The Collected Shorter Plays (18 page)

Read The Collected Shorter Plays Online

Authors: Samuel Beckett

BOOK: The Collected Shorter Plays
3.96Mb size Format: txt, pdf, ePub

M

It will come. Must come. There is no future in this.
[
Spot from M to W2
.]

W2

On the other hand things may disimprove, there is that danger.
[
Spot from W2 to M
.]

M

Oh of course I know now—
[
Spot from M to W1
.]

W1

Is it that I do not tell the truth, is that it, that some day somehow I may tell the truth at last and then no more light at last, for the truth?
[
Spot from W1 to W2
.]

W2

You might get angry and blaze me clean out of my wits. Mightn’t you?
[
Spot from W2 to M
.]

M

I know now, all that was just . . . play. And all this? When will all this—
[
Spot from M to W1
.]

W1

Is that it?
[
Spot from W1 to W2
.]

W2

Mightn’t you?
[
Spot from W2 to M
.]

M

All this, when will all this have been . . . just play?
[
Spot from M to W1
.]

W1

I can do nothing . . . for anybody . . . any more . . . thank God. So it must be something I have to say. How the mind works still! [
Spot from W1 to W2
.]

W2

But I doubt it. It would not be like you somehow. And you must know I am doing my best. Or don’t you?
[
Spot from W2 to M
.]

M

Perhaps they have become friends. Perhaps sorrow—
[
Spot from M to W1
.]

W1

But I have said all I can. All you let me. All I—
[
Spot from W1 to M
]

M

Perhaps sorrow has brought them together.
[
Spot from M to W2
.]

W2

No doubt I make the same mistake as when it was the sun that shone, of looking for sense where possibly there is none. [
Spot from W2 to M
.]

M

Perhaps they meet, and sit, over a cup of that green tea they both so loved, without milk or sugar, not even a squeeze of lemon—
[
Spot from M to W2
.]

W2

Are you listening to me? Is anyone listening to me? Is any one looking at me? Is anyone bothering about me at all?
[
Spot from W2 to M
.]

M

Not even a squeeze of—
[
Spot from M to W1
.]

W1

Is it something I should do with my face, other than utter? Weep?
[
Spot from W1 to W2
.]

W2

Am I taboo, I wonder. Not necessarily, now that all danger is averted. That poor creature—I can hear her—that poor creature—
[
Spot from W2 to W1
.]

W1

Bite off my tongue and swallow it? Spit it out? Would that placate you? How the mind works still to be sure!
[
Spot from W1 to M
.]

M

Meet, and sit, now in the one dear place, now in the other, and sorrow together, and
compare
—[
hiccup
]—pardon—happy memories.
[
Spot from M to W1
.]

W1

If only I could think, There is no sense in this . . . either, none whatsoever. I can’t.
[
Spot from W1 to W2
.]

W2

That poor creature who tried to seduce you, what ever became of her, do you suppose?—I can hear her. Poor thing.
[
Spot from W2 to M
.]

M

Personally I always preferred Lipton’s.
[
Spot from M to W1
.]

W1

And that all is falling, all fallen, from the beginning, on empty air. Nothing being asked at all. No one asking me for anything at all.
[
Spot from W1 to W2
.]

W2

They might even feel sorry for me, if they could see me. But never so sorry as I for them. [
Spot from W2 to W1
.]

W1

I can’t.
[
Spot from W1 to W2
.]

W2

Kissing their sour kisses.
[
Spot from W2 to M
.]

M

I pity them in any case, yes, compare my lot with theirs, however blessed, and— [
Spot from M to W1
.]

W1

I can’t. The mind won’t have it. It would have to go. Yes.
[
Spot from W1 to M
.]

M

Pity them.
[
Spot from M to W2
.]

W2

What do you do when you go out? Sift?
[
Spot from W2 to M
.]

M

Am I hiding something? Have I lost—
[
Spot from M to W1
.]

W1

She had means, I fancy, though she lived like a pig.
[
Spot from W1 to W2
.]

W2

Like dragging a great roller, on a scorching day. The strain . . . to get it moving, momentum coming—
[
Spot off W2. Blackout. Three seconds. Spot on W2
.]

W2

Kill it and strain again.
[
Spot from W2 to M
.]

M

Have I lost . . . the thing you want? Why go out? Why go—
[
Spot from M to W2
.]

W2

And you perhaps pitying me, thinking, Poor thing, she needs a rest.
[
Spot from W2 to W1
.]

W1

Perhaps she has taken him away to live . . . somewhere in the sun.
[
Spot from W1 to M
.]

M

Why go down? Why not—
[
Spot from M to W2
.]

W2

I don’t know.
[
Spot from W2 to W1
.]

W1

Perhaps she is sitting somewhere, by the open window, her hands folded in her lap, gazing down out over the olives—
[
Spot from W1 to M
.]

M

Why not keep on glaring at me without ceasing? I might start to rave and—[
hiccup
]—bring it up for you. Par—
[
Spot from M to W2
.]

W2

No.
[
Spot from W2 to M
.]

M

—don.
[
Spot from M to W1
.]

W1

Gazing down out over the olives, then the sea, wondering what can be keeping him, growing cold. Shadow stealing over everything. Creeping. Yes.
[
Spot from W1 to M
.]

M

To think we were never together.
[
Spot from M to W2
.]

W2

Am I not perhaps a little unhinged already?
[
Spot from W2 to W1
.]

W1

Poor creature. Poor creatures.
[
Spot from W1 to M
.]

M

Never woke together, on a May morning, the first to wake to wake the other two. Then in a little dinghy—
[
Spot from M to W1
.]

W1

Penitence, yes, at a pinch, atonement, one was resigned, but no, that does not seem to be the point either.
[
Spot from W1 to W2
.]

W2

I say, Am I not perhaps a little unhinged already? [
Hopefully
.] Just a little? [
Pause
.] I doubt it. [
Spot from W2 to M
.]

M

A little dinghy—
[
Spot from M to W1
.]

W1

Silence and darkness were all I craved. Well, I get a certain amount of both. They being one. Perhaps it is more wickedness to pray for more. [
Spot from W1 to M
.]

M

A little dinghy, on the river, I resting on my oars, they lolling on air-pillows in the stern . . . sheets. Drifting. Such fantasies.
[
Spot from M to W1
.]

W1

Hellish half-light.
[
Spot from W1 to W2
.]

W2

A shade gone. In the head. Just a shade. I doubt it.
[
Spot from W2 to M
.]

M

We were not civilized.
[
Spot from M to W1
.]

W1

Dying for dark—and the darker the worse. Strange.
[
Spot from W1 to M
.]

M

Such fantasies. Then. And now—
[
Spot from M to W2
.]

W2

I
doubt it.
[
Pause. Peal of wild low laughter from W2 cut short as spot from her to W1
.]

W1

Yes, and the whole thing there, all there, staring you in the face.
You’ll see it. Get off me. Or weary.
[
Spot from W1 to M
.]

M

And now, that you are . . . mere eye. Just looking. At my face. On and off.
[
Spot from M to W1
.]

W1

Weary of playing with me. Get off me. Yes.
[
Spot from W1 to M
.]

M

Looking for something. In my face. Some truth. In my eyes. Not even.
[
Spot from M to W2. Laugh as before from W2 cut short as spot from her to M
.]

M

Mere eye. No mind. Opening and shutting on me. Am I as much—
[
Spot off M. Blackout. Three seconds. Spot on M
.]
Am I as much as . . . being seen?
[
Spot off M. Blackout. Five seconds. Faint spots simultaneously on three faces. Three seconds. Voices faint, largely unintelligible
.]

 

[
Repeat play
.]

M

[
Closing repeat
.] Am I as much as . . . being seen?
[
Spot off
M.
Blackout. Five seconds. Strong spots simultaneously on three faces. Three seconds. Voices normal strength
.]

[Spots o. . Blackout. Five seconds. Spot on M.]

M

We were not long together—
[
Spot off M. Blackout. Five seconds
.]

Curtain

LIGHT

Other books

The Dark Side by Anthony O'Neill
A Bride For Abel Greene by Gerard, Cindy
Tag, The Vampire's Game by Elixa Everett
Money Run by Jack Heath
Shame of Man by Piers Anthony
The Idea of You by Darcy Burke
Saved b ythe Bear by Stephanie Summers
The Warlords of Nin by Stephen Lawhead
The Moon Around Sarah by Paul Lederer