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Authors: Michael Bishop

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BOOK: Who Made Stevie Crye?
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“Seaton, get in here!”

“I’m right beside you, Mrs. Crye.”

“Look under the beds. Look in the closet. Pray he hasn’t escaped into the attic. I’m at the end of my rope with both of you.”

Seaton did as she bade him do. ’Crets was under neither of the twin beds, for he had hidden in the step-down closet. Seaton found him on an upholstered trunk behind a curtain of summer hangups. He dragged the monkey back into Marella’s room with an amelodic accompaniment of screeches (’Cretsie’s) and ouches (his own). Flakes of foil stuck to the capuchin’s beard; glitters of shattered Sucret twinkled above the long slash of his lip. His eye sockets held the deceptive emptiness they usually held.

“Get him out of here, Seaton. Take him back to Columbus on your time bomb of a motorcycle.”

“Yes, ma’am.”

Finally, after almost two hours of her hints, suggestions, and commands, the Cryes’ uninvited guests took their leave. Teddy and Marella were sad to see them go. They waved at the figures on the motorcycle and called out invitations for a future visit. Stevie, inside, stood at the kitchen sink washing her hands in scalding-hot water.

XXI

An hour or so later she stood in her study
reappraising the Exceleriter. What had Seaton Benecke done to it now? The room was warmer, almost comfortable. She let her fingers hover over the keyboard, confident that if the machine was “even better than it was before,” she would finally get some answers from it. They might not be answers she wanted, or answers remotely reassuring, but her knowledge about herself and those she loved would increase, and the most important thing now was to learn through the typewriter’s preternatural instructorship without losing her grip on reality. She had no desire to hang above her front door a shingle bearing the inscription
Stevenson Crye, Madwoman of Wickrath County
. How, though, did you get answers from a willful, uncooperative machine?

You confront it, Stevie told herself. You ask it questions and so establish a dialogue.

On the same sheet of paper on which Seaton Benecke had typed a series of
t
words, she typed a question, letting her fingers fall as lightly as an acid rain. The result would be either growth or corrosion.

Who are you?

Three words and a question mark. They had formed in her mind, coursed through her nervous and locomotor systems, and sprouted as if by magic in a tiny patch of virgin whiteness. Through the agency of her Exceleriter she had translated thought to paper. Nothing strange about that. Millions of people performed similar feats of thought transference every day, often with concepts more revolutionary or queries more complex than “Who are you?” Of course only she of all the people in the world knew the terrible complexity of this particular three-word question. As Stevie reread what she had typed, the Exceleriter depressed its own shift-lock key and pounded out a flurry of uppercase characters:

I AM A FIGMENT OF YOUR IMAGINATION, STEVENSON CRYE, MADWOMAN OF WICKRATH COUNTY. I AM YOU.

A patent lie, for her hands were clasped in front of her and they had not moved to the keyboard to frame this response. Nor had any such thought taken shape in her mind. Standing immobile over a machine that operated itself, you could not transfer to paper a thought you had never had. Perhaps Seaton Benecke, ’Crets, and this infernal typewriter were conspiring to drive her crazy. By plucking the phrase
Madwoman of Wickrath County
from a previous moment’s fleeting reverie, the Exceleriter’s motive intelligence—whatever elements might compose it—seemed bent on that very end. Stevie typed,

I’m sorry. That just isn’t so.

To which the Exceleriter replied,

THEN PERHAPS YOU ARE A FIGMENT OF MY IMAGINATION, STEVIE, FOR ONE OF US MUST BELONG TO THE OTHER. I WAS GIVING YOU THE BENEFIT OF THE DOUBT ON THE ASSUMPTION THAT EITHER YOU OR YOUR HUSBAND PAID FOR THIS MACHINE.

After which a genuine exchange ensued:

If you were a figment of
my
imagination, we wouldn’t be engaged in this quarrel. Ted bought you, but nobody bargained on having you periodically wrest control from me.

WHO ARE YOU ADDRESSING, STEVIE? THE PDE EXCELERITER 79 OR THE INTELLIGENCE YOU PERCEIVE BEHIND IT?

I don’t know. Yes, I do. The latter.

AM I MANIPULATING YOU? ARE YOU MANIPULATING ME? OR ARE WE PERHAPS PARTNERS IN A BIOMECHANICAL SYMBIOSIS?

There’s nothing mechanical about the intelligence that asks such questions. Who are you?

I AM THE FIGMENT OF AN IMAGINATION THAT IMAGINES YOU TO BE A FIGMENT OF MINE. OR VICE VERSA.

Stevie refused to accept this last gambit. It was an argument from one of those adolescent head games you played in college. Was the world real? Were our dreams intrusions from another reality? Did we create God or He us? . . . None of the answers to these questions, no matter how convolute or clever, released you from your awareness that you had earned a disappointing B- on your last comparative lit. paper and that finals were fast approaching. That Lyndon Baines Johnson reminded you of a Hollywood character actor and that American soldiers were dying in Vietnam. That your complexion warranted a major Estee Lauder overhaul and that three days after you thought your period had ended you were still spotting. To hell with What’s-the-sound-of-one-hand-clapping? and Is-the-scholar-Soshu-a-man-dreaming-himself-a-butterfly-or-a-butterfly-dreaming-itself-a-man? Even if illusory, the world published its scattershot proclamations and made you kowtow to them. You could not get away.

Only about two inches of paper remained beneath the Exceleriter’s last assertion. If she wanted answers instead of inane riddles, she would have to get down to business. Stevie typed,

Tell me about Ted. Finish my nightmare for me. If you’re my husband, talk to me as Ted talked.

Of course Ted had never talked through the intercession of a typewriter, and the machine responded to Stevie’s plea by turning itself off. By way of experiment she jabbed the key that restored its hum. It shut down again. She jabbed it back to life a second time, and although it did not counter with a third emphatic shutdown, it hummed without typing a line.

Teddy knocked on the door and stuck his head into the room. “Mom, you busy? Dr. Elsa’s here. Can you come down and talk to her?”

Stevie’s heart performed a clumsy somersault. Guilt-stricken,
she
turned the machine off. Then, affecting nonchalance, she hid her colloquy with the Exceleriter by positioning herself in front of the typewriter. Teddy could not see the incriminating evidence, but as Stevie looked into his eyes she realized that he had no wish to. Her heart began to soft-pedal its breakneck surgings.

“He fixed it for you, didn’t he?” Teddy asked. “That guy from Columbus, Seeley Bennett or whatever his name was.”

“Yep,” said Stevie. “It’s fixed.”

“He’s a nice guy, Mom. He’s probably not too young for you. Sort of halfway between Dad and me, agewise.”

“Age wisdom, Teddy, is an area where you may surpass Seeley Bennett.”

“Are you going to let him visit again?”

“Go back downstairs, Teddy, and fix Dr. Elsa and me a pot of coffee. I’ll be with her as soon as I’ve straightened up a little.”

“Yes, ma’am.”

XXII

Dr. Elsa was there
because earlier that afternoon she had run into Tiffany McGuire’s mother at the grocery store and learned from her that Marella had come down sick again. Dr. Elsa insisted on giving the girl a quick but methodical examination right there in the kitchen. Marella submitted to this probing because her brother had gone off to Pete Wightman’s house again, removing him as an onlooker, and because she was fond of Dr. Elsa. Not many kids in Barclay could command an unsolicited house call. It was an honor to have your tongue depressed in your own home, the smell of fresh-perked coffee perfuming the air. That’s what Stevie told Marella, anyway, and Marella had the good grace to acquiesce in these sentiments.

“You feel okay today, then?” Dr. Elsa asked, peering into the corners of her eyes.

“I felt all right pretty soon after Mrs. McGuire brought me home.”

“Just that nervous stomach again, young lady?”

“I guess so.”

“It was more than that,” Stevie said. “She woke up in the middle of the night complaining of a fever.”

“No, I didn’t,” Marella protested, shocked.

“Yes, you did. You said, ‘Hot, Mama. Oh, Mama, I’m so hot.’ You couldn’t move. You wanted me to call Dr. Elsa.”

“Mama, I did not! I slept all night.”

Stevie looked at Dr. Elsa. “You know how kids are, Elsa. They wake up during the night and talk to you, but don’t remember a word of it in the morning.”

“They usually remember when they’re sick, honey.”

“I
wasn’t
sick last night, Dr. Elsa. Mama made us go to bed right after the Duke boys, and I slept fine. I was afraid I wouldn’t, but I did. Mama didn’t even put the bucket beside my bed.”

“Well, she seemed all right when she first went up. But she woke me up moaning about how hot she was. She said she was melting. I told her to turn back her blanket, but she said she couldn’t move. Finally she asked me to call you.”

Standing beside Dr. Elsa’s chair, her waist partly encircled by the doctor’s arm, Marella rolled her eyes heavenward and shook her head. She was biting her lower lip to keep from speaking.

“Why didn’t you?” Dr. Elsa asked.

“I’ve been a nuisance all week. Used your typewriter Tuesday, bent your ear that evening, drove to Wickrath yesterday to see you. I couldn’t impose again, Elsa, not in the middle of the night.”

“Even if your daughter was paralyzed? What would it take to get you to call me, kiddo? Rabies? Bubonic plague?”

“I wasn’t paralyzed. I was sleeping.”

“I know paralysis from sleep!” Stevie snapped at her daughter. To Dr. Elsa she said, “I took care of the problem myself. There was no need to call you.”

“What did you do?”

“I pulled her covers back for her and . . .”

“And what, honey?”

“And . . .” Stevie glanced at Marella in sudden overmastering bafflement. She could not have seen her daughter as she remembered seeing her. A person whose body has been reduced to a living head atop a field-stripped rib cage does not regenerate her internal organs and her entire epidermis in a single night. She certainly does not arise and go walking about the following day. “And I covered her up again,” Stevie lamely concluded. “She was perfectly all right. There’d never been any reason to worry.”

“Wait a minute,” Dr. Elsa said. “You convinced yourself she could move just by foldin’ down her covers and then flippin’ them back up again?”

“I didn’t have to convince myself,” Stevie said, tacking about, running against a wind that had blown up from some squally gulf of consciousness. “She was asleep when I went to check on her. She never had a chance to complain about not being able to move. I wasn’t even worried about
that
, Elsa.”

“Mama, listen to you!”

Dr. Elsa pulled her arm from Marella’s waist and tipped another teaspoon of sugar into her earthenware mug. “Stevie, kid, your scriptwriter’s got to be either Salvador Dali or Groucho Marx. None of this makes a lick of sense.”

No, it didn’t, did it? For a minute there she had gone off on a side trail to which linear reality denied her access. She had traveled down that trail until hit between the eyes by the irrefutable fact of its inaccessibility. Coming back was not easy, either. People watched you scrambling toward them as if you were a defector from the Soviet Union, a potential untrustworthy spy.

“My scriptwriter’s upstairs,” Stevie muttered.

“Mama, you only dreamed you heard me saying those things. Your dream mixed you all up.”

Stevie smiled at the girl. “That’s right, daughter mine. I had a vivid nightmare. I almost started to believe it.”

“You
did
believe it,” Dr. Elsa accused.

“Well, I’m back now, Elsa. I’m back by way of Franz Kafka Country, and you and Marella can get off my case.” She left the table to pour another cup of coffee from the percolator, another unhealthy dose of caffeine. Dr. Elsa and her daughter exchanged some whispered badinage, at the conclusion of which Marella grabbed her coat and went outdoors again. “What was that about?” Stevie demanded, coming back to the table.

“I just gave her a clean bill of health.”

“Why don’t you give me a bill, Elsa? I owe you—”

“Kiddo, you couldn’t possibly pay me what you owe me, that’s what a nuisance you are.” She toasted Stevie with her mug, smiling her beautiful bone-weary last-hour-of-the-telethon smile. “And one bill it would be knuckle-headed folly to give you is a clean bill of health. You don’t deserve it. You deserve a kick in the can for not calling louder for help. ’S far as that goes, I deserve one for not giving you a complete checkup yesterday.”

Stevie sipped her coffee, which tasted bitter even after two dollops of sugar. A kind of languidly revolving, galaxy-armed caffeine slick made a mirror in her mug. She could see her face in it, or her eyes anyway, and if her haggard reflection had even an iota’s correspondence to the face it reflected, why, she was sick indeed. She belonged in emergency care. She required immediate treatment. They should strap her under the Clinac 18 and fire away. She looked so bad—to use a quaint expression of her father’s—that she would have to get better to die. Of course the iridescent scum on a mug of coffee hardly qualified as the most flattering of looking-glasses, but Dr. Elsa’s look confirmed the coffee’s bleak assessment. Dr. Elsa thought she had deteriorated since yesterday. Dr. Elsa thought her the Madwoman of Wickrath County.

Neither woman spoke. They sipped their coffee and nibbled on the vanilla wafers that Stevie had set out. Their silence persisted, without discomfort, for five or six minutes.

Stevie and Dr. Elsa had a relationship predicated on mutual esteem and support. Dr. Sam was himself in ill health, although he tried hard to carry his half of the burden of the Kensingtons’ two-town practice, and sometimes his failing stamina as doctor and husband placed heavy physical and emotional demands on Stevie’s friend. According to Dr. Elsa herself, she and Dr. Sam had not been lovers for three or four years (they had never been superstars or even journeyman performers in the bedroom), and of late the unassuming, conscientious Dr. Sam had begun to show more interest in Cherokee and Creek artifacts than in his wife. He preferred shambling around an archeological dig in Muscogee County to taking her to dinner in Columbus or to a college theater production in Ladysmith. He kept a box of arrowheads and stone tool points under their bed in the same spot where, as a younger man, he had kept his Sheik prophylactics.

Stevie had listened to these melancholy confessions in the same spirit that Dr. Elsa later lent a sympathetic ear to her own tales of woe during the difficult months immediately before and after Ted’s death. Now they could sit together without talking, secure in their friendship, their moods subtly buoyed by each other’s presence. Five, ten, or even twenty minutes could pass before either of them felt compelled or even distantly moved to speak. Stevie had seen men sit in this fashion for hours—Ted with Dr. Sam, her father with a hunting buddy—but in all her friendships with other women, no matter how young or old the friend, urgent conversation or frivolous chatter had always precluded the possibility, even the thought, of these long moments of calming silence. She had had to lose her husband to discover that they could in fact occur.

Finally, casually, Dr. Elsa said, “Did you get your shelving paper in?”

Stevie started. “What?”

“Your shelving paper. Stuff I gave you yesterday. Did you install it?”

“No, I—”

“Where is it? I’ll help you. Won’t take us half an hour to put down if you let me help.”

“It’s . . . it’s upstairs.”

“Upstairs? You’re not puttin’ shelving paper in your bookcases, are you?”

Stevie told Dr. Elsa that she had cut up the examination-table paper to use for rough drafts. She did not tell her that she had halved these sheets so that her Exceleriter, once the pieces were taped together, could continue to generate copy long beyond the eleven-inch limit of a leaf of ordinary typing paper. Her inability to admit this fact made her apprehensive; it seemed to undermine the foundation of trust on which she and Dr. Elsa had built their closeness.

“You that hard up, kiddo? You have to beg rough-draft paper and cut it up in strips so you can get it in your typewriter?”

“I’m not that hard up. I just . . . I just like the way it feels.”

“You and the cockroaches.”

“I like the way it works in the typewriter.” The two women stared at each other, yesterday’s conversation in Wickrath flashing between them, reenacting itself in their eyes. Stevie knew what Dr. Elsa was thinking, and Dr. Elsa had penetrated the secret of the examination-table paper, although she obviously believed that Stevie was toting a grotesque illusion pickaback, staggering beneath its weight. “Speaking of my typewriter, Seaton Benecke was here today.”

“Marella told me. She and Teddy were both pretty snowed by his monkey. I didn’t even know he had such a creature. His mother wasn’t the sort to go in for pets, if I remember her right.”

“Tell me about Seaton, Elsa.”

Dr. Elsa vowed that she knew very little about the Beneckes. Twenty years ago Dr. Sam had met the clan’s patriarch, Hamlin, during a Columbus-wide search for a secondhand typewriter for the Barclay clinic. That long ago Seaton, the youngest of the Benecke boys, was five or six and not yet in school, so his daddy often took him to the office-supply company, a pudgy little boy with hair the color of white gold and eyes like cracked blue aggies. When Dr. Sam first saw him, he was sitting in the back with the used and broken typewriters, peering into the works of a newer model and poking at the typebars in their semicircular orchestra pit. Sam’s first glance into the work area made him think that Hamlin Benecke had hired wizened midgets or gnomes to handle delicate repairs, but he soon recognized his error and gazed in wonder at the five-year-old, a white-haired Rumpelstiltskin who engraved a lasting picture on his memory.

The typewriter Sam bought that day was the very one, a Smith-Corona, with which Seaton had been fiddling when the physician entered the store. In twenty years that machine had given seven different secretaries at the Barclay clinic its heart and soul. Although it no longer worked terribly well, it was still an acceptable backup, and over the years Dr. Sam had often attributed its long-term reliability to the keen ministrations of five-year-old Seaton on that fateful first day. That Seaton was now a full-time typewriter repairman hardly surprised Dr. Elsa. A real wizard, he had been born with a typewriter ribbon in his mouth.

“Elsa, he’s strange.”

“Oh, I know he’s not your usual knock-back-a-few-beers repairman type, but I’m not Dr. Kildare, either.”

“I don’t mean he’s eccentric, Elsa, I mean he’s
strange
.”

“Yeah, I know. Never lookin’ at you when he talks. The monkey. The motorcycle. Never bein’ satisfied at the job he’s so good at. He’s one unhappy kid, Seaton Benecke.” The two women stared at each other. “Something to do with his homelife when he was smaller, I think. Hamlin and Lynnette didn’t always live together. He’d be one place, she’d be another. Not divorced or legally separated or anything like that, just a going-of-their-own-ways until they took a notion to meet again and act like husband and wife for a few months before they started all over in the apartness part of their relationship. That confused Seaton some. It may have made him strange. But he’s not so strange, Stevie, he could make your typewriter work by itself. He’s homegrown strange, not Martian strange.”

Stevie slammed her mug down. Shards of murky liquid sloshed out on the table. “By which you mean
I’m
Martian strange, don’t you?”

“Bad choice of words, honey. Misplaced modifier. Dangling antecedent. Something like that. English was never my strong suit.”

“Let me tell you how strange Seaton Benecke is, Elsa.” And with angry animation Stevie recounted the young man’s extraordinary postprandial behavior with ’Crets: how he had lied about cutting his finger yesterday, how he had let the capuchin suck blood from the tip of that finger, how he had admitted that bloodsucking was “just something ’Crets liked to do” (as if this shared activity were no less commonplace than playing checkers in the park), and how the monkey’s empty stare seemed a kind of proxy for the direct gaze Seaton himself could not usually manage. That was how strange Seaton was. If
that
was not Martian strange, Stevie did not know what might qualify.

Despite the heat of this outburst, however, she coolly declined to accuse the young man of sabotaging her Exceleriter, even though he most certainly had.

Laconically Dr. Elsa said, “ ’S that gospel, Stevie?”

“I’m Martian strange—I’m an unreliable witness—but ask Teddy and Marella. They’ll corroborate my story.”

After a while, having cleaned up Stevie’s spilt coffee with a paper towel, Dr. Elsa mused, “Once upon a time a body behaved that way would get herself—himself seems
really
strange—a far-reachin’ reputation as a witch. Outer space wouldn’t enter the matter at all.”

“What’re you talking about, Elsa?”

“Just an anecdote I remember a professor at Augusta Medical College tellin’. It was in an anatomy course, and sometimes this old bird got backtracked, thrown off-trail, by these little historical acorns his mind squirreled away. I’m mixin’ my metaphors, aren’t I? Anyway, I remember this digression very well because he was talkin’ about mammaries.”

BOOK: Who Made Stevie Crye?
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