You know the hero or heroine (especially a superhero or superheroine) is about to enter the scene or perform a heroic deed just by the way the music swells. You knowâlots of clear, noble-sounding horns.
Dun-dun-dun-dun!
Like the musical version of
Ta-da!
or
Voilà !
or
Eureka!
The world of literature (including movies) has a heaping helping of heroes, heroes who fit the archetype described by Christopher Vogler as “someone who is willing to sacrifice his own needs on behalf of others, like a shepherd who will sacrifice to protect and serve his flock.”
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Risk and sacrifice are expected behaviors of the
hero. It's part of the “Code”âbut not the code referred to in
The Pirates of the Caribbean: Curse of the Black Pearl.
Pratchett refers to the Code in
The Last Hero.
You remember those heroic moments long after you close the book or leave the movie theater: Sydney Carton's “far, far better” act of giving his life in place of Charles Darnay, the man who looks like him in Dickens's
A Tale of Two Cities.
Luke Skywalker taking the one-in-a-million shot to blow up the Death Star in
Star Wars: A New Hope.
Neo fully realizing that he is “the One” in the first
Matrix
. Trinity's amazing leap off a building and through a doorway in the same movie. Peter Parker saying, “Who am I? I'm Spider-Man,” at the end of the first
Spider-Man
movie. Bruce Wayne as Batman gliding across the city at the end of
Batman Begins.
They're heroes larger than life, like the ultimate heroes from Greek mythologyâHercules/Herakles, Achilles, Jason, and Odysseus.
But what about Moist von Lipwig (
Going Postal
), Windle Poons (
Reaper Man
), or Roland de Chumsfanleigh (
Wintersmith
)? Or, for that matter, what about Adora Belle Dearheart, the chain-smoking golem advocate in
Going Postal
or Renata Flitworth, the elderly farm owner whom Death, as Bill Door, romances in
Reaper Man
? They don't look anything like your typical hero.
In Tolkien's
Lord of the Rings
trilogy, Terry Brooks's
The Sword of Shannara
(volume 1 of that series), and countless other epic fantasies, you meet an unlikely heroâthe one you never expect to save the day. Discworld is full of the most unlikely savers of the day you'll ever find.
So, how do you spot the hero or heroine?
Follow the liver pills.
If you saw
Troy, Braveheart,
or
300,
you saw a bunch of buff, amazingly heroic types (and some wimps like Paris). But in
The
Light Fantastic,
up pops Cohen the Barbarian, who makes return visits in
Interesting Times
and
The Last Hero,
with his Silver Horde. Cohen is like Conan and Genghis Khan, with his conquering, takeno-prisoners panache. Cohen and Company have been heroes for many, many decades. They may be as old as the hills, but they're still bold enough to conquer an army and take on the gods of Discworld. And they seem to have no trouble finding willing women. Guess they're the geriatric James Bonds of their day.
With
The Last Hero,
we can't help thinking of
Cocoon
, the 1985 movie in which a group of retirees goes on a last adventure. But the Silver Horde, which includes Vena the Raven-Haired, are a little misguided in their efforts and have to be steered back by one of the true heroes of the storyâCarrot. More on him later.
And then there's Windle Poons, the wizard who doesn't let his one hundred and thirtieth birthday or death stop him from becoming a hero. It's only fitting that his adventure take place in the same book (
Reaper Man
) as that of feisty Mrs. Flitworth, who risks her life to help the old Death defeat the new Death after the old Death (the one we know and love) is fired by the Auditors, who are living proof of the Peter Principle.
Even his fellow wizards discount Windle. After all, Windle is supposed to be dead. But as a zombie, Windle becomes an unlikely hero, one who has to help the other wizards and lead a ragtag group of “Fresh Starters”âReg Shoe's support group for the undeadâto victory against the parasitic life force threatening Ankh-Morpork. Helping save human lives is something you never expect a zombie to do.
Look for the uniform.
By this we don't mean the Watch. Yes, they're heroic. (Well, some of them are. We talked all about Vimes in
chapter 2
. We'll talk about Carrot and Angua in a minute.) But we're talking about the average
joe like Maladict, Polly Perks, Igor, Lofty, Tonker, and the rest of the “men” of the Tenth Foot Light Infantry (the Ins-and-Outs) under the command of Sergeant Jackrum (
Monstrous Regiment
)âthe kind who sacrifice their lives to run off to fight a war.
Polly is half-Fa Mulan, half-Rosalind (see
chapter 5
) in that she takes a man's name and garb to join the regiment (Ã la Mulan), but not his place (Ã la Rosalind, who impersonated a man, but did not assume the identity of someone else in the story). Instead, she joins up to search for her brother. As it turns out, there are a number of “Rosalinds” in the regiment. Unlike Joan of Arc, who saw war as a holy cause, Polly is a realist who doesn't really fight in the name of the god Nuggan or the Duchessâthe semireligious figure of the book. She fights for the Duchessâthe inn her family owns.
Look for the sword.
Although each member of the Watch carries a sword (standard equipment according to
Men at Arms
), not every member is a hero. A hero needs a sword. As Rob Anybody says in
Wintersmith,
“Who ever heard o' a Hero wi'oot a sword?”
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You'll find a sword in many fantasy epicsâMinneyar (Memory Year), Sorrow, and Thornâthree lost swords used to fight evil (Tad Williams); the famed sword of Jerle Shannara in the Shannara series; the Sword of Truth that only the Seeker of Truth can wield (Terry Goodkind); Narsil/Andúril in
Lord of the Rings
; Godric Gryffindor's sword (J. K. Rowling); and the grandfather of epic swordsâExcalibur.
Captain Carrot fits the hidden king archetype because of his kingly bearing, parentage, and the heirloom sword he brings with him when he joins the Watch. We talked about that a bit in
chapter 1
. Now consider other hidden kings, such as Aragorn in
Lord of the Rings
and Arthurâmen whose swords also have legacies.
Because Carrot follows the hero's code closer than the Silver Horde in
The Last Hero
(a title that always reminds us of
Last Action Hero
âthe 1993 Arnold Schwarzenegger movie), he is able to save the day, along with Rincewind, the reluctant volunteer on the mission, and Leonard of Quirm.
Awkward, not-quite-a-man Roland, the son of the baron, takes up the sword in
Wintersmith
. (He's probably sixteen at this point.) We talked about him in
chapter 1
. He's the hero called in by Granny Weatherwax to help save the day. But since this is a Pratchett creation, the sword he wields to victory isn't the one he brings from home, but one from his vivid imaginationâone that really works. Sort of like playing air guitar or
Guitar Hero
âonly with a sword.
Never underestimate a woman.
Heroines aren't only found in the Lancre witch and Tiffany Aching books. There's Adora Belle Dearheart, golem advocate. Moist von Lipwig calls her “Spike,” while her brother goes for the more affectionate “Killer.” Sweet. She's not a Mary Jane Watsonâtough, but in need of rescuing in every movie. She's more along the lines of a Rose Tyler (played by Billie Piper on the
Doctor Who
TV series), Princess Leia (Carrie Fisher) or Rachel, Katie Holmes's character in
Batman Begins
. Yes, these characters occasionally had to be rescued. But Rose had to rescue the Doctor occasionally and help save the world on practically every show. Rachel knew how to wield a Taser or a gun when a mugger threatened or Scarecrow and a vicious mob tried to harm a child. And Princess Leia had fighting skills. (The book series goes into her story more.)
Adora Belle's weapon of choice is a pair of well-sharpened stilettos, which she operates like Dirty Harry, the magnum-toting homicide detective (Harry Callahan) played by Clint Eastwood in the 1971 film of the same name, whose words she parodies in
Going Postal.
Speaking of weapons, Conina is a weapon herself, thanks to the
genes she inherited from her dad, Cohen the Barbarian. (Her mother was Bethan, a woman Cohen met in
The Light Fantastic.
She's no shrinking violet, either.) She's a warrior, able to handle weapons along the lines of a warrior like Shu Lien, Michelle Yeoh's character in
Crouching Tiger, Hidden Dragon
âthe Oscar winner for best foreign language film in 2000âor Ziyi Zhang's character in the same movieâJen, the vicious disciple of Jade Fox, a vengeful woman.
And then there's Lady Myria LeJean, the Auditor turned human, who fights against her own beings. She's also known as Unity. The concept of an enemy becoming an ally is one you see played out in books and movies. We can't help thinking of the Terminator who killed humans in the first movie, but sacrificed himself for the greater good in
Terminator 2
. Guess reprogramming helps. Also, there's something about tasting humanity for the first time, which causes some to see the light. The last unicorn, after becoming a human and experiencing human love in
The Last Unicorn,
found humanity difficult to give up. (But that doesn't mean she didn't give it up.)
But getting back to Lady LeJean, the pseudonym she takes upon taking on flesh, the human experience is simply too much to bear, as she discovers simply by eating chocolate. Maybe that's why she decides to go out with a bang as Thelma and Louise did in the 1991 movie that bears their names. Perhaps if a large vat of chocolate had been available, Thelma and Louise would've jumped into that instead of going off that cliff.
And how about that Sybil Ramkin Vimesâthe richest woman in Ankh-Morpork? She's like socialite Veronica Vreeland in the old
Batman
animated series, in that she has a high social status and deeply cares about animals. Those animals just happen to be swamp dragons. But she's unlike Veronica, in that she's humble rather than bored and spoiled. She is there when the biggest dragon of allâthe
draco nobilis
âattacks (
Guards! Guards!
). It's what brings Vimes and her together. (Some people prefer Internet dating services in their quest for a love connection.) And in
The Fifth Elephant,
she keeps her head
when threatened by kidnappers, captured by werewolves, and bullied by politically minded dwarfs. It's hard to keep a good woman down.
Speaking of not keeping a good woman down, here we've gotta give props to Cheery Littlebottom, the dwarf who comes out of the closet, if you will, by admitting that she is a female. She's the Kay Scarpetta/Catherine Willows (Marg Helgenberger) of the Watch and tremblingly places herself in the danger zone when necessary.
Don't worry. We're not leaving out Angua, the werewolf on the Watch. She may look like a helpless female à la Conina and many other heroines in fantasy fiction (such as Kahlan Amnell in Terry Goodkind's Sword of Truth series). But she's not the type you'd want to meet in a dark alley or even a lighted one. And like Conina and Kahlan, she frightens most men. Like Vivian, the werewolf main character in
Blood and Chocolate,
she accepts without any existential arguments the fact that she is a werewolf, and can choose to avoid hunting humans, except in her capacity as a member of the Watch.
And there's Ludmilla, another werewolf and daughter of the medium Mrs. Cake, who with Windle Poons helps save the city in
Reaper Man.
Doreen Winkings is another comrade in the fight against the parasitic life force. While Ludmilla's existence as a werewolf is denied by her mother, Doreen is in denial about her own status. She insists that she's a vampire simply because she married one. Thankfully, there is such a thing as therapy.
Don't discount a kid.
In some Steven Spielberg films and Stephen King novels, kids and teens help save the day. That's par for the course in juvenile fiction and young adult fiction but is not usual in adult fiction. But in Discworld, you can take your pick among kid or teen rescuers. We've already talked about Tiffany Aching and Roland de Chums-fanleigh. There's also Nijel the Destroyer, the painfully thin hero
wannabe who falls for Conina in
Sourcery.
Nijel may think being a hero is something you have to read about, but he tries like Keith and Malicia, who help defeat the rat king in
The Amazing Maurice and His Educated Rodents.
And then there are Coin and Lobsang, who act to destroy Discworld but then help save it once they're in their right minds. And who could forget Twyla and Gawain, Susan Sto Helit's charges who stand up to the menacing Teatime in
Hogfather
? Although they aren't full-fledged members of the hall of heroes, perhaps they will be someday, having had Susan as a nanny.
Many adults tend to underestimate or patronize kids, which Pratchett shows in a number of Discworld books. The wizards learn the hard way that underestimating Coin is the act of a fool. Lobsang also is measured and found wanting until his connection to the personification of Time is discovered. No one makes that mistake twice.