Read The Italian Renaissance Online
Authors: Peter Burke
The Italian Renaissance (54 page)
Duby, G.,
The Three Orders.
Eng. trans., Chicago: University of Chicago Press, 1980.
Dundes, A., and A. Falassi,
La terra in piazza: An Interpretation of the Palio of Siena.
Berkeley: University of California Press, 1975.
Dürer, A.,
Schriftlicher Nachlass
, ed. H. Rupprich, 3 vols. Berlin: Deutscher Verein für Kunstwissenschaft, 1956–69.
Ebreo, L.,
Dialoghi d’amore
(1535). Bari: Laterza, 1929.
Eckstein, N. A.,
The District of the Green Dragon: Neighbourhood Life and Social Change in Renaissance Florence
. Florence: Olschki, 1995.
—‘Neighbourhood as microcosm’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 219–39. Cambridge: Cambridge University Press, 2006.
Edgerton, S. Y.,
Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance.
Ithaca, NY, and London: Cornell University Press, 1985.
—
The Renaissance Rediscovery of Linear Perspective.
New York: Basic Books, 1975.
Edwards, J. M. B., ‘Creativity: social aspects’,
International Encyclopaedia of the Social Sciences
, ed. D. L. Sills, vol. 3, pp. 442–55. New York: Macmillan, 1968.
Einstein, A.,
Essays on Music.
London: Faber & Faber, 1958.
—
The Italian Madrigal
, 3 vols. Princeton, NJ: Princeton University Press, 1949.
Eisenbichler, K. (ed.),
Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
. Kalamazoo: Western Michigan University Press, 1991.
Elam, C., ‘Battista della Palla’,
I Tatti Studies
5 (1993), pp. 33–109.
—‘Lorenzo de’Medici and the urban development of Renaissance Florence’,
Art History
1 (1978), pp. 43–56.
—‘Lorenzo de’Medici’s sculpture garden’,
Mitteilungen des Kunsthistorischen Instituts in Florenz
36 (1992), pp. 41–84.
Elias, N.,
The Civilizing Process.
Eng. trans., 2 vols. Oxford: Blackwell, 1978–82.
—
The Court Society.
Eng. trans., Oxford: Blackwell, 1983.
Elsner, J., and Cardinal, R. (eds),
The Cultures of Collecting
. London: Reaktion, 1994.
Emison, P., ‘The replicated image in Florence, 1300–1600’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 431–53. Cambridge: Cambridge University Press, 2006.
Encyclopaedia of World Art
, 15 vols. New York: McGraw-Hill, 1959–68.
Errera, I.,
Répertoire des peintures datées.
Brussels: Librairie nationale d’art et d’histoire, 1920.
Esch, A., ‘Sul rapporto fra arte ed economia nel Rinascimento italiano’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 3–49. Turin: Einaudi, 1995.
Esch, A., and Frommel, C. L. (eds),
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
. Turin: Einaudi, 1995.
Esposito, A., ‘Le confraternite romane tra arte e divozione’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 107–20. Turin: Einaudi, 1995.
Ettlinger, L. D., ‘The emergence of the Italian architect during the fifteenth century’, in
The Architect
, ed. S. Kostof, pp. 96–121. New York: Oxford University Press, 1977.
—
The Sistine Chapel before Michelangelo
. Oxford: Clarendon Press, 1965.
Ettlinger, L. D., and H. S. Ettlinger,
Botticelli.
London: Thames & Hudson, 1976.
Evans-Pritchard, E. E.,
The Nuer.
Oxford: Clarendon Press, 1940.
Fagiolo Dell’Arco, M.,
Il Parmigianino: un saggio sull’ermetismo nel cinquecento.
Rome: Bulzoni, 1970.
Fahy, E., ‘The marriage portrait in the Renaissance’, in
Art and Love in Renaissance Italy
, ed. A. Bayer, pp. 17–27. New Haven, CT: Yale University Press, 2008.
Fantoni, M.,
La corte del granduca
. Rome: Bulzoni, 1994.
Fantoni, M., et al. (eds),
The Art Market in Italy, 15th–17th Century
. Modena: F. C. Panini, 2003.
Farago, C. (ed.),
Reframing the Renaissance: Visual Culture in Europe and Latin America, 1450–1650
. New Haven, CT: Yale University Press, 1995.
Febvre, L.,
The Problem of Unbelief in the Sixteenth Century
. Eng. trans., Cambridge, MA: Harvard University Press, 1983.
Feldman, M.,
City Culture and the Madrigal at Venice
. Berkeley: University of California Press, 1995.
Fenlon, I.
The Ceremonial City
. New Haven, CT: Yale University Press, 2007.
—
Music and Culture in Late Renaissance Italy
. Oxford: Oxford University Press, 2002.
—
Music and Patronage in Sixteenth-Century Mantua.
Cambridge: Cambridge University Press, 1980.
Ferguson, W. K.,
The Renaissance in Historical Thought
. Boston: Houghton Mifflin, 1948.
Ferino Pagden, S., ‘From cult images to the cult of images: the case of Raphael’s altarpieces’, in
The Altarpiece in the Renaissance
, ed.P. Humfrey and M. Kemp, pp. 165–89. Cambridge: Cambridge University Press, 1990.
ffoulkes, C. J., and R. Maiocchi,
Vincenzo Foppa
. London: J. Lane, 1909.
Ficino, M.,
De vita
. Venice,
c
. 1525.
Field, A.,
The Origins of the Platonic Academy of Florence
. Princeton, NJ: Princeton University Press, 1988.
Filarete, A.,
Treatise on Architecture.
Eng. trans., with facsimile, ed. J. R. Spencer, 2 vols. New Haven, CT: Yale University Press, 1965.
Findlen, P., ‘Possessing the past: the material culture of the Italian Renaissance’,
American Historical Review
103 (1998), pp. 83–114. Finlay, R.,
Politics in Renaissance Venice
. London: Ernest Benn, 1980.
—‘The Venetian Republic as a gerontocracy’,
Journal of Medieval and Renaissance Studies
8 (1978), pp. 157–78.
Finucci, V., ‘La donna di corte: discorso istituzionale e realtà nel
Libro del Cortegiano
’,
Annali d’Italianistica
7 (1989), pp. 88–103.
Firenzuola, A.,
Prose
. Florence, 1548.
Fishman, J. A., ‘Who speaks what language to whom and when’, in
The Sociology of Language
, ed. J. B. Pride and J. Holmes, pp. 15–31. Harmondsworth: Penguin, 1971.
Fiume, G.,
Il santo patrono e la città
. Venice: Marsilio, 2000.
Flaten, A. R., ‘Portrait medals and assembly-line art in late ’400 Florence’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp.127–39. Modena: F. C. Panini, 2003.
Fletcher, J., ‘Isabella d’Este and Giovanni Bellini’s
Presepio
’,
Burlington Magazine
113 (1971), pp. 703–12.
Floerke, H.,
Studien zu niederländische Kunst- und Kulturgeschichte.
Munich and Leipzig, 1905.
Folena, G. F., ‘La cultura volgare e l’umanesimo cavalleresco nel Veneto’, in
Umanesimo europeo ed umanesimo veneziano
, ed. V. Branca, pp. 141–57. Florence: Sansoni, 1964.
Fontes, A., et al. (eds),
Savonarole: enjeux, débats, questions
. Paris: Université de la Sorbonne nouvelle, 1997.
Forcellino, A.,
Michelangelo: A Tormented Life
. Eng. trans. A. Cameron. Cambridge: Polity, 2011.
Forster, K., ‘Introduction’ to A. Warburg,
The Renewal of Pagan Antiquity
. Eng. trans., Los Angeles: Getty Center, 1999.
Foscari, A., and M. Tafuri,
L’armonia e i conflitti: la chiesa di San Francesco della Vigna nella Venezia del ’500
. Turin: Einaudi, 1983.
Fossati, F., ‘Lavoro e lavoratori a Milano nel 1438’,
Archivio storico lombardo
55 (1928), pp. 225–58, 496–525; 56 (1929), pp. 71–95.
Foucault, M.,
The Order of Things
. Eng. trans., London: Vintage, 1973.
Fraenkel, B.,
La signature, genèse d’un signe
. Paris: Gallimard, 1992.
Fragnito, G. (ed.),
Church, Censorship and Culture in Early Modern Italy
. Cambridge: Cambridge University Press, 2001.
Frajese, V.,
Nascita dell’Indice: la censura ecclesiastica dal Rinascimento alla Controriforma
. Brescia: Morcelliana, 2006.
Francastel, G., ‘De Giorgione à Titien: l’artiste, le public et le commercialisation de l’oeuvre d’art’,
Annales ESC
15 (1960), pp. 1060–75.
Francastel, P.,
Peinture et société.
2nd edn., Paris: Gallimard, 1965.
—‘Valeurs socio-psychologiques de l’espace–temps figuratif de la Renaissance’,
L’Annee Sociologique
(1965), pp
.
3–68.
Frangenberg, T., ‘Bartoli, Giambullari and the prefaces to Vasari’s
Lives
’,
JWCI
65 (2002), pp. 244–58.
Frey, C. (ed.),
Il libro de Antonio Billi.
Berlin: Grote, 1892.
Friedländer, W.,
Mannerism and Anti-Mannerism in Italian Painting
. New York: Schocken, 1965.
Frommel, C. L.,
Architettura e committenza da Alberti a Bramante
. Florence: Olschki, 2006.
Fubini, R.,
Humanism and Secularization: From Petrarch to Valla
. Durham, NC: Duke University Press, 2003.
—‘Renaissance historian: the career of Hans Baron’,
Journal of Modern History
64 (1992), pp. 541–74.
Fumagalli, G.,
Leonardo: omo sanza lettere
. Florence: Sansoni, 1952.
Fumaroli, M.,
L’âge de l’éloquence
. Geneva: Droz, 1980.
Gabrieli, F.,
Testimonianze arabe ed europee
. Bari: Dedalo libri, 1976.
Gaeta, F.,
Lorenzo Valla: filologia e storia nell’umanesimo italiano
. Naples: Nella Sede dell’Istituto, 1955.
Gaeta, F., ‘Alcuni considerazioni sul mito di Venezia’,
Bibliothèque d’Humanisme et Renaissance
23 (1961), pp. 58–75.
Galitz, R., and B. Reimers (eds),
Aby M. Warburg: Portrait eines Gelehrten
. Hamburg: Dölling & Galitz, 1995.
Galton, F.,
Hereditary Genius
. London: Macmillan, 1869.
Gamberini, A. (ed.),
The Italian Renaissance State
. Cambridge: Cambridge University Press, 2012.
Gambi, L., and G. Bollati (eds),
Storia d’Italia
, 6:
Atlante.
Turin: Einaudi, 1976.
Garin, E.,
Astrology in the Renaissance
. Eng. trans., London: Routledge & Kegan Paul, 1983.
—‘I cancellieri umanisti della repubblica fiorentina’,
Rivista storica italiana
71 (1959), pp. 185–208.
—‘La cité idéale de la Renaissance italienne’, in
Les utopies à la Renaissance
, ed. J. Lameere, pp. 13–37. Brussels: Presses universitaires de Bruxelles, 1963.
Gauricus, P.,
De sculptura
(1504), ed. A. Chastel and R. Klein. Geneva: Droz, 1969.
Gaye, G. (ed.),
Carteggio inedito d’artisti dei secoli xiv, xv, xvi
, 3 vols. Florence: Molini, 1839–40.
Geanakoplos, D. J.,
Interaction of the ‘Sibling’ Byzantine and Western Cultures in the Middle Ages and Italian Renaissance (330–1600)
. New Haven, CT: Yale University Press, 1976.
Geertz, C.,
Local Knowledge
. New York: Basic Books, 1983.
Gelli, G. B., ‘Vite d’artisti’,
Archivio Storico Italiano
17 (1896), pp. 32–62.
Ghelardi, M.,
La scoperta del Rinascimento: l’‘Età di Raffaello’ di Jacob Burckhardt.
Turin: Einaudi, 1991.
Ghiberti, L.,
I commentari
, ed. O. Morisani. Naples: Riccardo Ricciardi, 1947.
Giard, L., ‘Histoire de l’université et histoire du savoir: Padoue (xiv
e
–xvi
e
siècles’,
Revue de Synthèse
104–6 (1983–5), pp. 139–69, 259–98, 419–42.
Gilbert, C. E., ‘The archbishop on the painters of Florence’,
Art Bulletin
41 (1959), pp. 75–87.
—‘On subject and not-subject in Italian Renaissance pictures’,
Art Bulletin
34 (1952), pp. 202–16.
—‘What did the Renaissance patron buy?’
Renaissance Quarterly
51 (1998), pp. 392–450.
Gilbert, F., ‘Bernardo Rucellai and the Orti Oricellari’,
JWCI
12 (1949), pp. 101–31.
—‘Biondo, Sabellico and the beginnings of Venetian official historiogra-phy’, in
Florilegium historiale
, ed. J. G. Rowe and W. H. Stockdale, pp. 276–87. Toronto: University of Toronto Press, 1970.
—‘Florentine political assumptions in the period of Savonarola and Soderini’,
JWCI
20 (1957), pp. 187–214.
The Three Orders.
Eng. trans., Chicago: University of Chicago Press, 1980.
Dundes, A., and A. Falassi,
La terra in piazza: An Interpretation of the Palio of Siena.
Berkeley: University of California Press, 1975.
Dürer, A.,
Schriftlicher Nachlass
, ed. H. Rupprich, 3 vols. Berlin: Deutscher Verein für Kunstwissenschaft, 1956–69.
Ebreo, L.,
Dialoghi d’amore
(1535). Bari: Laterza, 1929.
Eckstein, N. A.,
The District of the Green Dragon: Neighbourhood Life and Social Change in Renaissance Florence
. Florence: Olschki, 1995.
—‘Neighbourhood as microcosm’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 219–39. Cambridge: Cambridge University Press, 2006.
Edgerton, S. Y.,
Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance.
Ithaca, NY, and London: Cornell University Press, 1985.
—
The Renaissance Rediscovery of Linear Perspective.
New York: Basic Books, 1975.
Edwards, J. M. B., ‘Creativity: social aspects’,
International Encyclopaedia of the Social Sciences
, ed. D. L. Sills, vol. 3, pp. 442–55. New York: Macmillan, 1968.
Einstein, A.,
Essays on Music.
London: Faber & Faber, 1958.
—
The Italian Madrigal
, 3 vols. Princeton, NJ: Princeton University Press, 1949.
Eisenbichler, K. (ed.),
Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
. Kalamazoo: Western Michigan University Press, 1991.
Elam, C., ‘Battista della Palla’,
I Tatti Studies
5 (1993), pp. 33–109.
—‘Lorenzo de’Medici and the urban development of Renaissance Florence’,
Art History
1 (1978), pp. 43–56.
—‘Lorenzo de’Medici’s sculpture garden’,
Mitteilungen des Kunsthistorischen Instituts in Florenz
36 (1992), pp. 41–84.
Elias, N.,
The Civilizing Process.
Eng. trans., 2 vols. Oxford: Blackwell, 1978–82.
—
The Court Society.
Eng. trans., Oxford: Blackwell, 1983.
Elsner, J., and Cardinal, R. (eds),
The Cultures of Collecting
. London: Reaktion, 1994.
Emison, P., ‘The replicated image in Florence, 1300–1600’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 431–53. Cambridge: Cambridge University Press, 2006.
Encyclopaedia of World Art
, 15 vols. New York: McGraw-Hill, 1959–68.
Errera, I.,
Répertoire des peintures datées.
Brussels: Librairie nationale d’art et d’histoire, 1920.
Esch, A., ‘Sul rapporto fra arte ed economia nel Rinascimento italiano’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 3–49. Turin: Einaudi, 1995.
Esch, A., and Frommel, C. L. (eds),
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
. Turin: Einaudi, 1995.
Esposito, A., ‘Le confraternite romane tra arte e divozione’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 107–20. Turin: Einaudi, 1995.
Ettlinger, L. D., ‘The emergence of the Italian architect during the fifteenth century’, in
The Architect
, ed. S. Kostof, pp. 96–121. New York: Oxford University Press, 1977.
—
The Sistine Chapel before Michelangelo
. Oxford: Clarendon Press, 1965.
Ettlinger, L. D., and H. S. Ettlinger,
Botticelli.
London: Thames & Hudson, 1976.
Evans-Pritchard, E. E.,
The Nuer.
Oxford: Clarendon Press, 1940.
Fagiolo Dell’Arco, M.,
Il Parmigianino: un saggio sull’ermetismo nel cinquecento.
Rome: Bulzoni, 1970.
Fahy, E., ‘The marriage portrait in the Renaissance’, in
Art and Love in Renaissance Italy
, ed. A. Bayer, pp. 17–27. New Haven, CT: Yale University Press, 2008.
Fantoni, M.,
La corte del granduca
. Rome: Bulzoni, 1994.
Fantoni, M., et al. (eds),
The Art Market in Italy, 15th–17th Century
. Modena: F. C. Panini, 2003.
Farago, C. (ed.),
Reframing the Renaissance: Visual Culture in Europe and Latin America, 1450–1650
. New Haven, CT: Yale University Press, 1995.
Febvre, L.,
The Problem of Unbelief in the Sixteenth Century
. Eng. trans., Cambridge, MA: Harvard University Press, 1983.
Feldman, M.,
City Culture and the Madrigal at Venice
. Berkeley: University of California Press, 1995.
Fenlon, I.
The Ceremonial City
. New Haven, CT: Yale University Press, 2007.
—
Music and Culture in Late Renaissance Italy
. Oxford: Oxford University Press, 2002.
—
Music and Patronage in Sixteenth-Century Mantua.
Cambridge: Cambridge University Press, 1980.
Ferguson, W. K.,
The Renaissance in Historical Thought
. Boston: Houghton Mifflin, 1948.
Ferino Pagden, S., ‘From cult images to the cult of images: the case of Raphael’s altarpieces’, in
The Altarpiece in the Renaissance
, ed.P. Humfrey and M. Kemp, pp. 165–89. Cambridge: Cambridge University Press, 1990.
ffoulkes, C. J., and R. Maiocchi,
Vincenzo Foppa
. London: J. Lane, 1909.
Ficino, M.,
De vita
. Venice,
c
. 1525.
Field, A.,
The Origins of the Platonic Academy of Florence
. Princeton, NJ: Princeton University Press, 1988.
Filarete, A.,
Treatise on Architecture.
Eng. trans., with facsimile, ed. J. R. Spencer, 2 vols. New Haven, CT: Yale University Press, 1965.
Findlen, P., ‘Possessing the past: the material culture of the Italian Renaissance’,
American Historical Review
103 (1998), pp. 83–114. Finlay, R.,
Politics in Renaissance Venice
. London: Ernest Benn, 1980.
—‘The Venetian Republic as a gerontocracy’,
Journal of Medieval and Renaissance Studies
8 (1978), pp. 157–78.
Finucci, V., ‘La donna di corte: discorso istituzionale e realtà nel
Libro del Cortegiano
’,
Annali d’Italianistica
7 (1989), pp. 88–103.
Firenzuola, A.,
Prose
. Florence, 1548.
Fishman, J. A., ‘Who speaks what language to whom and when’, in
The Sociology of Language
, ed. J. B. Pride and J. Holmes, pp. 15–31. Harmondsworth: Penguin, 1971.
Fiume, G.,
Il santo patrono e la città
. Venice: Marsilio, 2000.
Flaten, A. R., ‘Portrait medals and assembly-line art in late ’400 Florence’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp.127–39. Modena: F. C. Panini, 2003.
Fletcher, J., ‘Isabella d’Este and Giovanni Bellini’s
Presepio
’,
Burlington Magazine
113 (1971), pp. 703–12.
Floerke, H.,
Studien zu niederländische Kunst- und Kulturgeschichte.
Munich and Leipzig, 1905.
Folena, G. F., ‘La cultura volgare e l’umanesimo cavalleresco nel Veneto’, in
Umanesimo europeo ed umanesimo veneziano
, ed. V. Branca, pp. 141–57. Florence: Sansoni, 1964.
Fontes, A., et al. (eds),
Savonarole: enjeux, débats, questions
. Paris: Université de la Sorbonne nouvelle, 1997.
Forcellino, A.,
Michelangelo: A Tormented Life
. Eng. trans. A. Cameron. Cambridge: Polity, 2011.
Forster, K., ‘Introduction’ to A. Warburg,
The Renewal of Pagan Antiquity
. Eng. trans., Los Angeles: Getty Center, 1999.
Foscari, A., and M. Tafuri,
L’armonia e i conflitti: la chiesa di San Francesco della Vigna nella Venezia del ’500
. Turin: Einaudi, 1983.
Fossati, F., ‘Lavoro e lavoratori a Milano nel 1438’,
Archivio storico lombardo
55 (1928), pp. 225–58, 496–525; 56 (1929), pp. 71–95.
Foucault, M.,
The Order of Things
. Eng. trans., London: Vintage, 1973.
Fraenkel, B.,
La signature, genèse d’un signe
. Paris: Gallimard, 1992.
Fragnito, G. (ed.),
Church, Censorship and Culture in Early Modern Italy
. Cambridge: Cambridge University Press, 2001.
Frajese, V.,
Nascita dell’Indice: la censura ecclesiastica dal Rinascimento alla Controriforma
. Brescia: Morcelliana, 2006.
Francastel, G., ‘De Giorgione à Titien: l’artiste, le public et le commercialisation de l’oeuvre d’art’,
Annales ESC
15 (1960), pp. 1060–75.
Francastel, P.,
Peinture et société.
2nd edn., Paris: Gallimard, 1965.
—‘Valeurs socio-psychologiques de l’espace–temps figuratif de la Renaissance’,
L’Annee Sociologique
(1965), pp
.
3–68.
Frangenberg, T., ‘Bartoli, Giambullari and the prefaces to Vasari’s
Lives
’,
JWCI
65 (2002), pp. 244–58.
Frey, C. (ed.),
Il libro de Antonio Billi.
Berlin: Grote, 1892.
Friedländer, W.,
Mannerism and Anti-Mannerism in Italian Painting
. New York: Schocken, 1965.
Frommel, C. L.,
Architettura e committenza da Alberti a Bramante
. Florence: Olschki, 2006.
Fubini, R.,
Humanism and Secularization: From Petrarch to Valla
. Durham, NC: Duke University Press, 2003.
—‘Renaissance historian: the career of Hans Baron’,
Journal of Modern History
64 (1992), pp. 541–74.
Fumagalli, G.,
Leonardo: omo sanza lettere
. Florence: Sansoni, 1952.
Fumaroli, M.,
L’âge de l’éloquence
. Geneva: Droz, 1980.
Gabrieli, F.,
Testimonianze arabe ed europee
. Bari: Dedalo libri, 1976.
Gaeta, F.,
Lorenzo Valla: filologia e storia nell’umanesimo italiano
. Naples: Nella Sede dell’Istituto, 1955.
Gaeta, F., ‘Alcuni considerazioni sul mito di Venezia’,
Bibliothèque d’Humanisme et Renaissance
23 (1961), pp. 58–75.
Galitz, R., and B. Reimers (eds),
Aby M. Warburg: Portrait eines Gelehrten
. Hamburg: Dölling & Galitz, 1995.
Galton, F.,
Hereditary Genius
. London: Macmillan, 1869.
Gamberini, A. (ed.),
The Italian Renaissance State
. Cambridge: Cambridge University Press, 2012.
Gambi, L., and G. Bollati (eds),
Storia d’Italia
, 6:
Atlante.
Turin: Einaudi, 1976.
Garin, E.,
Astrology in the Renaissance
. Eng. trans., London: Routledge & Kegan Paul, 1983.
—‘I cancellieri umanisti della repubblica fiorentina’,
Rivista storica italiana
71 (1959), pp. 185–208.
—‘La cité idéale de la Renaissance italienne’, in
Les utopies à la Renaissance
, ed. J. Lameere, pp. 13–37. Brussels: Presses universitaires de Bruxelles, 1963.
Gauricus, P.,
De sculptura
(1504), ed. A. Chastel and R. Klein. Geneva: Droz, 1969.
Gaye, G. (ed.),
Carteggio inedito d’artisti dei secoli xiv, xv, xvi
, 3 vols. Florence: Molini, 1839–40.
Geanakoplos, D. J.,
Interaction of the ‘Sibling’ Byzantine and Western Cultures in the Middle Ages and Italian Renaissance (330–1600)
. New Haven, CT: Yale University Press, 1976.
Geertz, C.,
Local Knowledge
. New York: Basic Books, 1983.
Gelli, G. B., ‘Vite d’artisti’,
Archivio Storico Italiano
17 (1896), pp. 32–62.
Ghelardi, M.,
La scoperta del Rinascimento: l’‘Età di Raffaello’ di Jacob Burckhardt.
Turin: Einaudi, 1991.
Ghiberti, L.,
I commentari
, ed. O. Morisani. Naples: Riccardo Ricciardi, 1947.
Giard, L., ‘Histoire de l’université et histoire du savoir: Padoue (xiv
e
–xvi
e
siècles’,
Revue de Synthèse
104–6 (1983–5), pp. 139–69, 259–98, 419–42.
Gilbert, C. E., ‘The archbishop on the painters of Florence’,
Art Bulletin
41 (1959), pp. 75–87.
—‘On subject and not-subject in Italian Renaissance pictures’,
Art Bulletin
34 (1952), pp. 202–16.
—‘What did the Renaissance patron buy?’
Renaissance Quarterly
51 (1998), pp. 392–450.
Gilbert, F., ‘Bernardo Rucellai and the Orti Oricellari’,
JWCI
12 (1949), pp. 101–31.
—‘Biondo, Sabellico and the beginnings of Venetian official historiogra-phy’, in
Florilegium historiale
, ed. J. G. Rowe and W. H. Stockdale, pp. 276–87. Toronto: University of Toronto Press, 1970.
—‘Florentine political assumptions in the period of Savonarola and Soderini’,
JWCI
20 (1957), pp. 187–214.
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