The Italian Renaissance (57 page)
Read The Italian Renaissance Online
Authors: Peter Burke
Lillie, A.,
Florentine Villas in the Fifteenth Century: An Architectural and Social History.
Cambridge: Cambridge University Press, 2005.
Lindow, J. R.,
The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy
. Aldershot: Ashgate, 2007.
Lipset, S. M., and R. Bendix,
Social Mobility in Industrial Society
. Berkeley: University of California Press, 1959.
Lockwood, L.,
Music in Renaissance Ferrara, 1400–1505.
Cambridge, MA: Harvard University Press, 1984.
Logan, O.,
Culture and Society in Venice 1470–1790
. London: Batsford, 1972.
Lopez, R. S., ‘Économie et architecture médiévales’,
Annales ESC
(1952), pp. 433–8.
—‘Hard times and investment in culture’, in W. K. Ferguson et al.,
The Renaissance: Six Essays
. New York: Harper & Row, 1953.
—‘Quattrocento genovese’,
Rivista Storica Italiana
75 (1963), pp. 709–27.
—
The Three Ages of the Italian Renaissance
. Charlottesville: University Press of Virginia, 1970.
Lord, A. B.,
The Singer of Tales.
Cambridge, MA: Harvard University Press, 1960.
Lorenzi, G.,
Monumenti per servire alla storia de Palazzo Ducale
. Venice: Visentini, 1868.
Lotto, L.,
Libro delle spese diverse (1538–1556)
, ed. P. Zampetti. Rome and Venice: Olschki, 1969.
Lovejoy, A. O.,
The Great Chain of Being
. Cambridge, MA: Harvard University Press, 1936.
Lowe, K. J. P.,
Nuns’ Chronicles and Convent Culture: Women and History Writing in Renaissance and Counter-Reformation Italy
. Cambridge: Cambridge University Press, 2003.
Lowinsky, E. E., ‘Music in the culture of the Renaissance’,
Journal of the History of Ideas
15 (1954), pp. 509–53.
—‘Music of the Renaissance as viewed by Renaissance musicians’, in
The Renaissance Image of Man and the World
, ed. B. O’Kelly, pp. 129–64. Columbus: Ohio State University Press, 1966.
Lowry, M.,
Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe
. Oxford: Blackwell, 1991.
—
The World of Aldus Manutius
. Oxford: Blackwell, 1979.
Lydecker, J. K.,
The Domestic Setting of the Arts in Renaissance Florence
. Ann Arbor, MI: UMI, 2001.
Lyotard, J.-F.,
The Postmodern Condition
. Eng. trans., Minneapolis: University of Minnesota Press, 1984.
Machiavelli, N.,
Istorie fiorentine
(1523). Eng. trans., New York: AMS Press, 1967.
—
The Prince
(1532). Eng. trans. ed. Q. Skinner and R. Price. Cambridge: Cambridge University Press, 1988.
McIver, K.,
Women, Art and Architecture in Northern Italy, 1520–1580
. Aldershot: Ashgate, 2006.
Mack, R. E.,
Bazaar to Piazza: Islamic Trade and Italian Art, 1300– 1600
. Berkeley: University of California Press, 2002.
MacKenney, R., ‘Arti e stato a Venezia tra tardo medioevo e ’600’,
Studi veneziani
5 (1981), pp
.
127–43.
—‘Guilds and guildsmen in sixteenth-century Venice’,
Bulletin of the Society for Renaissance Studies
2/2 (1984), pp. 7–18.
—
Tradesmen and Traders: The World of the Guilds in Venice and Europe, c.1250–c.1650
. London: Croom Helm, 1987.
McLean, P. D.,
The Art of the Network: Strategic Interaction and Patronage in Renaissance Florence
. Durham, NC: Duke University Press, 2007.
Maffei, D.,
Il giovane Machiavelli banchiere con Berto Berti a Roma.
Florence: Giunti, G. Barbera, 1973.
—
Gli inizi dell’umanesimo giuridico
. 2nd edn, Milan: Giuffrè, 1972.
Maikuma, Y.,
Der Begriffder Kultur bei Warburg, Nietzsche und Burckhardt
. Königstein: Hain bei Athenäum, 1985.
Makdisi, G.,
The Rise of Humanism in Classical Islam and the Christian West
. Edinburgh: Edinburgh University Press, 1990.
Malaguzzi-Valeri, F.,
La corte di Lodovico il Moro
, 4 vols. Milan: Hoepli, 1913–23.
—
Pittori Lombardi del quattrocento
. Milan: L. F. Cogliati, 1902.
Mâle, E.,
L’art religieux après le concile de Trente
. Paris: Colin, 1951.
—
L’art religieux du 13e siècle en France
. Paris: Colin, 1925.
Manetti, A.,
Vita di Brunelleschi
, text and Eng. trans. ed. H. Saalman. University Park: Pennsylvania State University Press, 1970.
Mann, N., and L. Syson (eds),
The Image of the Individual: Portraits in the Renaissance
. London: British Museum, 1998.
Mannheim, K.,
Essays on the Sociology of Knowledge
. London: Oxford University Press, 1952.
Marabottini, A., ‘I collaboratori’, in
Raffaello: l’opera, le fonti, la for-tuna
, ed. M. Salmi, 2 vols, 1, pp. 199–203. Novara: Agostini, 1968.
Marchant, E., and A. Wright (eds)
With and Without the Medici: Studies in Tuscan Art and Patronage, 1434–1530
. Aldershot: Ashgate, 1998.
Martin, A. von,
The Sociology of the Renaissance
. Eng. trans., new edn, New York, 1963.
Martines, L.,
Power and Imagination: City-States in Renaissance Italy
. New York: Knopf, 1979.
—
The Social World of the Florentine Humanists, 1390–1460
. London: Princeton University Press, 1963.
Martini, G. S.,
La bottega di un cartolaio fiorentino della seconda metà del quattrocento
. Florence: Olschki, 1956.
Maruyama, M.,
Studies in the Intellectual History of Tokugawa Japan
. Princeton , NJ, and Tokyo: Princeton University Press, 1974.
Marx, K., and F. Engels, F.,
The German Ideology
(1846). Eng. trans., Moscow: Progress, 1964.
Massing, J.-M.,
Du texte à l’image: la Calomnie d’Apelle et son iconographie
. Strasbourg: Presses universitaires de Strasbourg, 1990.
Mather, R., ‘Documents relating to Florentine painters and sculptors’,
Art Bulletin
30 (1948), pp. 20–65.
Matthew, L. C., ‘The painter’s presence: signatures in Venetian Renaissance pictures’,
Art Bulletin
80, pp. 616–48.
—‘Were there open markets for pictures in Renaissance Venice?’ in Fantoni, M., et al. (eds),
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 253–61. Modena: F. C. Panini, 2003.
Matthews-Greco, S., and G. Zarri, ‘Committenza artistica feminile’,
Quaderni Storici
104 (2000), pp. 283–95.
Mattingly, G.,
Renaissance Diplomacy
. London: Penguin, 1955.
Medcalf, S., ‘On reading books from a half-alien culture’, in
The Later Middle Ages
, ed. S. Medcalf, pp. 1–55. London: Holmes & Meier, 1981.
Medin, A., and L. Frati (eds),
Lamenti storici
3. Bologna: Romagnoli, 1890.
Meiss, M., ‘Masaccio and the early Renaissance’, in
Renaissance and Mannerism
, ed. I. E. Rubin, pp. 123–43.
Princeton, NJ: Princeton University Press, 1963.
—
Painting in Florence and Siena after the Black Death
. Princeton, NJ: Princeton University Press, 1951.
—Review of Antal,
Florentine Painting and its Social Background
,
Art Bulletin
30 (1948), pp. 143–50.
Menocal, M. R.,
The Arabic Role in Medieval Literary History: A Forgotten Heritage
. Philadelphia: University of Pennsylvania Press, 1987.
Michalsky, T., ‘The local eye: formal and social distinctions in late quattrocento Neapolitan tombs’,
Art History
31 (2008), pp. 484–504.
Michelacci, L.,
Giovio in Parnasso
. Bologna: Il Mulino, 2004.
Michelangelo,
Carteggio
, ed. G. Poggi, 5 vols. Florence, 1965–83. Eng. trans. E. H. Ramsden as
The Letters of Michelangelo
. London: Peter Owen, 1963.
Migiel, M., and J. Schiesari (eds),
Refiguring Woman: Perspectives on Gender and the Italian Renaissance
. Ithaca, NY: Cornell University Press, 1991.
Millon, H. (ed.),
Italian Renaissance Architecture: From Brunelleschi to Michelangelo
. London: Thames & Hudson, 1994.
Mills, C. Wright,
The Sociological Imagination
. Oxford: Oxford University Press, 1959.
Milner, S., and S. Campbell (eds),
Artistic Exchange and Cultural Translation in the Italian Renaissance City
. Cambridge: Cambridge University Press, 2004.
Mitchell, C., ‘Archaeology and romance in Renaissance Italy’, in
Italian Renaissance Studies
, ed. E. F. Jacob, pp. 455–83. London: Faber & Faber, 1960.
Molho, A., ‘The Brancacci Chapel: studies in its iconography and his-tory’,
JWCI
40 (1977), pp. 50–85.
—‘Hans Baron’s crisis’, in
Florence and Beyond: Culture, Society and Politics in Renaissance Italy
, ed. D. S. Peterson and D. E. Bornstein, pp. 61–90. Toronto: Centre for Reformation and Renaissance Studies, 2008.
—‘The Italian Renaissance: made in the USA’, in
Imagined Histories: American Historians Interpret the Past
, ed. Molho and G. S. Wood, pp. 263–94. Princeton, NJ: Princeton University Press, 1998.
—‘Politics and the ruling class in early Renaissance Florence’,
Nuova Rivista Storica
52 (1968), pp. 401–20.
Molmenti, P., and G. Ludwig,
Vittore Carpaccio et la confrérie de Sainte Ursule à Venise
. Florence: R. Bemporad, 1903.
Mondolfo, R., ‘The Greek attitude to manual labour’,
Past and Present
6 (1954), pp. 1–5.
Montaigne, M. de,
Journal de voyage en Italie
, ed. F. Rigolot. Paris, 1992.
Monti, G. M.,
Le confraternite medievali dell’alta e media Italia
, 2 vols. Venice: La Nuova Italia, 1927.
—(ed.),
Un laudario umbra quattrocentista dei Bianchi
. Todi: Atanòr, 1920.
Morisani, O., ‘Cristoforo Landino’,
Burlington Magazine
95 (1953), pp. 267–70.
Morison, S.,
Venice and the Arabesque
. London: Morison, 1955.
Morse, M. A., ‘Creating sacred space: the religious visual culture of the Renaissance Venetian
casa
’,
Renaisance Studies
21 (2007), pp. 151–84.
Mortier, A.,
Etudes italiennes
. Paris: Albert Messein, 1930.
Mosher, F. J., ‘The fourth catalogue of the Aldine Press’,
La Bibliofilia
80 (1978), pp. 229–35.
Motta, E., ‘Musici alla corte degli Sforza’,
Archivio Storico Lombardo
14 (1887), pp. 29–64, 278–340, 514–57.
—‘L’università dei pittori milanesi nel 1481’,
Archivio Storico Lombardo
22 (1895), pp. 408–33.
Motture, P., and M. O’Malley, ‘Introduction’ to
Re-Thinking Renaissance Objects: Design, Function and Meaning
,
Renaissance Studies
24/1 (2010), pp. 1–8 [special issue].
Muir, E.,
Civic Ritual in Renaissance Venice
. Princeton, NJ: Princeton University Press, 1981.
—‘The idea of community in Renaissance Italy’,
Renaissance Quarterly
55 (2002), pp. 1–18.
—‘In some neighbours we trust: on the exclusion of women from the public in Renaissance Italy’, in
Florence and Beyond: Culture, Society and Politics in Renaissance Italy
, ed. D. S. Peterson and D. E. Bornstein, pp. 271–89. Toronto: Centre for Reformation and Renaissance Studies, 2008.
Müntz, E.,
Les collections des Médicis au XVe siècle
. Paris: Librairie de l’art, 1888.
Muraro, M. A., ‘The statutes of the Venetian
Arti
and the mosaics of the Mascoli Chapel’,
Art Bulletin
43 (1961), pp. 263–74.
Murray, A.,
Reason and Society in the Middle Ages
. Oxford: Clarendon Press, 1978.
Murray, P., ‘The Italian Renaissance architect’,
Journal of the Royal Society of Arts
144 (1966), pp. 589–607.
Musacchio, J. M.,
Art, Marriage and Family in the Florentine Renaissance Palace
. New Haven, CT: Yale University Press, 2008.
—
The Ritual of Childbirth in Renaissance Italy
. New Haven, CT: Yale University Press, 1999.
Nagel, A.,
Michelangelo and the Reform of Art
.
Cambridge: Cambridge University Press, 2000.
Nagel, A., and C. Wood,
Anachronic Renaissance
. New York: Zone Books, 2010.
Najemy, J. M.,
Between Friends: Discourses of Power and Desire in the Machiavelli–Vettori Letters of 1513–1515
. Princeton, NJ: Princeton University Press, 1993.
—
A History of Florence, 1200–1575
. Oxford: Blackwell, 2006.
Nash, S.,
Northern Renaissance Art
. Oxford: Oxford University Press, 2008.
Florentine Villas in the Fifteenth Century: An Architectural and Social History.
Cambridge: Cambridge University Press, 2005.
Lindow, J. R.,
The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy
. Aldershot: Ashgate, 2007.
Lipset, S. M., and R. Bendix,
Social Mobility in Industrial Society
. Berkeley: University of California Press, 1959.
Lockwood, L.,
Music in Renaissance Ferrara, 1400–1505.
Cambridge, MA: Harvard University Press, 1984.
Logan, O.,
Culture and Society in Venice 1470–1790
. London: Batsford, 1972.
Lopez, R. S., ‘Économie et architecture médiévales’,
Annales ESC
(1952), pp. 433–8.
—‘Hard times and investment in culture’, in W. K. Ferguson et al.,
The Renaissance: Six Essays
. New York: Harper & Row, 1953.
—‘Quattrocento genovese’,
Rivista Storica Italiana
75 (1963), pp. 709–27.
—
The Three Ages of the Italian Renaissance
. Charlottesville: University Press of Virginia, 1970.
Lord, A. B.,
The Singer of Tales.
Cambridge, MA: Harvard University Press, 1960.
Lorenzi, G.,
Monumenti per servire alla storia de Palazzo Ducale
. Venice: Visentini, 1868.
Lotto, L.,
Libro delle spese diverse (1538–1556)
, ed. P. Zampetti. Rome and Venice: Olschki, 1969.
Lovejoy, A. O.,
The Great Chain of Being
. Cambridge, MA: Harvard University Press, 1936.
Lowe, K. J. P.,
Nuns’ Chronicles and Convent Culture: Women and History Writing in Renaissance and Counter-Reformation Italy
. Cambridge: Cambridge University Press, 2003.
Lowinsky, E. E., ‘Music in the culture of the Renaissance’,
Journal of the History of Ideas
15 (1954), pp. 509–53.
—‘Music of the Renaissance as viewed by Renaissance musicians’, in
The Renaissance Image of Man and the World
, ed. B. O’Kelly, pp. 129–64. Columbus: Ohio State University Press, 1966.
Lowry, M.,
Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe
. Oxford: Blackwell, 1991.
—
The World of Aldus Manutius
. Oxford: Blackwell, 1979.
Lydecker, J. K.,
The Domestic Setting of the Arts in Renaissance Florence
. Ann Arbor, MI: UMI, 2001.
Lyotard, J.-F.,
The Postmodern Condition
. Eng. trans., Minneapolis: University of Minnesota Press, 1984.
Machiavelli, N.,
Istorie fiorentine
(1523). Eng. trans., New York: AMS Press, 1967.
—
The Prince
(1532). Eng. trans. ed. Q. Skinner and R. Price. Cambridge: Cambridge University Press, 1988.
McIver, K.,
Women, Art and Architecture in Northern Italy, 1520–1580
. Aldershot: Ashgate, 2006.
Mack, R. E.,
Bazaar to Piazza: Islamic Trade and Italian Art, 1300– 1600
. Berkeley: University of California Press, 2002.
MacKenney, R., ‘Arti e stato a Venezia tra tardo medioevo e ’600’,
Studi veneziani
5 (1981), pp
.
127–43.
—‘Guilds and guildsmen in sixteenth-century Venice’,
Bulletin of the Society for Renaissance Studies
2/2 (1984), pp. 7–18.
—
Tradesmen and Traders: The World of the Guilds in Venice and Europe, c.1250–c.1650
. London: Croom Helm, 1987.
McLean, P. D.,
The Art of the Network: Strategic Interaction and Patronage in Renaissance Florence
. Durham, NC: Duke University Press, 2007.
Maffei, D.,
Il giovane Machiavelli banchiere con Berto Berti a Roma.
Florence: Giunti, G. Barbera, 1973.
—
Gli inizi dell’umanesimo giuridico
. 2nd edn, Milan: Giuffrè, 1972.
Maikuma, Y.,
Der Begriffder Kultur bei Warburg, Nietzsche und Burckhardt
. Königstein: Hain bei Athenäum, 1985.
Makdisi, G.,
The Rise of Humanism in Classical Islam and the Christian West
. Edinburgh: Edinburgh University Press, 1990.
Malaguzzi-Valeri, F.,
La corte di Lodovico il Moro
, 4 vols. Milan: Hoepli, 1913–23.
—
Pittori Lombardi del quattrocento
. Milan: L. F. Cogliati, 1902.
Mâle, E.,
L’art religieux après le concile de Trente
. Paris: Colin, 1951.
—
L’art religieux du 13e siècle en France
. Paris: Colin, 1925.
Manetti, A.,
Vita di Brunelleschi
, text and Eng. trans. ed. H. Saalman. University Park: Pennsylvania State University Press, 1970.
Mann, N., and L. Syson (eds),
The Image of the Individual: Portraits in the Renaissance
. London: British Museum, 1998.
Mannheim, K.,
Essays on the Sociology of Knowledge
. London: Oxford University Press, 1952.
Marabottini, A., ‘I collaboratori’, in
Raffaello: l’opera, le fonti, la for-tuna
, ed. M. Salmi, 2 vols, 1, pp. 199–203. Novara: Agostini, 1968.
Marchant, E., and A. Wright (eds)
With and Without the Medici: Studies in Tuscan Art and Patronage, 1434–1530
. Aldershot: Ashgate, 1998.
Martin, A. von,
The Sociology of the Renaissance
. Eng. trans., new edn, New York, 1963.
Martines, L.,
Power and Imagination: City-States in Renaissance Italy
. New York: Knopf, 1979.
—
The Social World of the Florentine Humanists, 1390–1460
. London: Princeton University Press, 1963.
Martini, G. S.,
La bottega di un cartolaio fiorentino della seconda metà del quattrocento
. Florence: Olschki, 1956.
Maruyama, M.,
Studies in the Intellectual History of Tokugawa Japan
. Princeton , NJ, and Tokyo: Princeton University Press, 1974.
Marx, K., and F. Engels, F.,
The German Ideology
(1846). Eng. trans., Moscow: Progress, 1964.
Massing, J.-M.,
Du texte à l’image: la Calomnie d’Apelle et son iconographie
. Strasbourg: Presses universitaires de Strasbourg, 1990.
Mather, R., ‘Documents relating to Florentine painters and sculptors’,
Art Bulletin
30 (1948), pp. 20–65.
Matthew, L. C., ‘The painter’s presence: signatures in Venetian Renaissance pictures’,
Art Bulletin
80, pp. 616–48.
—‘Were there open markets for pictures in Renaissance Venice?’ in Fantoni, M., et al. (eds),
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 253–61. Modena: F. C. Panini, 2003.
Matthews-Greco, S., and G. Zarri, ‘Committenza artistica feminile’,
Quaderni Storici
104 (2000), pp. 283–95.
Mattingly, G.,
Renaissance Diplomacy
. London: Penguin, 1955.
Medcalf, S., ‘On reading books from a half-alien culture’, in
The Later Middle Ages
, ed. S. Medcalf, pp. 1–55. London: Holmes & Meier, 1981.
Medin, A., and L. Frati (eds),
Lamenti storici
3. Bologna: Romagnoli, 1890.
Meiss, M., ‘Masaccio and the early Renaissance’, in
Renaissance and Mannerism
, ed. I. E. Rubin, pp. 123–43.
Princeton, NJ: Princeton University Press, 1963.
—
Painting in Florence and Siena after the Black Death
. Princeton, NJ: Princeton University Press, 1951.
—Review of Antal,
Florentine Painting and its Social Background
,
Art Bulletin
30 (1948), pp. 143–50.
Menocal, M. R.,
The Arabic Role in Medieval Literary History: A Forgotten Heritage
. Philadelphia: University of Pennsylvania Press, 1987.
Michalsky, T., ‘The local eye: formal and social distinctions in late quattrocento Neapolitan tombs’,
Art History
31 (2008), pp. 484–504.
Michelacci, L.,
Giovio in Parnasso
. Bologna: Il Mulino, 2004.
Michelangelo,
Carteggio
, ed. G. Poggi, 5 vols. Florence, 1965–83. Eng. trans. E. H. Ramsden as
The Letters of Michelangelo
. London: Peter Owen, 1963.
Migiel, M., and J. Schiesari (eds),
Refiguring Woman: Perspectives on Gender and the Italian Renaissance
. Ithaca, NY: Cornell University Press, 1991.
Millon, H. (ed.),
Italian Renaissance Architecture: From Brunelleschi to Michelangelo
. London: Thames & Hudson, 1994.
Mills, C. Wright,
The Sociological Imagination
. Oxford: Oxford University Press, 1959.
Milner, S., and S. Campbell (eds),
Artistic Exchange and Cultural Translation in the Italian Renaissance City
. Cambridge: Cambridge University Press, 2004.
Mitchell, C., ‘Archaeology and romance in Renaissance Italy’, in
Italian Renaissance Studies
, ed. E. F. Jacob, pp. 455–83. London: Faber & Faber, 1960.
Molho, A., ‘The Brancacci Chapel: studies in its iconography and his-tory’,
JWCI
40 (1977), pp. 50–85.
—‘Hans Baron’s crisis’, in
Florence and Beyond: Culture, Society and Politics in Renaissance Italy
, ed. D. S. Peterson and D. E. Bornstein, pp. 61–90. Toronto: Centre for Reformation and Renaissance Studies, 2008.
—‘The Italian Renaissance: made in the USA’, in
Imagined Histories: American Historians Interpret the Past
, ed. Molho and G. S. Wood, pp. 263–94. Princeton, NJ: Princeton University Press, 1998.
—‘Politics and the ruling class in early Renaissance Florence’,
Nuova Rivista Storica
52 (1968), pp. 401–20.
Molmenti, P., and G. Ludwig,
Vittore Carpaccio et la confrérie de Sainte Ursule à Venise
. Florence: R. Bemporad, 1903.
Mondolfo, R., ‘The Greek attitude to manual labour’,
Past and Present
6 (1954), pp. 1–5.
Montaigne, M. de,
Journal de voyage en Italie
, ed. F. Rigolot. Paris, 1992.
Monti, G. M.,
Le confraternite medievali dell’alta e media Italia
, 2 vols. Venice: La Nuova Italia, 1927.
—(ed.),
Un laudario umbra quattrocentista dei Bianchi
. Todi: Atanòr, 1920.
Morisani, O., ‘Cristoforo Landino’,
Burlington Magazine
95 (1953), pp. 267–70.
Morison, S.,
Venice and the Arabesque
. London: Morison, 1955.
Morse, M. A., ‘Creating sacred space: the religious visual culture of the Renaissance Venetian
casa
’,
Renaisance Studies
21 (2007), pp. 151–84.
Mortier, A.,
Etudes italiennes
. Paris: Albert Messein, 1930.
Mosher, F. J., ‘The fourth catalogue of the Aldine Press’,
La Bibliofilia
80 (1978), pp. 229–35.
Motta, E., ‘Musici alla corte degli Sforza’,
Archivio Storico Lombardo
14 (1887), pp. 29–64, 278–340, 514–57.
—‘L’università dei pittori milanesi nel 1481’,
Archivio Storico Lombardo
22 (1895), pp. 408–33.
Motture, P., and M. O’Malley, ‘Introduction’ to
Re-Thinking Renaissance Objects: Design, Function and Meaning
,
Renaissance Studies
24/1 (2010), pp. 1–8 [special issue].
Muir, E.,
Civic Ritual in Renaissance Venice
. Princeton, NJ: Princeton University Press, 1981.
—‘The idea of community in Renaissance Italy’,
Renaissance Quarterly
55 (2002), pp. 1–18.
—‘In some neighbours we trust: on the exclusion of women from the public in Renaissance Italy’, in
Florence and Beyond: Culture, Society and Politics in Renaissance Italy
, ed. D. S. Peterson and D. E. Bornstein, pp. 271–89. Toronto: Centre for Reformation and Renaissance Studies, 2008.
Müntz, E.,
Les collections des Médicis au XVe siècle
. Paris: Librairie de l’art, 1888.
Muraro, M. A., ‘The statutes of the Venetian
Arti
and the mosaics of the Mascoli Chapel’,
Art Bulletin
43 (1961), pp. 263–74.
Murray, A.,
Reason and Society in the Middle Ages
. Oxford: Clarendon Press, 1978.
Murray, P., ‘The Italian Renaissance architect’,
Journal of the Royal Society of Arts
144 (1966), pp. 589–607.
Musacchio, J. M.,
Art, Marriage and Family in the Florentine Renaissance Palace
. New Haven, CT: Yale University Press, 2008.
—
The Ritual of Childbirth in Renaissance Italy
. New Haven, CT: Yale University Press, 1999.
Nagel, A.,
Michelangelo and the Reform of Art
.
Cambridge: Cambridge University Press, 2000.
Nagel, A., and C. Wood,
Anachronic Renaissance
. New York: Zone Books, 2010.
Najemy, J. M.,
Between Friends: Discourses of Power and Desire in the Machiavelli–Vettori Letters of 1513–1515
. Princeton, NJ: Princeton University Press, 1993.
—
A History of Florence, 1200–1575
. Oxford: Blackwell, 2006.
Nash, S.,
Northern Renaissance Art
. Oxford: Oxford University Press, 2008.
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