The Italian Renaissance (53 page)
Read The Italian Renaissance Online
Authors: Peter Burke
Carew-Reid, N.,
Les fêtes florentines au temps de Lorenzo il Magnifico
. Florence: Olschki, 1995.
Carrithers, M., S. Collins and S. Lukes (eds),
The Category of the Person
. Cambridge: Cambridge University Press, 1985.
Cartwright, J.,
Isabella d’Este
. 2nd edn., 2 vols. London: John Murray, 1903.
Casotti, G. B.,
Memorie istoriche della miracolosa immagine di Maria vergine dell’Impruneta
, 2 vols. Florence, 1714.
Cassirer, E., P. Kristeller and J. H. Randall (eds),
The Renaissance Philosophy of Man
. Chicago: University of Chicago Press, 1948.
Cast, D.,
The Calumny of Apelles
. New Haven, CT, and London: Yale University Press, 1981.
Castelnuovo, E., ‘Per una storia sociale de l’arte’, in Castelnuovo,
Arte, industria, rivoluzioni
. Turin: Einaudi, 1985.
—‘Il significato del ritratto pittorico nella società’,
Storia d’Italia
5, pp. 1035–94. Turin: Einaudi, 1973.
Castelnuovo, E., and C. Ginzburg, ‘Centre and periphery’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 1, pp. 29–112. Cambridge: Polity, 1994.
Castiglione, B.,
Il cortegiano
(1528), ed. B. Maier. 2nd edn, Eng. trans., New York: Ungar, 1959.
Castiglione, S. di,
Ricordi
(1549). 2nd edn, Venice, 1554.
Cavalcanti, G.,
Istorie fiorentine
. Milan: Aldo Martello, 1944.
Céard, J.,
La nature et les prodiges
. Geneva: Droz, 1977.
Cellini, B.,
Vita
, ed. E. Camesasca. Eng. trans., Harmondsworth: Penguin, 1956.
Cèndali, L.,
Giuliano e Benedetto da Maiano.
Florence: Società editrice Toscana, 1936.
Cennini, C.,
Il libro dell’arte
. Eng. trans., ed. D. V. Thompson, 2 vols. New Haven, CT: Yale University Press, 1932–3.
Chabod, F.,
L’epoca di Carlo V.
Milan: Treccani, 1961.
—‘Usi ed abusi nell’amministrazione dello stato di Milano’, in
Studi storici in onore di Gioacchino Volpe
, pp. 95–194. Florence: Sansoni, 1958.
—‘Was there a Renaissance state?’, in
The Development of the Modern State
, ed. H. Lubasz. New York: Macmillan, 1964.
Chakrabarty, D.,
Provincializing Europe
. Princeton, NJ: Princeton University Press, 2000.
Chambers, D. S. (ed.),
Patrons and Artists in the Italian Renaissance
. London: Macmillan, 1970.
Chambers, D. S., and Quiviger, F. (eds),
Italian Academies of the Sixteenth Century
. London: Warburg Institute, 1995.
Chastel, A.,
Art et humanisme à Florence au temps de Laurent le Magnifique
. Paris: Presses Universitaires de France, 1961.
—‘Art et humanisme au quattrocento’, in
Umanesimo europeo ed umanesimo veneziano
, ed. V. Branca, pp. 395–406. Florence: Sansoni, 1964.
—
The Sack of Rome.
Princeton, NJ: Princeton University Press, 1983.
Chipps Smith, J.,
The Northern Renaissance
. London: Phaidon Press. 2004.
Chojnacki, S., ‘Political adulthood in fifteenth-century Venice’,
American Historical Review
91 (1986), pp. 791–810.
Christian, K. W., and D. J. Drogin (eds),
Patronage and Italian Renaissance Sculpture
. Farnham: Ashgate, 2010.
Christiansen, K., and S. Weppelmann (eds),
The Renaissance Portrait: From Donatello to Bellini
. New York: Metropolitan Museum of Art, 2011.
Ciammitti, L., S. Ostrow and S. Settis (eds),
Dosso’s Fate: Painting and Court Culture in Renaissance Italy
. Los Angeles: Getty Research Institute, 1998.
Ciappelli, G., and P. Rubin (eds),
Art, Memory, and Family in Renaissance Florence
. Cambridge: Cambridge University Press, 2000.
Cipolla, C. M.,
Clocks and Culture
. London: Collins, 1967.
—‘Economic depression of the Renaissance?’,
Economic History Review
16 (1963–4), pp. 519–24.
Clark, S.,
Thinking with Demons
:
The Idea of Witchcraft in Early
Modern Europe
. Oxford: Clarendon Press, 1997.
Clark, T.,
Image of the People
. London: Thames & Hudson, 1973.
Clements, R. J. (ed.),
Michelangelo: A Self-Portrait.
Englewood Cliffs, NJ: Prentice-Hall, 1963.
Clough, C. H., ‘Federigo da Montefeltre’s patronage of the arts’,
JWCI
36 (1973), pp. 129–44.
Cocchiara, G.,
Le origini della poesia popolare
. Turin: Boringhieri, 1966.
Coffin, D. R. (ed.),
The Italian Garden
. Washington, DC: Dumbarton Oaks, 1972.
—
The Villa in the Life of Renaissance Rome.
Princeton, NJ: Princeton University Press, 1979.
Cohn, S. K.,
Creating the Florentine State: Peasants and Rebellion, 1348–1434
. Cambridge: Cambridge University Press, 1999.
—
The Laboring Classes in Renaissance Florence
. New York: Academic Press, 1980.
—‘Renaissance attachment to things’,
Economic History Review
65 (2011), pp. 984–1004.
Cole, B.,
The Renaissance Artist at Work: From Pisano to Titian
. London: John Murray, 1983.
—
Sienese Painting
. New York: Harper & Row, 1980.
Collett, B.,
Italian Benedictine Scholars and the Reformation
. Oxford: Clarendon Press, 1985.
Comanducci, R. M., ‘Il concetto di “artista” e la pratica di lavoro nella bottega quattrocentesca’, in
Arti fiorentine
, ed. G. Fossi and F. Franceschi, vol.2, pp. 149–65. Florence: Giunti, 1999.
—‘L’organizzazione produttiva della bottega d’arte fiorentina’, in
Economia ed arte
, ed. S. Cavaciocchi, pp. 751–9. Florence: Le Monnier, 2002.
—‘Produzione seriale e mercato dell’arte a Firenze tra quattro e cinquecento’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 105–13. Modena: F. C. Panini, 2003.
Concina, E.,
L’Arsenale della Repubblica di Venezia
. Milan: Electa, 1984.
—
Dell’arabico: a Venezia tra Rinascimento e Oriente
. Venice: Marsilio, 1994.
Condivi, A.,
Vita di Michelangelo Buonarroti
, ed. E. S. Barelli. Milan: Rizzoli, 1964.
Coniglio, G.,
II regno di Napoli al tempo di Carlo V.
Naples: Edizioni scientifiche italiane, 1951.
Connell, S.,
The Employment of Sculptors and Stonemasons in Venice in the Fifteenth Century
. New York: Garland, 1988.
Connell, W. J. (ed.),
Society and Individual in Renaissance Florence
. Berkeley: University of California Press, 2002.
Contadini, A., ‘Middle Eastern objects’, in
At Home in Renaissance Italy
, ed. M. Ajmar-Wollheim and F. Dennis, pp. 308–21. London: V&A, 2006.
Contarini, G.,
Commonwealth and Government of Venice
(1543). Eng. trans., London, 1598.
Conti, A., ‘L’evoluzione dell’artista’,
Storia dell’arte italiana
, 2, pp. 117–263. Turin: Einaud, 1979.
Coor, G.,
Neroccio de’Landi.
Princeton, NJ: Princeton University Press, 1961.
Copenhaver, B. P., and C. Schmitt,
Renaissance Philosophy
. Oxford: Oxford University Press, 1992.
Corti, G., and F. Hartt, ‘New documents concerning Donatello’,
Art Bulletin
44 (1962), pp. 155–67.
Cosenza, M.,
Biographical and Bibliographical Dictionary of the Italian Humanists.
New York, 1952.
Cox, V.,
The Renaissance Dialogue: Literary Dialogue in its Social and Political Contexts, Castiglione to Galileo
. Cambridge: Cambridge University Press, 1992.
—
Women’s Writing in Italy, 1400–1650
. Baltimore: Johns Hopkins University Press, 2008.
Cox-Rearick, J.,
Dynasty and Destiny in Medici Art
. Princeton, NJ: Princeton University Press, 1984.
Cozzi, G., ‘Cultura, politica e religione nella pubblica storiografia ven-eziana’,
Studi Veneziani
5 (1963), pp. 215–94.
Cranston, J.,
The Poetics of Portraiture in the Italian Renaissance
. Cambridge: Cambridge University Press, 2000.
Craven, W. G.,
Giovanni Pico della Mirandola, Symbol of his Age
. Geneva: Droz, 1981.
Crawcour, E. S., ‘Changes in Japanese commerce in the Tokugawa period’, in
Studies in the Institutional History of Early Modern Japan
, ed. J. W. Hall and M. B. Jansen, pp. 189–202. Princeton, NJ: Princeton University Press, 1968.
Crouzet-Pavan, E.,
Renaissances italiennes 1380–1500
. Paris: Albin Michel, 2007.
Crowe, J. A., and G. B. Cavalcaselle,
The Life and Times of Titian.
London: John Murray, 1881.
Crum, R. J., and J. T. Paoletti (eds),
Renaissance Florence: A Social History
. Cambridge: Cambridge University Press, 2006.
Currie, E.,
Inside the Renaissance House
. London: V&A, 2006.
Dacos, N., ‘Italian art and the art of antiquity’, in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 1, pp. 113–213. Cambridge: Polity, 1994.
D’Amico, J. F.,
Renaissance Humanism in Papal Rome
. Baltimore: Johns Hopkins University Press, 1983.
D’Ancona, A. (ed.),
Sacre rappresentazioni dei secoli xiv, xv, e xvi
. Florence: Le Monnier, 1872.
Daniello, B.,
Poetica
. Venice, 1536.
D’Arco, C.,
Giulio Pippi Romano
, 2nd edn.
Mantua: Fratelli Negretti, 1842.
Darnton, R.,
The Great Cat Massacre and other Episodes in French Cultural History
. New York: Basic Books, 1984.
Davis, J. C.,
The Decline of the Venetian Nobility as a Ruling Class
. Baltimore: Johns Hopkins University Press, 1962.
Davis, N. Z.,
Trickster Travels: A Sixteenth-Century Muslim between Worlds
. London: Faber, 2006.
De Caprio, V., ‘Aristocrazia e clero da la crisi dell’umanesimo alla Controriforma’,
Letteratura italiana, 2: Produzione e consumo
, ed. A. Asor Rosa, pp. 299–361. Turin: Einaudi, 1983.
—‘Intellettuali e mercato del lavoro nella Roma medicea’,
Studi romani
29 (1981), pp. 29–46.
De la Mare, A., ‘Vespasiano da Bisticci’, PhD thesis, University of London, 1965.
Della Casa, G.,
Galateo
(1558), ed. D. Provenzal. Eng. trans., Harmondsworth: Penguin, 1958.
Delumeau, J., ‘Mobilité sociale: riches et pauvres à l’époque de la Renaissance’, in
Ordres et classes
, ed. E. Labrousse, pp. 125–34. Paris and The Hague: Mouton, 1973.
—‘Réinterprétation de la Renaissance’,
Revue d’histoire moderne et contemporaine
14 (1967), pp. 296–314.
De Maio, R.,
Michelangelo e la Controriforma
. Rome: Laterza, 1978.
Dempsey, C., ‘Mercurius Ver: the sources of Botticelli’s
Primavera
’,
JWCI
31 (1968), pp. 251–69.
—
The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent
. Princeton, NJ: Princeton University Press, 1992.
—‘Some observations on the education of artists at Florence and Bologna during the later sixteenth century’,
Art Bulletin
62 (1980), pp. 552–6.
Denley, P., ‘Recent studies on Italian universities of the Middle Ages and Renaissance’,
History of Universities
1 (1981), pp. 193–206.
—‘The social function of Italian Renaissance universities’,
CRE Information
62 (1983), pp. 47–58.
Dijksterhuis, E. J.,
The Mechanization of the World Picture
. Eng. trans., Oxford: Clarendon Press, 1961.
Dionisotti, C.,
Geografia e storia della letterature italiana.
Turin: Einaudi, 1967.
Dolce, L.,
Aretino
(1557). Eng. trans., ed. M. W. Roskill. New York: New York University Press, 1968.
Dominici, G.,
Regola del governo di cura familiare
(1860). Eng. trans., Washington, DC: Catholic University of America, 1927.
Doren, A., ‘Aby Warburg und sein Werk’,
Archiv für Kulturgeschichte
21 (1931), pp. 1–23.
—
Die florentiner Wollentuchindustrie vom 14. bis zum
16
. Jahrhundert
. Stuttgart, 1901.
—
Fortuna im Mittelalter und in der Renaissance
. Hamburg: Teubner, 1922.
Doria, G., ‘Una città senza corte: economia e committenza a Genova nel ’400–’500’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 243–54. Turin: Einaudi, 1995.
Dowd, D. F., ‘The economic expansion of Lombardy, 1300–1500’,
Journal of Economic History
21 (1961), pp. 143–60.
Les fêtes florentines au temps de Lorenzo il Magnifico
. Florence: Olschki, 1995.
Carrithers, M., S. Collins and S. Lukes (eds),
The Category of the Person
. Cambridge: Cambridge University Press, 1985.
Cartwright, J.,
Isabella d’Este
. 2nd edn., 2 vols. London: John Murray, 1903.
Casotti, G. B.,
Memorie istoriche della miracolosa immagine di Maria vergine dell’Impruneta
, 2 vols. Florence, 1714.
Cassirer, E., P. Kristeller and J. H. Randall (eds),
The Renaissance Philosophy of Man
. Chicago: University of Chicago Press, 1948.
Cast, D.,
The Calumny of Apelles
. New Haven, CT, and London: Yale University Press, 1981.
Castelnuovo, E., ‘Per una storia sociale de l’arte’, in Castelnuovo,
Arte, industria, rivoluzioni
. Turin: Einaudi, 1985.
—‘Il significato del ritratto pittorico nella società’,
Storia d’Italia
5, pp. 1035–94. Turin: Einaudi, 1973.
Castelnuovo, E., and C. Ginzburg, ‘Centre and periphery’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 1, pp. 29–112. Cambridge: Polity, 1994.
Castiglione, B.,
Il cortegiano
(1528), ed. B. Maier. 2nd edn, Eng. trans., New York: Ungar, 1959.
Castiglione, S. di,
Ricordi
(1549). 2nd edn, Venice, 1554.
Cavalcanti, G.,
Istorie fiorentine
. Milan: Aldo Martello, 1944.
Céard, J.,
La nature et les prodiges
. Geneva: Droz, 1977.
Cellini, B.,
Vita
, ed. E. Camesasca. Eng. trans., Harmondsworth: Penguin, 1956.
Cèndali, L.,
Giuliano e Benedetto da Maiano.
Florence: Società editrice Toscana, 1936.
Cennini, C.,
Il libro dell’arte
. Eng. trans., ed. D. V. Thompson, 2 vols. New Haven, CT: Yale University Press, 1932–3.
Chabod, F.,
L’epoca di Carlo V.
Milan: Treccani, 1961.
—‘Usi ed abusi nell’amministrazione dello stato di Milano’, in
Studi storici in onore di Gioacchino Volpe
, pp. 95–194. Florence: Sansoni, 1958.
—‘Was there a Renaissance state?’, in
The Development of the Modern State
, ed. H. Lubasz. New York: Macmillan, 1964.
Chakrabarty, D.,
Provincializing Europe
. Princeton, NJ: Princeton University Press, 2000.
Chambers, D. S. (ed.),
Patrons and Artists in the Italian Renaissance
. London: Macmillan, 1970.
Chambers, D. S., and Quiviger, F. (eds),
Italian Academies of the Sixteenth Century
. London: Warburg Institute, 1995.
Chastel, A.,
Art et humanisme à Florence au temps de Laurent le Magnifique
. Paris: Presses Universitaires de France, 1961.
—‘Art et humanisme au quattrocento’, in
Umanesimo europeo ed umanesimo veneziano
, ed. V. Branca, pp. 395–406. Florence: Sansoni, 1964.
—
The Sack of Rome.
Princeton, NJ: Princeton University Press, 1983.
Chipps Smith, J.,
The Northern Renaissance
. London: Phaidon Press. 2004.
Chojnacki, S., ‘Political adulthood in fifteenth-century Venice’,
American Historical Review
91 (1986), pp. 791–810.
Christian, K. W., and D. J. Drogin (eds),
Patronage and Italian Renaissance Sculpture
. Farnham: Ashgate, 2010.
Christiansen, K., and S. Weppelmann (eds),
The Renaissance Portrait: From Donatello to Bellini
. New York: Metropolitan Museum of Art, 2011.
Ciammitti, L., S. Ostrow and S. Settis (eds),
Dosso’s Fate: Painting and Court Culture in Renaissance Italy
. Los Angeles: Getty Research Institute, 1998.
Ciappelli, G., and P. Rubin (eds),
Art, Memory, and Family in Renaissance Florence
. Cambridge: Cambridge University Press, 2000.
Cipolla, C. M.,
Clocks and Culture
. London: Collins, 1967.
—‘Economic depression of the Renaissance?’,
Economic History Review
16 (1963–4), pp. 519–24.
Clark, S.,
Thinking with Demons
:
The Idea of Witchcraft in Early
Modern Europe
. Oxford: Clarendon Press, 1997.
Clark, T.,
Image of the People
. London: Thames & Hudson, 1973.
Clements, R. J. (ed.),
Michelangelo: A Self-Portrait.
Englewood Cliffs, NJ: Prentice-Hall, 1963.
Clough, C. H., ‘Federigo da Montefeltre’s patronage of the arts’,
JWCI
36 (1973), pp. 129–44.
Cocchiara, G.,
Le origini della poesia popolare
. Turin: Boringhieri, 1966.
Coffin, D. R. (ed.),
The Italian Garden
. Washington, DC: Dumbarton Oaks, 1972.
—
The Villa in the Life of Renaissance Rome.
Princeton, NJ: Princeton University Press, 1979.
Cohn, S. K.,
Creating the Florentine State: Peasants and Rebellion, 1348–1434
. Cambridge: Cambridge University Press, 1999.
—
The Laboring Classes in Renaissance Florence
. New York: Academic Press, 1980.
—‘Renaissance attachment to things’,
Economic History Review
65 (2011), pp. 984–1004.
Cole, B.,
The Renaissance Artist at Work: From Pisano to Titian
. London: John Murray, 1983.
—
Sienese Painting
. New York: Harper & Row, 1980.
Collett, B.,
Italian Benedictine Scholars and the Reformation
. Oxford: Clarendon Press, 1985.
Comanducci, R. M., ‘Il concetto di “artista” e la pratica di lavoro nella bottega quattrocentesca’, in
Arti fiorentine
, ed. G. Fossi and F. Franceschi, vol.2, pp. 149–65. Florence: Giunti, 1999.
—‘L’organizzazione produttiva della bottega d’arte fiorentina’, in
Economia ed arte
, ed. S. Cavaciocchi, pp. 751–9. Florence: Le Monnier, 2002.
—‘Produzione seriale e mercato dell’arte a Firenze tra quattro e cinquecento’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 105–13. Modena: F. C. Panini, 2003.
Concina, E.,
L’Arsenale della Repubblica di Venezia
. Milan: Electa, 1984.
—
Dell’arabico: a Venezia tra Rinascimento e Oriente
. Venice: Marsilio, 1994.
Condivi, A.,
Vita di Michelangelo Buonarroti
, ed. E. S. Barelli. Milan: Rizzoli, 1964.
Coniglio, G.,
II regno di Napoli al tempo di Carlo V.
Naples: Edizioni scientifiche italiane, 1951.
Connell, S.,
The Employment of Sculptors and Stonemasons in Venice in the Fifteenth Century
. New York: Garland, 1988.
Connell, W. J. (ed.),
Society and Individual in Renaissance Florence
. Berkeley: University of California Press, 2002.
Contadini, A., ‘Middle Eastern objects’, in
At Home in Renaissance Italy
, ed. M. Ajmar-Wollheim and F. Dennis, pp. 308–21. London: V&A, 2006.
Contarini, G.,
Commonwealth and Government of Venice
(1543). Eng. trans., London, 1598.
Conti, A., ‘L’evoluzione dell’artista’,
Storia dell’arte italiana
, 2, pp. 117–263. Turin: Einaud, 1979.
Coor, G.,
Neroccio de’Landi.
Princeton, NJ: Princeton University Press, 1961.
Copenhaver, B. P., and C. Schmitt,
Renaissance Philosophy
. Oxford: Oxford University Press, 1992.
Corti, G., and F. Hartt, ‘New documents concerning Donatello’,
Art Bulletin
44 (1962), pp. 155–67.
Cosenza, M.,
Biographical and Bibliographical Dictionary of the Italian Humanists.
New York, 1952.
Cox, V.,
The Renaissance Dialogue: Literary Dialogue in its Social and Political Contexts, Castiglione to Galileo
. Cambridge: Cambridge University Press, 1992.
—
Women’s Writing in Italy, 1400–1650
. Baltimore: Johns Hopkins University Press, 2008.
Cox-Rearick, J.,
Dynasty and Destiny in Medici Art
. Princeton, NJ: Princeton University Press, 1984.
Cozzi, G., ‘Cultura, politica e religione nella pubblica storiografia ven-eziana’,
Studi Veneziani
5 (1963), pp. 215–94.
Cranston, J.,
The Poetics of Portraiture in the Italian Renaissance
. Cambridge: Cambridge University Press, 2000.
Craven, W. G.,
Giovanni Pico della Mirandola, Symbol of his Age
. Geneva: Droz, 1981.
Crawcour, E. S., ‘Changes in Japanese commerce in the Tokugawa period’, in
Studies in the Institutional History of Early Modern Japan
, ed. J. W. Hall and M. B. Jansen, pp. 189–202. Princeton, NJ: Princeton University Press, 1968.
Crouzet-Pavan, E.,
Renaissances italiennes 1380–1500
. Paris: Albin Michel, 2007.
Crowe, J. A., and G. B. Cavalcaselle,
The Life and Times of Titian.
London: John Murray, 1881.
Crum, R. J., and J. T. Paoletti (eds),
Renaissance Florence: A Social History
. Cambridge: Cambridge University Press, 2006.
Currie, E.,
Inside the Renaissance House
. London: V&A, 2006.
Dacos, N., ‘Italian art and the art of antiquity’, in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 1, pp. 113–213. Cambridge: Polity, 1994.
D’Amico, J. F.,
Renaissance Humanism in Papal Rome
. Baltimore: Johns Hopkins University Press, 1983.
D’Ancona, A. (ed.),
Sacre rappresentazioni dei secoli xiv, xv, e xvi
. Florence: Le Monnier, 1872.
Daniello, B.,
Poetica
. Venice, 1536.
D’Arco, C.,
Giulio Pippi Romano
, 2nd edn.
Mantua: Fratelli Negretti, 1842.
Darnton, R.,
The Great Cat Massacre and other Episodes in French Cultural History
. New York: Basic Books, 1984.
Davis, J. C.,
The Decline of the Venetian Nobility as a Ruling Class
. Baltimore: Johns Hopkins University Press, 1962.
Davis, N. Z.,
Trickster Travels: A Sixteenth-Century Muslim between Worlds
. London: Faber, 2006.
De Caprio, V., ‘Aristocrazia e clero da la crisi dell’umanesimo alla Controriforma’,
Letteratura italiana, 2: Produzione e consumo
, ed. A. Asor Rosa, pp. 299–361. Turin: Einaudi, 1983.
—‘Intellettuali e mercato del lavoro nella Roma medicea’,
Studi romani
29 (1981), pp. 29–46.
De la Mare, A., ‘Vespasiano da Bisticci’, PhD thesis, University of London, 1965.
Della Casa, G.,
Galateo
(1558), ed. D. Provenzal. Eng. trans., Harmondsworth: Penguin, 1958.
Delumeau, J., ‘Mobilité sociale: riches et pauvres à l’époque de la Renaissance’, in
Ordres et classes
, ed. E. Labrousse, pp. 125–34. Paris and The Hague: Mouton, 1973.
—‘Réinterprétation de la Renaissance’,
Revue d’histoire moderne et contemporaine
14 (1967), pp. 296–314.
De Maio, R.,
Michelangelo e la Controriforma
. Rome: Laterza, 1978.
Dempsey, C., ‘Mercurius Ver: the sources of Botticelli’s
Primavera
’,
JWCI
31 (1968), pp. 251–69.
—
The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent
. Princeton, NJ: Princeton University Press, 1992.
—‘Some observations on the education of artists at Florence and Bologna during the later sixteenth century’,
Art Bulletin
62 (1980), pp. 552–6.
Denley, P., ‘Recent studies on Italian universities of the Middle Ages and Renaissance’,
History of Universities
1 (1981), pp. 193–206.
—‘The social function of Italian Renaissance universities’,
CRE Information
62 (1983), pp. 47–58.
Dijksterhuis, E. J.,
The Mechanization of the World Picture
. Eng. trans., Oxford: Clarendon Press, 1961.
Dionisotti, C.,
Geografia e storia della letterature italiana.
Turin: Einaudi, 1967.
Dolce, L.,
Aretino
(1557). Eng. trans., ed. M. W. Roskill. New York: New York University Press, 1968.
Dominici, G.,
Regola del governo di cura familiare
(1860). Eng. trans., Washington, DC: Catholic University of America, 1927.
Doren, A., ‘Aby Warburg und sein Werk’,
Archiv für Kulturgeschichte
21 (1931), pp. 1–23.
—
Die florentiner Wollentuchindustrie vom 14. bis zum
16
. Jahrhundert
. Stuttgart, 1901.
—
Fortuna im Mittelalter und in der Renaissance
. Hamburg: Teubner, 1922.
Doria, G., ‘Una città senza corte: economia e committenza a Genova nel ’400–’500’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 243–54. Turin: Einaudi, 1995.
Dowd, D. F., ‘The economic expansion of Lombardy, 1300–1500’,
Journal of Economic History
21 (1961), pp. 143–60.
Other books
The Bad Fire by Campbell Armstrong
24690 by A. A. Dark, Alaska Angelini
Clay's Hope by Melissa Haag
Escape by Korman, Gordon
Lysistrata by Flora, Fletcher
Big Pete (Privateer Tales Book 4) by Jamie McFarlane
Risky Business by Nicole O'Dell
Seduction of Moxie by Colette Moody
A Moment in Time by Tracie Peterson
