Read The Italian Renaissance Online
Authors: Peter Burke
The Italian Renaissance (56 page)
Hope, C., and E. McGrath, ‘Artists and humanists’, in
The Cambridge Companion to Renaissance Humanism
, ed. J. Kraye, pp. 161–88. Cambridge: Cambridge University Press, 1996.
Howard, D.,
The Architectural History of Venice
. London: Batsford, 1980.
—‘Architectural politics in Renaissance Venice’,
Proceedings of the British Academy
154 (2008), pp. 29–67.
—
Jacopo Sansovino: Architecture and Patronage in Renaissance Venice
. New Haven, CT: Yale University Press, 1975.
—‘The status of the oriental traveller in Renaissance Venice’, in
Re-orienting the Renaissance: Cultural Exchanges with the East
, ed. G. MacLean, pp. 29–49. Basingstoke: Palgrave Macmillan, 2005.
—
Venice and the East: The Impact of the Islamic World on Venetian Architecture 1100–1500
. New Haven, CT: Yale University Press, 2000.
Hughes-Johnson, S., ‘Early Medici patronage and the confraternity of the Buonomini di San Martino’,
Confraternitas
22 (2012), pp. 3–25.
Huizinga, J.,
Autumn of the Middle Ages
(1919). Eng. trans., Chicago: University of Chicago Press, 1995.
—‘Renaissance and realism’ (1920), Eng. trans. in Huizinga,
Men and Ideas
, pp. 288–309. New York: Meridian Books, 1959.
—‘The task of cultural history’ (1929), Eng. trans. in Huizinga,
Men and Ideas
, pp. 17–76. New York: Meridian Books, 1959.
Humfrey, P. (ed.),
Venice and the Veneto
. Cambridge: Cambridge University Press, 2007.
Humfrey, P., and M. Kemp (eds),
The Altarpiece in the Renaissance
. Cambridge: Cambridge University Press, 1990.
Humfrey, P., and R. MacKenney, ‘The Venetian trade guilds as patrons of art in the Renaissance’,
Burlington Magazine
128 (1986), pp. 317–30.
Huse, N., and W. Wolters,
The Art of Renaissance Venice: Architecture, Sculpture and Painting, 1460–1590
. Chicago: University of Chicago Press, 1990.
Hymes, D.,
Foundations in Sociolinguistics: An Ethnographic Approach
. London: Tavistock, 1977.
Ianziti, G.,
Humanistic Historiography under the Sforzas
. Oxford: Clarendon Press, 1988.
Jacobs, F. H.,
Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism
. Cambridge: Cambridge University Press, 1997.
Janson, H. W., ‘The equestrian monument from Cangrande della Scala to Peter the Great’, in
Aspects of the Renaissance
, ed. A. R. Lewis. Austin: University of Texas Press, 1967.
Jardine, L., ‘Isotta Nogarola: women humanists – education for what?’,
History of Education
12 (1983), pp. 231–44.
—‘The myth of the learned lady in the Renaissance’,
Historical Journal
28 (1985), pp. 799–820.
—
Worldly Goods
. London: W. W. Norton, 1996.
Javitch, D.,
Proclaiming a Classic: The Canonization of Orlando Furioso
. Princeton, NJ: Princeton University Press, 1991.
Jenkins, C. H., ‘Cosimo de’Medici’s patronage of architecture and the theory of magnificence’,
JWCI
33 (1970), pp. 162–70.
Jones, P. J., ‘The agrarian development of medieval Italy’,
Second International Conference of Economic History
, 2, pp. 69–86. Paris and The Hague: Mouton, 1965.
—‘Economia e societa nell’Italia medievale: la leggenda della borghesia’,
Storia d’Italia: Annali 1
, pp. 185–372. Turin: Einaudi, 1978.
—‘Italy’, in
The Cambridge Economic History of Europe
, vol. 1, ed.
M. M. Postan, pp. 340–431. Cambridge: Cambridge University Press, 1966.
Jones, R., and N. Penny,
Raphael
. New Haven, CT, and London: Yale University Press, 1983.
Jordan, C.,
Renaissance Feminism
. Ithaca, NY: Cornell University Press, 1990.
Kaegi, W.,
Jacob Burckhardt: eine Biographie
, 7 vols. Basel: B. Schwabe, 1947–82.
—‘Das Werk Aby Warburgs’,
Neue Schweize Rundschau
1 (1933), pp. 283–93
.
Kagan, R., ‘Universities in Italy, 1500–1700’, in
Histoire sociale des populations étudiantes
, ed. D. Julia, J. Revel and R. Chartier, 2 vols., vol. 1, pp. 153–86. Paris: Ecole des hautes études en sciences sociales, 1986.
Kasl, R. (ed.),
Giovanni Bellini and the Art of Devotion
. Indianapolis: Indianapolis Museum of Art, 2004.
Kearney, H. F.,
Scholars and Gentlemen
. London: Faber, 1970.
Keene, D.,
World within Walls: Japanese Literature of the Premodern Era, 1600–1867. London: Secker & Warburg, 1976.
Kelley, D.,
Foundations of Modern Historical Scholarship
. New York: Columbia University Press, 1970.
Kelly, J., ‘Did women have a Renaissance?’, in
Becoming Visible
, ed. R. Bridenthal and C. Koonz, pp. 137–61. Boston: Houghton Mifflin, 1977.
Kemp, M.,
Behind the Picture
:
Art and Evidence in the Italian Renaissance
. New Haven, CT: Yale University Press, 1997.
—‘From “mimesis” to “fantasia”: the quattrocento vocabulary of creation, inspiration and genius in the visual arts’,
Viator
8 (1977), pp. 347–98.
—
Leonardo da Vinci: The Marvellous Works of Nature and of Man
. London: Dent, 1981.
Kempers, B.,
Painting, Power and Patronage
. Eng. trans., London: Allen Lane, 1992.
Kent, D. V.,
Cosimo de’ Medici and the Florentine Renaissance: The Patron’s Oeuvre
. New Haven, CT: Yale University Press, 2000.
—‘The Florentine
Reggimento
in the fifteenth century’,
Renaissance Quarterly
28 (1975), pp. 575–620.
—
The Rise of the Medici: Faction in Florence, 1426–1434
. Oxford: Oxford University Press, 1978.
Kent, D. V., and F. W. Kent,
Neighbours and Neighbourhood in Renaissance Florence
. Locust Valley, NY: J. J. Augustin, 1982.
Kent, F. W., ‘Be rather loved than feared: class relations in quattrocento Florence’, in
Society and Individual in Renaissance Florence
, ed. W.
J. Connell, pp. 13–50. Berkeley: University of California Press, 2002.
—
Household and Lineage in Renaissance Florence
. Princeton, NJ: Princeton University Press, 1977.
—
Lorenzo de’ Medici and the Art of Magnificence
. Baltimore: Johns Hopkins University Press, 2004.
—‘Palaces, politics and society in fifteenth-century Florence’,
I Tatti Studies
2 (1987), pp. 41–70.
Kent, F. W., and P. Simons (eds),
Patronage, Art and Society in Renaissance Italy
. Oxford: Oxford University Press, 1987.
Kernodle, G. F.,
From Art to Theatre: Form and Convention in the Renaissance
. Chicago: University of Chicago Press, 1944.
King, C.,
Renaissance Women Patrons: Wives and Widows in Italy, c.1300–c.1550
. Manchester: Manchester University Press, 1998.
King, M. L., ‘Thwarted ambitions: six learned women of the Italian Renaissance’,
Soundings
59 (1976), pp. 280–300.
—
Venetian Humanism in an Age of Patrician Dominance
. Princeton, NJ: Princeton University Press, 1986.
Kirshner, J., and A. Molho, ‘The dowry fund and the marriage market in early fifteenth-century Florence’,
Journal of Modern History
50 (1978), pp. 403–38.
Klapisch-Zuber, C.,
Les maîtres du marbre
. Paris: SEVPEN, 1969.
—
Women, Family and Ritual in Renaissance Italy
. Chicago and London: University of Chicago Press, 1985.
Klapisch-Zuber, C., and J. Day, ‘Villages désertés en Italie’, in
Villages désertés et histoire économique
, ed. F. Braudel, pp. 420–59. Paris: SEVPEN, 1965.
Klein, R., and R. Zerner,
Italian Art 1500–1600.
Englewood Cliffs, NJ: Prentice-Hall, 1966.
Klibansky, R., E. Panofsky and F. Saxl,
Saturn and Melancholy
. London: Nelson, 1964.
Koch, G. F.,
Die Kunstausstellung
. Berlin: De Gruyter, 1967.
Koenigsberger, H. G., ‘Decadence or shift? Changes in the civilization of Italy and Europe’,
Transactions of the Royal Historical Society
10 (1960), pp. 1–18.
Kraus, A., ‘Secretarius und Sekretariat’,
Romische Quartalschrift
55 (1960), pp. 43–84.
Krautheimer, R., and T. Krautheimer-Hess,
Lorenzo Ghiberti
. Princeton, NJ: Princeton University Press, 1956.
Kraye, J. (ed.),
The Cambridge Companion to Renaissance Humanism
. Cambridge: Cambridge University Press, 1996.
Kris, E., and O. Kurz,
Legend, Myth and Magic in the Image of the Artist
. Eng. trans., New Haven, CT: Yale University Press, 1979.
Kristeller, P. O., ‘Italian humanism and Byzantium’, in Kristeller,
Renaissance Thought and its Sources
, ch. 7.
New York: Columbia University Press, 1964.
—‘Lay religious traditions and Florentine Platonism’, in Kristeller,
Studies in Renaissance Thought and Letters
, pp. 99–123. Rome: Edizione di storia e letteratura, 1956.
—
Renaissance Thought.
New edn, New York: Harper & Row, 1961.
Kroeber, A. L.,
Configurations of Culture Growth
. Berkeley and Los Angeles: University of California Press, 1944.
Kubersky-Piredda, S., ‘Immagini devozionali nel rinascimento fioren-tino’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 115–25. Modena: F. C. Panini, 2003.
Kurczewski, J., ‘Społeczny mechanizm odrodzenia’,
Znak
35 (1983), pp. 1333–40.
Kurz, O.,
Fakes
. Rev. edn, New York: Dover, 1967.
Labalme, P. (ed.),
Beyond their Sex: Learned Women of the European Past
. New York: New York University Press, 1980.
La-Coste-Messelière, M. G. de, ‘Giovanni Battista della Palla’, in
Il se rendit en Italie: études offertes à André Chastel
, pp.195–208. Rome: Elefante, 1987.
Ladis, A., and C. Wood (eds),
The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop
. Athens: University of Georgia Press, 1995.
Ladis, A., and S. Zuraw (eds), Visions of Holiness
: Art and Devotion in Renaissance Italy
. Athens: Georgia Museum of Art, 2001.
Land, N. E.,
The Viewer as Poet: The Renaissance Response to Art
. University Park: Pennsylvania State University Press, 1994.
Landau, D., and P. Parshall,
The Renaissance Print, 1470–1550
. New Haven, CT: Yale University Press, 1994.
Landes, D.,
Revolution in Time.
Cambridge, MA: Belknap Press, 1983.
Landino, C.,
Commento sopra la Comedia di Dante
. Venice, 1507.
Landucci, L.,
A Florentine Diary
. Eng. trans., London: Dent, 1927.
Lane, F. C.,
Venetian Ships and Shipbuilders of the Renaissance
. Baltimore: Johns Hopkins University Press, 1934.
—
Venice: A Maritime Republic
. Baltimore: Johns Hopkins University Press, 1973.
Lane, R.,
Masters of the Japanese Print
. London: Thames & Hudson, 1962.
Langdale, A., ‘Aspects of the critical reception and intellectual history of Baxandall’s concept of the period eye’,
Art History
21 (1998), pp.479–97.
Larivaille, P.,
Pietro Aretino fra Rinascimento e Manierismo
. Rome: Bulzoni, 1980.
Larner, J.,
Culture and Society in Italy, 1290–1420
. London: Batsford, 1971.
—
Italy in the Age of Dante and Petrarch
. London: Longman, 1980.
Lazzaro, C.,
The Italian Renaissance Garden
. New Haven, CT: Yale University Press, 1990.
Lee, R. W., ‘
Ut pictura poesis
: the humanistic theory of painting’,
Art Bulletin
3 (1940); repr. New York: W. W. Norton, 1967.
Lenzi, M. L. (ed.),
Donne e madonne: l’educazione femminile nel primo rinascimento italiano
. Turin: Loescher, 1982.
Leonardo da Vinci,
Literary Works
, ed. J. P. Richter. Oxford: Oxford University Press, 1939.
Lerner-Lehmkuhl, H.,
Zur Struktur und Geschichte des florentinischen Kunstmarktes im 15. Jahrhundert
. Wattenscheid: K. Busch, 1936.
Lestocquoy, J.,
Aux origines de la bourgeoisie: les villes de Flandre et d’Italie sous le gouvernement des patriciens
. Paris: Presses universitaires de France, 1952.
Levey, M.,
Painting at Court
. London: Weidenfeld & Nicolson, 1971.
Lewis, C. S.,
The Discarded Image
. Cambridge: Cambridge University Press, 1964.
The Cambridge Companion to Renaissance Humanism
, ed. J. Kraye, pp. 161–88. Cambridge: Cambridge University Press, 1996.
Howard, D.,
The Architectural History of Venice
. London: Batsford, 1980.
—‘Architectural politics in Renaissance Venice’,
Proceedings of the British Academy
154 (2008), pp. 29–67.
—
Jacopo Sansovino: Architecture and Patronage in Renaissance Venice
. New Haven, CT: Yale University Press, 1975.
—‘The status of the oriental traveller in Renaissance Venice’, in
Re-orienting the Renaissance: Cultural Exchanges with the East
, ed. G. MacLean, pp. 29–49. Basingstoke: Palgrave Macmillan, 2005.
—
Venice and the East: The Impact of the Islamic World on Venetian Architecture 1100–1500
. New Haven, CT: Yale University Press, 2000.
Hughes-Johnson, S., ‘Early Medici patronage and the confraternity of the Buonomini di San Martino’,
Confraternitas
22 (2012), pp. 3–25.
Huizinga, J.,
Autumn of the Middle Ages
(1919). Eng. trans., Chicago: University of Chicago Press, 1995.
—‘Renaissance and realism’ (1920), Eng. trans. in Huizinga,
Men and Ideas
, pp. 288–309. New York: Meridian Books, 1959.
—‘The task of cultural history’ (1929), Eng. trans. in Huizinga,
Men and Ideas
, pp. 17–76. New York: Meridian Books, 1959.
Humfrey, P. (ed.),
Venice and the Veneto
. Cambridge: Cambridge University Press, 2007.
Humfrey, P., and M. Kemp (eds),
The Altarpiece in the Renaissance
. Cambridge: Cambridge University Press, 1990.
Humfrey, P., and R. MacKenney, ‘The Venetian trade guilds as patrons of art in the Renaissance’,
Burlington Magazine
128 (1986), pp. 317–30.
Huse, N., and W. Wolters,
The Art of Renaissance Venice: Architecture, Sculpture and Painting, 1460–1590
. Chicago: University of Chicago Press, 1990.
Hymes, D.,
Foundations in Sociolinguistics: An Ethnographic Approach
. London: Tavistock, 1977.
Ianziti, G.,
Humanistic Historiography under the Sforzas
. Oxford: Clarendon Press, 1988.
Jacobs, F. H.,
Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism
. Cambridge: Cambridge University Press, 1997.
Janson, H. W., ‘The equestrian monument from Cangrande della Scala to Peter the Great’, in
Aspects of the Renaissance
, ed. A. R. Lewis. Austin: University of Texas Press, 1967.
Jardine, L., ‘Isotta Nogarola: women humanists – education for what?’,
History of Education
12 (1983), pp. 231–44.
—‘The myth of the learned lady in the Renaissance’,
Historical Journal
28 (1985), pp. 799–820.
—
Worldly Goods
. London: W. W. Norton, 1996.
Javitch, D.,
Proclaiming a Classic: The Canonization of Orlando Furioso
. Princeton, NJ: Princeton University Press, 1991.
Jenkins, C. H., ‘Cosimo de’Medici’s patronage of architecture and the theory of magnificence’,
JWCI
33 (1970), pp. 162–70.
Jones, P. J., ‘The agrarian development of medieval Italy’,
Second International Conference of Economic History
, 2, pp. 69–86. Paris and The Hague: Mouton, 1965.
—‘Economia e societa nell’Italia medievale: la leggenda della borghesia’,
Storia d’Italia: Annali 1
, pp. 185–372. Turin: Einaudi, 1978.
—‘Italy’, in
The Cambridge Economic History of Europe
, vol. 1, ed.
M. M. Postan, pp. 340–431. Cambridge: Cambridge University Press, 1966.
Jones, R., and N. Penny,
Raphael
. New Haven, CT, and London: Yale University Press, 1983.
Jordan, C.,
Renaissance Feminism
. Ithaca, NY: Cornell University Press, 1990.
Kaegi, W.,
Jacob Burckhardt: eine Biographie
, 7 vols. Basel: B. Schwabe, 1947–82.
—‘Das Werk Aby Warburgs’,
Neue Schweize Rundschau
1 (1933), pp. 283–93
.
Kagan, R., ‘Universities in Italy, 1500–1700’, in
Histoire sociale des populations étudiantes
, ed. D. Julia, J. Revel and R. Chartier, 2 vols., vol. 1, pp. 153–86. Paris: Ecole des hautes études en sciences sociales, 1986.
Kasl, R. (ed.),
Giovanni Bellini and the Art of Devotion
. Indianapolis: Indianapolis Museum of Art, 2004.
Kearney, H. F.,
Scholars and Gentlemen
. London: Faber, 1970.
Keene, D.,
World within Walls: Japanese Literature of the Premodern Era, 1600–1867. London: Secker & Warburg, 1976.
Kelley, D.,
Foundations of Modern Historical Scholarship
. New York: Columbia University Press, 1970.
Kelly, J., ‘Did women have a Renaissance?’, in
Becoming Visible
, ed. R. Bridenthal and C. Koonz, pp. 137–61. Boston: Houghton Mifflin, 1977.
Kemp, M.,
Behind the Picture
:
Art and Evidence in the Italian Renaissance
. New Haven, CT: Yale University Press, 1997.
—‘From “mimesis” to “fantasia”: the quattrocento vocabulary of creation, inspiration and genius in the visual arts’,
Viator
8 (1977), pp. 347–98.
—
Leonardo da Vinci: The Marvellous Works of Nature and of Man
. London: Dent, 1981.
Kempers, B.,
Painting, Power and Patronage
. Eng. trans., London: Allen Lane, 1992.
Kent, D. V.,
Cosimo de’ Medici and the Florentine Renaissance: The Patron’s Oeuvre
. New Haven, CT: Yale University Press, 2000.
—‘The Florentine
Reggimento
in the fifteenth century’,
Renaissance Quarterly
28 (1975), pp. 575–620.
—
The Rise of the Medici: Faction in Florence, 1426–1434
. Oxford: Oxford University Press, 1978.
Kent, D. V., and F. W. Kent,
Neighbours and Neighbourhood in Renaissance Florence
. Locust Valley, NY: J. J. Augustin, 1982.
Kent, F. W., ‘Be rather loved than feared: class relations in quattrocento Florence’, in
Society and Individual in Renaissance Florence
, ed. W.
J. Connell, pp. 13–50. Berkeley: University of California Press, 2002.
—
Household and Lineage in Renaissance Florence
. Princeton, NJ: Princeton University Press, 1977.
—
Lorenzo de’ Medici and the Art of Magnificence
. Baltimore: Johns Hopkins University Press, 2004.
—‘Palaces, politics and society in fifteenth-century Florence’,
I Tatti Studies
2 (1987), pp. 41–70.
Kent, F. W., and P. Simons (eds),
Patronage, Art and Society in Renaissance Italy
. Oxford: Oxford University Press, 1987.
Kernodle, G. F.,
From Art to Theatre: Form and Convention in the Renaissance
. Chicago: University of Chicago Press, 1944.
King, C.,
Renaissance Women Patrons: Wives and Widows in Italy, c.1300–c.1550
. Manchester: Manchester University Press, 1998.
King, M. L., ‘Thwarted ambitions: six learned women of the Italian Renaissance’,
Soundings
59 (1976), pp. 280–300.
—
Venetian Humanism in an Age of Patrician Dominance
. Princeton, NJ: Princeton University Press, 1986.
Kirshner, J., and A. Molho, ‘The dowry fund and the marriage market in early fifteenth-century Florence’,
Journal of Modern History
50 (1978), pp. 403–38.
Klapisch-Zuber, C.,
Les maîtres du marbre
. Paris: SEVPEN, 1969.
—
Women, Family and Ritual in Renaissance Italy
. Chicago and London: University of Chicago Press, 1985.
Klapisch-Zuber, C., and J. Day, ‘Villages désertés en Italie’, in
Villages désertés et histoire économique
, ed. F. Braudel, pp. 420–59. Paris: SEVPEN, 1965.
Klein, R., and R. Zerner,
Italian Art 1500–1600.
Englewood Cliffs, NJ: Prentice-Hall, 1966.
Klibansky, R., E. Panofsky and F. Saxl,
Saturn and Melancholy
. London: Nelson, 1964.
Koch, G. F.,
Die Kunstausstellung
. Berlin: De Gruyter, 1967.
Koenigsberger, H. G., ‘Decadence or shift? Changes in the civilization of Italy and Europe’,
Transactions of the Royal Historical Society
10 (1960), pp. 1–18.
Kraus, A., ‘Secretarius und Sekretariat’,
Romische Quartalschrift
55 (1960), pp. 43–84.
Krautheimer, R., and T. Krautheimer-Hess,
Lorenzo Ghiberti
. Princeton, NJ: Princeton University Press, 1956.
Kraye, J. (ed.),
The Cambridge Companion to Renaissance Humanism
. Cambridge: Cambridge University Press, 1996.
Kris, E., and O. Kurz,
Legend, Myth and Magic in the Image of the Artist
. Eng. trans., New Haven, CT: Yale University Press, 1979.
Kristeller, P. O., ‘Italian humanism and Byzantium’, in Kristeller,
Renaissance Thought and its Sources
, ch. 7.
New York: Columbia University Press, 1964.
—‘Lay religious traditions and Florentine Platonism’, in Kristeller,
Studies in Renaissance Thought and Letters
, pp. 99–123. Rome: Edizione di storia e letteratura, 1956.
—
Renaissance Thought.
New edn, New York: Harper & Row, 1961.
Kroeber, A. L.,
Configurations of Culture Growth
. Berkeley and Los Angeles: University of California Press, 1944.
Kubersky-Piredda, S., ‘Immagini devozionali nel rinascimento fioren-tino’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 115–25. Modena: F. C. Panini, 2003.
Kurczewski, J., ‘Społeczny mechanizm odrodzenia’,
Znak
35 (1983), pp. 1333–40.
Kurz, O.,
Fakes
. Rev. edn, New York: Dover, 1967.
Labalme, P. (ed.),
Beyond their Sex: Learned Women of the European Past
. New York: New York University Press, 1980.
La-Coste-Messelière, M. G. de, ‘Giovanni Battista della Palla’, in
Il se rendit en Italie: études offertes à André Chastel
, pp.195–208. Rome: Elefante, 1987.
Ladis, A., and C. Wood (eds),
The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop
. Athens: University of Georgia Press, 1995.
Ladis, A., and S. Zuraw (eds), Visions of Holiness
: Art and Devotion in Renaissance Italy
. Athens: Georgia Museum of Art, 2001.
Land, N. E.,
The Viewer as Poet: The Renaissance Response to Art
. University Park: Pennsylvania State University Press, 1994.
Landau, D., and P. Parshall,
The Renaissance Print, 1470–1550
. New Haven, CT: Yale University Press, 1994.
Landes, D.,
Revolution in Time.
Cambridge, MA: Belknap Press, 1983.
Landino, C.,
Commento sopra la Comedia di Dante
. Venice, 1507.
Landucci, L.,
A Florentine Diary
. Eng. trans., London: Dent, 1927.
Lane, F. C.,
Venetian Ships and Shipbuilders of the Renaissance
. Baltimore: Johns Hopkins University Press, 1934.
—
Venice: A Maritime Republic
. Baltimore: Johns Hopkins University Press, 1973.
Lane, R.,
Masters of the Japanese Print
. London: Thames & Hudson, 1962.
Langdale, A., ‘Aspects of the critical reception and intellectual history of Baxandall’s concept of the period eye’,
Art History
21 (1998), pp.479–97.
Larivaille, P.,
Pietro Aretino fra Rinascimento e Manierismo
. Rome: Bulzoni, 1980.
Larner, J.,
Culture and Society in Italy, 1290–1420
. London: Batsford, 1971.
—
Italy in the Age of Dante and Petrarch
. London: Longman, 1980.
Lazzaro, C.,
The Italian Renaissance Garden
. New Haven, CT: Yale University Press, 1990.
Lee, R. W., ‘
Ut pictura poesis
: the humanistic theory of painting’,
Art Bulletin
3 (1940); repr. New York: W. W. Norton, 1967.
Lenzi, M. L. (ed.),
Donne e madonne: l’educazione femminile nel primo rinascimento italiano
. Turin: Loescher, 1982.
Leonardo da Vinci,
Literary Works
, ed. J. P. Richter. Oxford: Oxford University Press, 1939.
Lerner-Lehmkuhl, H.,
Zur Struktur und Geschichte des florentinischen Kunstmarktes im 15. Jahrhundert
. Wattenscheid: K. Busch, 1936.
Lestocquoy, J.,
Aux origines de la bourgeoisie: les villes de Flandre et d’Italie sous le gouvernement des patriciens
. Paris: Presses universitaires de France, 1952.
Levey, M.,
Painting at Court
. London: Weidenfeld & Nicolson, 1971.
Lewis, C. S.,
The Discarded Image
. Cambridge: Cambridge University Press, 1964.
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