, I hear the fear she’s trying to conceal.
What about me? Aileen? Owen?

And my dad replies, his voice always clear in my mind.
Someone needs to fight for what’s right.

They’d both been right and they’d both been wrong. Someone did need to fight for what was right, and the Gilligan’s crime syndicate had come for my parents and baby sister. The only reason I’d survived was because I’d snuck out for a very illegal cigarette.  

I shake my head to clear it. The past always threatens to overwhelm me. Mendez knows exactly what he’s doing. My
da
died fighting the mob. I won’t let them win.

“What do you need me to do?”

He pushes a list toward me. “I need intel,” he says. “You’re in the restaurant business. These are our list of suspects right now. Get close to them, see what you can find out about their finances.”

I run my gaze down the names, and I recognize a few of them. Two in particular jump out,
Emerson’s
and
Aladdin’s Lamp
.

Max Emerson came to us, looking for half a million dollars, but we turned him down last week. However,
Aladdin’s Lamp
is still in play. My partner Wyatt and I have eaten there every day for the last two weeks, on the recommendation of our friend Sebastian Ardalan, but we haven’t yet decided if we’re interested in the place.

It’s time to kick it up a notch. If Mendez needs to find out what’s going on at
Aladdin's Lamp
, the easiest way is to invest in it.

“Let me see what I can do.” I drain my coffee and rise to my feet. “I’ll be in touch.”

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