The Illustrated Gormenghast Trilogy (20 page)

‘Shall I crown him in the sunlight? ha, he, ha, positively crown him,’ he said, and showed the Countess the same series of uncompromising teeth that he had honoured Cora with several minutes before.

Titus had stopped crying and in his mother’s prodigious arms looked unbelievably tiny. He had not been hurt, but frightened by his fall. Only a sob or two survived and shook him every few seconds.

‘Put it on his head,’ said the Countess. Doctor Prunesquallor bent forward from the hips in a straight oblique line. His legs looked so thin in their black casing that when a small breath of wind blew from the garden it seemed that the material was blown inwards beyond that part where his shin bones should have been. He lowered the crown upon the little white potato of a head.

‘Sourdust,’ she said without turning round, ‘come here.’

Sourdust lifted his head. He had recovered the book from the floor and was fitting the torn piece of paper into position on the corner of the torn page, and smoothing it out shakily with his forefinger.

‘Come along, come along now!’ said the Countess.

He came around the corner of the table and stood before her.

‘We’ll go for a walk, Sourdust, on the lawn and then you can finish the christening. Hold yourself still, man’, she said. ‘Stop rattling.’

Sourdust bowed, and feeling that to interrupt a christening of the direct heir in this way was sacrilege, followed her out of the window, while she called out over her shoulder, ‘all of you! all of you! servants as well!’

They all came out and each choosing their parallel shades of the mown grass that converged in the distance in perfectly straight lines of green, walked abreast and silently thus, up and down, for forty minutes.

They took their pace from the slowest of them, which was Sourdust. The cedars spread over them from the northern side as they began their journey. Their figures dwindling as they moved away on the striped emerald of the shaven lawn. Like toys; detachable, painted toys, they moved each one on his mown stripe.

Lord Sepulchrave walked with slow strides, his head bowed. Fuchsia mooched. Doctor Prunesquallor minced. The twins propelled themselves forward vacantly. Flay spidered his path. Swelter wallowed his.

All the time the Countess held Titus in her arms and whistled varying notes that brought through gilded air strange fowl to her from unrecorded forests.

When at last they had re-gathered in the Cool Room, Sourdust was more composed, although tired from the walk.

Signalling them to their stations he placed his hands upon the torn volume with a qualm and addressed the semi-circle before him.

Titus had been replaced in the Book and Sourdust lowered him carefully to the table.

‘I place thee, Child-Inheritor,’ he said, continuing from where he had been interrupted by the age of his fingers, ‘Child-Inheritor of the rivers, of the Tower of Flints and the dark recesses beneath cold stairways and the sunny summer lawns. Child-Inheritor of the spring breezes that blow in from the jarl forests and of the autumn misery in petal, scale, and wing. Winter’s white brilliance on a thousand turrets and summer’s torpor among walls that crumble – listen. Listen with the humility of princes and understand with the understanding of the ants. Listen, Child-Inheritor, and wonder. Digest what I now say.’

Sourdust then handed Titus over the table to his mother, and cupping his hand, dipped it in the christening bowl. Then, his hand and wrist dripping, he let the water trickle through his fingers and on to the baby’s head where the crown left, between its prongs, an oval area of bone-forced skin.

‘Your name is TITUS,’ said Sourdust very simply, ‘TITUS the seventy-seventh Earl of Groan and Lord of Gormenghast I do adjure you hold each cold stone sacred that clings to these, your grey ancestral walls. I do adjure you hold the dark soil sacred that nourishes your high leaf-burdened trees. I do adjure you hold the tenets sacred that ramify the creeds of Gormenghast. I dedicate you to your father’s castle. Titus, be true.’

Titus was handed back to Sourdust, who passed him to Nannie Slagg. The room was delicious with the cool scent of flowers. As Sourdust gave the sign, after a few minutes of meditation, that feeding might begin, Swelter came forward balancing four plates of delicacies on each of his forearm and with a plate in either hand went the rounds. Then he poured out glasses of wine, while Flay followed Lord Sepulchrave around like a shadow. None of the company attempted to make conversation, but stood silently eating or drinking in different parts of the room, or stood at the bay window, munching or sipping as they stared across the spreading lawns. Only the twins sat in a corner of the room and made signs to Swelter when they had finished what was on their plates. The afternoon would be for them the theme for excited reminiscence for many a long day. Lord Sepulchrave touched nothing as the delicacies were passed round, and when Swelter approached him with a salver of toasted larks, Flay motioned him away peremptorily, and noticing as he did so the evil expression in the chef’s pig-like eyes, he drew his bony shoulders up to his ears.

As the time moved on Sourdust began to grow more and more conscious of his responsibilities as the master of ritual, and eventually, having registered the time by the sun, which was split in half by the slim branch of a maple, he clapped his hands and shambled towards the door.

It was then for the assembled company to gather in the centre of the room and for one after another to pass Sourdust and Mrs Slagg, who, with Titus on her lap, was to be stationed at his side.

These positions were duly taken up, and the first to walk forward to the door was Lord Sepulchrave, who lifted his melancholy head in the air, and, as he passed his son spoke the one word ‘Titus’ in a solemn, abstracted voice. The Countess shambled after him voluminously and bellowed ‘TITUS’ at the wrinkled infant.

Each in turn followed: the twins confusing each other in their efforts to get the first word in, the doctor brandishing his teeth at the word ‘Titus’ as though it were the signal for some romantic advance of sabred cavalry. Fuchsia felt embarrassed and stared at the prongs of her little brother’s crown.

At last they had all passed by, delivering with their own peculiar intonations the final word ‘Titus’ as they reared their heads up, and Mrs Slagg was left alone, for even Sourdust had left her and followed in the wake of Mr Flay.

Now that she was left by herself in the Cool Room Mrs Slagg stared about her nervously at the emptiness and at the sunlight pouring through the great bay window.

Suddenly she began to cry with fatigue and excitement and from the shock she had received when the Countess had bellowed at his little lordship and herself. A shrunken, pathetic creature she looked in the high chair with the crowned doll in her arms. Her green satin gleamed mockingly in the afternoon light. ‘Oh, my weak heart,’ she sobbed, the tears crawling down the dry, pear-skin wrinkles of her miniature face – ‘my poor, poor heart – as though it were a crime to love him.’ She pressed the baby’s face against her wet cheek. Her eyes were clenched and the moisture clung to her lashes, and as her lips quivered; Fuchsia stole back and knelt down, putting her strong arms around her old nurse and her brother.

Mrs Slagg opened her bloodshot eyes and leaned forward, the three of them coming together into a compact volume of sympathy.

‘I
love
you –,’ whispered Fuchsia, lifting her sullen eyes. ‘I love you, I love you’, then turning her head to the door – ‘you’ve made her cry’, she shouted, as though addressing the string of figures who had so recently passed through – ‘you’ve made her cry, you beasts!’

Mr Flay was possessed by two major vexations. The first of these lay in the feud which had arisen between himself and the mountain of pale meat; the feud that had flared up and fructified in his assault upon the chef. He avoided even more scrupulously than before any corridor, quadrangle or cloister where the unmistakable proportions of his enemy might have loomed in sight. As he performed his duties, Mr Flay was perpetually aware that his enemy was in the castle and was haunted by the realization that some devilish plot was being devised, momently, in that dropsical head – some infernal hatching, in a word –
revenge
. What opportunities the chef would find or make, Flay could not imagine, but he was constantly on the alert and was for ever turning over in his dark skull any possibilities that occurred to him. If Flay was not actually frightened he was at least apprehensive to a point this side of fear.

The second of his two anxieties hinged upon the disappearance of Steerpike. Fourteen days ago he had locked the urchin up and had returned twelve hours later with a jug of water and a dish of potatoes only to find the room empty. Since then there had been no sign of him, and Mr Flay, although uninterested in the boy for his own sake, was nevertheless disturbed by so phenomenal a disappearance and also by the fact that he had been one of Swelter’s kitchen hands and might, were he to return to the foetid regions from which he had strayed, disclose the fact they had met, and probably, in a garbled version of the affair, put it to the chef that he had been lured away from his province and incarcerated for some sinister reason of his own invention. Not only this, for Mr Flay remembered how the boy had overheard the remarks which Lord Groan had made about his son, remarks which would be detrimental to the dignity of Gormenghast if they were to be noised abroad to the riff-raff of the castle. It would not do if at the very beginning of the new Lord Groan’s career it were common knowledge that the child was ugly, and that Lord Sepulchrave was distressed about it. What could be done to ensure the boy’s silence Flay had not yet determined, but it was obvious that to find him was the prime necessity. He had, during his off moments, searched room after room, balcony after balcony, and had found no clue as to his whereabouts.

At night as he lay before his master’s door he would twitch and awake and then sit bolt upright on the cold floorboards. At first the face of Swelter would appear before his eyes, huge and indistinct, with those beady eyes in their folds of flesh, cold and remorseless. He would shoot his hard, cropped head forward, and wipe the sweat from his palms upon his clothes. Then, as the foul phantom dissolved in the darkness, his mind would lure him into the empty room where he had last seen Steerpike and in his imagination he would make a circuit of the walls, feeling the panels with his hands and come at last to the window, where he would stare down the hundreds of feet of sheer wall to the yard below.

Straightening out his legs again his knee joints would crack in the darkness as he stretched himself out, the iron-tasting key between his teeth.

What had actually happened in the Octagonal Room and the subsequent events that befell Steerpike are as follows:

When the boy heard the key turn in the lock he half ran to the door and glued his eye to the keyhole and watched the seat of Mr Flay’s trousers receding down the passage. He had heard him turn a corner, and then a door was shut in the distance with a far bang, and thereafter there had been silence. Most people would have tried the handle of the door. The instinct, however irrational, would have been too strong; the first impulse of one who wishes to escape. Steerpike looked at the knob of the door for a moment. He had heard the key turn. He did not disobey the simple logic of his mind. He turned from the only door in the room and, leaning out of the window, glanced at the drop below.

His body gave the appearance of being malformed, but it would be difficult to say exactly what gave it this gibbous quality. Limb by limb it appeared that he was sound enough, but the sum of these several members accrued to an unexpectedly twisted total. His face was pale like clay and save for his eyes, masklike. These eyes were set very close together, and were small, dark red, and of startling concentration.

The striped kitchen tunic which he wore fitted him tightly. On the back of his head was pushed a small white skull cap.

As he gazed downward quietly at the precipitous drop he pursed his mouth and his eyes roved quickly over the quadrangle below him. Then suddenly he left the window and with his peculiar half-run, half-walk, he hurried around the room, as though it were necessary for him to have his limbs moving concurrently with his brain. Then he returned to the window. Everywhere was stillness. The afternoon light was beginning to wane in the sky although the picture of turrets and roof-tops enclosed by the window frame was still warmly tinted. He took one last comprehensive glance over his shoulder at the walls and ceiling of the prison room, and then, clasping his hands behind his back, returned his attention to the casement.

This time, leaning precariously out over the sill and with his face to the sky, he scrutinized the rough stones of the wall
above
the lintel and noticed that after twenty feet they ended at a sloping roof of slates. This roof terminated in a long horizontal spine like a buttress, which, in turn, led in great sweeping curves towards the main rooftops of Gormenghast. The twenty feet above him, although seeming at first to be unscalable, were, he noticed, precarious only for the first twelve feet, where only an occasional jutting of irregular stone offered dizzy purchase. Above this height a gaunt, half-dead creeper that was matted greyly over the slates, lowered a hairy arm which, unless it snapped at his weight, would prove comparatively easy climbing.

Steerpike reflected that once astride the cornice he could, with relatively little difficulty, make his way over the whole outer shell of central Gormenghast.