CSS: The Definitive Guide, 3rd Edition (38 page)

Read CSS: The Definitive Guide, 3rd Edition Online

Authors: Eric A. Meyer

Tags: #COMPUTERS / Web / Page Design

BOOK: CSS: The Definitive Guide, 3rd Edition
5.23Mb size Format: txt, pdf, ePub
Padding and Replaced Elements

This may come as a surprise, but it is possible to
apply padding to replaced elements, although there are still limitations at the time
of this writing.

The most surprising case is that you can apply padding to an image, like this:

img {background: silver; padding: 1em;}

Regardless of whether the replaced element is block-level or inline, the padding
will surround its content, and the background color will fill into that padding, as
shown in
Figure 8-45
. You can also see
that padding will push an element's border away from its content.

Figure 8-45. Padding replaced elements

As of CSS2.1, however, there was some confusion over what to do about styling form
elements such as
input
. It is not entirely clear
where the padding of a checkbox resides, for example. Therefore, as of this writing,
some browsers—such as Mozilla—ignore padding (and other forms of styling) for form
elements. There is hope that a CSS specification will emerge that describes
form-element styling in the future.

The other possible limitation is that many older browsers did not apply padding to
images, including IE5 for Windows.

Summary

The ability to apply margins, borders, and padding to any element is one of the
things that sets CSS so far above traditional web markup. In the past, enclosing a
heading in a colored, bordered box meant wrapping the heading in a table, which is a
really bloated and awful way to create such a simple effect. It is this sort of power
that makes CSS so compelling.

Chapter 9. Colors and Backgrounds

Remember the first time you changed the colors of a web page? Instead of the old black
text on a gray background with blue links, all of a sudden you could use any combination of
colors you desired—perhaps light blue text on a black background with lime-green
hyperlinks. From there, it was just a short hop to colored text and, eventually, even to
multiple colors for the text in a page, thanks to

. Once you could add background images, too, just about anything
was possible, or so it seemed. CSS takes color and backgrounds even further, letting you
apply many different colors and backgrounds to a single page, and all without a single
FONT
or
TABLE
tag.

Colors

When designing a page, you need to plan it out before you
start. That's generally true in any case, but with colors, it's even more so. If you're
going to make all hyperlinks yellow, will they clash with the background color in any
part of your document? If you use too many colors, will it overwhelm the user? (Hint:
yes.) If you change the default hyperlink colors, will users still be able to figure out
where your links are? (For example, if you make both regular text and hyperlink text the
same color, it's much harder to spot links—in fact, almost impossible if the links
aren't underlined.)

Despite the added planning, the ability to change the colors of elements is something
almost every author will want to use, probably quite often. Used properly, colors can
really strengthen the presentation of a document. As an example, let's say you have a
design where all
h1
elements should be green, most
h2
elements should be blue, and all hyperlinks
should be dark red. In some cases, however, you want
h2
elements to be dark blue because they're associated with different types
of information. The simplest way to handle this is to assign a class to each
h2
that should be dark blue and declare the following:

h1 {color: green;}
h2 {color: blue;}
h2.dkblue {color: navy;}
a {color: maroon;} /* a good dark red color */
Tip

It's actually better to pick class names that describe the type of information
contained within, not the visual effect you're trying to achieve. For example, let's
say that you want dark blue to be applied to all
h2
elements that are subsection headings. It's preferable to pick a class
name like
subsec
or even
sub-section
, which actually mean something and, more importantly, are
independent of any presentational concepts. After all, you might decide later to make
all subsection titles dark red instead of dark blue, and the statement
h2.dkblue {color
:
maroon;}
is more than a little silly.

From this simple example, you can see that it's generally better to plan ahead when
you're using styles, so you can use all of the tools at your disposal. For example,
suppose you add a navigational bar to the page in the preceding example. Within this
bar, hyperlinks should be yellow, not dark red. If the bar is marked with an ID of
navbar
, then you only need to add this rule:

#navbar a {color: yellow;}

This will change the color of hyperlinks within the navigation bar without affecting
other hyperlinks throughout the document.

There is really only one type of color in CSS, and that's a plain, solid color. If
you set the
color
of a document to
red
, the text will be the same shade of red. HTML works the
same way, of course. When you declared
LINK="blue
"
VLINK="blue">
back in the
HTML 3.2 days, you expected all hyperlinks to be the same shade of blue, no matter where
they were in the document.

Don't change that thinking when using CSS. If you use CSS to set the
color
of all hyperlinks (both visited and unvisited) to
blue
, that's what they'll be. In the same way, if
you use styles to set the background of
the
body
to
green
, then the entire body background will be the same
shade of green.

In CSS, you can set both the foreground and background colors of any element, from
the
body
down to emphasis and hyperlink elements, and
almost everything in between—list items, entire lists, headings, table cells, and even
(in a limited fashion) images. To understand how this works, though, it's important to
understand what's in the foreground of
an element and what isn't.

Let's start with the foreground itself; generally speaking, it's the text of an
element, although the foreground also includes the borders around the element. Thus,
there are two ways to directly affect the foreground color of an element: by using the
color
property and by setting the border colors
using one of a number of border properties, as discussed in the previous chapter.

Foreground Colors

The easiest way to set the foreground color of an
element is with the property
color
.

color

Values:

|
inherit

Initial value:

User agent-specific

Applies to:

All elements

Inherited:

Yes

Computed value:

As specified

As discussed in
Chapter 4
, this property accepts
as a value any valid color type, such as
#FFCC00
or
rgb(100%,80%,0%)
, as well as the system-color
keywords described in
Chapter 13
.

For nonreplaced elements,
color
sets the color of
the text in the element, as illustrated in
Figure
9-1
:

This paragraph has a gray foreground.


This paragraph has the default foreground.


Figure 9-1. Declared color versus default color

Tip

In
Figure 9-1
, the default foreground
color is black. That isn't always the case since users might have set their browsers
(or other user agents) to use a different foreground (text) color. If the default
text were set to green, the second paragraph in the preceding example would be green,
not black—but the first paragraph would still be gray.

You need not restrict yourself to such simple operations, of course. There are plenty
of ways to use color. You might have some paragraphs that contain text warning the user
of a potential problem. To make this text stand out, you might decide to color it red.
Simply apply a
class
of
warn
to each paragraph that contains warning text (


) and the following rule:

p.warn {color: red;}

In the same document, you might decide that any unvisited links within a warning
paragraph should be green:

p.warn {color: red;}
p.warn a:link {color: green;}

Then you change your mind, deciding that warning text should be dark gray and that
links in such text should be medium gray. The preceding rules need only be changed to
reflect the new values, as illustrated in
Figure
9-2
:

p.warn {color: #666;}
p.warn a:link {color: #AAA;}

Figure 9-2. Changing colors

Another use for color is to draw attention to certain types of text. For example,
boldfaced text is already fairly obvious, but you could give it a different color to
make it stand out even further—let's say,
maroon
:

b, strong {color: maroon;}

Then you might decide that you want all table cells with a class of
highlight
to contain light yellow text:

td.highlight {color: #FF9;}

Of course, if you don't set a background color for any of your text, you run the risk
that a user's setup won't combine well with your own. For example, if a user has set her
browser's background to a pale yellow, like
#FFC
,
then the previous rule would generate light yellow text on a pale yellow background.
Therefore, it's generally a good idea to set foreground and background colors together.
(We'll talk about background colors later in the chapter.)

Warning

Watch out for color usage in Navigator 4, which replaces
color
values it doesn't recognize. The replacements aren't exactly
random, but they're certainly not pretty. For example,
invalidValue
comes out as a dark blue, and
inherit
, a valid CSS2 value, will come out as a really awful shade of
yellow-green. In other circumstances,
transparent
backgrounds will come out as black.

Replacing Attributes

There are many uses for
color
, the most basic of which is to replace the HTML 3.2
BODY
attributes
TEXT
,
LINK
,
ALINK
,
and
VLINK
. With the anchor pseudo-classes,
color
can replace these
BODY
attributes outright. The first line in the
following example can be rewritten with the subsequent CSS, and it will have the
result depicted in
Figure 9-3
:


body {color: black;} /* replacement css */
a:link {color: #808080;}
a:active {color: silver;}
a:visited {color: #333333;}

Figure 9-3. Replacing BODY attributes with CSS

While this may seem like a lot of extra typing, consider two things. First, this
is a major improvement over the old method of
BODY
attributes, in which you could make changes only at the document level. Back then, if
you wanted some links to be medium gray and others to be a relatively dark gray, you
couldn't do it with the
BODY
attributes. Instead,
you'd have to use

on
every single anchor that needed to be relatively dark. Not so with CSS; now, you can
just add a class to all anchors that need a shade of gray and modify your styles
accordingly:

body {color: black;}
a:link {color: #808080;} /* medium gray */
a.external:link {color: silver;}
a:active {color: silver;}
a:visited {color: #333;} /* a very dark gray */

This sets all anchors with a
class
of
external
to silver instead of medium gray. They'll still
be a dark gray once they're visited, unless you add a special rule for that as well:

body {color: black;}
a:link {color: #808080;} /* medium gray */
a.external:link {color: #666;}
a:active {color: silver;}
a:visited {color: #333;} /* a very dark gray */
a.external:visited {color: black;}

This will make all external links a dark gray before they're visited and black
after, while all other links will be dark gray when visited and medium gray when
unvisited.

Affecting Borders

The value of
color
can also affect the borders around an element.
Let's assume you've declared these styles, which have the result shown in
Figure 9-4
:

p.aside {color: gray; border-style: solid;}

Figure 9-4. Border colors are taken from the content's color

The element


has gray
text and a gray medium-width solid border. This is because the foreground color is
applied to the borders by default. The basic way to override this is with the
property
border-color
:

p.aside {color: gray; border-style: solid; border-color: black;}

This will make the text
gray
, but the borders
will be
black
. Any value set for
border-color
will always override the value of
color
.

The borders, incidentally, allow you to affect the foreground color of
images.
Since images are already composed of colors, you can't really affect them using
color
, but you can change the color of any
border around the image. This can be done using either
color
or
border-color
. Therefore, the
following rules will have the same visual effect on images of class
type1
and
type2
, as shown in
Figure 9-5
:

img.type1 {color: gray; border-style: solid;}
img.type2 {border-color: gray; border-style: solid;}

Figure 9-5. Setting the border color for images

Affecting Form Elements

Setting a value for
color
should (in theory, anyway) apply to form elements. Declaring
select
elements to have dark gray text should
be as simple as this:

select {color: rgb(33%,33%,33%);}

This might also set the color of
the borders around the edge of the
select
element, or it might not. It all depends on the
user agent and its default styles.

You could also set the foreground color of
input
elements, although, as you can see in
Figure 9-6
, doing so would apply that color
to all inputs, from text to radio button to checkbox inputs:

select {color: rgb(33%,33%,33%);}
input {color: gray;}

Figure 9-6. Changing form element foregrounds

Note in
Figure 9-6
that the text color
next to the checkboxes is still black. This is because you've assigned styles only to
elements like
input
and
select
, not normal paragraph (or other) text.

CSS1 offered no way to distinguish between different types of
input
elements. So, if you wanted checkboxes to be a
different color than radio buttons, you had to assign them classes to get the desired
result:

input.radio {color: #666;}
input.check {color: #CCC;}


In CSS2 and later, it's a little easier to distinguish between different elements
based on which attributes they have, thanks to attribute selectors:

input[type="radio"] {color: #333;}
input[type="checkbox"] {color: #666;}


Attribute selectors allow you to dispense with the classes altogether, at least in
this instance. Unfortunately, many user agents don't support attribute selectors, so
the use of classes may be necessary for a while.

Warning

Navigator 4 won't apply colors to form elements, but setting the colors for
form elements works in Internet Explorer 4 and up, and Opera 3.5+. However, many
versions of other browsers don't allow form-element styling either, due to
uncertainty over how they should be styled.

Other books

The Sea Came in at Midnight by Erickson, Steve
S is for Stranger by Louise Stone
Beef Stolen-Off by Liz Lipperman
Murder on the Yellow Brick Road by Stuart M. Kaminsky
Binding Arbitration by Elizabeth Marx
Playboy's Lesson by Melanie Milburne
Greetings from the Flipside by Rene Gutteridge
In the Teeth of the Wind by Charlotte Boyett-Compo

© 100 Vampire Novels China Edition 2015 - 2024    Contact for me [email protected]