The Italian Renaissance (55 page)
Read The Italian Renaissance Online
Authors: Peter Burke
—
Machiavelli and Guicciardini.
Princeton, NJ: Princeton University Press, 1965.
—‘On
Machiavelli’s idea of
virtù
’,
Renaissance News
4 (1951), pp. 53–55.
—
The Pope, his Banker, and Venice
. Cambridge, MA, and London: Harvard University Press, 1980.
—‘Venice in the crisis of the League of Cambrai’, in Gilbert,
History: Choice and Commitment
, ch. 11. Cambridge, MA: Belknap Press, 1977.
Gille, B.,
Engineers of the Renaissance.
Eng. trans., Cambridge, MA: MIT Press, 1966.
Ginzburg, C.,
Cheese and Worms
. Eng. trans., London: Routledge & Kegan Paul, 1981.
—‘Da A. Warburg a E. H. Gombrich’,
Studi medievali
7 (1966), pp. 1015–65.
—
The Enigma of Piero
. Eng. trans., London: Verso, 1985.
—
The Night Battles
. Eng. trans., London: Routledge & Kegan Paul, 1983.
—‘Stregoneria e pietà popolare’,
Annali Scuola Normale di Pisa
30 (1961), pp. 269–87.
Gnoli, D.,
La Roma di Leon X
. Milan: Ulrico Hoepli, 1938.
Goffen, R.,
Piety and Patronage in Renaissance Venice.
New Haven, CT, and London: Yale University Press, 1986.
—
Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian
. New Haven, CT: Yale University Press, 2002.
Goffman E.,
The Presentation of Self in Everyday Life.
Rev. edn, New York: Doubleday, 1959.
Goldthwaite, R. A.,
The Building of Renaissance Florence.
Baltimore: Johns Hopkins University Press, 1980.
—‘The economic and social world of Italian Renaissance maiolica’,
Renaissance Quarterly
42 (1989), pp. 1–32.
—
The Economy of Renaissance Florence
. Baltimore: Johns Hopkins University Press, 2009.
—‘The empire of things: consumer demand in Renaissance Italy’, in
Patronage, Art and Society in Renaissance Italy
, ed. F. W. Kent and P. Simons, pp. 153–75. Oxford: Oxford University Press, 1987.
—
Private Wealth in Renaissance Florence.
Princeton, NJ: Princeton University Press, 1968.
—‘The Renaissance economy: the preconditions for luxury consump-tion’, in
Aspetti della vita economica medievale
, pp. 659–75. Florence: Olschki, 1985.
—‘Schools and teachers of commercial arithmetic in Renaissance Florence’,
Journal of European Economic History
1 (1972), pp. 418–33.
—
Wealth and the Demand for Art in Italy, 1300–1600
. Baltimore: Johns Hopkins University Press, 1993.
Gombrich, E. H.,
Aby Warburg: An Intellectual Biography
. London: Warburg Institute, 1970.
—
Art and Illusion
. London: Phaidon Press, 1960.
—
The Heritage of Apelles
. Oxford: Phaidon Press, 1976.
—
In Search of Cultural History
. Oxford: Clarendon Press, 1969.
—
Meditations on a Hobby Horse
. London: Phaidon Press, 1963.
—
Norm and Form
. London: Phaidon Press, 1966.
—‘The social history of art’,
Art Bulletin
35 (1953), pp. 79–84.
—
Symbolic Images
. London: Phaidon Press, 1972.
—
The Uses of Images
. London: Phaidon Press, 1999.
—‘Vasari’s
Lives
and Cicero’s
Brutus
’,
JWCI
23 (1960), pp. 309–11.
González García, J.,
La diosa fortuna: metamorfosis de una metáfora política
. Madrid: A. Machado, 2006.
Goody, J.,
Renaissances: The One or the Many
? Cambridge: Cambridge University Press, 2009.
Gossman, L.,
Basel in the Age of Burckhardt
. Chicago: University of Chicago Press, 2000.
Graf, A.,
Attraversa il ’500.
Turin, 1888.
Grafton, A.,
The Culture of Correction in Renaissance Europe
. London: British Library, 2011.
—
Forgers and Critics: Creativity and Duplicity in Western Scholarship
. London: Collins & Brown, 1990.
—
Leon Battista Alberti: Master Builder of the Italian Renaissance
. New York: Hill & Wang, 2001.
Grafton, A., and L. Jardine, ‘Humanism and the school of Guarino’,
Past and Present
96 (1982), pp. 51–80.
Gras, N. S. B., ‘Capitalism, concepts and history’, in
Enterprise and Secular Change
, ed. F. C. Lane and J. Riemersma, pp. 66–79. London: Allen & Unwin, 1953.
Greene, T.,
The Light in Troy: Imitation and Discovery in Renaissance Poetry.
New Haven, CT, and London: Yale University Press, 1982.
Greenstein, J. M.,
Mantegna and Painting as Historical Narrative
. Chicago: University of Chicago Press, 1992.
Greer, G.,
The Obstacle Race
. London: Secker & Warburg, 1979.
Grendler, P. F.,
Critics of the Italian World 1530–60.
Madison: University of Wisconsin Press, 1969.
—‘Francesco Sansovino and Italian popular history’,
Studies in the Renaissance
16 (1969), pp. 139–80.
—‘Printing and censorship’, in
The Cambridge History of Renaissance Philosophy
, ed. C. B. Schmitt et al. Cambridge: Cambridge University Press, pp. 25–54.
—
Schooling in Renaissance Italy: Literacy and Learning 1300–1600
. Baltimore: Johns Hopkins University Press, 1989.
—
The Universities of the Italian Renaissance
.
Baltimore: Johns Hopkins University Press, 2002.
Grove, G.,
New Dictionary of Music and Musicians
, ed. S. Sadie, 2nd edn, 29 vols. London: Macmillan, 2001; online version accessible via Oxford Music Online.
Guasti, C. (ed.),
Le feste di S. Giovanni Batista in Firenze
. Florence: G. Cirri, 1884.
Guerri, D.,
La corrente popolare nel Rinascimento
. Florence: Sansoni, 1931.
Guerzoni, G.,
Apollo and Vulcan: The Art Markets in Italy 1400–1700
. East Lansing: Michigan State University Press, 2011.
Guglielminetti, M.,
Memoria e scrittura: l’autobiografia da Dante a Cellini
. Turin: Einaudi, 1977.
Guicciardini, F.,
Maxims and Reflections of a Renaissance Statesman
. Eng. trans., New York: Harper & Row, 1965.
—
Storia d’Italia
(1561), ed. C. Panigada, 5 vols. Bari: Laterza, 1929.
Guidi, J., ‘Le jeu de cour et sa codification dans les différentes rédactions du
Courtisan
’,
Centre de Recherches sur la Renaissance Italienne
10 (1982), pp. 97–115.
Gundersheimer, W., ‘Patronage in the Renaissance’, in
Patronage in the Renaissance
, ed. G. F. Lytle and S. Orgel, pp. 3–23. Princeton, NJ: Princeton University Press, 1981.
Gutas, D.,
Greek Thought, Arabic Culture: The Graeco-Arabic Translation Movement in Baghdad and Early ‘Abbaˉsid Society
. London: Routledge, 1998.
Haines, M., ‘Brunelleschi and bureaucracy: the tradition of public patronage at the Florentine cathedral’,
I Tatti Studies
3 (1989), pp. 89–125.
—‘The market for public sculpture in Renaissance Florence’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 75–93. Modena: F. C. Panini, 2003.
Hale, J. R.,
England and the Italian Renaissance
. London: Faber & Faber, 1954.
Hall, J. W., and M. B. Jansen (eds),
Studies in the Institutional History of Early Modern Japan
. Princeton, NJ: Princeton University Press, 1968.
Hall, M. (ed.),
Rome
. Cambridge: Cambridge University Press, 2005.
Hall, P.,
Cities in Civilization
. London: Weidenfeld & Nicolson, 1998.
Hankins, J., ‘The “Baron thesis” after forty years and some recent studies of Leonardo Bruni’,
Journal of the History of Ideas
56 (1995), 309–30.
—
Plato in the Italian Renaissance
, 2 vols. Leiden: E. J. Brill, 1990.
—(ed.),
Renaissance Civic Humanism: Reappraisals and Reflections
. Cambridge: Cambridge University Press, 2000.
Hansen, J. (ed.),
Quellen zur Geschichte des Hexenwahns
. Bonn: C. Georgi, 1901.
Harff, A. von,
The Pilgrimage of Arnold von Harff, Knight
(1496). Eng. trans., London: Hakluyt Society, 1946.
Harprath, R.,
Papst Paul III. als Alexander der Grosse
. Berlin: De Gruyter, 1981.
Hartt, F., ‘Art and freedom in quattrocento Florence’, in
Essays in Memory of Karl Lehmann
, ed. L. F. Sandler, pp. 114–31. New York: New York University Press, 1964.
—
Giulio Romano.
New Haven, CT: Yale University Press, 1958.
Haskell, F.,
Patrons and Painters
. London: Chatto & Windus, 1963.
Hatfield, R., ‘The Compagnia de’Magi’,
JWCI
33 (1970), pp. 107–44.
—‘The funds of the façade of S. Maria Novella’,
JWCI
67 (2004), pp. 81–127.
—‘Review of Burke,
Tradition and Innovation
’,
Art Bulletin
55 (1973), pp. 630–3.
Hauser, A.,
Mannerism
, 2 vols. London: Routledge & Kegan Paul, 1965.
—
A Social History of Art
,
2
vols. London: Routledge & Kegan Paul, 1951.
Hay, D.,
The Church in Italy in the Fifteenth Century.
Cambridge: Cambridge University Press, 1977.
Hegel, G. W. F.,
Philosophy of History
(1837)
.
Eng. trans., New York: Dover, 1956.
Heikamp, D.,
Mexico and the Medici
. Florence: EDAM, 1972.
Heller, A.,
Renaissance Man.
London: Routledge & Kegan Paul, 1979.
Herder, J. G.,
Ideen zur Philosophie der Geschichte der Menschheit
,4 vols. Berlin, 1784–91.
Herlihy, D., ‘The generation in medieval history’,
Viator
5 (1974), pp. 347–64.
—‘Three patterns of social mobility in medieval history’,
Journal of Interdisciplinary History
3 (1973), pp. 633–47.
Herlihy, D., and C. Klapisch-Zuber,
Les Toscans et leurs familles
. Paris: Presses de la Fondation nationale des sciences politiques, 1978.
Hermes, G., ‘Der Kapitalismus in der Florentiner Wollentuchindustrie’,
Zeitschrift für die gesamte Staatswissenschaft
72 (1916), pp. 367–400.
Herrick, M. T.,
Italian Comedy in the Renaissance.
Urbana: University of Illinois Press, 1960.
—
Italian Tragedy in the Renaissance.
Urbana: University of Illinois Press, 1965.
Hersey, G. L.,
Alfonso II and the Artistic Renewal of Naples.
New Haven, CT, and London: Yale University Press, 1969.
Hexter, J.,
The Vision of Politics on the Eve of the Reformation
. London: Allen Lane, 1973.
Heydenreich, L. H., ‘Federico da Montefeltre as a building patron’, in
Studies in Renaissance and Baroque Art presented to Anthony Blunt on his 60th Birthday
, pp. 1–6. London: Phaidon Press, 1967.
Heydenreich, L. H., and W. Lotz,
Architecture in Italy 1400–1600
. Harmondsworth: Penguin, 1974.
Hibbett, H.,
The Floating World in Japanese Fiction
. London: Oxford University Press, 1959.
Hill, G. F.,
A Corpus of Italian Medals of the Renaissance before Cellini
, 2 vols. London: British Museum, 1930.
Hills, P., ‘Piety and patronage in ’500 Venice: Tintoretto and the Scuole del Sacramento’,
Art History
6 (1983), pp. 30–43.
Hind, A. M.,
Early Italian Engraving
. London: H. Milford, 1930.
Hollanda, F. de,
Da pintura antigua
(1548). Eng. trans. as
Four Dialogues on Painting
, London: Oxford University Press, 1928.
Hollingsworth, M.,
Patronage in Renaissance Italy
, 2 vols. London: John Murray, 1993–6.
Holly, M. A.,
Panofsky and the Foundations of Art History.
Ithaca, NY, and London: Cornell University Press, 1984.
Hook, J.,
Siena: A City and its History
. London: Hamish Hamilton, 1979.
Hope, C., ‘Artists, patrons and advisers in the Italian Renaissance’, in
Patronage in the Renaissance
, ed. G. F. Lytle and S. Orgel, pp. 293–343. Princeton, NJ: Princeton University Press, 1981.
—‘The eyewitness style’,
New York Review of Books
, 22 December 1988.
—
Titian
. London: Jupiter, 1980.
—‘Le
Vite
vasariane: un esempio di autore multiplo’, in
L’autore multiplo
, ed. A. Santoni, pp. 59–74. Pisa: Scuola normale superior, 2005.
Machiavelli and Guicciardini.
Princeton, NJ: Princeton University Press, 1965.
—‘On
Machiavelli’s idea of
virtù
’,
Renaissance News
4 (1951), pp. 53–55.
—
The Pope, his Banker, and Venice
. Cambridge, MA, and London: Harvard University Press, 1980.
—‘Venice in the crisis of the League of Cambrai’, in Gilbert,
History: Choice and Commitment
, ch. 11. Cambridge, MA: Belknap Press, 1977.
Gille, B.,
Engineers of the Renaissance.
Eng. trans., Cambridge, MA: MIT Press, 1966.
Ginzburg, C.,
Cheese and Worms
. Eng. trans., London: Routledge & Kegan Paul, 1981.
—‘Da A. Warburg a E. H. Gombrich’,
Studi medievali
7 (1966), pp. 1015–65.
—
The Enigma of Piero
. Eng. trans., London: Verso, 1985.
—
The Night Battles
. Eng. trans., London: Routledge & Kegan Paul, 1983.
—‘Stregoneria e pietà popolare’,
Annali Scuola Normale di Pisa
30 (1961), pp. 269–87.
Gnoli, D.,
La Roma di Leon X
. Milan: Ulrico Hoepli, 1938.
Goffen, R.,
Piety and Patronage in Renaissance Venice.
New Haven, CT, and London: Yale University Press, 1986.
—
Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian
. New Haven, CT: Yale University Press, 2002.
Goffman E.,
The Presentation of Self in Everyday Life.
Rev. edn, New York: Doubleday, 1959.
Goldthwaite, R. A.,
The Building of Renaissance Florence.
Baltimore: Johns Hopkins University Press, 1980.
—‘The economic and social world of Italian Renaissance maiolica’,
Renaissance Quarterly
42 (1989), pp. 1–32.
—
The Economy of Renaissance Florence
. Baltimore: Johns Hopkins University Press, 2009.
—‘The empire of things: consumer demand in Renaissance Italy’, in
Patronage, Art and Society in Renaissance Italy
, ed. F. W. Kent and P. Simons, pp. 153–75. Oxford: Oxford University Press, 1987.
—
Private Wealth in Renaissance Florence.
Princeton, NJ: Princeton University Press, 1968.
—‘The Renaissance economy: the preconditions for luxury consump-tion’, in
Aspetti della vita economica medievale
, pp. 659–75. Florence: Olschki, 1985.
—‘Schools and teachers of commercial arithmetic in Renaissance Florence’,
Journal of European Economic History
1 (1972), pp. 418–33.
—
Wealth and the Demand for Art in Italy, 1300–1600
. Baltimore: Johns Hopkins University Press, 1993.
Gombrich, E. H.,
Aby Warburg: An Intellectual Biography
. London: Warburg Institute, 1970.
—
Art and Illusion
. London: Phaidon Press, 1960.
—
The Heritage of Apelles
. Oxford: Phaidon Press, 1976.
—
In Search of Cultural History
. Oxford: Clarendon Press, 1969.
—
Meditations on a Hobby Horse
. London: Phaidon Press, 1963.
—
Norm and Form
. London: Phaidon Press, 1966.
—‘The social history of art’,
Art Bulletin
35 (1953), pp. 79–84.
—
Symbolic Images
. London: Phaidon Press, 1972.
—
The Uses of Images
. London: Phaidon Press, 1999.
—‘Vasari’s
Lives
and Cicero’s
Brutus
’,
JWCI
23 (1960), pp. 309–11.
González García, J.,
La diosa fortuna: metamorfosis de una metáfora política
. Madrid: A. Machado, 2006.
Goody, J.,
Renaissances: The One or the Many
? Cambridge: Cambridge University Press, 2009.
Gossman, L.,
Basel in the Age of Burckhardt
. Chicago: University of Chicago Press, 2000.
Graf, A.,
Attraversa il ’500.
Turin, 1888.
Grafton, A.,
The Culture of Correction in Renaissance Europe
. London: British Library, 2011.
—
Forgers and Critics: Creativity and Duplicity in Western Scholarship
. London: Collins & Brown, 1990.
—
Leon Battista Alberti: Master Builder of the Italian Renaissance
. New York: Hill & Wang, 2001.
Grafton, A., and L. Jardine, ‘Humanism and the school of Guarino’,
Past and Present
96 (1982), pp. 51–80.
Gras, N. S. B., ‘Capitalism, concepts and history’, in
Enterprise and Secular Change
, ed. F. C. Lane and J. Riemersma, pp. 66–79. London: Allen & Unwin, 1953.
Greene, T.,
The Light in Troy: Imitation and Discovery in Renaissance Poetry.
New Haven, CT, and London: Yale University Press, 1982.
Greenstein, J. M.,
Mantegna and Painting as Historical Narrative
. Chicago: University of Chicago Press, 1992.
Greer, G.,
The Obstacle Race
. London: Secker & Warburg, 1979.
Grendler, P. F.,
Critics of the Italian World 1530–60.
Madison: University of Wisconsin Press, 1969.
—‘Francesco Sansovino and Italian popular history’,
Studies in the Renaissance
16 (1969), pp. 139–80.
—‘Printing and censorship’, in
The Cambridge History of Renaissance Philosophy
, ed. C. B. Schmitt et al. Cambridge: Cambridge University Press, pp. 25–54.
—
Schooling in Renaissance Italy: Literacy and Learning 1300–1600
. Baltimore: Johns Hopkins University Press, 1989.
—
The Universities of the Italian Renaissance
.
Baltimore: Johns Hopkins University Press, 2002.
Grove, G.,
New Dictionary of Music and Musicians
, ed. S. Sadie, 2nd edn, 29 vols. London: Macmillan, 2001; online version accessible via Oxford Music Online.
Guasti, C. (ed.),
Le feste di S. Giovanni Batista in Firenze
. Florence: G. Cirri, 1884.
Guerri, D.,
La corrente popolare nel Rinascimento
. Florence: Sansoni, 1931.
Guerzoni, G.,
Apollo and Vulcan: The Art Markets in Italy 1400–1700
. East Lansing: Michigan State University Press, 2011.
Guglielminetti, M.,
Memoria e scrittura: l’autobiografia da Dante a Cellini
. Turin: Einaudi, 1977.
Guicciardini, F.,
Maxims and Reflections of a Renaissance Statesman
. Eng. trans., New York: Harper & Row, 1965.
—
Storia d’Italia
(1561), ed. C. Panigada, 5 vols. Bari: Laterza, 1929.
Guidi, J., ‘Le jeu de cour et sa codification dans les différentes rédactions du
Courtisan
’,
Centre de Recherches sur la Renaissance Italienne
10 (1982), pp. 97–115.
Gundersheimer, W., ‘Patronage in the Renaissance’, in
Patronage in the Renaissance
, ed. G. F. Lytle and S. Orgel, pp. 3–23. Princeton, NJ: Princeton University Press, 1981.
Gutas, D.,
Greek Thought, Arabic Culture: The Graeco-Arabic Translation Movement in Baghdad and Early ‘Abbaˉsid Society
. London: Routledge, 1998.
Haines, M., ‘Brunelleschi and bureaucracy: the tradition of public patronage at the Florentine cathedral’,
I Tatti Studies
3 (1989), pp. 89–125.
—‘The market for public sculpture in Renaissance Florence’, in
The Art Market in Italy, 15th–17th Century
, ed. M. Fantoni et al., pp. 75–93. Modena: F. C. Panini, 2003.
Hale, J. R.,
England and the Italian Renaissance
. London: Faber & Faber, 1954.
Hall, J. W., and M. B. Jansen (eds),
Studies in the Institutional History of Early Modern Japan
. Princeton, NJ: Princeton University Press, 1968.
Hall, M. (ed.),
Rome
. Cambridge: Cambridge University Press, 2005.
Hall, P.,
Cities in Civilization
. London: Weidenfeld & Nicolson, 1998.
Hankins, J., ‘The “Baron thesis” after forty years and some recent studies of Leonardo Bruni’,
Journal of the History of Ideas
56 (1995), 309–30.
—
Plato in the Italian Renaissance
, 2 vols. Leiden: E. J. Brill, 1990.
—(ed.),
Renaissance Civic Humanism: Reappraisals and Reflections
. Cambridge: Cambridge University Press, 2000.
Hansen, J. (ed.),
Quellen zur Geschichte des Hexenwahns
. Bonn: C. Georgi, 1901.
Harff, A. von,
The Pilgrimage of Arnold von Harff, Knight
(1496). Eng. trans., London: Hakluyt Society, 1946.
Harprath, R.,
Papst Paul III. als Alexander der Grosse
. Berlin: De Gruyter, 1981.
Hartt, F., ‘Art and freedom in quattrocento Florence’, in
Essays in Memory of Karl Lehmann
, ed. L. F. Sandler, pp. 114–31. New York: New York University Press, 1964.
—
Giulio Romano.
New Haven, CT: Yale University Press, 1958.
Haskell, F.,
Patrons and Painters
. London: Chatto & Windus, 1963.
Hatfield, R., ‘The Compagnia de’Magi’,
JWCI
33 (1970), pp. 107–44.
—‘The funds of the façade of S. Maria Novella’,
JWCI
67 (2004), pp. 81–127.
—‘Review of Burke,
Tradition and Innovation
’,
Art Bulletin
55 (1973), pp. 630–3.
Hauser, A.,
Mannerism
, 2 vols. London: Routledge & Kegan Paul, 1965.
—
A Social History of Art
,
2
vols. London: Routledge & Kegan Paul, 1951.
Hay, D.,
The Church in Italy in the Fifteenth Century.
Cambridge: Cambridge University Press, 1977.
Hegel, G. W. F.,
Philosophy of History
(1837)
.
Eng. trans., New York: Dover, 1956.
Heikamp, D.,
Mexico and the Medici
. Florence: EDAM, 1972.
Heller, A.,
Renaissance Man.
London: Routledge & Kegan Paul, 1979.
Herder, J. G.,
Ideen zur Philosophie der Geschichte der Menschheit
,4 vols. Berlin, 1784–91.
Herlihy, D., ‘The generation in medieval history’,
Viator
5 (1974), pp. 347–64.
—‘Three patterns of social mobility in medieval history’,
Journal of Interdisciplinary History
3 (1973), pp. 633–47.
Herlihy, D., and C. Klapisch-Zuber,
Les Toscans et leurs familles
. Paris: Presses de la Fondation nationale des sciences politiques, 1978.
Hermes, G., ‘Der Kapitalismus in der Florentiner Wollentuchindustrie’,
Zeitschrift für die gesamte Staatswissenschaft
72 (1916), pp. 367–400.
Herrick, M. T.,
Italian Comedy in the Renaissance.
Urbana: University of Illinois Press, 1960.
—
Italian Tragedy in the Renaissance.
Urbana: University of Illinois Press, 1965.
Hersey, G. L.,
Alfonso II and the Artistic Renewal of Naples.
New Haven, CT, and London: Yale University Press, 1969.
Hexter, J.,
The Vision of Politics on the Eve of the Reformation
. London: Allen Lane, 1973.
Heydenreich, L. H., ‘Federico da Montefeltre as a building patron’, in
Studies in Renaissance and Baroque Art presented to Anthony Blunt on his 60th Birthday
, pp. 1–6. London: Phaidon Press, 1967.
Heydenreich, L. H., and W. Lotz,
Architecture in Italy 1400–1600
. Harmondsworth: Penguin, 1974.
Hibbett, H.,
The Floating World in Japanese Fiction
. London: Oxford University Press, 1959.
Hill, G. F.,
A Corpus of Italian Medals of the Renaissance before Cellini
, 2 vols. London: British Museum, 1930.
Hills, P., ‘Piety and patronage in ’500 Venice: Tintoretto and the Scuole del Sacramento’,
Art History
6 (1983), pp. 30–43.
Hind, A. M.,
Early Italian Engraving
. London: H. Milford, 1930.
Hollanda, F. de,
Da pintura antigua
(1548). Eng. trans. as
Four Dialogues on Painting
, London: Oxford University Press, 1928.
Hollingsworth, M.,
Patronage in Renaissance Italy
, 2 vols. London: John Murray, 1993–6.
Holly, M. A.,
Panofsky and the Foundations of Art History.
Ithaca, NY, and London: Cornell University Press, 1984.
Hook, J.,
Siena: A City and its History
. London: Hamish Hamilton, 1979.
Hope, C., ‘Artists, patrons and advisers in the Italian Renaissance’, in
Patronage in the Renaissance
, ed. G. F. Lytle and S. Orgel, pp. 293–343. Princeton, NJ: Princeton University Press, 1981.
—‘The eyewitness style’,
New York Review of Books
, 22 December 1988.
—
Titian
. London: Jupiter, 1980.
—‘Le
Vite
vasariane: un esempio di autore multiplo’, in
L’autore multiplo
, ed. A. Santoni, pp. 59–74. Pisa: Scuola normale superior, 2005.
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