Read Wheel With a Single Spoke Online
Authors: Nichita Stanescu
that speaks.
I can't believe a bird can fly,
that it can glide on what is not,
or that you are in love with me
and I'm not even your dog.
An air of loss exists
and a stillness of black goats,
but neither have I inhaled
since I became your dog.
Don't you have anyone else to hit
with that clang yanking out its own statue?
Here, boy, here I am, hit me!
Only I am your dog.
Nothing more ambiguous than a straight line,
nothing more painful than a wedding
. . . and more foreign than a party
on New Year's
nothing is.
Nothing more free than sleep,
nothing more liberating than weariness
and compared to the young couple
who yesterday I saw kiss,
nothing is more of the past . . .
Nothing more durable than air
and nothing more invisible.
Â
I am a locomotive steaming
out of evaporating rails.
I am a bird flying
out of petrifying air.
I am a word spoken
that leaves behind a body.
I am time leaping
from a crystallizing hour.
I am grass
bent under verdancy.
I am hunger running
ahead of a gut.
I am one born
from a mother so true
as I am untrue.
You're distant now, Mama,
you don't feed me from your tit,
but your hand.
We're eating in the house now, Mama,
we're eating in the dining room.
Your breast has turned to wood, Mama,
a table and glasses, the nipple of your tit.
Give us drink, Mama, to me and my friends,
and after we have whet our thirst for life
give us death, O Mama.
A dog bites me,
ah, I peer through him
as through a window.
Darkening dark
see
the gates of light.
Night starts to fall
over a house in the country
with a wooden table in the backyard
where they sit and drink and talk â
my parents and someone else's
the mayor and stable hand
schoolteacher and priest
and some more people who sit and drink and talk.
At the same time
superimposed upon them
a man with a black cloak,
wounded by history
or whatever else,
goes off in the dusk over the field
getting smaller as he goes
dying as night falls.
Snippets of talk, clatter of forks and knives
glugs of pouring wine
and above everything
the schoolteacher shouting louder than anyone else:
â At the end of the day, what is life about?
And the priest shouting louder than anyone else:
â There are no signs, prayer is pointless.
And the mayor shouting louder than anyone else:
â Everything we see is the same! Always the same!
Superimposed upon the people at the table
crossing, it seems, through each one
in the field black with evening,
a man with a black cloak goes off,
his thoughts audible across the field:
I was born in the worst century possible,
I lived in the strangest heart possible!
That's how his thoughts sounded
while he got smaller
like a black spot on a black spot
getting larger.
Heavy air and calm heat
beside the table in the yard, covered in shadow
untouched by the gasoline lamplight,
a mute rustle in the lantana bush.
A shiny eye with a matte shine,
an eye as big as the lantana bush
opens shiny and matte and closes.
The people at the table have their backs turned;
a second of silence then wine glugs into glasses.
Superimposed upon the rectangle of the table
far away, crossing the field
and cutting through the table at the same time,
a man with a black cloak
and behind the man with a black cloak
a hectare of black field opens suddenly,
an eye shining and opaque and black
closes as quickly as it opened
while the man goes off with his back turned.
A dog tied to an oak in the yard
yaps banging his chain,
the oak's trunk opens
and a shining black eye blinks.
â Quiet, damn dog, shouts the stable hand,
and throws a mug at him.
A star widens like a pond
behind the man with a black cloak,
and a boulder at the gate
opens a shining black eye and closes it.
â I live in a strange heart, the man thinks,
one is the attention of zero,
two and three and four and five
are nothing other
than the non-attention of number one,
thinks the man with a black cloak, further off,
while behind him
the black horizon opens an eye,
immense, shining, and black,
and closes it.
My parents and someone else's
sit at a wooden table in the yard
of a house in the country
and drink with the priest and mayor
with the schoolteacher and stable hand
and whoever else is at the table,
and superimposed upon them
a man in pain with a black cloak
crosses the field toward night.
Some speak, another thinks,
while large eyes open and
close behind them
and evening decomposes into night
and their meal in the yard never ends
and his walk with a black cloak in the field
never ends
and night runs into night
ever thicker, ever thicker.
Not how I am am I
but how you are am I
Not green, not yellow, not red,
but very green, very yellow, very red,
Not how I am am I
but how you are am I
Not purple, not very purple,
but very, very purple.
Not how I am am I
but how you are am I
a kind of you am I
that you would not let be me.
You take a piece of stone,
carve into it with blood,
polish it with Homer's eye,
plane it with the sun's rays,
until the cube is perfect.
Then you kiss the cube countless times
with your mouth, with others' mouths,
especially with the mouth of
la infanta
.
Then you take a hammer
and bust a corner off the cube.
Everyone, but everyone, will say:
â What a perfect cube this would have been
if that corner wasn't broken!
I.
The eagle's wing had a round hole,
like a ring of gold too tight
to crown the emperor's forehead.
Through it nothing went toward nothing,
no one shone through its wing,
the no one who longs for nonexistence.
The eagle rose through the air, timidly
as if through the breath of a child, â
falling, first it became a turtle, then
white balls of hail, then
only the cold of him remained, only the cold.
When a hole was made
by its body into the earth
the smack of its fall
no one heard;
the grass was green and fresh,
its plumage changed color, to green.
Worms from the bowels of the earth
came to ask:
â Do you want magma or lapis lazuli?
â No, it responded, I want air,
air, I want air.
Worms from the bowels of the earth said:
â We have sand, can you breathe sand?
â No, I cannot breathe sand,
I have nothing to breathe sand with.
Worms from the bowels of the earth said:
â If you had a pyramid, could you breathe sand,
if you had a pyramid, could you breathe sand?
â No, the eagle responded,
I have no pyramidal thought, the eagle said,
I have no pyramidal thought.
â Then what do you have? asked worms from the bowels of the earth,
then what do you have, what do you have, then?
â I don't, said the eagle, I don't have anything;
my only property is absence,
a round hole in my wing instead of a sun.
I don't, said the eagle, I don't,
I don't, said the weary eagle, dying.
â Bon appétit, said worms from the bowels of the earth.
â Bon appétit, responded no one.
II.
â Bon appétit, responded no one.
â Bon appétit, said worms from the bowels of the earth.
â I don't, said the eagle, dying.
I don't, said the eagle, I don't.
A round hole in my wing in place of a sun,
my only property is absence,
I don't, said the eagle, I don't have anything.
â Then what do you have, what do you have, then?
Then what do you have? asked worms from the bowels of the earth.
â I have no pyramidal thought,
I have no pyramidal thought, the eagle said,
no, the eagle responded.
â If you had a pyramid, could you breathe sand,
if you had a pyramid, could you breathe sand?
worms from the bowels of the earth said.
â I have nothing to breathe sand with.
No, I cannot breathe sand.
â We have sand, can you breathe sand?
worms from the bowels of the earth said.
â Air, I want air!
No, it responded, I want air!
â Do you want magma or lapis lazuli?
came to ask
worms from the bowels of the earth.
Its plumage changed color, to green.
The grass was green and fresh.
No one heard
the smack of its fall
by its body into the earth
when a hole was made;
only the cold of him remained, only the cold,
white balls of hail, then
falling, first it became a turtle, then
as if through the breath of a child, â
the eagle rose through the air, timidly.
The no one who longs for nonexistence
shone through its wing,
through it nothing went toward nothing
to crown the emperor's forehead
like a ring of gold too tight.
The eagle's wing had a round hole.