Read The Italian Renaissance Online
Authors: Peter Burke
The Italian Renaissance (52 page)
Belozerskaya, M.,
Luxury Arts of the Renaissance
. Los Angeles: J. Paul Getty Museum, 2005.
—
Rethinking the Renaissance: Burgundian Arts across Europe
. Cambridge: Cambridge University Press, 2002.
Belting, H.,
Florence and Baghdad: Renaissance Art and Arab Science
. Eng. trans. D. L. Schneider. Cambridge, MA: Belknap Press, 2011.
—
Likeness and Presence: A History of the Image before the Era of Art
Eng. trans. E. Jephcott. Chicago: University of Chicago Press, 1994.
Beltrami, D.,
Storia della popolazione di Venezia
. Padua: Cedam, 1954.
Bembo, P.,
Prose della volgar lingua
(1525), in Bembo,
Prose e rime
, ed. C. Dionisotti. Turin: Unione Tipografico, 1960.
Benjamin, W., ‘The work of art in the age of mechanical reproduction’, Eng. trans. in Benjamin,
Illuminations
, pp. 219–44. London: Jonathan Cape, 1970.
Benson, P. J.,
The Invention of the Renaissance Woman
. University Park: Pennsylvania State University Press, 1992.
Bentley, J.,
Politics and Culture in Renaissance Naples
. Princeton, NJ: Princeton University Press, 1987.
Berengo, M.,
Nobili e mercanti nella Lucca del cinquecento.
Turin: Einaudi, 1965.
Berlin, I.,
Vico and Herder.
London: Hogarth Press, 1976.
Bertelli, S., ‘L’egemonia
linguistica come egemonia culturale’,
Bibliothèque d’humanisme et Renaissance
38 (1976), pp. 249–81.
Bing, G., ‘A. M. Warburg’,
JWCI
28 (1965), pp. 299–313.
Binni, W., and N. Sapegno (eds),
Storia letteraria delle regioni d’Italia.
Florence: Sansoni, 1968.
Biow, D.,
The Culture of Cleanliness in Renaissance Italy
. Ithaca, NY: Cornell University Press, 2006.
—
Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy
. Chicago: University of Chicago Press, 2002.
—
In your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy
. Stanford, CA: Stanford University Press, 2010.
Biringuccio, V.,
Pirotechnia
(1540). Eng. trans., new edn, Cambridge, MA: MIT Press, 1966.
Black, R., ‘Italian Renaissance education’,
Journal of the History of Ideas
52 (1991), pp. 315–34.
Bloch, M.,
Land and Work in Medieval Europe.
Berkeley and London: University of California Press, 1967.
Blunt, A.,
Artistic Theory in Italy 1450–1600
. Oxford: Clarendon Press, 1940.
Boase, T. S. R.,
Giorgio Vasari: The Man and the Book
. Princeton, NJ: Princeton University Press, 1979.
Bock, N., ‘Patronage standards and
transfert culturel
: Naples between art history and social science’,
Art History
31 (2008), pp. 574–97.
Bodart, D. H.,
Tiziano e Federico II Gonzaga: storia di un rapporto di committenza
. Rome: Bulzoni, 1998.
Bohannan, P., ‘Artist and critic in an African society’, in
The Artist in Tribal Society
, ed. M. W. Smith, pp. 85–94. London: Routledge & Kegan Paul, 1961.
Bolland, A., ‘From the workshop to the academy: the emergence of the artist in Renaissance Florence’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 454–78. Cambridge: Cambridge University Press, 2007.
Bologna, F.,
Napoli e le rotte mediterranee della pittura: da Alfonso il Magnanimo a Ferdinando il Cattolico.
Naples: Società Napoletana di Storia Patria, 1977.
Bombe, W. (ed.),
Nachlass-Inventare des Angelo da Uzzano und des Lodovico di Gino Capponi.
Leipzig and Berlin: Teubner, 1928.
—‘Die Tafelbilder, Gonfaloni und Fresken des Benedetto Bonfigli’,
Repertorium für Kunstwissenschaft
32 (1909), pp. 97–146.
Bonfil, R., ‘The historian’s perception of the Jews in the Italian Renaissance’,
Revue des Etudes Juives
143 (1984), pp. 59–82.
—
Rabbis
and Jewish Communities in Renaissance Italy
. Oxford: Oxford University Press, 1990.
Bonomo, G.,
Caccia alle streghe.
Palermo: Pulumbo, 1959.
Borkenau, F.,
Der Übergang vom feudalen zum bürgerlichen Weltbild.
Paris: Alcan, 1934.
Borsellino, N.,
Gli anticlassicisti del cinquecento.
Rome and Bari: Laterza, 1973.
Bottari, G. G.,
Raccolta di lettere sulla pittura, scultura ed architettura
, 8 vols. Milan: Silvestri, 1822–5.
Bourdieu, P.,
Distinction.
Eng. trans. R. Nice. London: Routledge & Kegan Paul, 1984.
Bouwsma, W. J., ‘The Renaissance and the drama of European history’,
American Historical Review
84 (1979), pp. 1–15.
Braghirolli, W., ‘Carteggio di Isabella d’Este intorno ad un quadro di Giambellino’,
Archivio Veneto
13 (1877), pp. 376–83.
Branca, V.,
Poliziano e l’umanesimo della parola
. Turin: Einaudi, 1983.
—(ed.),
Umanesimo europeo ed umanesimo veneziano
. Florence: Sansoni, 1964.
Braudel, F.,
The Mediterranean and the Mediterranean World in the Age of Philip II.
Eng. trans. S. Reynolds, 2 vols. Berkeley and London: University of California Press, 1972–3.
—
The Wheels of Commerce
. Eng. trans. S. Reynolds. London: Collins, 1982.
Bredekamp, H., M. Diers and C. Schoell-Glass (eds),
Aby Warburg
. Hamburg: VCH, 1991.
Bridgman, N.,
La vie musicale au quattrocento et jusqu’à la naissance du madrigal.
Paris: Gallimard, 1964.
Bronzini, G., ‘Pubblico e predicazione popolare di Bernardino di Siena’,
Lares
44 (1978), pp. 3–31.
—
Tradizione di stile aedico dai cantari al ‘Furioso’
. Florence: Olschki, 1966.
Brotton, J.,
The Renaissance Bazaar: from the Silk Road to Michelangelo
. Oxford: Oxford University Press, 2002.
Brown, A.,
Bartolommeo Scala, 1430–1497, Chancellor of Florence.
Princeton, NJ: Princeton University Press, 1979.
—‘The humanist portrait of Cosimo de’Medici’,
JWCI
24 (1961), pp. 186–221.
—(ed.),
Language and Images of Renaissance Italy
. Oxford: Oxford University Press, 1995.
Brown, C. M., ‘A Ferrarese lady and a Mantuan marchesa: the art and antiquities collections of Isabella d’Este Gonzaga’, in
Women and Art in Early Modern Europe
, ed. C. Lawrence, pp. 53–71. University Park: Pennsylvania State University Press, 1997.
Brown,
J. C., and R. C. Davis (eds),
Gender and Society in Renaissance Italy
. London: Longman, 1998.
Brown, P. F.,
Private Lives in Renaissance Venice
. New Haven, CT: Yale University Press, 2004.
—
Venetian Narrative Painting in the age of Carpaccio.
New Haven, CT: Yale University Press, 1988.
—
Venice and Antiquity
. New Haven, CT: Yale University Press, 1996.
Brucker, G.,
The Civic World of Early Renaissance Florence.
Princeton, NJ: Princeton University Press, 1977.
—(ed.),
Two Memoirs of Renaissance Florence.
New York: Harper & Row, 1967.
Bruni, L.,
Epistolae populi Florentini nomine scriptae
, ed. L. Mehus, 2 vols. Florence, 1741.
—‘Panegyric to the city of Florence’, in
The Earthly Republic
, ed. B. Kohl and R. Witt, pp. 135–75. Philadelphia: University of Pennsylvania Press, 1978.
Bryson, N.,
Word and Image.
Cambridge: Cambridge University Press, 1981.
Bullen, J. B.,
The Myth of the Renaissance in Nineteenth-Century Writing
. Oxford: Clarendon Press, 1994.
Burckhardt, J.,
The Architecture of the Italian Renaissance
(1867). Eng. trans., London: Secker & Warburg, 1985.
—
Beiträge zur Kunstgeschichte von Italien
. Basel: Lendorff, 1898.
—
The Civilization of the Renaissance in Italy
(1860). Eng. trans., London: Phaidon Press, 1944.
—
Reflections on History
(1906). Eng. trans., London: Allen & Unwin, 1943.
Burke, J.,
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
. University Park: Pennsylvania State University Press, 2004.
Burke, P., ‘Anthropology of the Renaissance’,
Journal of the Institute for Romance Studies
1 (1992), 207–15.
—‘L’art de la propagande à l’époque de Pisanello’, in
Pisanello
, pp. 253–62. Paris: La documentation française, 1998.
—‘Civilization, sex and violence in early modern Italy: reflections on the theories of Norbert Elias’,
Journal of the Institute of Romance Studies
5 (1997), pp. 71–80.
—‘Decentering the Renaissance: the challenge of postmodernism’, in
At the Margins: Minority Groups in Premodern Italy
, ed. S. Milner, pp. 36–49. Minneapolis: University of Minnesota Press, 2005.
—‘Gianfrancesco Pico and his
Strix
’, in
The Damned Art
, ed. S. Anglo, pp. 32–52. London: Routledge & Kegan Paul, 1977.
—
Historical Anthropology of Early Modern Italy: Essays on Perception and Communication . Cambridge: Cambridge University Press, 1987.
—‘History as allegory’,
Inti
45 (1997), pp. 337–51.
—‘Investment and culture in three seventeenth-century cities’,
Journal of European Economic History
7 (1978), pp. 311–36.
—‘The Italian artist and his roles’, in
History of Italian Art
, ed. Burke, 2 vols, vol. 1, pp. 1–28. Cambridge: Polity, 1994.
—‘Jack Goody and the comparative history of Renaissances’,
Theory, Culture and Society
26 (2009), pp. 1–17.
—‘Learned culture and popular culture in Renaissance Italy’,
Pauvres et riches: mélanges offerts à Bronislaw Geremek
, ed. M. Aymard, S. Bylina et al., pp. 341–9. Warsaw: Wydawnictwo Naukowe PWN, 1992.
—‘The myth of 1453: notes and reflections’, in
Querdenken: Dissens und Toleranz im Wandel der Geschichte: Festschrift zum 65. Geburtstag Hans R. Guggisberg
, ed. M. Erbe et al., pp. 23–30. Mannheim: Palatium, 1996.
—‘Oral culture and print culture in Renaissance Italy’,
ARV: Nordic Yearbook of Folklore
(1998), pp. 79–90.
—
Popular Culture in Early Modern Europe.
3rd edn, Farnham: Ashgate, 2009.
—‘Prosopografie van der Renaissance’,
Millennium
7 (1993), pp. 14–22.
—‘Renaissance Europe and the world’, in
Palgrave Advances in Renaissance Historiography
, ed. J. Woolfson, pp. 52–70. Basingstoke: Palgrave Macmillan, 2005.
—‘The Renaissance, individualism and the portrait’,
History of European Ideas
21 (1995), pp. 393–400.
—
The Renaissance Sense of the Past.
London: Edward Arnold, 1969.
—‘Il ritratto veneziano nel cinquecento’, in
La pittura nel Veneto: il cinquecento
, vol. 3, ed. Mauro Lucco, pp. 1079–118. Milan: Electa, 1999.
—‘The sense of anachronism from Petrarch to Poussin’, in
Time in the Medieval World
, ed. C. Humphrey and W. M. Ormrod, pp. 157–73. Woodbridge: York Medieval Press, 2001.
—‘Strengths and weaknesses of the history of mentalities’,
History of European Ideas
7 (1986), pp. 439–51.
—
Varieties of Cultural History
. Cambridge: Polity, 1997.
Burney, C.,
A General History of Music
, 4 vols (1776–89). New York: Dover, 1969.
Burroughs, C.,
The Italian Renaissance Palace Façade
. Cambridge: Cambridge University Press, 2002.
Butters, H.,
Governors and Government in Early Sixteenth-Century Florence
. Oxford: Clarendon Press, 1986.
Callmann, E.,
Apollonio di Giovanni.
Oxford: Clarendon Press, 1974.
Campbell, L.,
Renaissance Portraits
, New Haven, CT: Yale University Press, 1990.
Campbell, S.,
The Cabinet of Eros: Renaissance Mythological Painting and the studiolo of Isabella d’Este
. New Haven, CT: Yale University Press, 2004.
Caplan, H., ‘The four senses of scriptural interpretation’,
Speculum
4 (1929), pp. 282–94.
Caplow, H. N., ‘Sculptors’ partnerships’,
Studies in the Renaissance
21 (1974), pp. 145–75.
Carboni Baiardi, G., et al. (eds),
Federico di Montefeltro: lo stato/le arti/ la cultura
, 3 vols. Rome: Bulzoni, 1986.
Cardano, G.,
The Book of My Life
(1575). Eng. trans., New York: Dover, 1962.
—De rerum varietate
. Basel, 1557.
Luxury Arts of the Renaissance
. Los Angeles: J. Paul Getty Museum, 2005.
—
Rethinking the Renaissance: Burgundian Arts across Europe
. Cambridge: Cambridge University Press, 2002.
Belting, H.,
Florence and Baghdad: Renaissance Art and Arab Science
. Eng. trans. D. L. Schneider. Cambridge, MA: Belknap Press, 2011.
—
Likeness and Presence: A History of the Image before the Era of Art
Eng. trans. E. Jephcott. Chicago: University of Chicago Press, 1994.
Beltrami, D.,
Storia della popolazione di Venezia
. Padua: Cedam, 1954.
Bembo, P.,
Prose della volgar lingua
(1525), in Bembo,
Prose e rime
, ed. C. Dionisotti. Turin: Unione Tipografico, 1960.
Benjamin, W., ‘The work of art in the age of mechanical reproduction’, Eng. trans. in Benjamin,
Illuminations
, pp. 219–44. London: Jonathan Cape, 1970.
Benson, P. J.,
The Invention of the Renaissance Woman
. University Park: Pennsylvania State University Press, 1992.
Bentley, J.,
Politics and Culture in Renaissance Naples
. Princeton, NJ: Princeton University Press, 1987.
Berengo, M.,
Nobili e mercanti nella Lucca del cinquecento.
Turin: Einaudi, 1965.
Berlin, I.,
Vico and Herder.
London: Hogarth Press, 1976.
Bertelli, S., ‘L’egemonia
linguistica come egemonia culturale’,
Bibliothèque d’humanisme et Renaissance
38 (1976), pp. 249–81.
Bing, G., ‘A. M. Warburg’,
JWCI
28 (1965), pp. 299–313.
Binni, W., and N. Sapegno (eds),
Storia letteraria delle regioni d’Italia.
Florence: Sansoni, 1968.
Biow, D.,
The Culture of Cleanliness in Renaissance Italy
. Ithaca, NY: Cornell University Press, 2006.
—
Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy
. Chicago: University of Chicago Press, 2002.
—
In your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy
. Stanford, CA: Stanford University Press, 2010.
Biringuccio, V.,
Pirotechnia
(1540). Eng. trans., new edn, Cambridge, MA: MIT Press, 1966.
Black, R., ‘Italian Renaissance education’,
Journal of the History of Ideas
52 (1991), pp. 315–34.
Bloch, M.,
Land and Work in Medieval Europe.
Berkeley and London: University of California Press, 1967.
Blunt, A.,
Artistic Theory in Italy 1450–1600
. Oxford: Clarendon Press, 1940.
Boase, T. S. R.,
Giorgio Vasari: The Man and the Book
. Princeton, NJ: Princeton University Press, 1979.
Bock, N., ‘Patronage standards and
transfert culturel
: Naples between art history and social science’,
Art History
31 (2008), pp. 574–97.
Bodart, D. H.,
Tiziano e Federico II Gonzaga: storia di un rapporto di committenza
. Rome: Bulzoni, 1998.
Bohannan, P., ‘Artist and critic in an African society’, in
The Artist in Tribal Society
, ed. M. W. Smith, pp. 85–94. London: Routledge & Kegan Paul, 1961.
Bolland, A., ‘From the workshop to the academy: the emergence of the artist in Renaissance Florence’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 454–78. Cambridge: Cambridge University Press, 2007.
Bologna, F.,
Napoli e le rotte mediterranee della pittura: da Alfonso il Magnanimo a Ferdinando il Cattolico.
Naples: Società Napoletana di Storia Patria, 1977.
Bombe, W. (ed.),
Nachlass-Inventare des Angelo da Uzzano und des Lodovico di Gino Capponi.
Leipzig and Berlin: Teubner, 1928.
—‘Die Tafelbilder, Gonfaloni und Fresken des Benedetto Bonfigli’,
Repertorium für Kunstwissenschaft
32 (1909), pp. 97–146.
Bonfil, R., ‘The historian’s perception of the Jews in the Italian Renaissance’,
Revue des Etudes Juives
143 (1984), pp. 59–82.
—
Rabbis
and Jewish Communities in Renaissance Italy
. Oxford: Oxford University Press, 1990.
Bonomo, G.,
Caccia alle streghe.
Palermo: Pulumbo, 1959.
Borkenau, F.,
Der Übergang vom feudalen zum bürgerlichen Weltbild.
Paris: Alcan, 1934.
Borsellino, N.,
Gli anticlassicisti del cinquecento.
Rome and Bari: Laterza, 1973.
Bottari, G. G.,
Raccolta di lettere sulla pittura, scultura ed architettura
, 8 vols. Milan: Silvestri, 1822–5.
Bourdieu, P.,
Distinction.
Eng. trans. R. Nice. London: Routledge & Kegan Paul, 1984.
Bouwsma, W. J., ‘The Renaissance and the drama of European history’,
American Historical Review
84 (1979), pp. 1–15.
Braghirolli, W., ‘Carteggio di Isabella d’Este intorno ad un quadro di Giambellino’,
Archivio Veneto
13 (1877), pp. 376–83.
Branca, V.,
Poliziano e l’umanesimo della parola
. Turin: Einaudi, 1983.
—(ed.),
Umanesimo europeo ed umanesimo veneziano
. Florence: Sansoni, 1964.
Braudel, F.,
The Mediterranean and the Mediterranean World in the Age of Philip II.
Eng. trans. S. Reynolds, 2 vols. Berkeley and London: University of California Press, 1972–3.
—
The Wheels of Commerce
. Eng. trans. S. Reynolds. London: Collins, 1982.
Bredekamp, H., M. Diers and C. Schoell-Glass (eds),
Aby Warburg
. Hamburg: VCH, 1991.
Bridgman, N.,
La vie musicale au quattrocento et jusqu’à la naissance du madrigal.
Paris: Gallimard, 1964.
Bronzini, G., ‘Pubblico e predicazione popolare di Bernardino di Siena’,
Lares
44 (1978), pp. 3–31.
—
Tradizione di stile aedico dai cantari al ‘Furioso’
. Florence: Olschki, 1966.
Brotton, J.,
The Renaissance Bazaar: from the Silk Road to Michelangelo
. Oxford: Oxford University Press, 2002.
Brown, A.,
Bartolommeo Scala, 1430–1497, Chancellor of Florence.
Princeton, NJ: Princeton University Press, 1979.
—‘The humanist portrait of Cosimo de’Medici’,
JWCI
24 (1961), pp. 186–221.
—(ed.),
Language and Images of Renaissance Italy
. Oxford: Oxford University Press, 1995.
Brown, C. M., ‘A Ferrarese lady and a Mantuan marchesa: the art and antiquities collections of Isabella d’Este Gonzaga’, in
Women and Art in Early Modern Europe
, ed. C. Lawrence, pp. 53–71. University Park: Pennsylvania State University Press, 1997.
Brown,
J. C., and R. C. Davis (eds),
Gender and Society in Renaissance Italy
. London: Longman, 1998.
Brown, P. F.,
Private Lives in Renaissance Venice
. New Haven, CT: Yale University Press, 2004.
—
Venetian Narrative Painting in the age of Carpaccio.
New Haven, CT: Yale University Press, 1988.
—
Venice and Antiquity
. New Haven, CT: Yale University Press, 1996.
Brucker, G.,
The Civic World of Early Renaissance Florence.
Princeton, NJ: Princeton University Press, 1977.
—(ed.),
Two Memoirs of Renaissance Florence.
New York: Harper & Row, 1967.
Bruni, L.,
Epistolae populi Florentini nomine scriptae
, ed. L. Mehus, 2 vols. Florence, 1741.
—‘Panegyric to the city of Florence’, in
The Earthly Republic
, ed. B. Kohl and R. Witt, pp. 135–75. Philadelphia: University of Pennsylvania Press, 1978.
Bryson, N.,
Word and Image.
Cambridge: Cambridge University Press, 1981.
Bullen, J. B.,
The Myth of the Renaissance in Nineteenth-Century Writing
. Oxford: Clarendon Press, 1994.
Burckhardt, J.,
The Architecture of the Italian Renaissance
(1867). Eng. trans., London: Secker & Warburg, 1985.
—
Beiträge zur Kunstgeschichte von Italien
. Basel: Lendorff, 1898.
—
The Civilization of the Renaissance in Italy
(1860). Eng. trans., London: Phaidon Press, 1944.
—
Reflections on History
(1906). Eng. trans., London: Allen & Unwin, 1943.
Burke, J.,
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
. University Park: Pennsylvania State University Press, 2004.
Burke, P., ‘Anthropology of the Renaissance’,
Journal of the Institute for Romance Studies
1 (1992), 207–15.
—‘L’art de la propagande à l’époque de Pisanello’, in
Pisanello
, pp. 253–62. Paris: La documentation française, 1998.
—‘Civilization, sex and violence in early modern Italy: reflections on the theories of Norbert Elias’,
Journal of the Institute of Romance Studies
5 (1997), pp. 71–80.
—‘Decentering the Renaissance: the challenge of postmodernism’, in
At the Margins: Minority Groups in Premodern Italy
, ed. S. Milner, pp. 36–49. Minneapolis: University of Minnesota Press, 2005.
—‘Gianfrancesco Pico and his
Strix
’, in
The Damned Art
, ed. S. Anglo, pp. 32–52. London: Routledge & Kegan Paul, 1977.
—
Historical Anthropology of Early Modern Italy: Essays on Perception and Communication . Cambridge: Cambridge University Press, 1987.
—‘History as allegory’,
Inti
45 (1997), pp. 337–51.
—‘Investment and culture in three seventeenth-century cities’,
Journal of European Economic History
7 (1978), pp. 311–36.
—‘The Italian artist and his roles’, in
History of Italian Art
, ed. Burke, 2 vols, vol. 1, pp. 1–28. Cambridge: Polity, 1994.
—‘Jack Goody and the comparative history of Renaissances’,
Theory, Culture and Society
26 (2009), pp. 1–17.
—‘Learned culture and popular culture in Renaissance Italy’,
Pauvres et riches: mélanges offerts à Bronislaw Geremek
, ed. M. Aymard, S. Bylina et al., pp. 341–9. Warsaw: Wydawnictwo Naukowe PWN, 1992.
—‘The myth of 1453: notes and reflections’, in
Querdenken: Dissens und Toleranz im Wandel der Geschichte: Festschrift zum 65. Geburtstag Hans R. Guggisberg
, ed. M. Erbe et al., pp. 23–30. Mannheim: Palatium, 1996.
—‘Oral culture and print culture in Renaissance Italy’,
ARV: Nordic Yearbook of Folklore
(1998), pp. 79–90.
—
Popular Culture in Early Modern Europe.
3rd edn, Farnham: Ashgate, 2009.
—‘Prosopografie van der Renaissance’,
Millennium
7 (1993), pp. 14–22.
—‘Renaissance Europe and the world’, in
Palgrave Advances in Renaissance Historiography
, ed. J. Woolfson, pp. 52–70. Basingstoke: Palgrave Macmillan, 2005.
—‘The Renaissance, individualism and the portrait’,
History of European Ideas
21 (1995), pp. 393–400.
—
The Renaissance Sense of the Past.
London: Edward Arnold, 1969.
—‘Il ritratto veneziano nel cinquecento’, in
La pittura nel Veneto: il cinquecento
, vol. 3, ed. Mauro Lucco, pp. 1079–118. Milan: Electa, 1999.
—‘The sense of anachronism from Petrarch to Poussin’, in
Time in the Medieval World
, ed. C. Humphrey and W. M. Ormrod, pp. 157–73. Woodbridge: York Medieval Press, 2001.
—‘Strengths and weaknesses of the history of mentalities’,
History of European Ideas
7 (1986), pp. 439–51.
—
Varieties of Cultural History
. Cambridge: Polity, 1997.
Burney, C.,
A General History of Music
, 4 vols (1776–89). New York: Dover, 1969.
Burroughs, C.,
The Italian Renaissance Palace Façade
. Cambridge: Cambridge University Press, 2002.
Butters, H.,
Governors and Government in Early Sixteenth-Century Florence
. Oxford: Clarendon Press, 1986.
Callmann, E.,
Apollonio di Giovanni.
Oxford: Clarendon Press, 1974.
Campbell, L.,
Renaissance Portraits
, New Haven, CT: Yale University Press, 1990.
Campbell, S.,
The Cabinet of Eros: Renaissance Mythological Painting and the studiolo of Isabella d’Este
. New Haven, CT: Yale University Press, 2004.
Caplan, H., ‘The four senses of scriptural interpretation’,
Speculum
4 (1929), pp. 282–94.
Caplow, H. N., ‘Sculptors’ partnerships’,
Studies in the Renaissance
21 (1974), pp. 145–75.
Carboni Baiardi, G., et al. (eds),
Federico di Montefeltro: lo stato/le arti/ la cultura
, 3 vols. Rome: Bulzoni, 1986.
Cardano, G.,
The Book of My Life
(1575). Eng. trans., New York: Dover, 1962.
—De rerum varietate
. Basel, 1557.
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