The Opposite of Fate (3 page)

I remember a day not too long after Rachel died, when I was sitting on the piano bench, sulking. My mother was scolding me for not practicing enough, for being lazy. She went on and on about how much the lessons with Miss Towler cost, how Daddy had to work overtime. And for what—so she could listen to me make the same mistakes? She then posed an important question: “What you rather do: play piano and become famous, or play outside and become nobody?” Guess what I said.

She was quiet for a moment and then said, “Okay, go play.” As I happily slid off the bench, I heard her mutter that from now on I could do whatever I wanted. She would no longer tell me what to do. If I didn’t want to play the piano, fine. “Forever no more obey,” she said. “Don’t matter. Soon, maybe tomorrow, next day, I dead anyway.”

By then, I knew what dead meant, or at least what it looked like. But I didn’t yet know that my mother’s mother had killed herself in 1925. I didn’t know that my mother had seen this happen, when she was nine years old, that thereafter she would see suicide as the answer to any kind of unhappiness, that she would routinely threaten to die, sometimes weekly, sometimes daily, whenever she was displeased with me or my father or my brothers, whenever she felt slighted by her friends, whenever the milk spilled or the rice burned. I didn’t know that later her emotional terrorism would alternate between threats to kill herself or return to China and that this would lead me to think that China, like death, was an unpleasant place to go. On that day at the
piano, when I was six and she first mentioned she was going to die soon, all I knew was fear.

Because of my mother’s moods, I lived in a state of high suspense. I often thought about death, about Rachel being lifeless, about my mother’s promise that soon she would be too. I also pictured in my mind the rat my father had recently shown us wide-eyed kids in the middle of the night: the rodent’s bloody body smashed in the trap, black eyes bulging. “See,” my mother had soothed, “now you no longer be scared what will eat you.” Until then, we had imagined the rat in our house resembled a cheery creature like Mickey Mouse.

Since death was on my mind a lot as a child, I naturally wondered about ghosts as well. In our house, we had two kinds. First, there was the one we could talk about in front of others; that would be the Holy Ghost. My father, after all, was an ordained Baptist minister. True, by the mid-1950s he had returned to electrical engineering so he could make a living wage, but his avocation was still the ministry, and he encouraged daily devotion in the family. We children were taught to believe the Holy Ghost sat at our dinner table and ate Chinese food. We laid out chopsticks and a bowl for our unseen guest at every meal.

The second kind of ghost belonged to my mother. These ghosts were Chinese. We were not supposed to talk about them, because they were bad, of a different religion, and were specifically banned by the laws of the Holy Ghost. Yet they were there. I could sense them. My mother told me I could. One time when I was about four, I remember, she ordered me to go to the bathroom to brush my teeth and wash my face. Guests had arrived and I didn’t want to go to bed, so I said, “I can’t go in there.”

Why, my mother demanded to know.

“I’m scared,” I lied.

Why?

“There’s a ghost in there.”

Like most mothers might do, she grabbed my hand firmly and guided me to the bathroom. Most mothers would have flipped on the light switch and said, “See, there are no ghosts here—now brush your teeth.” My mother stood at the doorway and said in a voice tinged with hope and excitement: “Where are they? Show me.”

Much to my distress, for the rest of her life she continued to believe I had a talent for seeing ghosts. When I was older, she recalled this same bathroom incident: “I never teach you this word ‘ghost.’ So must be true. You see ghost!” It didn’t matter that I insisted I could not see or hear or feel anything. She thought it admirable that I was lying to protect my invisible friends.

She had other proof that the ghosts came to me: the fact that I knew things I wasn’t supposed to know. I don’t remember what I said or did to her to make her think this. Perhaps it was the way I said a certain name. Or maybe it was my likes and dislikes of a certain dish she cooked. My mannerisms, my preferences, my tone of voice were exactly that of someone else—that person being dead, and having died in mysterious circumstances. My mother believed in reincarnation and she believed I was someone from her past, a woman she had obviously wronged. Why else had I come back as her daughter to torment her so?

I did not want to think of myself as a dead person. But I was also afraid to contradict my mother, for that would send her tumbling into one of her pitch-black moods, those times when she threatened to kill herself. I had already seen her try—as when
she opened the car door while we were zooming down the freeway and my father had to yank her back. I was afraid that if my mother died, I would then see a real ghost.

These were matters I could not talk about with my father. I adored him, and he adored me, but he also both adored and feared my mother. He was much more easygoing than she, and not easily riled. He told multilingual jokes and roused friends into singing after dinner. He read bedtime stories to me and my brothers with great expression. He did the
Reader’s Digest
“Word Power” quiz with me, making it seem the most fun a body could have. He read his sermons to me so I could serve as his best critic. He showed me his engineering homework when he was studying for his master’s, as though I could instantly absorb the intricacies of symbols and formulas. He was hardworking and loved his work, which went on seven days a week. He was an engineer, a volunteer minister, a graduate student, and the entrepreneur of an electronics business he conducted in our family room, winding electromagnetic transformers the size of LifeSavers. Only twice that I recall did he take time off, and then for only a few days, to go with us to Disneyland and Knott’s Berry Farm, and he still managed to perform a wedding along the way and visit an electronics firm that might be interested in buying the transformers he built in his “spare” time.

As smart and strong as he was, he always gave in to my mother’s demands. That meant that every six to twelve months we had to move to another house. Whenever my mother became unhappy, she wanted to move. And once she locked on to an idea, she could not let it go, until her unhappiness permeated the entire house and she made us ill with her nonstop complaints.

By the time I graduated from high school, I had attended eleven schools. I had learned to lose friends, to remain the loner until I finally found new ones. Each time I started at a school, I had to sit back quietly for the first month or so and observe who was popular, who was not, who was smart, who was the smartass. I had to show my new teachers that I was a good student, that I knew how to draw realistically. But I also knew not to do anything to stand out in any other way, lest I join the ranks of the pariahs. I understood that I had to be a chameleon to survive, that I should fit in quietly, and watch.

In hindsight, I see that this was excellent training for a budding writer. It sharpened my skills of observation. It deepened my sense of alienation, which, while not a prerequisite for a writer, is certainly useful as an impetus for writing. Many of the great novels of our time are based on alienated narrators. And yet I hated those feelings of loneliness. I cried every time my father announced that we were moving. He may have prayed to God for general direction in his life, but he received the specifics from my mother to move to Oakland, Hayward, Santa Rosa, Palo Alto, Santa Clara, Sunnyvale.

Throughout my father’s life, he remained devoted to his beliefs in God the Father, Son, and Holy Ghost. He practiced what he preached. He tithed ten percent. He didn’t smoke or drink or say “gee,” “gosh,” or “golly.” He prayed when he became impatient or lost his temper. He practiced charity to others. He made me feel good for giving away my best dolls to my poor cousins in Taiwan, the same cousins who today are millionaires. My father put his life in God’s hands, and he encouraged us, his children, to believe that if we had absolute faith, God would take care of the rest. Miracles would happen.

About ten years ago, I found some of my father’s diaries. In one of his last entries, written at the end of May 1967, he stated that he still firmly believed that God would grant him a miracle and save his sixteen-year-old son from dying of a brain tumor. He had absolute faith. By my father’s own handwritten definition: “Faith is the confident assurance that something we want is going to happen. It is the certainty that what we hope for is waiting for us even though we still cannot see it ahead of us.”

He wrote this less than two months before my brother Peter died, and shortly after, he stopped writing. But this was due to loss of ability rather than loss of faith. By then, my father couldn’t hold a pen well enough to comment on the strange coincidence that he too, the father of the son who had become a ghost, had been stricken with a brain tumor.

These days I realize that faith and fate have similar effects on the believer. They suggest that a higher power knows the next move and that we are at the mercy of that force. They differ, among other things, in how you try to cull beneficence and what you do to avoid disaster. Come to think of it, those very notions are the plotlines of many novels.

Throughout their marriage, my mother, the minister’s wife, publicly avowed her trust in God. The other day I came upon a letter she wrote to a family friend in 1967, in which she commented about my father’s faith during his illness: “Most of the time, he spent in search of God, trusting deeply that God would take care of him. We were both easily moved to tears, for we felt deeply and were warmly touched by the warmth of the love that so many friends freely gave to us. We know from this that it is a blessing that is overflowing from our Lord.”

The words are actually not my mother’s writing. They are
mine, written as a fifteen-year-old girl taking dictation, rendered with almost as much repetition as my mother provided to me, her reluctant scribe. Our sessions would go something like this: “Amy-ah, put this down. Say you daddy all the time, searching searching searching God, why this happen? Amy-ah, you searching too? Why this brain tumor second time? No, don’t write this down, I just asking you. Why so many bad things happen?. . . What you mean, don’t know? You don’t think! You don’t care! And why you don’t cry? You daddy, me, we cry so much. But you—look you face—no feeling! What’s wrong with you, you don’t cry? And why you make you hair that way? You look like Japanese girl. Ugly . . . Okay, put this down . . . Friends they so good to us. You daddy and I, we cry, tears so much overflowing, for sadness, for thanks so much.”

It was torture to write those letters. I had to compose the thank-you notes to friends for coming to the hospital, the cards acknowledging them for coming first to my brother’s funeral and then to my father’s. Extra-long letters went to those who sent memorial donations.

After my father died, my mother no longer prayed to God. This was strange to me at first, because we had once been a family who prayed at every meal, before every important occasion. Now when the meal was served, we ate in silence. Or rather, it was silence if we were lucky. At times, my mother would go into obsessive monologues about our tragedies, about the curse, punctuating with her laments every bite we took: “Why two brains tumors? Why same family? Why same time? Who else die? If someone next, let be me.” (Little did my mother know then that she may have already had a brain tumor. We learned of it in 1993 after she fell and suffered a suspected concussion. An
MRI showed that she had a meningioma, a benign tumor, which, the neurologist said, had been growing probably for twenty-five years, meaning since 1968 or so, around when my brother and father had died of their brain tumors.)

To counter the curse, my mother began to call openly on the ghosts of her past. She prayed to a painting of her mother. She hired a geomancer to inspect the spiritual architecture, the
feng shui,
of our suburban tract house. What forces were aligned against us? She sought faith healers who taught her to speak in tongues, a gibberish that convinced me she was insane. She blamed herself for not moving from our current house, the one we had lived in longest, two years. In that neighborhood, she now realized, nine bad things had already happened. She counted them out on her fingers: The man down the street had had a heart attack. This one lost his job. That one was getting divorced. Every day, my mother would count these disasters out, asking herself uselessly why she had not seen them clearly before.

When my father died, more phantoms sprang from my mother’s past: ideas about karmic retribution, reincarnation, and the presence of ghosts as signaled by our barking dog, a misplaced object, a door slamming when a certain name was spoken. My mother was sure that what was uncertain in the real world could be accounted for in the supernatural one. There the possibilities of what happened and why were boundless. And because my mother still believed I was sensitive to the other world, she often asked me to use a Ouija board to communicate with the ghosts of my father, my brother, and sometimes her mother, my grandmother.

I had never met my grandmother. In 1925 she swallowed a large amount of raw opium, and my mother, then a girl of nine,
watched her die. Yet in another sense I saw my grandmother every day. She was in our living room, in the form of an oil portrait my mother had commissioned, based on a sepia-toned photograph. In this portrait, my grandmother’s face was larger than life. She was a beautiful young woman in her thirties with straight-cut bangs and a neat bun. Her dress was blue with a high collar. Her expression was enigmatic, her gaze ethereal, eyes focused on a spot beyond the artist, out into the future. The painting hung near the piano, where I practiced every day for one hour, with my grandmother peering over my shoulder.

This was the face I also saw in my mind as I sat before the Ouija board. My fingers would be poised on the planchette, my tearful mother opposite me. She was always hoping for one last good-bye, one more message of love. “Do you still love me? Do you miss me?” It was heart-wrenching even to me, the heartless teenager who would not permit herself to show any kind of emotion. I would give the answers my mother hoped for:
Yes. Yes.