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Authors: John C. Wright

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La Edad De Oro (57 page)

BOOK: La Edad De Oro
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(Helion was not able to maintain a translation from her point of view for any length of time. The plantlike parts of her were aware of the room only as motion, pressure, sunlight, moisture, but also as computer movements, information flows. The birds and rodents gave so many small, scattered pictures and sounds of the Conclave that Helion was perplexed; and the thoughts were so tangled with sharp, bright shards of instinct, lust, hunger, fear, that Helion’s brain-structure could not assimilate or index the perceptions.)

Wheel-of-Life indicated an objection. She expressed herself by holding up her hands and creating a miniature ecosystem in its globe. Microbes, plankton, brightly colored fish-shaped darts swam in the globe; triangular shark things fought many-tentacled cephalopods in relentless subsea wars.

She shattered the globe on the table surface into many globes. In each of the lesser globes, one species and only one rose to dominance, destroyed all competition, overgrazed, died back, and lost its throne. In every case the single dominant life form subdivided into new avenues as evolution continued.

Ao Aoen, the Master Dreamer, owner of a vast entertainment empire, spoke up: “I agree with Wheel-of-Life. Helion’s vision will create a future of monochromatic conformity; events will narrow toward simplicity. Yet our society is diverse. Solutions are diverse. Within the mind are webs of interconnections, laws of thought; between minds are webs of social relation, laws of institutions. Turn one inside out and you have the other. Yet which of us is simple enough to be understood by, or complex enough to understand, ourselves?!”

Helion responded by inventing a mathematical game of geometric solids and spaces within a three-dimensional grid. The rules of the game allowed the solids, if surrounded by spaces, to reproduce; but the solids evolved their shapes due to pressure from the other solids.

He held it up like a glass box in his hand, and ran it, in compressed time, a dozen or a thousand times. In all but one case, the shapes bowed to the pressure of the surrounding solids, eventually formed cubes, and consumed all the available empty spaces.

The one nonstandard case was a beautiful snowflake-shaped system, with octahedrons and tetrahedrons radiating out from the single central dodecahedron. Ao Aoen thoughtfully reached across the table with his extremely long fingers, picked up that system, saved it, and handed it to Wheel-of-Life, who sent several birds and insects to gaze at it with joy.

“I’d like to disagree with Peer Wheel-of-Life,” said Helion. “The diversity in nature is sustained because the beasts and plants must solve their disputes in inefficient life-or-death competitions. Rational creatures can create treaties, laws, and social mechanisms to channel aggression into peaceful competition. Competition encourages efficiency. Efficiency encourages uniformity. Even a society as diverse as ours has certain rules and mores which we must enforce against those who deviate.”

Gannis murmured: “And here I had thought we were agreed not to speak about Phaethon again…”

Helion hid a frown in a backup file, were no one could see it. Yet he frowned.

Vafnir, the energy magnate, said, “The same argument implies, Peer Helion, that those society employs to enforce its rules against deviations are justified in their use of force. Is this consistent with the arcadian ease and Utopian peace we all have known?”

Helion said, “There are warriors even in paradise. And even in Arcadia, death comes.”

THE SOLDIER

In the garden: As Phaethon stood and stared at the receding glimmer of the Neptunian, something came floating in on the night breeze.

Phaethon looked. A gaggle of little black bubbles swirled, windblown, across the grass under the trees and stars. Phaethon did not see from whence these machine organisms came. The bubbles swirled and swooped, circling the spot where the Neptunian just had been.

“Now what?” muttered Phaethon.

Some spheres dropped to roll across the grass, uphill and downhill. The main group of them slowly went back and forth along the path toward the grape trellises where Phaethon had first seen the Neptunian. The black spheres paused frequently to insert a slender probe or proboscis into the ground. Nearer to Phaethon, at the spot from which the Neptunian had launched, the spheres gathered into several rounded tetrahedrons and drove more probes into the ground.

It did not look very beautiful; the sphere movements were at once too slow and methodical, and too quick and efficient, to be an animation dance, nor was there music. Unless it was meant for an audience with senses not like his? Setting his hearing to a search routine, Phaethon found only high-frequency encrypted signals coining from the spheres, all squawks and stuttering whines, with no trace of rhythm or grace.

Phaethon pointed a finger and made the identification gesture, knowing it would be blocked by the masquerade. To his surprise, it was not. To his eyes, it looked as if a window had opened in midair, or a scroll unfurled, and in the frame was a dragon glyph radiating four ideograms in an archaic style: Honor, Courage, Fortitude, Obedience.

“Preliminary array, hostile organism detection and counteraction system identifies itself. Copyright information (Security Clearance required). Public Ownership. This unit is assigned to: Marshal-General Atkins Vingtetun, General-Issue Humaniform (multiple battle augmentations) Military Hierarchy, Semicompilation (ghosthaunted, and combat-reflexes), Warmind, Staff Command, Base Neuroform, Unschooled, Era Zero (the Creation).”

Phaethon was truly amused that someone would come to a masquerade disguised as Atkins. Atkins was the soldier. The last soldier. Phaethon was under the vague impression that Atkins had long ago, centuries upon centuries ago, killed himself or gone to stand-by or been stored in a museum, or something.

The impersonation was in questionable taste, however. A soldier? No one liked to be reminded of their barbaric past. And, unless Phaethon had misunderstood the masquerade guidelines, identity and location information could be masked but not actually falsified. But it seemed as if someone were nonetheless impersonating Atkins. Wouldn’t the Hortators consider this a breach of propriety?

On the other hand, falsifications of fictional people, or people whose identities were retired, or whose memory copyrights had expired, must be permissible. Such identities were in the public domain, were they not? After all, no one was going to object to Phaethon, for example, impersonating Harlequin.

But Phaethon was still curious. For what were the spheres so diligently searching? Had the Neptunian (assuming it had been real) left behind some clue or trace of its origins or goals?

Well, if the false Atkins was going to be so gauche as to imitate a long-retired war hero, Phaethon could overstep politeness also. (This was a party, after all, and the standards of behavior were relaxed.)

After all, it was also in very bad taste to intrude icon-objects (like this midair window and dragon glyph) into Phaethon’s field of view without any attempt whatever to blend the objects into the real environment, so as not to disturb Phaethon’s previously established visual-continuity aesthetic. So perhaps it was in equally bad taste to tap into another person’s private communication link, decode it, and find out what information all the spheres were sending back to their base point. But Phaethon did it anyway.

He caught only a fragment of the many messages: “…an information-deception-and-avoidance routine more complex—magnitude eight—than a nonmechanical intelligence can produce… Sophotechnology of origin unknown…”

“…artificial viral bodies introduced into grass DNA where subject stepped. Excessive information strand-coding—unknown data-compression techniques—grass will spore microorganisms of highly complex systematology—intelligence level 100—seeking out raw materials and creating larger organizations…”

And also: “…deduces (from the enemy success against civilian countermeasures) electron and quantum-state manipulation technologies comparable to those produced by Oecumenical civilization, based on the same history-development up through to late-period Fifth Mental Structure, but deviating thereafter in a fashion no member schola, or group embraced within the Golden Oecumene, could theoretically produce. Conclusion:…”

Then, an interruption: “Who the hell is on this line? Sir—hey, you! Excuse me, sir! But what do you think you are doing?”

The window in midair changed, and the dragon sign was replaced by an image of a man-shape in streamlined black power-armor of a style dating from the Sixth Mental Structure. The helmet turned toward Phaethon (who had his mask back on by then) and, somehow, Phaethon nonetheless felt that nape-hair prickling sensation which was his cue from Rhadamanthus that his name file was being read.

Phaethon was shocked beyond words. Then: “Who, if I may ask, are you, sir, that you just trample on the protocols of the masquerade without a word?”

“Sorry, sir,” the man in the floating window replied. “Atkins. I’m acting on orders from the partial-Parliament extrapolation of the Warmind. You’re tapping into a secured channel. May I ask what you’re doing in this area?”

 

In the palace:

Ao Aoen was a Warlock neuroform. His brain had interconnections between the temporal lobes, nonverbal left-brain lobes, and the thalamus and hypothalamus, seats of emotion and passion. Consequently, the relationships between his conscious and subconscious were nonstandard, and allowed him to perform accurately what base neuroforms could do only infrequently: acts of insight, intuition, inspiration, pattern recognition, lateral thinking. He could script his dreams. And dreams were merely one of several overlaps between conscious and unconscious realms that he had mastered, or to which he had surrendered.

He was physically present in a hideously beautiful body, patterned with scales like a colored cobra. Extra skull extensions gave his head the shape of a manta ray, shadowing his shoulders and reaching down his back. He had a half a dozen hands and arms, with fingers a yard or more in length. Between his fingers and his arms, like butterfly wings, tissues carrying a dozen delicate sensory-membranes stretched. This gave him scores of sensual sensations beyond the normal ranges.

(Ao Aoen saw the standardized version of the library scene, but overlaid with several dreams and half-dreams, so that every object seemed charged with mysterious and profound symbolism. Ao Aoen had superimposed a webwork of lines, glyphs, astrological notations, indicating loyalties and emotional, or, perhaps, magical-symbolic, sympathies or affiliations. Each Peer was represented by the self-image they projected, so that Orpheus, for example, who projected none, looked to Ao Aoen like an empty black cube.)

Ao Aoen said in a voice like a hollow woodwind, “I see patterns within patterns here. Let our society step outside itself and let us watch ourselves with awe and curious fear, as if we were strangers. The first thing we see is that most of our population (population measured only as information use) are Sophotech machine-minds. The whole rest of our society, our empires and efforts, are like the Amish who refused Fourth Era assimilation, like an animal preserve to be sustained while the Sophotechs spend their efforts contemplating abstract mathematics.”

Orpheus said softly: “Distraction. Ao Aoen strays from the topic.”

Ao Aoen made an eye-dazzling wave with his meter-long finger-fans. “All parts reflect the whole, Peer Orpheus. And yet, bluntness is art also, therefore I will be blunt. Attempts to herd human destiny oft times produce stampedes, which trample would-be shepherds.

“My Peers, the Hortators are a private organization, whose sole power comes from the popular esteem and respect they have earned. They cannot dare to be seen arm-in-arm with us, the ill-famed plutocrats, not as long as we Peers are wealthy enough to defy tradition, to ignore popular sentiment, and, yes, wealthy enough to suborn the Hortators.”

Helion said coldly: “Recent events have proven that even the wealthiest and bravest of the manor-born are not beyond their reach. The best of us must bow to public opinion; no one can afford to offend the Hortators, not anymore.”

 

In the garden, Phaethon felt offended.

A soldier? It was preposterous. There still were some crimes these days; computer frauds, time thefts. Usually by very young rogues, not yet octogenarians. They were always eventually caught, and public outrage was always severe. Such matters were handled by the Hortators, or, in rare occasions when no one answered the call to give themselves up, by the Subscription Constabulary.

But Constables were always unfailingly polite and deferential. Phaethon had not been aware that it was even possible for someone to read one of Phaethon’s masked files (and the name file had, in fact, been masked) without permission. Perhaps a Constable had that right, but only after due notice and service of a warrant. This man was certainly not a Constable!

Phaethon said as much. “You may ask, Mister Whatever-you-are, but I need not answer. You have no right. And, dammit! Could you at least have the decency to manifest your image properly, without jarring my scene to bits!”

The floating window blinked out, and the armored shape appeared next to Phaethon. The grass blades did seem to bend under the black metal boots, and a moon shadow did fall, in proper perspective, across the lawn; but that was about the only concession to manorial notions of propriety this man gave. The highlights and reflections within the armored breastplate were all wrong, and the vision tracking and correction was crude, since the image wavered if Phaethon turned his head too quickly.

The helmet disassembled into a cloud of fingernail-sized scales, which spread and opened, and hovered motionless around the man’s head like a black halo. The face underneath was unremarkable, except in its uncomeliness. Phaethon couldn’t remember in face symbology what lines around thin lips, or crow’s-feet at the corners of the eyes were supposed to represent. Wisdom? Grimness? Determination? But he had a crew cut, and an even, unblinking gaze that spoke of ten millennia of military tradition. The face looked much like old archive pictures of Atkins.

BOOK: La Edad De Oro
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