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PURGATORIO
JEAN HOLLANDER
is a poet, teacher, and was director of the Writers’ Conference at the College of New Jersey. She has published three books of her poems.
ROBERT HOLLANDER
, her husband, taught Dante’s
Divine Comedy
to Princeton students for forty-two years. He is the author of a dozen books and some ninety articles on Dante and/or Boccaccio. He has received many awards, including the gold medal of the city of Florence, in recognition of his work on Dante.
THE INFERNO
“There has seldom been such a useful [version].…The Hollanders … act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page.”
—The Economist
“The virtues of prose raised to a quiet, sometimes stunning elegance.…Reading Dante with Hollander could become addictive.”
—Tom D’Evelyn,
The Providence Journal
“A distinguished act of poetry and scholarship in one and the same breath, the Hollander Dante, among the strong translations of the poet, deserves to take its own honored place.”
—Robert Fagles, translator of
The Iliad
and
The Odyssey
“The present volume makes the poem accessible to the lay reader and appealing to the specialist: the translation is both faithful to the original and highly readable; the introduction and notes are dense without being overly scholarly; the bibliography consists predominantly of studies in English, encouraging further investigation by English-language readers.…A highly worthy new
Inferno
that is the mature fruit of years of scholarly, pedagogical, and creative work.”
—Choice
“The New
Inferno
, as this is likely to be called, is both majestic and magisterial and the product of a lifelong devotion to Dante’s poetry and to the staggering body of Dante scholarship. The Hollanders capture each and every accent in Dante, from the soft-spoken, effusive stilnovista poet, to the wrathful Florentine exile, to the disillusioned man who would become what many, including T.S. Eliot, consider the best poet who ever lived. The Hollanders’ adaptation is not only an intelligent reader’s Dante, but it is meant to enlighten and to move and ultimately to give us a Dante so versatile that he could at once soar to the hereafter and remain unflinchingly earthbound.”
—André Aciman, author of
Out of Egypt: A Memoir
“The notes following each canto, besides being up-to-date in scholarly terms, and full of the insight produced by decades of teaching, reflection, and scholarship, are of genuinely useful length and pertinence. The decisions they made about the translation seem completely successful.…This is the translation for our time and probably beyond.”
—National Review
“A brisk, vivid, readable—and scrupulously subtle—translation, coupled with excellent notes and commentary. Every lover of Dante in English should have this volume.”
—Alicia Ostriker
“This new version of
The Inferno
wonderfully captures the concision, directness, and pungency of Dante’s style. Like a mirror, it reflects with clarity and precision the Italian original. Each canto’s set of copious, authoritative notes complements the facing-page Italian and English translation. A grand achievement.”
—Richard Lansing, Professor of Comparative Literature, Brandeis University
“English-speaking lovers of Dante are doubly in the Hollanders’ debt: first, for this splendidly lucid and eminently readable version of Dante’s Hell, and second, for the provocative, elegantly written commentary, which judiciously synthesizes a lifetime of deeply engaged, wide-ranging scholarship, as well as the past six centuries of commentary on the poem. No student of Dante would want to be without it.”
—John Ahern, Antolini Professor of Italian Literature, Vassar College
