Authors: Naomi Shihab Nye
On the first day of his life
the baby opens his eyes
and gets tired doing even that.
He cries when they place a cap on his head.
Too much, too much!
Later the whole world will touch him
and he won't even flinch.
beat his wife.
We did not know it then.
We knew his slanted-stripe
ties.
We said, “Good morning”
in our cleanest voices.
He stood beside the door
of the office
where all our unborn
report cards lived.
He had twins
and reddish hair.
Later the news
would seep
along the gutters,
chilly stream
of autumn rain.
My mother,
newspaper dropped down
on the couch, staring
out the windowâ
All those years I told you
pay good attention to
what he says
.
The stones in my heart
do not recognize your name.
Lizard poking his nose from a crack
considers us both strangers.
This wide terrain,
like a gray-green bottom of an ocean,
gives no sign.
If we have been here since whatever blow it was
toppled these boulders,
if we are brief as lightning in the arrow-shaped
wisp of cloudâ
on top of this peak, there are no years.
A single mound rises off the plain.
There I would make my house, you say, pointing.
And I want to take the hand that points
and build with it. Place it against my eyes,
lips, heart, make a roof.
If each day, history were a new sentenceâ
but then what would happen to
the rocks, the trees?
From this distance every storm
looks like a simple stripe.
The boy needed
to stop by the road.
What pleasure to let
the engine quit droning
inside the long heat,
to feel where they were.
Sometimes
she was struck by this
as if a plank had slapped
the back of her head.
They were thirsty
as grasses
leaning sideways
in the ditch,
Big Bluestem
and Little Barley,
Texas Cupgrass,
Hairy Crabgrass,
Green Sprangletop.
She could stop at a store
selling only grass names
and be happy.
They would pause
and the pause
seep into them,
fence post,
twisted wire,
brick chimney
without its house,
pollen taking flight
toward the cities.
Something would gather
back into place.
Take the word “home”
for example,
often considered
to have an address.
How it could sweep across you
miles beyond the last
neat packages of ice
and nothing be wider
than its pulse.
Out here,
everywhere,
the boy looking away from her
across the fields.
she carries her eyes from country to country
in Rome adding the crisp slant of sky
as earlier she gathered crowds of coffee cups
frothing hot miles     a scared man with a name tag
planted firmly on one shoulder
rows of empty chairs     buckled cases
and the bags from India tied and tied with rope
as she gets older the luggage grows
lighter and heavier     together
strange how the soil absorbs water
and is quickly dry again
how the filled room points to the window
haggard smiles of waiting strangers
brief flash and falling back to separateness
how much everyone is carrying
moving belt   the artifacts expand
now a basket of apricots
a mini-stove from England
an Italian grandfather weeps on the shoulder
of his glorious departing girl
the woman takes it in   thinking
how this world has everything and offers it
how it is good we only have two hands
Humps of shell emerge from dark water.
Believers toss hunks of bread,
hoping the fat reptilian heads
will loom forth from the murk
and eat. Meaning:
you have been
heard
.
I stood, breathing the stench of mud
and rotten dough, and could not feel
encouraged. Climbed the pilgrim hill
where prayers in tissue radiant tubes
were looped to a tree. Caught in
their light, a hope washed over me
small as the hope of stumbling feet
but did not hold long enough
to get me down.
Rickshas crowded the field,
announced by tinny bells.
The friend beside me, whose bread
floated and bobbed,
grew grim. They're full, I told him.
But they always eat mine
.
That night I told the man I love most
he came from hell. It was also
his birthday. We gulped lobster
over a white tablecloth in a country
where waves erase whole villages, annually,
and don't even make our front page.
Waiters forded the lulling currents
of heat. Later, my mosquito net
had holes.
All night, I was pitching something,
crumbs or crusts, into that bottomless pool
where the spaces between our worlds take root.
He would forgive me tomorrow.
But I wanted a mouth to rise up
from the dark, a hand,
any declarable body part, to swallow
or say,
This is water, that is land
.
Atsuko
steering her smooth burgundy car
past orange cranes
and complicated shipyards
has always lived in Yokohama,
but possibly this neighborhood
sprang up over the weekend
when we were off beside the sea.
Massive concrete, tones of gray.
Every day something changes in a city.
A woman pulls groceries home
in a metallic cart past five thousand
beige apartments,
but she will find her own
and twist the key.
We respect her.
Iron girders for a new
construction.
Rafters. Pipes.
Legions of coordinated
stoplights.
Atsuko cannot see any street
she recognizes,
one roadside tree
staked to bamboo
looks vaguely familiar.
She has seen other trees like that.
Will I keep my eyes open please?
Let her know if I spot any clues?
Remember who
you are talking to
, I say,
and we both laugh very loudly,
which is not something
I thought I would get to do
in Japan this soon.
We veer under highways,
elevated tracks, clouds.
The red train zips by smoothly overhead,
but all our streets go one way the wrong way
and I'm still confused by her steering wheel
on the right side, my foot punching
an invisible clutch.
What has she done?
Atsuko keeps apologizing
as we circle shoe shops dress shops party shopsâ
obviously her city is bigger
than she thought it was.
We must get gas.
Another day Mount Fuji-san looming
on the horizon
might help us gain our bearings,
but it's invisible today.
Right now
everything is gray.
Only the red train for punctuation.
She has never been more lost.
Keep driving
, I whisper,
Kyoto, Hokkaido,
villages, rice fields,
how can I be lost or found
if I have never been here before?
Your hotel is hiding, she groans.
Instead we find the Toyota dock
for the third time
in three hours.
Tricky city clicking its rhythms
into each U-turn, crosswalk,
the intricate red blood
networks of people,
into the secret hidden dirt.
Soon I will feel as grounded
as the citizens of the foreign cemetery
on the one high hill
who came here planning to
leave.