The Secret History of Lucifer: And the Meaning of the True Da Vinci Code (4 page)

(The identification of snakes with evil is so ingrained that a serpent, tongue flickering horribly, simply had to be the symbol for Hogwarts' house of Slytherin, alma mater of all magicians who went to the bad, in J.K. Rowling's Harry Potter novels. Yet Harry's unconscious skills do set a boa constrictor free from London Zoo, who is polite enough to hiss 'Thanks', before slithering off.)

The unedifying story of the expulsion from Paradise is believed to be essentially about the arrival of sin among humankind - its fall from grace and future as the plaything of evil and the repository for all known pain and suffering. While the preferred modern view is to dismiss it as nonsense or at best see it as an allegory, a surprising number of Christians still believe that Adam and Eve literally existed and that we have since suffered from their sin.

However, perhaps the story is most revealing about God's own nature. He appears to be as much at a loss with Adam and Eve as they are in their new circumstances - and not much of a psychologist, despite having created the prototype man and woman in the first place. Did he really believe that banning a certain substance, the fruit of a tree - that one over there, look! - would mean that they would obediently steer clear of it? Clearly he has a great deal to learn as a father.

Not only does God seem taken aback by the whole episode, but also he seems neither to have understood that he has created intellectual curiosity and a desire for sensuous satisfaction nor that the snake, too, was his handiwork, saddled with a set of characteristics that inevitably led him to tempt the woman. Like Judas in his role as catalyst for Jesus' sacrifice, the snake was doomed from the first. And both are seen as literal embodiments of, or at best, servants of evil. And - after Eve's calamitous fall - traditionally women have been seen as not much better.

Perhaps, too, the myth also contains an element common in modern science fiction, the fear of the robots' rebellion. Just as medieval and Renaissance Jewish legends told of the horror of the golem, a magically animated man, in the story of the Fall God's robotic creatures seize the initiative, revealing an inherent - and potentially dangerous - intelligence that their creator did not want to acknowledge. The creation myth is famously parodied in Mary Shelley's Frankenstein, although perhaps it may be less of a travesty and closer to the original than is usually thought.

However, although it might seem a pointless exercise to question or read such a modem interpretation into what is essentially a group of ancient myths, even today's most sharply sophisticated cultures are still heavily influenced by them and their potent ramifications. Even in the twenty-first century, much of the Judaeo-Christian legacy informs the way that even most materialist sceptic thinks and behaves. Whether we like it or not, that legacy has built the history that spawned us, and shaped the attitudes that linger, often unpleasantly, in the dark recesses of our minds.

Perhaps, though, God did have a psychological understanding of Eve, knowing she would inevitably fall prey to the serpent. Perhaps the whole episode of the Fall was set up to test the loyalty of the first man and woman. But, in that case, surely their banishment was somewhat harsh? Perhaps a stiff talking-to, literally to put the fear of God into them, and another chance to prove themselves, would have made more sense? It is only too easy to liken God's reaction to that of a spoilt child taking out his spite on his new toys, the rather mindless Adam and Eve, when they failed to work according to the instructions. Indeed, if he had never experienced any other being standing up to him, a spoilt child is pretty much what he would have become. But was he ever challenged - apart from Adam and Eve in what was to prove their critical act of rebellion?

According to the Old Testament, Yahweh was confronted by one of his own leading angels, Lucifer, in a sort of explosive palace coup - which, of course, failed spectacularly, ending with the rebel leader's banishment to Earth, and beyond, into the nightmarish realms of hell.

To the Jews, the infernal regions were ablaze with Gehenna, a river of fire, although the name was often applied to the whole area. The concept of Hell as a fiery pit, so beloved of medieval theologians and witch-hunters, actually originated in ancient Egyptian wall paintings of `the wicked' being consumed by fire, although in fact these tormented souls were not meant to represent human sinners, but elemental spirits, enemies of the sun god Atum.31 However, that religion never laid any emphasis on eternal punishment for sin, the afterlife being instead a sort of assault course of monsters and demons that could be overcome with the right spells.

Although Egyptians spent their entire lives, and often their fortunes, trying to escape death - which they called `an abomination' - an essential aspect of their belief was that the dying-andrising god Osiris had saved humanity from death through the process of rebirth.

But in the West, the concept of Hell has long proved useful to keep the vulnerable in terror of God. Although this subject will be discussed in detail later, the following extract from the nineteenth century Father Furniss' Sight of Hell, an improving tract for young people, will suffice to convey these sadistic fantasies:

Of two little maids of sixteen, one cared only for dress, and went to a dancing school, and dared to disport in the park on Sunday instead of going to mass: the little maid stands now, and forever will stand, with bare feet upon a red-hot floor. The other walked through the streets at nights and did very wicked things; now she utters shrieks of agony in a burning oven. A very severe torment - immersion up to the neck in a boiling kettle - agitates a boy who kept bad company, and was too idle to go to mass, and a drunkard; avenging flames now issue from his ears. For like indecencies, the blood of a girl, who went to the theatre, boils in her veins; you can hear it boil, and her marrow is seething in her bones and her brain bubbles in her head. `Think,' says the compassionate father, `what a headache that girl must have!'32

Surely no comment is necessary.

As we shall see in a later chapter, some of the worst excesses of hellish punishments were invented by patriarchal societies to terrorize women. Barbara Walker notes, for example, that in this male-dominated Hell:

Women who scolded would be forced to lick hot stoves with their tongues. Women who showed disloyalty to men would be hung up by one leg, while scorpions, snakes, ants and worms dug their way in and out of their bodies 33

`Disloyalty to men' is a conveniently loose term open to a wide variety of interpretations.

We are not told whether Hell existed before the war in Heaven, but it certainly existed afterwards, when Lucifer lost his heavenly status. Isaiah apparently describes this landmark event:

How art thou fallen from heaven O day-star, son of the morning! (Helel ben Shahar) How art thou cast down to the ground, That didst cast lots over the nations!

And saidst in thy heart: `I will ascend into heaven, Above the stars of God (El) Will I exalt my throne; And I will sit upon the mount of meeting, In the uttermost parts of the north; I will ascend above the heights of the clouds; I will be like the Most High (Elyon).' Yet thou shalt be brought down to the nether-world, To the uttermost parts of the pit.3a

While the putative existence of this once-great, but apparently anonymous, hero of Heaven provides the opposing force to God's goodness - and to a cynic an excuse for the evils of the world - in fact the passage quoted above may well simply be an allusion to a Phoenician or Canaanite myth about Helel, son of the god Shaher, who, coveting the almighty god's throne, was cast down into the abyss. But while in northern Syria there is an ancient poem about Shaher (dawn) and Shalim (dusk) - two divine offspring of the god El - no mention is made in the Canaanite sources of a Lucifer figure or a revolt against God.

Lucifer was also associated with the Assyro-Babylonian lightning god, Zu the Storm Bird, sometimes known as `the fiery flying serpent'. He was condemned for seeking Zeus' Tablets of Destiny, given to him by his mother, the goddess Tiamat. Zu cried: `I will take the tablet of destiny of the gods, even I; and I will direct all the oracle of the gods; I will establish a throne and dispense commands, I will rule over all the spirits of Heaven!'35

However, the description of the fallen one in the passage quoted above is seen as a clue to his identity by many Apocalyptic writers and Christians, particularly evangelicals or fundamentalists. `How art thou fallen from heaven 0 day-star, son of the morning!' is taken as a reference to Lucifer, whose name means 'Light-bringer', and therefore by extension is associated with the radiant Morning Star, the perfect symbol of hope that comes with each bright new day. Lucifer is identified as the former hero of heaven who challenged God, lost, and, together with his faithful angelic hordes, was exiled to Hell. Milton writes of the agonies of the fallen being, once God's favourite, now the personification of evil as Satan: `Apostate Angel, though in pain/Vaunting aloud, but rack'd with deep despair' .36

The first book of the apocryphal book of Enoch refers to the falling angels as stars, listing them by name as `Semiazaz, Arakiba, Rameel, Kokabiel, Tamiel, Danel, Ezeqeel, Baraqijal, Asael, Armaros, Batarel, Ananel, Zaqiel, Samsapeel, Satarel, Turel, Jomjael and Sariel' 31 Perhaps this passage was the origin of the confusion between the story of the Watchers - the angels who were overcome with lust for human women and fathered a race of giants with them - and Isaiah's story. Later Christian writers such as Saint Jerome also associate the fallen being described in Ezekiel 28: 13-15 with Lucifer:

You were in Eden, the garden of God; Every precious stone was your adornment: Carnelian, chrysolite, and amethyst; Beryl, lapis lazuli, and jasper; Sapphire. Turquoise, and emerald; And gold beautifully wrought for you,

Mined for you, prepared in the day you were created. I created you as a cherub With outstretched shielding wings; And you resided in God's holy mountain; And walked among the stones of fire. You were blameless in your ways, From the day you were created Until wrongdoing was found in you By your far-flung commerce You were filled with lawlessness And you sinned. So I have struck you down From the mountain of God, And I have destroyed you, 0 shielding cherub, From among the stones of fire.

Here a great anti-hero's dazzling radiance is emphasized: he is hung about with the world's greatest riches, resplendent with the most fabulous jewels and gold. But he transgressed through his `farflung commerce' apparently suggesting an unpopular trading deal - which is a little odd but meaning `social relations' or even `sexual intercourse', - and lost it all. Worse than bankruptcy by far, however, was the fact that he has been struck down `From among the stones of fire', brought to the lowest state imaginable, apparently both materially and spiritually. Superficially this story seems to reinforce that of the fallen angel in Genesis, stressing the terrible dynamics of Luciferan exile.

Once again, though, there are other interpretations: it has been argued that this passage actually refers to the proud king Nebuchadnezzar, who suffered a dramatic fall from grace.38 But the associations with Lucifer persist, although not always in the context of evil. The Morning Star god, the Canaanites' Shaher, is still commemorated in the Jewish Shaharit or Morning Service 39 His twin brother, the Evening Star Shalem, announces the daily death of the sun and utters the Word of Peace, shalom. The twin gods were openly worshipped in the `House of Shalem' - or Jerusalem.

Their female parent was the Great Mother goddess Asherah, or Helel, the pit. The Canaanites believed that Shaher sought to usurp the glorious sun god, but was defeated and cast down from heaven as a lightning bolt. A seventh-century pagan dirge to the fallen one reads:

How hast thou fallen from heaven, Helel's son Shaher! Thou didst say in thy heart, I will ascend to heaven, above the circumpolar stars I will raise my throne, and I will dwell on the Mount of Council in the back of the north; I will mount on the back of a cloud, I will be like unto Elyon 40

The prototype for the story of Lucifer's fall originated in the Persian myth of Ahriman, the Great Serpent or Lord of Darkness, who challenged his rival, the sun god, Ahura Mazda, the Heavenly Father. ('Ahura' was once a feminine name4' As Jean Markale notes: `Ahura-Mazda was originally a luminous being who materialized in the form of a female goddess.')42 Being cast out of Heaven, Ahriman tempted the first man and woman in his guise as the Serpent, and prophets declared he would be defeated for ever at the end of the world. But he was Ahura-Mazda's twin, from the womb of Infinite Time, the Primal Creatress, not his inferior. In fact, Ahriman is honoured for having created the physical world, and became a major influence on the cult of Mithras - another dying-and-rising god - as `Armanius', the secret god of magic. The Persian emphasis on opposite-but-equal gods of Light and Dark enjoyed a renaissance in the beliefs of the Christian Gnostics, as we shall see.

In some versions of Lucifer's fall, Lucifer fought and lost to the archangel Michael, who remains for ever his personal enemy. (Both angels had shared similar characteristics, being associated with light and fire.) However, some of the angelic host refused to take sides and - somehow - managed to remain neutral, and will resurface later as central characters in the myths surrounding the Holy Grail.

In the last book of the Bible, the New Testament Revelation, the story is told thus:

And there was a war in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. But he was not strong enough, and they lost their place in heaven. The great dragon was hurled down - that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the earth, and his angels with him a3

Revelation also tells us that `the dragon's tail swept a third of the stars out of the sky and flung them to earth,' which is taken to mean that a third of Lucifer's angelic followers fell with him.

Later versions of the Fall describe Lucifer being angered because God created a brother for him, Jesual the Son, from whose head sprang Sin, who in turn gave birth to Death. It was only after suffering this extra humiliation that Lucifer was ejected from his heavenly home.