Read The Well-Spoken Woman Online
Authors: Christine K. Jahnke
Sisterhood of the Traveling Pants, The
(Brashares),
261
sitting posture
“champion stance” while seated,
111
choosing to sit or stand during a presentation,
110
â
11
and on-camera appearances,
210
â
11
,
211
60 Minutes
(TV show),
28
,
233
,
248
,
252
slides vs. PowerPoint,
170
sloppy writing,
179
slouching while speaking,
117
smiling, importance of,
113
,
116
on-camera smiles,
207
,
207
â
208
,
208
smirking as poor choice of facial expression,
113
Smith, Anna Deavere,
315
Smith, Margaret Chase,
19
,
39
â
40
,
46
,
153
,
273
,
300
smoking damaging the vocal cords,
97
Snowe, Olympia,
274
softball questions, dealing with,
256
â
57
“Solitude of Self” (Stanton),
298
solutions to problems,
141
,
141
,
143
Sorensen, Ted,
266
sound-bite techniques,
150
sound system, dealing with,
162
â
63
PARK
,
270
spatial pattern as a way to organize a speech,
192
speaking styles,
14
.
See also
delivery styles
assessing before seeking high-profile activities,
78
changing your speaking speed,
89
.
See also
pace of speaking
painting word pictures,
36
â
37
that connect or disconnect with audiences,
36
use of purposeful pauses,
90
using humor effectively,
38
â
39
your life experience setting you apart,
44
â
45
special effects,
94
special occasions, choosing appropriate clothes for,
122
Special Olympics,
19
specific example, use of to open your speech,
196
Speech: A Text with Adapted Readings
(Craster),
58
repetitive speech patterns, use of as poor speaking technique,
79
â
81
speech writing.
See
writing
speed of speech.
See
pace of speaking
spontaneity. See preplanned
spontaneity
Spotz, Katie,
287
Stabenow, Debbie,
262
stage fright.
See
fear of public speaking
stage movement.
See
movement while speaking
stage-ready clothes.
See
personal
appearance, dressing well
preventing ambient distractions,
161
â
65
Stahl, Leslie,
28
Standing Ovation Points,
45
â
46
,
73
â
74
,
98
,
123
â
24
,
149
â
50
,
175
â
76
,
201
â
202
,
229
,
258
,
279
â
80
standing posture
correct posture: the “champion stance,”
109
,
109
â
10
incorrect postures,
108
and on-camera appearances,
211
â
12
Stanford Law School,
269
Stanton, Elizabeth Cady,
274
â
75
,
298
startling numbers, memorable,
147
State of the Union address (George W. Bush),
136
â
38
Steinem, Gloria,
33
,
146
,
296
,
301
Stephanopoulos, George,
122
stereotypes,
14
asking questions based on to attack speaker,
245
Stewart, Frances M.,
297
Stewart, Martha,
41
“Still I Rise” (Angelou),
190
Story of a Pioneer, The
(Shaw),
275
storytelling with a point of view,
126
â
32
,
130
.
See also
advocacy messages; messaging
strategic messaging.
See
advocacy messages
stream of consciousness, avoiding,
131
,
190
Sullivan, Kathleen,
303
Summers, Larry,
73
Summitt, Pat,
17
,
103
â
104
,
108
,
112
â
13
,
116
,
117
,
118
,
124
,
270
,
290
Summitt, Tyler,
104
Superwoman stance as incorrect posture,
108
Susan
G. K
omen
B
reast
C
ancer
F
oundation,
268
Susan
G.
K
omen
G
lobal
R
ace for the Cure,
146
Suze Orman Show, The
(TV show),
217
swaying as incorrect posture,
108
sympathies of the audience,
233
â
34
,
240
,
247
synchronized message,
27
,
34
â
39
,
45
take-charge confidence,
16
talk-show circuit, dealing with.
See
guest appearances
Tan, Amy,
315
“Taxation without Representation” (Stone),
297
Teach for America,
188
teleprompter, use of for a presentation,
168
â
69
television appearances.
See
on-camera appearances
temperature, dealing with,
163
tempo of speaking.
See
pace of speaking
“Ten-hut!” stance as incorrect posture,
108
Terrell, Mary Church,
299
Texas State University for Negroes,
84
,
85
Thelma and Louise
(movie),
275
theme, selecting a theme for your writing,
185
â
90
.
See also
writing
audience wanting to know how your presentation applies to them,
187
avoiding topics that are too broad to cover,
186
identifying the speech theme,
186
topic sentence,
186
third-party questions, dealing with,
256
This Week
(TV show),
250
“three-star” play as a guide to how to move,
112
,
112
throat clearing as a distraction,
97
throat lozenges,
97
Time
(magazine),
283
time abusers as passive troublemakers,
243
timeline of important examples of well-spoken women,
295
â
305
TLC (TV network),
31
Toastmasters International,
267
â
68
Today Show, The
(TV show),
219
â
20
Tomlin, Lily,
266
tongue-twisters,
93
topic.
See
theme, selecting a theme for your writing
topical pattern as a way to organize a speech,
192
Totenberg, Nina,
250
Toyota,
129
troublemakers in the audience,
18
â
19
,
233
â
59
,
259
,
269
â
70
aggressive troublemakers,
24
,
238
,
239
â
41
handling difficult questioners,
234
â
36
,
235
during Q & A sessions,
246
,
246
â
47
passive troublemakers,
241
â
43
,
245
“True North: Pride at Bain & Co.” (Gadiesh),
302
Truth, Sojourner,
297
truthiness,
255
T-shirts carrying a group's message,
146
TSU.
See
Texas State University for Negroes
twenty-second rule,
136
,
203
,
220
â
21
UN Commission on the Status of Women,
279
â
80
UN Fourth World Conference on Women,
303
United Farm Workers of America,
69
â
70
University of Tennessee,
17
,
103
â
104
,
118
,
270
unknown source questions, dealing with,
256
unlikely sources giving a message more credibility,
148
unplanned/unscripted moments during speech,
173
â
74
unprepared, being,
154
inappropriate to mention in opening of speech,
194
unpretentious speakers,
36
unscripted, not unprepared,
174
Universal Declaration of Human Rights,
286
upper-body movement.
See
movement while speaking
US Census Bureau,
128
US State Department,
238
,
247
â
48
,
258
Valenti, Jessica,
287
values-based messages.
See
advocacy messages
ventilation, dealing with inadequate,
163
verbal as one of the three Vs of communication,
81
â
82
,
98
,
125
â
51
self-assessment checklist,
307
â
308
vibrant voice, five Ps of,
88
â
91
virtual presentations,
212
â
13
resources for speeches by well-spoken women,
315
visual aids, use of,
169
â
73
,
182
â
83
visual as one of the three Vs of communication,
81
â
82
,
98
,
99
â
124
self-assessment checklist,
307
â
308
visualization, positive,
65
â
67
worry as negative visualization,
66
Vital Voices Global Partnership,
147
vocal as one of the three Vs of communication.
See
voice, vocal as one
of the three Vs of communication
Vogue
(magazine),
286
voice,
98
fear that voice will crack,
60
five Ps of a vibrant voice,
88
â
91
maintaining vocal variability,
98
maximizing the potential of your voice,
77
â
98
myth that a woman's voice should be soft and low,
71
â
72
as part of a signature style,
33
pitch of,
88
â
89
,
91
,
210
,
224
,
263
,
274
,
285
high-pitched voice,
78
,
79
,
88
,
98
,
218
,
282
raising to indicate a question,
82
projecting the voice,
91
,
101
,
210
proper use can heighten your presence,
79
protecting from damage to vocal cords,
91