The Secret History of Lucifer: And the Meaning of the True Da Vinci Code (2 page)

Of course millions worldwide have now read about a Church conspiracy to defraud us all of our true spiritual inheritance via the Magdalene, from Dan Brown's publishing phenomenon, The Da Vinci Code. Until now, there has been far too much darkness in the world of the spirit for far too long, and whether presented as a worthy academic tome or a rip-roaring page-turner, letting a little light in can only change our culture for the better. Yet the truth is that his novel goes nowhere near far enough. The real Da Vinci code is considerably more shocking than merely suggesting that Mary and Jesus were man and wife with children.

Nineteen ninety-seven saw the publication of my book, The Templar Revelation: Secret Guardians of the True Identity of Christ, co-authored with my closest friend and long-term colleague Clive Prince, which first introduced the idea of heretical symbolism in the so-called `religious' paintings of the great Renaissance genius, in a chapter called `The Secret Code of Leonardo da Vinci'. Although this was to provide Dan Brown with the background for his thriller, he has hardly scraped the surface of what Leonardo was really trying to convey ...

Leonardo (as `Da Vinci' should properly be known) was the ultimate Luciferan hero: daring, shocking, challenging, endlessly questing without acknowledging any limits, ever pushing back the boundaries of human knowledge. Famously the inventor of flyingmachines and military tanks, he also invented all manner of devices such as a sewing-machine, a bicycle (complete with chain and same-size wheels) - and even devised a primitive but effective form of photography with which he almost certainly created the world's most famous and baffling hoax, the Shroud of Turin, as detailed in our book Turin Shroud: How Leonardo da Vinci Fooled History. The `holy' image even has his own face on it. In other words, incredibly, instead of a miraculous image of Jesus Christ, we have a 500-year-old photograph of Leonardo da Vinci, a fifteenthcentury homosexual heretic who hated Jesus and the Virgin Mary.

The Church reserved a special loathing for those - and there were many - who tinkered with what we would call the early stages of photography, so it was a joke of particular viciousness with which Leonardo probably created the ultimate Christian relic, knowing it would be cared for by the priests of the very Church that he despised, perhaps until the day when it would be recognized for what it really is. But make no mistake, photography was believed to be `occult' once, and there is no reason to doubt that Leonardo actually believed himself to be involved in a magical process when he created the `Shroud'. If caught working with the `devilish' photography, he knew his position on the top of a flaming pyre would be assured.

(For those who, despite all the evidence to the contrary, might be eager to declare the Shroud is genuinely the miraculously imprinted winding sheet of Jesus, may I draw your attention to certain glaring anomalies of the image - see page 179 - which conclusively prove not only is it a fake, but also that it is a projected image. Further details can be found in our first book, Turin Shroud: How Leonardo da Vinci Fooled History, 2000.)

And, of course, as Clive and I revealed in The Templar Revelation, it is our theory that Leonardo put Mary Magdalene next to Jesus in his Last Supper, forming a giant spread-eagled `M' shape with the composition of their bodies as a clue. A brilliant psychologist, Leonardo knew that people only ever see what they expect or want to see. Quite what that says about my own mind, as the first person (as far as I know) to notice the giant penis on the head of Mary in the Virgin of the Rocks is open to question ...

Leonardo da Vinci was by no means the only shining light of intellectual and spiritual Luciferanism throughout history, which included secretive alchemists such as Queen Elizabeth I's astrologer John Dee - who as her spy master took the code name 007! - and eminent pioneering scientists such as Sir Isaac Newton and Andrew Crosse. As well as the Freemasons, the backbone of British and American progress, still routinely accused of worshipping a satanic Lucifer ...

However, because Lucifer and Satan are very wrongly assumed to be one and the same, this book will also examine those who have chosen to be Satanists or those whose magical operations have brought them perilously close to crossing the line into a much darker and bleaker world. But nothing could be darker or bleaker than the result of a belief in the existence of Devil-worshippers. For at least three entire centuries Europe (and then parts of North America) were ravaged by the craze for denouncing the most innocent of beings as witches, resulting in the devastation of whole communities, when the walls of village houses were caked in stinking human fat from the dreadful and seemingly endless burnings - even of tiny children. (Once a baby was actually born to a woman shrieking in agony among the flames. Somehow she managed to throw it free. The crowd threw it back, as an imp of Satan.) A belief in the Devil and his faithful has caused more agony, terror and evil in the world than even any true Satanism.

It was a madness that must never be forgotten, for like all historical abominations it holds a unique lesson for the future, should we be willing to confront and learn from it. This was not a vaguely interesting hiccup in European history that ought to be relegated to dry-as-dust text books - it was about the demonization of ordinary men and women just like you and me, by ordinary men and women just like you and me.

Yet while few of the hundred thousand or so witches caught up in this abomination were real Devil worshippers, most of their accusers could be said to be devils incarnate. It rapidly became a burnable offence even to question the existence of witchcraft. That is the price of a kind of fundamentalism. Lest we forget.

From the iniquities of the great ecclesiastical conspiracy to cover up the truth about Mary Magdalene and her `Luciferan' predecessors, the goddess-worshipping priestesses and priests, through the astounding courage and intellectual magnitude of freethinkers such as Leonardo da Vinci and his brethren, we arrive at today, hedged around and threatened by censorship, political correctness and worse. But, paradoxically, our journey to the murk and high anxiety of the twenty-first-century West begins with the pernicious myth of very first humans and a certain talking snake ...

LYNN PICKNETT

London 2005

Long live Lucifer - but to Hell with Satan!

PART ONE

A Star is Born

CHAPTER ONE

Satan: An Unnatural History

All cultures have their creation myths - the ancient Egyptians believed that the god Atum, deity of the solar disk and the sun itself, masturbated himself, exploding a life-giving burst of energy that seeded the dark unformed void with countless galaxies. In the land of the pyramids there was no impropriety in the concept that `self abuse' created the universe, although millennia later Victorian archaeologists were predictably shocked to the core by the ancient Egyptians' melding of sex and divinity.

In the first act of creation, Atum was perceived as an androgynous figure, the hand that made the world being the female aspect, while his phallus represented the equal and opposite male principle. As the eminent American scholar Professor Karl Luckert writes: `The entire system can be visualized as a flow of creative vitality, emanating outward from the godhead, thinning out as it flows further from its source'. I

However, this apparently primitive - if somewhat explicit - tale actually encompasses a highly sophisticated understanding of the cosmology, as Clive Prince and myself noted in our The Stargate Conspiracy (1999):

It literally describes the `Big Bang', in which all matter explodes from a point of singularity and then expands and unfolds, becoming more complex as fundamental forces come into being and interact, finally reaching the level of elemental matter.'

Unfortunately our own culture's creation myth boasts no orgasmic Big Bang, no universe spawned unashamedly, even proudly, from the explosively virile phallus of the great Creator god.

What we have instead is the story of God's six-day creation followed by the myth of Adam and Eve - essentially the opposite of the Egyptian myth in its furtive, guilt-ridden attitude to nakedness and its emphasis on sexual sin, female culpability and divine retribution from a pathologically wrathful, tyrannical and petty God. Despite millennia of sermonizing and theological debate - in which the sheer nastiness and incompetence of Yahweh has been subjected to the damage limitation of philosophy by far greater minds, apparently, than his - arguably the story as told in the first book of the Old Testament, Genesis, has succeeded in inspiring more evil and more neuroses than Stalin and Freud could ever have dreamt of between them.

In the Judaeo-Christian tradition, all human woes supposedly originated in the Garden of Eden, the blissful earthly paradise that God created to provide innocent and unmitigated joy for the two creatures he made in his own image - the prototype man Adam and his critically wayward companion, the first female, Eve. Clearly unwilling to expend too much trouble, God frugally created the world's mother from one of Adam's ribs, although in fact this aspect of the story is a perversion of a myth of a Sumerian goddess who, more understandably, created babies from their mother's ribs in her role `as the Lady of the Rib and Lady of Life'.'

Unfortunately one of the other creatures in the garden was about to become a little too intimate, as it slithered towards them with its burden of horror for the whole of mankind ...

Inside Paradise

While `Eden' itself may originate in the Sumerian edinu, simply meaning `plain', the term used in Genesis for `paradise' is a mixture of various near eastern words, including the old Persian paradeida, which may mean `a royal park' or `enclosed garden',' denoting a sense of exclusivity, even of luxury. Indeed, the Greek paradeisos was often used by writers such as Xenophon to describe the lush walled gardens of wealthy monarchs like King Cyrus, envied throughout the Near East for his opulence. Perhaps the old Mesopotamian belief in the `king as gardener' underpinned the Eden imagery ,5 where God himself creates the garden, and Adam - a true human king-figure before the Fall - maintains it. (And it may be significant that the priests of several ancient Mediterranean religions, such as those of the Egyptian Osiris cult, were known as `gardeners' and that Mary Magdalene, who, I have argued elsewhere, was a priestess of a goddess-worshipping religion,' believed the risen Jesus to be a `gardener'.)

`Eden' may refer to the wider region in which the first garden was believed to be located, variously described in the Old Testament as the `Garden of the Lord" or the `Garden of God',8 a verdant place that was soon synonymous with peace, tranquillity and, above all, innocence. Four rivers gave the garden its lush fertility, providing abundant food for its teeming and diverse plant and animal life, inspiring generations of Christian artists and writers.

Many Jewish and early Christian chroniclers pursued a fruitless task of trying to locate the four rivers of Paradise. These are named by the Bible as the Euphrates and the Tigris - both of which are real and important features of the near east - together with the apparently mythical Gihon and Pison, although the first-century Jewish chronicler Flavius Josephus believed that one of the latter was actually the Nile, placing Eden in north Africa. Indeed, some early Church Fathers and late classical writers placed Eden in Ethiopia, Mongolia or even India. Others have located the earthly Paradise in eastern Turkey, where it would have been served by the Euphrates, Tigris and the River Murat, the north fork of the Euphrates providing the identity of the mysterious fourth river.

Many archaeologists and theologians had long believed Eden to have been situated in Sumer, the ancient area approximately 125 miles (200 km) beyond the northern tip of the Persian Gulf, but in the 1980s Dr Juris Zarins argued that the original Paradise had sunk beneath the waves as the waters of the Gulf had risen dramatically since the time described in Genesis. Zarin also suggested that the `Gihon' is now the River Karun, which rises in Iran, flowing south west into the Persian Gulf. This is an exquisite irony - today's Iraq is no one's Paradise!