I'm With the Bears (20 page)

Hale grimaces and points to his uniform patches: Utah National Guard.

Lolo scowls. Utah National Guard. Colorado National Guard. Arizona National Guard. They're all the same. There's hardly a single member of the “National Guard” that isn't an out-of-state mercenary. Most of the local guardies quit a long time ago, sick to death of goose-stepping family and friends off their properties and sick to death of trading potshots with people who just wanted to stay in their homes. So even if there's still a Colorado National Guard, or an Arizona or a Utah, inside those uniforms with all their expensive nightsight gear and their brand-new choppers flying the river bends, it's pure California.

And then there are a few like Hale.

Lolo remembers Hale as being an OK guy. Remembers stealing a keg of beer from behind the Elks Club one night with him. Lolo eyes him. “How you liking that Supplementary Assistance Program?” He glances at the other guardie. “That working real well for you? The Calies a big help?”

Hale's eyes plead for understanding. “Come on, Lolo. I'm not like you. I got a family to look after. If I do another year of duty, they let Shannon and the kids base out of California.”

“They give you a swimming pool in your backyard, too?”

“You know it's not like that. Water's scarce there, too.”

Lolo wants to taunt him, but his heart isn't in it. A part of him wonders if Hale is just smart. At first, when California started winning its water lawsuits and shutting off cities, the displaced people just followed the water—right to California. It took a little while before the bureaucrats realized what was going on, but finally someone with a sharp pencil did the math and realized that taking in people along with their water didn't solve a water shortage. So the immigration fences went up.

But people like Hale can still get in.

“So what do you two want?” Inside, Lolo's wondering why they haven't already pulled him off Maggie and hauled him away, but he's willing to play this out.

The other guardie grins. “Maybe we're just out here seeing how the water ticks live.”

Lolo eyes him. This one, he could shoot. He lets his hand fall to his shotgun again. “BuRec sets my headgate. No reason for you to be out here.”

The Calie says, “There were some marks on it. Big ones.”

Lolo smiles tightly. He knows which marks the Calie is talking about. He made them with five different wrenches when he tried to dismember the entire headgate apparatus in a fit of obsession. Finally he gave up trying to open the bolts and just beat on the thing, banging the steel of the gate, smashing at it, while on the other side he had plants withering. After that, he gave up and just carried buckets of water to his plants and left it at that. But the dents and nicks are still there, reminding him of a period of madness. “It still works, don't it?”

Hale holds up a hand to his partner, quieting him. “Yeah, it still works. That's not why we're here.”

“So what do you two want? You didn't drive all the way out here with your machine gun just to talk about dents in my headgate.”

Hale sighs, put-upon, trying to be reasonable. “You mind getting down off that damn camel so we can talk?”

Lolo studies the two guardies, figuring his chances on the ground. “Shit.” He spits. “Yeah, OK. You got me.” He urges Maggie to kneel and climbs off her hump. “Annie didn't know anything about this. Don't get her involved. It was all me.”

Hale's brow wrinkles, puzzled. “What are you talking about?”

“You're not arresting me?”

The Calie with Hale laughs. “Why? Cause you take a couple buckets of water from the river? Cause you probably got an illegal cistern around here somewhere?” He laughs again. “You ticks are all the same. You think we don't know about all that crap?”

Hale scowls at the Calie, then turns back to Lolo. “No, we're not here to arrest you. You know about the Straw?”

“Yeah.” Lolo says it slowly, but inside, he's grinning. A great weight is suddenly off him. They don't know. They don't know shit. It was a good plan when he started it, and it's a good plan still. Lolo schools his face to keep the glee off, and tries to listen to what Hale's saying, but he can't, he's jumping up and down and gibbering like a monkey. They don't know—

“Wait.” Lolo holds up his hand. “What did you just say?”

Hale repeats himself. “California's ending the water bounty. They've got enough Straw sections built up now that they don't need the program. They've got half the river enclosed. They got an agreement from the Department of Interior to focus their budget on seep and evaporation control. That's where all the big benefits are. They're shutting down the water bounty payout program.” He pauses. “I'm sorry, Lolo.”

Lolo frowns. “But a tamarisk is still a tamarisk. Why should one of those damn plants get the water? If I knock out a tamarisk, even if Cali doesn't want the water, I could still take it. Lots of people could use the water.”

Hale looks pityingly at Lolo. “We don't make the regulations, we just enforce them. I'm supposed to tell you that your head-gate won't get opened next year. If you keep hunting tamarisk, it won't do any good.” He looks around the patch, then shrugs. “Anyway, in another couple years they were going to pipe this whole stretch. There won't be any tamarisk at all after that.”

“What am I supposed to do, then?”

“California and BuRec is offering early buyout money.” Hale pulls a booklet out of his bulletproof vest and flips it open. “Sort of to soften the blow.” The pages of the booklet flap in the hot breeze. Hale pins the pages with a thumb and pulls a pen out of another vest pocket. He marks something on the booklet, then tears off a perforated check. “It's not a bad deal.”

Lolo takes the check. Stares at it. “Five hundred dollars?”

Hale shrugs sadly. “It's what they're offering. That's just the paper codes. You confirm it online. Use your BuRec camera phone, and they'll deposit it in whatever bank you want. Or they can hold it in trust until you get into a town and want to withdraw it. Any place with a BLM office, you can do that. But you need to confirm before April 15. Then BuRec'll send out a guy to shut down your headgate before this season gets going.”

“Five hundred dollars?”

“It's enough to get you north. That's more than they're offering next year.”

“But this is my patch.”

“Not as long as we've got Big Daddy Drought. I'm sorry, Lolo.”

“The drought could break any time. Why can't they give us a couple more years? It could break any time.” But even as he says it, Lolo doesn't believe. Ten years ago, he might have. But not now. Big Daddy Drought's here to stay. He clutches the check and its keycodes to his chest.

A hundred yards away, the river flows on to California.

1.

In the first age, we created gods. We carved them out of wood; there was still such a thing as wood, then. We forged them from shining metals and painted them on temple walls. They were gods of many kinds, and goddesses as well. Sometimes they were cruel and drank our blood, but also they gave us rain and sunshine, favorable winds, good harvests, fertile animals, many children. A million birds flew over us then, a million fish swam in our seas.

Our gods had horns on their heads, or moons, or sealey fins, or the beaks of eagles. We called them All-Knowing, we called them Shining One. We knew we were not orphans. We smelled the earth and rolled in it; its juices ran down our chins.

2.

In the second age we created money. This money was also made of shining metals. It had two faces: on one side was a severed head, that of a king or some other noteworthy person, on the other face was something else, something that would give us comfort: a bird, a fish, a fur-bearing animal. This was all that remained of our former gods. The money was small in size, and each of us would carry some of it with him every day, as close to the skin as possible. We could not eat this money, wear it or burn it for warmth; but as if by magic it could be changed into such things. The money was mysterious, and we were in awe of it. If you had enough of it, it was said, you would be able to fly.

3.

In the third age, money became a god. It was all-powerful, and out of control. It began to talk. It began to create on its own. It created feasts and famines, songs of joy, lamentations. It created greed and hunger, which were its two faces. Towers of glass rose at its name, were destroyed and rose again. It began to eat things. It ate whole forests, croplands, and the lives of children. It ate armies, ships and cities. No one could stop it. To have it was a sign of grace.

4.

In the fourth age we created deserts. Our deserts were of several kinds, but they had one thing in common: nothing grew there. Some were made of cement, some were made of various poisons, some of baked earth. We made these deserts from the desire for more money and from despair at the lack of it. Wars, plagues and famines visited us, but we did not stop in our industrious creation of deserts. At last all wells were poisoned, all rivers ran with filth, all seas were dead; there was no land left to grow food.

Some of our wise men turned to the contemplation of deserts. A stone in the sand in the setting sun could be very beautiful, they said. Deserts were tidy, because there were no weeds in them, nothing that crawled. Stay in the desert long enough, and you could apprehend the absolute. The number zero was holy.

5.

You who have come here from some distant world, to this dry lakeshore and this cairn, and to this cylinder of brass, in which on the last day of all our recorded days I place our final words:

Pray for us, who once, too, thought we could fly.

M
ARGARET
A
TWOOD
is a Booker Prize–winning poet and author of many acclaimed novels, including
The Blind Assassin
and
The Handmaid's Tale
.

P
AOLO
B
ACIGALUPI
is the author of the sci-fi novel
The Wind-Up Girl
, which won the Hugo and Nebula awards. “The Tamarisk Hunter” was published in his 2010 collection
Pump Six and Other Stories
(Night Shade Books).

T. C. B
OYLE
has a long list of books to his credit, including the PEN/Faulkner Award–winning novel
World's End
and
The Road to Wellville
. His latest novel is
When the Killing's Done
(Viking Adult).

T
OBY
L
ITT
has written nine novels and two short story collections; in 2003 he was chosen as one of
Granta
's twenty Best British Novelists Under Forty.

L
YDIA
M
ILLET
won the 2003 PEN-USA Award for her third novel,
My Happy Life,
and her short story collection
Love in Infant Monkeys
was one of three finalists for the 2010 Pulitzer Prize. Her latest novel,
Ghost Lights
, is due November 2011 from W. W. Norton.

D
AVID
M
ITCHELL
has been twice shortlisted for the Booker Prize; his novels include
Cloud Atlas
and most recently
The Thousand Autumns of Jacob de Zoet
(Random House). “The Siphoners” has not previously been published.

N
ATHANIEL
R
ICH
is the author of
The Mayor's Tongue
; his second novel,
Odds Against Tomorrow
, is forthcoming from Farrar, Straus and Giroux. “Hermie” was published by
Night & Day
in 2011.

H
ELEN
S
IMPSON
is a prize-winning short story writer and novelist; in 1993, she was selected as one of
Granta
's twenty Best British Novelists Under Forty.

K
IM
S
TANLEY
R
OBINSON
is the Hugo and Nebula prize–winning author of the Mars Trilogy and a trilogy of novels about climate change that go under the title Science in the Capital. The story here is adapted from the third novel in the latter trilogy,
Sixty Days and Counting
.

W
U
M
ING
1 is one fourth of the Italian writers' collective Wu Ming, authors of
Q
and
Manituana
(Verso). “Arzèstul” has not previously been published in English, but appears in the short-story collections
Anteprima nazionale. Nove visioni del nostro futuro invisibile
(Minimum Fax 2009) and
Anatra all'arancia meccanica
(Clockwork Duck à l'Orange 2011). The story is dedicated to Graziano Manzoni
.