The Illustrated Gormenghast Trilogy (19 page)

BOOK: The Illustrated Gormenghast Trilogy
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Sourdust, in his anxiety to witness a perfect piece of traditional procedure, was twisting his black-and-white beard into what must surely have been inextricable knots. He leaned forward over the christening bowl, his hands on the refectory table.

Meanwhile, hiding behind a turn in the passage, Nannie Slagg, with Titus in her arms, was being soothed by Keda as she waited for her call.

‘Now, now be quiet, Mrs Slagg, be quiet and it will be over soon,’ said Keda to the little shaking thing that was dressed up in the shiniest of dark-green satin and upon whose head the grape hat arose in magnificent misproportion to her tiny face.

‘Be quiet, indeed,’ said Nannie Slagg, in a thin animated voice. ‘If you only knew what it means to be in such a position of honour – oh, my poor heart! You would not dare to try to make me quiet indeed! I have never heard such ignorance. Why is he so long? Isn’t it time for him to call me? And the precious thing so quiet and good and ready to cry any minute – oh, my poor heart! Why is he so long? Brush my dress again.’

Keda, who had been commanded to bring a soft brush with her, would have been brushing Nannie’s satin dress for practically the whole morning had the old nurse had her way. She was now instructed by an irritable gesture of Mrs Slagg’s hand to brush her anew and to soothe the old woman she complied with a few strokes.

Titus watched Keda’s face with his violet eyes, his grotesque little features modified by the dull light at the corner of the passage. There was the history of man in his face. A fragment from the enormous rock of mankind. A leaf from the forest of man’s passion and man’s knowledge and man’s pain. That was the ancientness of Titus.

Nannie’s head was old with lines and sunken skin, with the red rims of her eyes and the puckers of her mouth. A vacant anatomical ancientry.

Keda’s oldness was the work of fate, alchemy. An occult agedness. A transparent darkness. A broken and mysterious grove. A tragedy, a glory, a decay.

These three sere beings at the shadowy corner waited on. Nannie was sixty-nine, Keda was twenty-two, Titus was twelve days old.

Lord Sepulchrave had cleared his throat. Then he called:

‘My Son.’

‘TITUS IS CHRISTENED’

His voice moved down the corridor and turned about the stone corner, and when he first heard the sound of Mrs Slagg’s excited footsteps he continued with that part of the procedure which Sourdust had recited to him over their breakfast for the last three mornings.

Ideally, the length of time which it took him to complete the speech should have coincided with the time it took Nannie Slagg to reach the door of the Cool Room from the darkened corner.

‘Inheritor of the powers I hold,’ came his brooding voice from the doorway, ‘continuer of the blood-stock of the stones, freshet of the unending river, approach me now. I, a mere link in the dynastic chain, adjure you to advance, as a white bird on iron skies through walls of solemn cloud. Approach now to the bowl, where, named and feted, you shall be consecrate in Gormenghast. Child! Welcome!’

Unfortunately Nannie, having tripped over a loose flagstone, was ten feet away at the word ‘Welcome’ and Sourdust, upon whose massive forehead a few beads of perspiration had suddenly appeared, felt the three long seconds pass with a ghastly slowness before she appeared at the door of the room. Immediately before she had left the corner Keda had placed the little iron crown gently on the infant’s head to Nannie’s satisfaction, and the two of them as they appeared before the assembly made up for their three seconds’ tardiness by a preposterous quality that was in perfect harmony with the situation.

Sourdust felt satisfied as he saw them, and their delay that had rankled was forgotten. He approached Mrs Slagg carrying his great book with him, and when he had reached them he opened the volume so that it fell apart in two equal halves and then, extending it forward towards Nannie Slagg, he said:

‘It is written, and the writing is adhered to, that between these pages where the flax is grey with wisdom, the first-born male-child of the House of Groan shall be lowered and laid lengthways, his head directed to the christening bowl, and that the pages that are heavy with words shall be bent in and over him, so that he is engulfed in the sere Text encircled with the Profound, and is as one with the inviolable Law.’

Nannie Slagg, an inane expression of importance on her face, lowered Titus within the obtuse V shape of the half-opened book so that the crown of his head just overlapped the spine of the volume at Sourdust’s end and his feet at Mrs Slagg’s.

Then Lord Sepulchrave folded the two pages over the helpless body and joined the tube of thick parchment at its centre with a safety-pin.

Resting upon the spine of the volume, his minute feet protruding from one end of the paper trunk and the iron spikes of the little crown protruding from the other, he was, to Sourdust, the very quintessential of traditional propriety. So much so that as he carried the loaded book towards the refectory table his eyes became so blurred with tears of satisfaction, that it was difficult for him to make his way between the small tables that lay in his path, and the two vases of flowers that stood so still and clear in the cool air of the room were each in his eyes a fume of lilac, and a blurr of snow.

He could not rub his eyes, and free his vision, for his hands were occupied, so he waited until they were at last clear of the moisture that filmed them.

Fuchsia, in spite of knowing that she should remain where she was, had joined Nannie Slagg. She had been irritated by an attempt that Clarice had made to nudge her in a furtive way whenever she thought that no one was watching.

‘You never come to see me although you’re a relation, but that’s because I don’t want you to come and never ask you,’ her aunt had said, and had then peered round to see whether she was being watched, and noticing that Gertrude was in a kind of enormous trance, she continued:

‘You see, my poor child, I and my sister Cora are a good deal older than you and we both had convulsions when we were about your age. You may have noticed that our left arms are rather stiff and our left legs, too. That’s not our fault.’

Her sister’s voice came from the other side of the semi-circle of figures in a hoarse flat whisper, as though it was trying to reach the ears of Fuchsia without making contact with the row of ears that lay between. ‘Not our fault at all,’ she said, ‘not a bit our fault. Not any of it.’

‘The epileptic fits, my poor child,’ continued Cora, after nodding at her sister’s interruption, ‘have left us practically starved all down the right side. Practically starved. We had these fits you see.’

‘When we were about your age,’ came the empty echo.

‘Yes, just about your age,’ said Cora, ‘and being practically starved all down the right side we have to do our embroidered tapestries with one hand.’

‘Only one hand,’ said Clarice. ‘It’s very clever of us. But no one sees us.’

She leaned forward as she wedged in this remark, forcing it upon Fuchsia as though the whole future of Gormenghast hung upon it.

Fuchsia fiddled and wound her hair round her fingers savagely.

‘Don’t do that,’ said Cora. ‘Your hair is too black. Don’t do that.’

‘Much too black,’ came the flat echo.

‘Especially when your dress is so white.’

Cora bent forward from her hips so that her face was within a foot of Fuchsia’s. Then with only her eyes turned away, but her face broadside on to her niece, ‘We don’t
like
your mother’, she said.

Fuchsia was startled. Then she heard the same voice from the other side, ‘That’s true,’ said the voice, ‘we don’t.’

Fuchsia turned suddenly, swinging her inky bulk of hair. Cora had disobeyed all the rules and unable to be so far from the conversation had moved like a sleep-walker round the back of the group, keeping an eye on the black-velvet mass of the Countess.

But she was doomed to disappointment, for as soon as she arrived, Fuchsia, glancing around wildly, caught sight of Mrs Slagg and she mooched away from her cousins and watched the ceremony at the table where Sourdust held her brother in the leaves of the book. As soon as Nannie was unburdened of Titus Fuchsia went to her side, and held her thin green-satin arm. Sourdust had reached the table with Lord Sepulchrave behind him. He re-instated himself. But his pleasure at the way things were proceeding was suddenly disrupted when his eyes, having cleared themselves of the haze, encountered no ceremonial curve of the select, but a room of scattered individuals. He was shocked. The only persons in alignment were the Countess, who through no sense of obedience, but rather from a kind of coma, was in the same position in which she had first anchored herself, and her husband who had returned to her side. Sourdust hobbled round the table with the tome-full. Cora and Clarice were standing close together, their bodies facing each other but their heads staring in Fuchsia’s direction. Mrs Slagg and Fuchsia were together and Prunesquallor, on tip-toe, was peering at the stamen of a white flower in a vase through a magnifying lens he had whipped from his pocket. There was no need for him to be on tip-toe for it was neither a tall table nor a tall vase nor indeed a tall flower. But the attitude which pleased him most when peering at flowers was one in which the body was bent over the petals in an elegant curve.

Sourdust was shocked. His mouth worked at the corners. His old, fissured face became a fantastic area of cross-hatching and his weak eyes grew desperate. Attempting to lower the heavy volume to the table before the christening bowl where a space had been left for it, his fingers grew numb and lost their grip on the leather and the book slid from his hands, Titus slipping through the pages to the ground and tearing as he did so a corner from the leaf in which he had lain sheathed, for his little hand had clutched at it as he had fallen. This was his first recorded act of blasphemy. He had violated the Book of Baptism. The metal crown fell from his head. Nannie Slagg clutched Fuchsia’s arm, and then with a scream of ‘Oh my poor heart!’ stumbled to where the baby lay crying piteously on the floor.

Sourdust was trying to tear the sacking of his clothes and moaning with impotence as he strained with his old fingers. He was in torture. Doctor Prunesquallor’s white knuckles had travelled to his mouth with amazing speed, and he stood swaying a little. He had turned a moment later to Lady Groan.

‘They resemble rubber, your ladyship, ha, ha, ha, ha. Just a core of india-rubber, with an elastic centre. Oh yes, they are. Very, very much so. Resilience is no word for it. Ha, ha, ha, absolutely no word for it – oh dear me, no. Every ounce, a bounce, ha, ha, ha! Every ounce, a bounce.’

‘What are you talking about man!’ said the Countess.

‘I was referring to your child, who has just fallen on the floor.’

‘Fallen?’ queried the Countess in a gruff voice. ‘Where?’

‘To earth, your ladyship, ha, ha, ha. Fallen positively to earth. Earth, that is, with a veneer or two of stone, wood and carpet, in between its barbaric self and his minute lordship whom you can no doubt hear screaming.’

‘So that’s what it is,’ said Lady Groan, from whose mouth, which was shaped as though she were whistling, the grey bird was picking a morsel of dry cake.

‘Yes,’ said Cora on her right, who had run up to her directly the baby had fallen and was staring up at her sister-in-law’s face. ‘Yes, that’s what it is.’

Clarice, who had appeared on the other side in a reverse of her sister’s position, confirmed her sister’s interpretation, ‘that’s just what it is.’

Then they both peered around the edge of the Countess and caught each other’s eyes knowingly.

When the grey bird had removed the piece of cake from her ladyship’s big pursed-up mouth it fluttered from her shoulder to perch upon her crooked finger where it clung as still as a carving, while she, leaving the twins (who, as though her departure had left a vacuum between them came together at once to fill it) proceeded to the site of the tragedy. There she saw Sourdust recovering his dignity, but shaking in his crimson sacking while he did so. Her husband, who knew that it was no situation for a man to deal with, stood aside from the scene, but looked nervously at his son. He was biting the ferrule of his jade-headed rod and his sad eyes moved here and there but constantly returned to the crying crownless infant in the nurse’s arms.

The Countess took Titus from Mrs Slagg and walked to the bay window.

Fuchsia, watching her mother, felt in spite of herself a quickening of something akin to pity for the little burden she carried. Almost a qualm of nearness, of fondness, for since she had seen her brother tear at the leaves that encased him, she had known that there was another being in the room for whom the whole fustian of Gormenghast was a thing to flee from. She had imagined in a hot blur of jealousy that her brother would be a beautiful baby, but when she saw him and found that he was anything but beautiful, she warmed to him, her smouldering eyes taking on, for a second, something of that look which her mother kept exclusively for her birds and the white cats.

The Countess held Titus up into the sunlight of the window and examined his face, making noises in her cheek to the grey bird as she did so. Then she turned him around and examined the back of his head for some considerable time.

‘Bring the crown,’ she said.

Doctor Prunesquallor came up with his elbows raised and the fingers of both hands splayed out, the metal crown poised between them. His eyes rolled behind his lenses.

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