Tender is the Night (33 page)

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Authors: F. Scott Fitzgerald

BOOK: Tender is the Night
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“Home!” she roared in a voice so abandoned that its louder tones wavered and cracked. “And sit and think that we're all rotting and the children's ashes are rotting in every box I open? That filth!”

Almost with relief he saw that her words sterilized her, and Nicole, sensitized down to the corium of the skin, saw the withdrawal in his face. Her own face softened and she begged, “Help me, help me, Dick!”

A wave of agony went over him. It was awful that such a fine tower should not be erected, only suspended, suspended from him. Up to a point that was right: men were for that, beam and idea, girder and logarithm; but somehow Dick and Nicole had become one and equal, not apposite and complementary; she was Dick too, the drought in the marrow of his bones. He could not watch her disintegrations without participating in them. His intuition rilled out of him as tenderness and compassion—he could only take the characteristically modern course, to interpose—he would get a nurse from Zurich, to take her over to-night.

“You
can
help me.”

Her sweet bullying pulled him forward off his feet. “You've helped me before—you can help me now.”

“I can only help you the same old way.”

“Some one can help me.”

“Maybe so. You can help yourself most. Let's find the children.”

There were numerous lottery booths with white wheels—Dick was startled when he inquired at the first and encountered blank disavowals. Evil-eyed, Nicole stood apart, denying the children, resenting them as part of a downright world she sought to make amorphous. Presently Dick found them, surrounded by women who were examining them with delight like fine goods, and by peasant children staring.

“Merci, Monsieur, ah Monsieur est trop généreux. C'était un plaisir, M'sieur, Madame. Au revoir, mes petits.”

They started back with a hot sorrow streaming down upon them; the car was weighted with their mutual apprehension and anguish, and the children's mouths were grave with disappointment. Grief presented itself in its terrible, dark unfamiliar color. Somewhere around Zug, Nicole, with a convulsive effort, reiterated a remark she had made before about a misty yellow house set back from the road that looked like a painting not yet dry, but it was just an attempt to catch at a rope that was playing out too swiftly.

Dick tried to rest—the struggle would come presently at home and he might have to sit a long time, restating the universe for her. A “schizophrène” is well named as a split personality—Nicole was alternately a person to whom nothing need be explained and one to whom nothing
could
be explained. It was necessary to treat her with active and affirmative insistence, keeping the road to reality always open, making the road to escape harder going. But the brilliance, the versatility of madness is akin to the resourcefulness of water seeping through, over and around a dike. It requires the united front of many people to work against it. He felt it necessary that this time Nicole cure herself; he wanted to wait until she remembered the other times, and revolted from them. In a tired way, he planned that they would again resume the régime relaxed a year before.

He had turned up a hill that made a short cut to the clinic, and now as he stepped on the accelerator for a short
straightaway run parallel to the hillside the car swerved violently left, swerved right, tipped on two wheels and, as Dick, with Nicole's voice screaming in his ear, crushed down the mad hand clutching the steering wheel, righted itself, swerved once more and shot off the road; it tore through low underbrush, tipped again and settled slowly at an angle of ninety degrees against a tree.

The children were screaming and Nicole was screaming and cursing and trying to tear at Dick's face. Thinking first of the list of the car and unable to estimate it Dick bent away Nicole's arm, climbed over the top side and lifted out the children; then he saw the car was in a stable position. Before doing anything else he stood there shaking and panting.

“You—!” he cried.

She was laughing hilariously, unashamed, unafraid, unconcerned. No one coming on the scene would have imagined that she had caused it; she laughed as after some mild escape of childhood.

“You were scared, weren't you?” she accused him. “You wanted to live!”

She spoke with such force that in his shocked state Dick wondered if he had been frightened for himself—but the strained faces of the children, looking from parent to parent, made him want to grind her grinning mask into jelly.

Directly above them, half a kilometer by the winding road but only a hundred yards climbing, was an inn; one of its wings showed through the wooded hill.

“Take Topsy's hand,” he said to Lanier, “like that, tight, and climb up that hill—see the little path? When you get to the inn tell them ‘La voiture Divare est cassée.' Some one must come right down.”

Lanier, not sure what had happened, but suspecting the dark and unprecedented, asked:

“What will you do, Dick?”

“We'll stay here with the car.”

Neither of them looked at their mother as they started off. “Be careful crossing the road up there! Look both ways!” Dick shouted after them.

He and Nicole looked at each other directly, their eyes like blazing windows across a court of the same house. Then she took out a compact, looked in its mirror, and smoothed back the temple hair. Dick watched the children climbing for a moment until they disappeared among the pines half way up; then he walked around the car to see the damage and plan how to get it back on the road. In the dirt he could trace the rocking course they had pursued for over a hundred feet; he was filled with a violent disgust that was not like anger.

In a few minutes the proprietor of the inn came running down.

“My God!” he exclaimed. “How did it happen, were you going fast? What luck! Except for that tree you'd have rolled downhill!”

Taking advantage of Émile's reality, the wide black apron, the sweat upon the rolls of his face, Dick signalled to Nicole in a matter-of-fact way to let him help her from the car; whereupon she jumped over the lower side, lost her balance on the slope, fell to her knees and got up again. As she watched the men trying to move the car her expression became defiant. Welcoming even that mood Dick said:

“Go and wait with the children, Nicole.”

Only after she had gone did he remember that she had wanted cognac, and that there was cognac available up there—he told Émile never mind about the car; they would wait for the chauffeur and the big car to pull it up onto the road. Together they hurried up to the inn.

XVI

“I
WANT
to go away,” he told Franz. “For a month or so, for as long as I can.”

“Why not, Dick? That was our original arrangement—it was you who insisted on staying. If you and Nicole——”

“I don't want to go away with Nicole. I want to go away
alone. This last thing knocked me sideways—if I get two hours' sleep in twenty-four, it's one of Zwingli's miracles.”

“You wish a real leave of abstinence.”

“The word is ‘absence.' Look here: if I go to Berlin to the Psychiatric Congress could you manage to keep the peace? For three months she's been all right and she likes her nurse. My God, you're the only human being in this world I can ask this of.”

Franz grunted, considering whether or not he could be trusted to think always of his partner's interest.

In Zurich the next week Dick drove to the airport and took the big plane for Munich. Soaring and roaring into the blue he felt numb, realizing how tired he was. A vast persuasive quiet stole over him, and he abandoned sickness to the sick, sound to the motors, direction to the pilot. He had no intention of attending so much as a single session of the Congress—he could imagine it well enough, new pamphlets by Bleuler and the elder Forel
49
that he could much better digest at home, the paper by the American who cured dementia præcox by pulling out his patients' teeth or cauterizing their tonsils, the half-derisive respect with which this idea would be greeted, for no more reason than that America was such a rich and powerful country. The other delegates from America—red-headed Schwartz with his saint's face and his infinite patience in straddling two worlds, as well as dozens of commercial alienists with hangdog faces, who would be present partly to increase their standing, and hence their reach for the big plums of the criminal practice, partly to master novel sophistries that they could weave into their stock in trade, to the infinite confusion of all values. There would be cynical Latins, and some man of Freud's from Vienna. Articulate among them would be the great Jung, bland, super-vigorous, on his rounds between the forests of anthropology and the neuroses of school-boys. At first there would be an American cast to the Congress, almost Rotarian in its forms and ceremonies, then the closer-knit European vitality would fight through, and finally the Americans would play their trump card, the
announcement of colossal gifts and endowments, of great new plants and training schools, and in the presence of the figures the Europeans would blanch and walk timidly. But he would not be there to see.

They skirted the Vorarlberg Alps, and Dick felt a pastoral delight in watching the villages. There were always four or five in sight, each one gathered around a church. It was simple looking at the earth from far off, simple as playing grim games with dolls and soldiers. This was the way statesmen and commanders and all retired people looked at things. Anyhow, it was a good draft of relief.

An Englishman spoke to him from across the aisle but he found something antipathetic in the English lately. England was like a rich man after a disastrous orgy who makes up to the household by chatting with them individually, when it is obvious to them that he is only trying to get back his self-respect in order to usurp his former power.

Dick had with him what magazines were available on the station quays: The Century, The Motion Picture, L'Illustration, and the Fliegende Blätter, but it was more fun to descend in his imagination into the villages and shake hands with the rural characters. He sat in the churches as he sat in his father's church in Buffalo, amid the starchy must of Sunday clothes. He listened to the wisdom of the Near East, was Crucified, Died, and was Buried
50
in the cheerful church, and once more worried between five or ten cents for the collection plate, because of the girl who sat in the pew behind.

The Englishman suddenly borrowed his magazines with a little small change of conversation, and Dick, glad to see them go, thought of the voyage ahead of him. Wolf-like under his sheep's clothing of long-staple Australian wool, he considered the world of pleasure—the incorruptible Mediterranean with sweet old dirt caked in the olive trees, the peasant girl near Savona with a face as green and rose as the color of an illuminated missal. He would take her in his hands and snatch her across the border…

… but there he deserted her—he must press on toward the Isles of Greece, the cloudy waters of unfamiliar ports, the lost girl on shore, the moon of popular songs. A part of
Dick's mind was made up of the tawdry souvenirs of his boyhood. Yet in that somewhat littered Five-and-Ten, he had managed to keep alive the low painful fir e of intelligence.

XVII

T
OMMY
B
ARBAN
was a ruler, Tommy was a hero—Dick happened upon him in the Marienplatz in Munich, in one of those cafés where small gamblers diced on “tapestry” mats. The air was full of politics, and the slap of cards.

Tommy was at a table laughing his martial laugh: “Um-buh—ha-ha! Um-buh—ha-ha!” As a rule, he drank little; courage was his game and his companions were always a little afraid of him. Recently an eighth of the area of his skull had been removed by a Warsaw surgeon and was knitting under his hair, and the weakest person in the café could have killed him with a flip of a knotted napkin.

“—this is Prince Chillicheff—” a battered, powder-gray Russian of fifty, “—and Mr. McKibben—and Mr. Han-nan—” the latter was a lively ball of black eyes and hair, a clown; and he said immediately to Dick:

“The first thing before we shake hands—what do you mean by fooling around with my aunt?”

“Why, I——”

“You heard me. What are you doing here in Munich anyhow?”

“Um-bah—ha-ha!” laughed Tommy.

“Haven't you got aunts of your own? Why don't you fool with them?”

Dick laughed, whereupon the man shifted his attack:

“Now let's not have any more talk about aunts. How do I know you didn't make up the whole thing? Here you are a complete stranger with an acquaintance of less than half an hour, and you come up to me with a cock-and-bull story about your aunts. How do I know what you have concealed about you?”

Tommy laughed again, then he said good-naturedly, but
firmly, “That's enough, Carly. Sit down, Dick—how're you? How's Nicole?”

He did not like any man very much nor feel their presence with much intensity—he was all relaxed for combat; as a fine athlete playing secondary defense in any sport is really resting much of the time, while a lesser man only pretends to rest and is at a continual and self-destroying nervous tension.

Hannan, not entirely suppressed, moved to an adjoining piano, and with recurring resentment on his face whenever he looked at Dick, played chords, from time to time muttering, “Your aunts,” and, in a dying cadence, “I didn't say aunts anyhow. I said pants.”

“Well, how're you?” repeated Tommy. “You don't look so—” he fought for a word, “—so jaunty as you used to, so spruce, you know what I mean.”

The remark sounded too much like one of those irritating accusations of waning vitality and Dick was about to retort by commenting on the extraordinary suits worn by Tommy and Prince Chillicheff, suits of a cut and pattern fantastic enough to have sauntered down Beale Street on a Sunday—when an explanation was forthcoming.

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