The Describer's Dictionary: A Treasury of Terms & Literary Quotations (37 page)

To the eye, the men were less similar: Littlefield, a hedge-scholar, tall and horse-faced; Chum Frink, a trifle of a man with soft and mouse-like hair, advertising his profession as poet by a silk cord on his eyeglasses; Vergil Gunch, broad, with coarse black hair
en brosse;
Eddie Swanson, a bald and bouncing young man who showed his taste for elegance by an evening waistcoat of figured black silk with glass buttons; Orville Jones, a steady-looking, stubby, not very memorable person, with a hemp-colored toothbrush mustache.

In the flesh, Mrs. Opal Emerson Mudge fell somewhat short of a prophetic aspect. She was pony-built and plump, with the face of a haughty Pekingese, a button of a nose, and arms so short that, despite her most indignant endeavors, she could not clasp her hands in front of her as she sat on the platform waiting.

Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable.

Had orange blossoms been invented then (those touching emblems of female purity imported by us from France, where people’s daughters are universally sold in marriage), Miss Maria, I say, would have assumed the spotless wreath, and stepped into the travelling carriage by the side of gouty, old, bald-headed, bottle-nosed Bullock Senior....

And the men of the regiment, with their starting eyes and sweating faces, running madly, or falling, as if thrown headlong, to queer, heaped-up corpses—all were comprehended.

His sister, Catherine, was a slender, worldly girl of about thirty, with a solid, sticky bob of red hair, and a complexion powdered milky white. Her eyebrows had been plucked and then drawn on again at a more rakish angle, but the efforts of nature toward the restoration of the old alignment gave a blurred air to her face.

The good Doctor had perceptibly aged since last year but was as sturdy and square-shaped as ever with his well-padded shoulders, square chin, square nostrils, leonine glabella, and rectangular brush of grizzled hair that had something topiary about it.

Her hair was as grey as her companions‘s, her face as bloodless and shrivelled, but amber-tinted, with swarthy shadows sharpening the nose and hollowing the temples.

She held the light at the same level, and it drew out with the same distinctness her slim young throat and the brown wrist no bigger than a child’s. Then, striking upward, it threw a lustrous fleck on her lips, edged her eyes with velvet shade, and laid a milky whiteness above the black curve of her brows.

Heathcliff did not glance my way, and I gazed up, and contemplated his features almost as confidently as if they had been turned to stone. His forehead, that I once thought so manly, and that I now think so diabolical, was shaded with a heavy cloud; his basilisk eyes were nearly quenched by sleeplessness—and weeping, perhaps for the lashes were wet then; his lips devoid of their ferocious sneer, and sealed in an expression of unspeakable sadness.

... while the Haiti-born daughter of the French sugar planter and the woman whom Sutpen’s first father-in-law had told him was a Spaniard (the slight dowdy woman with untidy gray-streaked raven hair coarse as a horse’s tail, with parchment-colored skin and implacable pouched black eyes which alone showed no age because they showed no forgetting, whom Shreve and Quentin had likewise invented and which was likewise probably true enough)....