The day of the locust (17 page)

"Just get up?"

Homer neither moved nor replied.

Tod tried again.

"Some party!"

He knew it was stupid to be hearty, but he didn't know what else to be.

"Boy, have I got a hang-over," he went on, even going so far as to attempt a chuckle.

Homer paid absolutely no attention to him.

The room was just as they had left it the night before. Tables and chairs were overturned and the smashed picture lay where it had fallen. To give himself a reason for staying, he began to tidy up. He righted the chairs, straightened the carpet and picked up the cigarette butts that littered the floor. He also threw aside the curtains and opened a window.

"There, that's better, isn't it?" he asked cheerfully.

Homer looked up for a second, then down at his hands again. Tod saw that he was coming out of his stupor. "Want some coffee?" he asked.

He lifted his hands from his knees and hid them in his armpits, clamping them tight, but didn't answer.

"Some hot coffee--what do you say?"

He took his hands from under his arms and sat on them. After waiting a little while he shook his head no, slowly, heavily, like a dog with a foxtail in its ear.

"I'll make some."

Tod went to the kitchen and put the pot on the stove. While it was boiling, he took a peek into Faye's room. It had been stripped. All the dresser drawers were pulled out and there were empty boxes all over the floor. A broken flask of perfume lay in the middle of the carpet and the place reeked of gardenia.

When the coffee was ready, he poured two cups and carried them into the living room on a tray. He found Homer just as he had left him, sitting on his hands. He moved a small table close to him and put the tray on it.

"I brought a cup for myself, too," he said. "Come on--drink it while it's hot."

Tod lifted a cup and held it out, but when he saw that he was going to speak, he put it down and waited.

"I'm going back to Wayneville," Homer said.

"A swell idea--great!"

He pushed the coffee at him again. Homer ignored it. He gulped several times, trying to swallow something that was stuck in his throat, then began to sob. He cried without covering his face or bending his head. The sound was like an ax chopping pine, a heavy, hollow, chunking noise. It was repeated rhythmically but without accent. There was no progress in it. Each chunk was exactly like the one that preceded. It would never reach a climax.

Tod realized that there was no use trying to stop him. Only a very stupid man would have the courage to try to do it. He went to the farthest corner of the room and waited.

Just as he was about to light a second cigarette, Homer called him.

"Tod!"

"I'm here, Homer."

He hurried over to the couch again.

Homer was still crying, but he suddenly stopped more abruptly than he had started.

"Yes, Homer?" Tod asked encouragingly.

"She's left"

"Yes, I know. Drink some coffee."

"She's left."

Tod knew that he put a great deal of faith in sayings, so he tried one.

"Good riddance to bad rubbish."

"She left before I got up," he said.

"What the hell do you care? You're going back to Wayneville."

"You shouldn't curse," Homer said with the same lunatic calm.

"I'm sorry," Tod mumbled.

The word "sorry" was like dynamite set off under a dam. Language leaped out of Homer in a muddy, twisting torrent. At first, Tod thought it would do him a lot of good to pour out in this way. But he was wrong. The lake behind the dam replenished itself too fast. The more he talked the greater the pressure grew because the flood was circular and ran back behind the dam again.

After going on continuously for about twenty minutes, he stopped in the middle of a sentence. He leaned back, closed his eyes and seemed to fall asleep. Tod put a cushion under his head. After watching him for a while, he went back to the kitchen.

He sat down and tried to make sense out of what Homer had told him. A great deal of it was gibberish. Some of it, however, wasn't. He hit on a key that helped when he realized that a lot of it wasn't jumbled so much as timeless. The words went behind each other instead of after. What he had taken for long strings were really one thick word and not a sentence. In the same way several sentences were simultaneous and not a paragraph. Using key, he was able to arrange a part of what he had so that it made the usual kind of sense.

After Tod had hurt him by saying that nasty thing about Faye, Homer ran around to the back of the house and let himself in through the kitchen, then went to peek into the parlor. He wasn't angry with Tod, just surprised and upset because Tod was a nice boy. From the hall that led into the parlor he could see everybody having a good time and he was glad because it was kind of dull for Faye living with an old man like him. It made her restless. No one noticed him peeking there and he was glad because he didn't feel much like joining the fun, although he liked to watch people enjoy themselves. Faye was dancing with Mr. Estee and they made a nice pair. She seemed happy. Her face shone like always when she was happy. Next she danced with Earle. He didn't like that because of the way he held her. He couldn't see what she saw in that fellow. He just wasn't nice, that's all. He had mean eyes. In the hotel business they used to watch out for fellows like that and never gave them credit because they would jump their bills. Maybe he couldn't get a job because nobody would trust him, although it was true as Faye said that a lot of people were out of work nowadays. Standing there peeking at the party, enjoying the laughing and singing, he saw Earle catch Faye and bend her back and kiss her and everybody laughed although you could see Faye didn't like it because she slapped his face. Earle didn't care, he just kissed her again, a long nasty one. She got away from him and ran toward the door where he was standing. He tried to hide, but she caught him. Although he didn't say anything, she said he was nasty spying on her and wouldn't listen when he tried to explain. She went into her room and he followed to tell about the peeking, but she carried on awful and cursed him some more as she put red on her lips. Then she knocked over the perfume. That made her twice as mad. He tried to explain but she wouldn't listen and just went on calling him all sorts of dirty things. So he went to his room and got undressed and tried to go to sleep. Then Tod woke him up and wanted to come in and talk. He wasn't angry, but didn't feel like talking just then, all he wanted to do was go to sleep. Tod went away and no sooner had he climbed back into bed when there was some awful screaming and banging. He was afraid to go out and see and he thought of calling the police, but he was scared to go in the hall where the phone was so he started to get dressed to climb out of the window and go for help because it sounded like murder but before he finished putting his shoes on, he heard Tod talking to Faye and he figured that it must be all right or she wouldn't be laughing so he got undressed and went back to bed again. He couldn't fall asleep wondering what had happened, so when the house was quiet, he took a chance and knocked on Faye's door to find out. Faye let him in. She was curled up in bed like a little girl. She called him daddy and kissed him and said that she wasn't angry at him at all. She said there had been a fight but nobody got hurt much and for him to go back to bed and that they would talk more in the morning. He went back like she said and fell asleep, but he woke up again as it was just breaking daylight. At first he wondered why he was up because when he once fell asleep, usually he didn't get up before the alarm clock rang. He knew that something had happened, but he didn't know what until he heard a noise in Faye's room. It was a moan and he thought he was dreaming, but he heard it again. Sure enough, Faye was moaning all right. He thought she must be sick. She moaned again like in pain. He got out of bed and went to her door and knocked and asked if she was sick. She didn't answer and the moaning stopped so he went back to bed. A little later, she moaned again so he got out of bed, thinking she might want the hot water bottle or some aspirin and a drink of water or something and knocked on her door again, only meaning to help her. She heard him and said something. He didn't understand what but he thought she meant for him to go in. Lots of times when she had a headache he brought her an aspirin and a glass of water in the middle of the night The door wasn't locked. You'd have thought she would have locked the door because the Mexican was in bed with her, both of them naked and she had her arms around him. Faye saw him and pulled the sheets over her head without saying anything. He didn't know what to do, so he backed out of the room and closed the door. He was standing in the hall, trying to figure out what to do, feeling so ashamed, when Earle appeared with his boots in his hand. He must have been sleeping in the parlor. He wanted to know what the trouble was. "Faye's sick," he said, "and I'm getting her a glass of water." But then Faye moaned again and Earle heard it. He pushed open the door. Faye screamed. He could hear Earl and Miguel cursing each other and fighting. He was afraid to call the police on account of Faye and didn't know what to do. Faye kept on screaming. When he opened the door again, Miguel fell out with Earle on top of him and both of them tearing at each other. He ran inside the room and locked the door. She had the sheets over her head, screaming. He could hear Earle and Miguel fighting in the hall and then he couldn't hear them any more. She kept the sheets over her head. He tried to talk to her but she wouldn't answer. He sat down on a chair to guard her in case Earle and Miguel came back, but they didn't and after a while she pulled the sheets away from her face and told him to get out. She pulled the sheets over her face again when he answered, so then he waited a little longer and again she told him to get out without letting him see her face. He couldn't hear either Miguel or Earle. He opened the door and looked out. They were gone. He locked the doors and windows and went to his room and lay down on his bed. Before he knew it he fell asleep and when he woke up she was gone. All he could find was Earle's boots in the hall. He threw them out the back and this morning they were gone.

25

Tod went into the living room to see how Homer was getting on. He was still on the couch, but had changed his position. He had curled his big body into a ball. His knees were drawn up almost to his chin, his elbows were tucked in close and his hands were against his chest. But he wasn't relaxed. Some inner force of nerve and muscle was straining to make the ball tighter and still tighter. He was like a steel spring which has been freed of its function in a machine and allowed to use all its strength centripetally. While part of a machine the pull of the spring had been used against other and stronger forces, but now, free at last, it was striving to attain the shape of its original coil.

Original coil...In a book of abnormal psychology borrowed from the college library, he had once seen a picture of a woman sleeping in a net hammock whose posture was much like Homer's. "Uterine Flight," or something like that, had been the caption under the photograph. The woman had been sleeping in the hammock without changing her position, that of the foetus in the womb, for a great many years. The doctors of the insane asylum had been able to awaken her for only short periods of time and those months apart.

He sat down to smoke a cigarette and wondered what he ought to do. Call a doctor? But after all Homer had been awake most of the night and was exhausted. The doctor would shake him a few times and he would yawn and ask what the matter was. He could try to wake him up himself. But hadn't he been enough of a pest already? He was so much better off asleep, even if it was a case of "Uterine Flight."

What a perfect escape the return to the womb was. Better by far than Religion or Art or the South Sea Islands. It was so snug and warm there, and the feeding was automatic. Everything perfect in that hotel. No wonder the memory of those accommodations lingered in the blood and nerves of everyone. It was dark, yes, but what a warm, rich darkness. The grave wasn't in it. No wonder one fought so desperately against being evicted when the nine months' lease was up.

Tod crushed his cigarette. He was hungry and wanted his dinner, also a double Scotch and soda. After he had eaten, he would come back and see how Homer was. If he was still asleep, he would try to wake him. If he couldn't, he might call a doctor.

He took another look at him, then tiptoed out of the cottage, shutting the door carefully.

26

Tod didn't go directly to dinner. He went first to Hodge's saddlery store thinking he might be able to find out something about Earle and through him about Faye. Calvin was standing there with a wrinkled Indian who had long hair held by a bead strap around his forehead. Hanging over the Indian's chest was a sandwich board that read--

TUTTLE'S TRADING POST for GENUINE RELICS OF THE OLD WEST Beads, Silver, Jewelry, Moccasins, Dolls, Toys, Rare Books, Postcards. TAKE BACK A SOUVENIR from TUTTLE'S TRADING POST

Calvin was always friendly.

"'Lo, Char," he called out, when Tod came up.

"Meet the chief," he added, grinning. "Chief Kiss-My-Towkus."

The Indian laughed heartily at the joke.

"You gotta live," he said.

"Earle been around today?" Tod asked.

"Yop. Went by an hour ago."

"We were at a party last night and I..."

Calvin broke in by hitting his thigh a wallop with the flat of his palm.

"That must've been some shindig to hear Earle tell it. Eh, Skookum?"

"Vas you dere, Sharley?" the Indian agreed, showing the black inside of his mouth, purple tongue and broken orange teeth.

"I heard there was a fight after I left."

Calvin smacked his thigh again.

"Sure musta been. Earle get himself two black eyes,

"That's what comes of palling up with a dirty greaser," said the Indian excitedly.

He and Calvin got into a long argument about Mexicans. The Indian said that they were all bad. Calvin claimed he had known quite a few good ones in his time. When the Indian cited the case of the Hermanos brothers who had killed a lonely prospector for half a dollar, Calvin countered with a long tale about a man called Tomas Lopez who shared his last pint of water with a stranger when they both were lost in the desert.