The Italian Renaissance (58 page)
Read The Italian Renaissance Online
Authors: Peter Burke
Neher, G., and R. Shepherd (eds),
Revaluing Renaissance Art
. Aldershot: Ashgate, 2000.
Nelson, J. K., and R. Zeckhauser (eds),
The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art
. Princeton, NJ: Princeton University Press, 2008.
Nelson, N., ‘Individualism as a criterion of the Renaissance’,
Journal of English and Germanic Philology
32 (1933), pp. 316–34.
Niccoli, O.,
Prophecy and People in Renaissance Italy
. Eng. Trans., Princeton, NJ: Princeton University Press, 1990.
—(ed.),
Rinascimento al femminile
. Rome: Laterza, 1991.
—
I sacerdoti, i guerrieri, i contadini
. Turin: Einaudi, 1979.
—
Vedere con gli occhi del cuore: alle origini del potere delle imagini
. Rome: Laterza, 2011.
Nigro, S.,
Le brache di San Griffone: novellistica e predicazione tra quattrocento e cinquecento
. Bari: Laterza, 1985.
Nochlin, L., ‘Why have there been no great women artists?’
ARTnews
(January 1971), pp. 22–39, 67–71.
Novelli, L., and M. Massaccesi,
Ex voto del santuario della Madonna del Monte di Cesena
. Forli: Santa Maria del Monte, 1961.
Nuovo, A.,
Il commercio librario nell’Italia del Rinascimento
. Rev. edn, Milan: F. Angeli, 2003.
Nuttall, P.,
From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500
. New Haven, CT: Yale University Press, 2004.
Oberhuber, K., ‘Raffaello e l’incisione’, in Fabrizio Mancinelli et al.,
Raffaello in Vaticano
, pp. 333–42. Milan: Electa, 1984.
O’Kelly, B. (ed.),
The Renaissance Image of Man and the World
. Columbus: Ohio State University Press, 1966.
O’Malley, M.,
The Business of Art: Contracts and the Commissioning Process in Renaissance Italy
. New Haven, CT: Yale University Press, 2005.
O’Malley, M., and E. Welch (eds),
The Material Renaissance
. Manchester: Manchester University Press, 2007.
Origo, I.,
The Merchant of Prato
. London: Jonathan Cape, 1957.
—
The World of San Bernardino
.
London: Reprint Society, 1963.
Ortalli, G.,
La pittura infamante nei secoli xiii–xvi
. Rome: Jouvence, 1979.
Ossola, C. (ed.),
La corte e il cortegiano
, vol. 1. Rome: Bulzoni, 1980.
Ostrow, S. F.,
Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore
. Cambridge: Cambridge University Press, 1996.
Owens, J. A., ‘Was there a Renaissance in music?’ in
Language and Images of Renaissance Italy
, ed. A. Brown, pp. 111–26. Oxford: Clarendon Press, 1995.
Palisca, C.,
Humanism in Renaissance Italian Musical Thought
. New Haven, CT: Yale University Press, 1985.
Palladio, A.,
I quattro libri dell’architettura
(1570). Eng. trans. as
The Four Books of Architecture
. New York: Dover, 1965.
Palmieri, M.,
Vita civile
, ed. G. Belloni. Florence: Sansoni, 1982.
Palumbo Fossati Casa, I., ‘La casa veneziana’, in
Da Bellini a Veronese
, ed. G. Toscano and F. Valcanover, pp. 443–92. Venice: Istituto Veneto di scienze, lettere ed arti, 2004.
—
Intérieurs vénitiens à la Renaissance
. Paris: Maule, 2012.
Panizza, L. (ed.),
Women in Italian Renaissance Culture and Society
. Oxford: European Humanities Research Centre, 2000.
Panofsky, E., ‘Artist, scientist, genius’, in W. K. Ferguson et al.,
The Renaissance: Six Essays
. New edn, New York: Harper & Row, 1962.
—
Early Netherlandish Painting
. Cambridge, MA: Harvard University Press, 1953.
—
Idea: A Concept in Art Theory
(1924). Eng. trans., New York: Harper & Row, 1968.
—
Meaning in the Visual Arts
. Garden City, NY: Doubleday, 1955.
—
Perspective as Symbolic Form
(1924–5). Eng. trans., New York: Zone Books, 1991.
—
Studies in Iconology
. New York: Oxford University Press, 1939.
Paoletti, J. T., and G. M. Radke,
Art in Renaissance Italy
. London: Laurence King, 1997.
Park, K.,
Doctors and Medicine in Early Renaissance Florence
. Princeton, NJ: Princeton University Press, 1985.
Parker, R., and G. Pollock,
Old Mistresses: Women, Art and Ideology
. London: Pandora, 1981.
Partner, P., ‘Papal financial policy in the Renaissance and the Counter-Reformation’,
Past and Present
88 (1980), pp. 17–62.
—
The Pope’s Men: The Papal Civil Service in the Renaissance
. Oxford: Clarendon Press, 1990.
—
Renaissance Rome 1500–1559
. Berkeley: University of California Press, 1976.
Partridge, L., and R. Starn,
A Renaissance Likeness: Art and Culture in Raphael’s Julius II
. Berkeley: University of California Press, 1980.
Pesenti, G., ‘Alessandra Scala: una figura della Rinascenza fiorentina’,
Giornale Storico della Letteratura Italiana
85 (1925), pp. 241–67.
Petrucci, A., ‘Le biblioteche antiche’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 499–524. Turin: Einaudi, 1983.
—‘Il libro manoscritto’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 499–524. Turin: Einaudi, 1983.
—(ed.), ‘Per la storia dell’alfabetismo e della culture scritta’,
Quaderni Storici
38 (1978), pp. 437–50.
—
La scrittura: ideologia e rappresentazione
. Turin: Einaudi, 1986.
Pevsner, N.,
Academies of Art
. Cambridge: Cambridge University Press, 1940.
—‘The term “architect” in the Middle Ages’,
Speculum
17 (1942), pp. 549–62.
Peyer, H. C.,
Stadt und Stadtpatron im mittelalterlichen Italien
. Zurich: Europa, 1955.
Peyre, H.,
Les générations littéraires
. Paris: Boivin, 1948.
Phillips-Court, K.,
The Perfect Genre: Drama and Painting in Renaissance Italy
. Farnham: Ashgate, 2011.
Pignatti, T. (ed.),
Le scuole di Venezia
. Milan: Electa, 1981.
Pinder, W.,
Das Problem der Generation in der Kunstgeschichte Europas
. Berlin: Frankfurter Verlags-Anstalt, 1926.
Pine, M. L.,
Pietro Pomponazzi: Radical Philosopher of the Renaissance
. Padua: Antenore, 1986.
Pino, P.,
Dialoghi di pittura
(1548). New edn, Milan, 1954.
Pitkin, H. F.,
Fortune is a Woman: Gender and Politics in the Thought of Machiavelli
. Berkeley: University of California Press, 1984.
Pius II,
Commentaries
(1614). Eng. trans., 5 vols. Northampton, MA, 1959.
—
De curialium miseriis epistola
. Baltimore: Johns Hopkins University Press, 1928.
Plaisance, M., ‘Culture et politique à Florence de 1542 à 1551’, in
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, ed. A. Rochon, pp. 149–228. Paris: Université de al Sorbonne nouvelle, 1973.
—
Florence: fêtes, spectacles et politique à l’époque de la Renaissance
. Rome: Vecchiarelli, 2008.
—‘La politique culturelle de Côme Ier et les fêtes annuelles à Florence de 1541 à 1550’, in
Les fêtes de la Renaissance
, 3, ed. J. Jacquot, pp. 133–48. Paris: Centre national de la recherché scientifique, 1975.
—‘Une première affirmation de la politique culturelle de Côme I’, in
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, ed. A. Rochon, pp. 361–433. Paris: Université de al Sorbonne nouvelle, 1973.
Plekhanov, G.,
The Role of the Individual in History
(1898). Eng. trans., New York: International, 1940.
Pocock, J. G. A.,
The Machiavellian Moment
. Princeton, NJ: Princeton University Press, 1975.
Podro, M.,
The Critical Historians of Art
. New Haven, CT: Yale University Press, 1982.
Poggi, G. (ed.),
Il duomo di Firenze
. Berlin: Cassirer, 1909.
Poliziano, A.,
Panepistemon
. Venice, 1495.
Pomian, K.,
Collectors and Curiosities
. Eng. trans., Cambridge: Polity, 1990.
Pomponazzi, P.,
De incantationibus
(1556). Hildesheim and New York: G. Olms, 1970. Pope-Hennessy, J.,
Italian Renaissance Sculpture
. London: Phaidon Press, 1958.
—
The Portrait in the Renaissance
. London: Phaidon Press, 1966.
Pottinger, G.,
The Court of the Medici
. London: Croom Helm, 1978.
Prager, F. D., and G. Scaglia,
Brunelleschi: Studies of his Technology and Inventions.
Cambridge, MA: MIT Press, 1970.
Prevenier, W., and W. Blockmans,
The Burgundian Netherlands
. Eng. trans., Cambridge: Cambridge University Press, 1986.
Procacci, U., ‘Compagnie di pittori’,
Rivista d’Arte
X (1960), pp. 3–37.
Prodi, P.,
The Papal Prince
. Eng. trans., Cambridge: Cambridge University Press, 1987.
Prodi, P., and P. Johanek (eds),
Strutture ecclesiastiche in Italia e in Germania prima della Riforma
. Bologna: Il Mulino, 1984.
Prosperi, A. (ed.),
La corte e il cortegiano
, vol. 2
.
Rome: Bulzoni, 1980.
—‘La figura del vescovo fra ’400 e ’500’,
Storia d’Italia, Annali
9, ed. G. Chittolini and G. Miccoli, pp. 221–62. Turin: Einaudi, 1986.
Pullan, B., ‘Nature e carattere delle scuole’, in
Le scuole di Venezia
, ed. T. Pignatti, pp. 9–26
.
Milan: Electa, 1981.
—Rich and Poor in Renaissance Venice
. Oxford: Blackwell, 1971.
Puppi, L.,
Andrea Palladio
. Eng. trans., London: Phaidon Press, 1975.
Putelli, R.,
Vita, storia ed arte mantovana nel cinquecento
, vol. 2.Mantua: Peroni, 1935.
Pyle, C.,
Milan and Lombardy in the Renaissance
. Rome: La Fenice, 1997.
Quadflieg, R.,
Filaretes Ospedale maggiore in Mailand: zur Rezeption islamischen Hospitalwesens in der italienischen Frührenaissance
. Cologne: Abteilung Architektur des Kunsthistorischen Instituts, 1981.
Quondam, A. (ed.),
Le corti farnesiane di Parma e Piacenza, 1545–1622
. Rome: Bulzoni, 1978.
—
‘La letteratura in tipografia’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 555–686. Turin: Einaudi, 1983.
—‘Mercanzia d’honore,
mercanzia d’utile: produzione libraria e lavoro intellettuale a Venezia nel ’500’, in
Libri editori e pubblico nell’Europa moderna
, ed. A. Petrucci, pp. 53–104. Bari: Laterza, 1977.
Raby, J.,
Venice, Dürer and the Oriental Mode
. London: Islamic Art, 1982.
Radcliffe, A., and N. Penny,
Art of the Renaissance Bronze, 1500–1650
. London: Philip Wilson, 2004.
Ramsden, H.,
The 1898 Movement in Spain
. Manchester: Manchester University Press, 1974.
Randolph, A.,
Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence
. New Haven, CT: Yale University Press, 2002.
—‘Gendering the period eye:
Deschi di parto
and Renaissance visual culture’,
Art History
27 (2004), pp. 538–62.
Rashdall, H.,
The Universities of Europe in the Middle Ages
. Oxford: Oxford University Press, 1936.
Regan, L. K., ‘Ariosto’s threshold patron: Isabella d’Este in the Orlando Furioso’,
Modern Language Notes
20 (2005), pp. 50–69.
Reiss, S. E., and D. G. Wilkins (eds),
Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy
. Kirksville, MO: Truman State University Press, 2001.
Renouard, Y., ‘L’artiste ou le client?’
Annales ESC
5 (1950), pp. 361–5.
Reti, L., ‘The two unpublished manuscripts of Leonardo’,
Burlington Magazine
110 (1968), pp. 10–22.
Ricci, C.,
Il tempio malatestiano
. Milan and Rome: Bestetti & Tumminelli, 1924.
Rice, E.,
St Jerome in the Renaissance
. Baltimore and London: Johns Hopkins University Press, 1985.
Richardson, B.,
Manuscript Culture in Renaissance Italy
. Cambridge: Cambridge University Press, 2009.
—
Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470–1600
. Cambridge: Cambridge University Press, 1994.
—
Printing, Writers and Readers in Renaissance Italy
. Cambridge: Cambridge University Press, 1999.
Revaluing Renaissance Art
. Aldershot: Ashgate, 2000.
Nelson, J. K., and R. Zeckhauser (eds),
The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art
. Princeton, NJ: Princeton University Press, 2008.
Nelson, N., ‘Individualism as a criterion of the Renaissance’,
Journal of English and Germanic Philology
32 (1933), pp. 316–34.
Niccoli, O.,
Prophecy and People in Renaissance Italy
. Eng. Trans., Princeton, NJ: Princeton University Press, 1990.
—(ed.),
Rinascimento al femminile
. Rome: Laterza, 1991.
—
I sacerdoti, i guerrieri, i contadini
. Turin: Einaudi, 1979.
—
Vedere con gli occhi del cuore: alle origini del potere delle imagini
. Rome: Laterza, 2011.
Nigro, S.,
Le brache di San Griffone: novellistica e predicazione tra quattrocento e cinquecento
. Bari: Laterza, 1985.
Nochlin, L., ‘Why have there been no great women artists?’
ARTnews
(January 1971), pp. 22–39, 67–71.
Novelli, L., and M. Massaccesi,
Ex voto del santuario della Madonna del Monte di Cesena
. Forli: Santa Maria del Monte, 1961.
Nuovo, A.,
Il commercio librario nell’Italia del Rinascimento
. Rev. edn, Milan: F. Angeli, 2003.
Nuttall, P.,
From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500
. New Haven, CT: Yale University Press, 2004.
Oberhuber, K., ‘Raffaello e l’incisione’, in Fabrizio Mancinelli et al.,
Raffaello in Vaticano
, pp. 333–42. Milan: Electa, 1984.
O’Kelly, B. (ed.),
The Renaissance Image of Man and the World
. Columbus: Ohio State University Press, 1966.
O’Malley, M.,
The Business of Art: Contracts and the Commissioning Process in Renaissance Italy
. New Haven, CT: Yale University Press, 2005.
O’Malley, M., and E. Welch (eds),
The Material Renaissance
. Manchester: Manchester University Press, 2007.
Origo, I.,
The Merchant of Prato
. London: Jonathan Cape, 1957.
—
The World of San Bernardino
.
London: Reprint Society, 1963.
Ortalli, G.,
La pittura infamante nei secoli xiii–xvi
. Rome: Jouvence, 1979.
Ossola, C. (ed.),
La corte e il cortegiano
, vol. 1. Rome: Bulzoni, 1980.
Ostrow, S. F.,
Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore
. Cambridge: Cambridge University Press, 1996.
Owens, J. A., ‘Was there a Renaissance in music?’ in
Language and Images of Renaissance Italy
, ed. A. Brown, pp. 111–26. Oxford: Clarendon Press, 1995.
Palisca, C.,
Humanism in Renaissance Italian Musical Thought
. New Haven, CT: Yale University Press, 1985.
Palladio, A.,
I quattro libri dell’architettura
(1570). Eng. trans. as
The Four Books of Architecture
. New York: Dover, 1965.
Palmieri, M.,
Vita civile
, ed. G. Belloni. Florence: Sansoni, 1982.
Palumbo Fossati Casa, I., ‘La casa veneziana’, in
Da Bellini a Veronese
, ed. G. Toscano and F. Valcanover, pp. 443–92. Venice: Istituto Veneto di scienze, lettere ed arti, 2004.
—
Intérieurs vénitiens à la Renaissance
. Paris: Maule, 2012.
Panizza, L. (ed.),
Women in Italian Renaissance Culture and Society
. Oxford: European Humanities Research Centre, 2000.
Panofsky, E., ‘Artist, scientist, genius’, in W. K. Ferguson et al.,
The Renaissance: Six Essays
. New edn, New York: Harper & Row, 1962.
—
Early Netherlandish Painting
. Cambridge, MA: Harvard University Press, 1953.
—
Idea: A Concept in Art Theory
(1924). Eng. trans., New York: Harper & Row, 1968.
—
Meaning in the Visual Arts
. Garden City, NY: Doubleday, 1955.
—
Perspective as Symbolic Form
(1924–5). Eng. trans., New York: Zone Books, 1991.
—
Studies in Iconology
. New York: Oxford University Press, 1939.
Paoletti, J. T., and G. M. Radke,
Art in Renaissance Italy
. London: Laurence King, 1997.
Park, K.,
Doctors and Medicine in Early Renaissance Florence
. Princeton, NJ: Princeton University Press, 1985.
Parker, R., and G. Pollock,
Old Mistresses: Women, Art and Ideology
. London: Pandora, 1981.
Partner, P., ‘Papal financial policy in the Renaissance and the Counter-Reformation’,
Past and Present
88 (1980), pp. 17–62.
—
The Pope’s Men: The Papal Civil Service in the Renaissance
. Oxford: Clarendon Press, 1990.
—
Renaissance Rome 1500–1559
. Berkeley: University of California Press, 1976.
Partridge, L., and R. Starn,
A Renaissance Likeness: Art and Culture in Raphael’s Julius II
. Berkeley: University of California Press, 1980.
Pesenti, G., ‘Alessandra Scala: una figura della Rinascenza fiorentina’,
Giornale Storico della Letteratura Italiana
85 (1925), pp. 241–67.
Petrucci, A., ‘Le biblioteche antiche’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 499–524. Turin: Einaudi, 1983.
—‘Il libro manoscritto’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 499–524. Turin: Einaudi, 1983.
—(ed.), ‘Per la storia dell’alfabetismo e della culture scritta’,
Quaderni Storici
38 (1978), pp. 437–50.
—
La scrittura: ideologia e rappresentazione
. Turin: Einaudi, 1986.
Pevsner, N.,
Academies of Art
. Cambridge: Cambridge University Press, 1940.
—‘The term “architect” in the Middle Ages’,
Speculum
17 (1942), pp. 549–62.
Peyer, H. C.,
Stadt und Stadtpatron im mittelalterlichen Italien
. Zurich: Europa, 1955.
Peyre, H.,
Les générations littéraires
. Paris: Boivin, 1948.
Phillips-Court, K.,
The Perfect Genre: Drama and Painting in Renaissance Italy
. Farnham: Ashgate, 2011.
Pignatti, T. (ed.),
Le scuole di Venezia
. Milan: Electa, 1981.
Pinder, W.,
Das Problem der Generation in der Kunstgeschichte Europas
. Berlin: Frankfurter Verlags-Anstalt, 1926.
Pine, M. L.,
Pietro Pomponazzi: Radical Philosopher of the Renaissance
. Padua: Antenore, 1986.
Pino, P.,
Dialoghi di pittura
(1548). New edn, Milan, 1954.
Pitkin, H. F.,
Fortune is a Woman: Gender and Politics in the Thought of Machiavelli
. Berkeley: University of California Press, 1984.
Pius II,
Commentaries
(1614). Eng. trans., 5 vols. Northampton, MA, 1959.
—
De curialium miseriis epistola
. Baltimore: Johns Hopkins University Press, 1928.
Plaisance, M., ‘Culture et politique à Florence de 1542 à 1551’, in
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, ed. A. Rochon, pp. 149–228. Paris: Université de al Sorbonne nouvelle, 1973.
—
Florence: fêtes, spectacles et politique à l’époque de la Renaissance
. Rome: Vecchiarelli, 2008.
—‘La politique culturelle de Côme Ier et les fêtes annuelles à Florence de 1541 à 1550’, in
Les fêtes de la Renaissance
, 3, ed. J. Jacquot, pp. 133–48. Paris: Centre national de la recherché scientifique, 1975.
—‘Une première affirmation de la politique culturelle de Côme I’, in
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, ed. A. Rochon, pp. 361–433. Paris: Université de al Sorbonne nouvelle, 1973.
Plekhanov, G.,
The Role of the Individual in History
(1898). Eng. trans., New York: International, 1940.
Pocock, J. G. A.,
The Machiavellian Moment
. Princeton, NJ: Princeton University Press, 1975.
Podro, M.,
The Critical Historians of Art
. New Haven, CT: Yale University Press, 1982.
Poggi, G. (ed.),
Il duomo di Firenze
. Berlin: Cassirer, 1909.
Poliziano, A.,
Panepistemon
. Venice, 1495.
Pomian, K.,
Collectors and Curiosities
. Eng. trans., Cambridge: Polity, 1990.
Pomponazzi, P.,
De incantationibus
(1556). Hildesheim and New York: G. Olms, 1970. Pope-Hennessy, J.,
Italian Renaissance Sculpture
. London: Phaidon Press, 1958.
—
The Portrait in the Renaissance
. London: Phaidon Press, 1966.
Pottinger, G.,
The Court of the Medici
. London: Croom Helm, 1978.
Prager, F. D., and G. Scaglia,
Brunelleschi: Studies of his Technology and Inventions.
Cambridge, MA: MIT Press, 1970.
Prevenier, W., and W. Blockmans,
The Burgundian Netherlands
. Eng. trans., Cambridge: Cambridge University Press, 1986.
Procacci, U., ‘Compagnie di pittori’,
Rivista d’Arte
X (1960), pp. 3–37.
Prodi, P.,
The Papal Prince
. Eng. trans., Cambridge: Cambridge University Press, 1987.
Prodi, P., and P. Johanek (eds),
Strutture ecclesiastiche in Italia e in Germania prima della Riforma
. Bologna: Il Mulino, 1984.
Prosperi, A. (ed.),
La corte e il cortegiano
, vol. 2
.
Rome: Bulzoni, 1980.
—‘La figura del vescovo fra ’400 e ’500’,
Storia d’Italia, Annali
9, ed. G. Chittolini and G. Miccoli, pp. 221–62. Turin: Einaudi, 1986.
Pullan, B., ‘Nature e carattere delle scuole’, in
Le scuole di Venezia
, ed. T. Pignatti, pp. 9–26
.
Milan: Electa, 1981.
—Rich and Poor in Renaissance Venice
. Oxford: Blackwell, 1971.
Puppi, L.,
Andrea Palladio
. Eng. trans., London: Phaidon Press, 1975.
Putelli, R.,
Vita, storia ed arte mantovana nel cinquecento
, vol. 2.Mantua: Peroni, 1935.
Pyle, C.,
Milan and Lombardy in the Renaissance
. Rome: La Fenice, 1997.
Quadflieg, R.,
Filaretes Ospedale maggiore in Mailand: zur Rezeption islamischen Hospitalwesens in der italienischen Frührenaissance
. Cologne: Abteilung Architektur des Kunsthistorischen Instituts, 1981.
Quondam, A. (ed.),
Le corti farnesiane di Parma e Piacenza, 1545–1622
. Rome: Bulzoni, 1978.
—
‘La letteratura in tipografia’, in
Letteratura italiana 2: Produzione e Consumo
, ed. A. Asor Rosa, pp. 555–686. Turin: Einaudi, 1983.
—‘Mercanzia d’honore,
mercanzia d’utile: produzione libraria e lavoro intellettuale a Venezia nel ’500’, in
Libri editori e pubblico nell’Europa moderna
, ed. A. Petrucci, pp. 53–104. Bari: Laterza, 1977.
Raby, J.,
Venice, Dürer and the Oriental Mode
. London: Islamic Art, 1982.
Radcliffe, A., and N. Penny,
Art of the Renaissance Bronze, 1500–1650
. London: Philip Wilson, 2004.
Ramsden, H.,
The 1898 Movement in Spain
. Manchester: Manchester University Press, 1974.
Randolph, A.,
Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence
. New Haven, CT: Yale University Press, 2002.
—‘Gendering the period eye:
Deschi di parto
and Renaissance visual culture’,
Art History
27 (2004), pp. 538–62.
Rashdall, H.,
The Universities of Europe in the Middle Ages
. Oxford: Oxford University Press, 1936.
Regan, L. K., ‘Ariosto’s threshold patron: Isabella d’Este in the Orlando Furioso’,
Modern Language Notes
20 (2005), pp. 50–69.
Reiss, S. E., and D. G. Wilkins (eds),
Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy
. Kirksville, MO: Truman State University Press, 2001.
Renouard, Y., ‘L’artiste ou le client?’
Annales ESC
5 (1950), pp. 361–5.
Reti, L., ‘The two unpublished manuscripts of Leonardo’,
Burlington Magazine
110 (1968), pp. 10–22.
Ricci, C.,
Il tempio malatestiano
. Milan and Rome: Bestetti & Tumminelli, 1924.
Rice, E.,
St Jerome in the Renaissance
. Baltimore and London: Johns Hopkins University Press, 1985.
Richardson, B.,
Manuscript Culture in Renaissance Italy
. Cambridge: Cambridge University Press, 2009.
—
Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470–1600
. Cambridge: Cambridge University Press, 1994.
—
Printing, Writers and Readers in Renaissance Italy
. Cambridge: Cambridge University Press, 1999.
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