and worshipped as religious personages, all other rulers with life-and-death power over individuals were cloaked in an aura of religiosity. Historical records show that from the time of [the legendary tyrant] Chi You, and in the case of [less than benevolent figures like] Qin Shihuang, Xiang Yu, Wang Mang, Dong Zhuo, Cao Cao, and Su Jun, 8 harsh rulers were treated with awe and commemorated in special temples with religious observances by later generations. Because of this venerable tradition Mao's actual sentiment for the people, or his munificence, or even his tyranny that was expressed so succinctly in his line that "for the 800 million Chinese, struggling is a way of life," is not really a major issue. 9 With the consolidation and expansion of his power it was inevitable that he become deified.
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Mao's deification was synchronous with his political apotheosis. According to reports in the Beijing Evening News, Mao badges made an appearance in and around Yan'an as early as 1945. After 1949, Mao's transmogrification continued apace.
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In 1950 the famous writer Lao She produced a play called "Fang Zhenzhu." It was a story about a performer of traditional theater who benefits from communist rule. Lao She was particularly pleased with the opening line: "A True Dragon and Son of Heaven has appeared in Yan'an; he's liberated Beijing and now sits on the Imperial Throne." Although the personality cult of the Cultural Revolution was dressed up in revolutionary garb, in essence its well-springs can only be found in traditional folk religious belief and practice. To speak of Mao [as in the lines of the song "Sailing the Seas Depends on the Helmsman" 10 ] in terms of being "the Sun, sustainer of all things" is no different from the ancient belief in the nourishing powers of divinity.
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Faith in the omnipresence of nonworldly power was reinforced during the Cultural Revolution. When everything elseall belief systems and cultural normswas swept away and overthrown, Mao Zedong became the supreme and all-powerful super god, the "Sun that never sets." Mao was invested with a type of power equal, if not superior, to all other religious systems, expressed in such beliefs that he was the Sun, "sustainer of all things," a being who "turned the universe red." Because he was both omnipotent and omnipresent, people felt they could invest themselves with an "ever victorious" power through quasi-religious practices not dissimilar to shamanistic ritual and self-flagellation. They therefore paid homage to his image, sang Mao quotation songs, chanted his sayings, performed the Loyalty Dance, ''struggled against self-interest and repudiated revisionism," 11 and so on.
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Faith in the power of the Red Sun in the Cultural Revolution was very much like ancient shamanistic belief. Both held that the power of the spirit
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