Read The Italian Renaissance Online
Authors: Peter Burke
The Italian Renaissance (59 page)
Richardson, C. M. (ed.),
Locating Renaissance Art
. New Haven, CT: Yale University Press, 2007.
—
Reclaiming Rome: Cardinals in the Fifteenth Century
. Leiden: E. J. Brill, 2009.
Ringbom, S.,
Icon to Narrative: The Rise of the Dramatic Close-Up Fifteenth-Century Devotional Painting
. Åbo: Åbo Akademi, 1965.
Roberts, A.,
Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa
. Farnham: Ashgate, 2008.
Robertson, C., ‘Annibal Caro as iconographer’,
JWCI
45 (1982), pp. 160–75.
—
‘Il gran cardinale’: Alessandro Farnese, Patron of the Arts
. New Haven, CT: Yale University Press, 1992.
Robin, D.,
Filelfo in Milan
. Princeton, NJ: Princeton University Press, 1991.
Rochon, A. (ed.),
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, 1. Paris: Université de la Sorbonne nouvelle, 1973.
—(ed.),
Formes et significations de la beffa dans la littérature italienne de la Renaissance
. Paris: Université de la Sorbonne nouvelle, 1972.
—
La jeunesse de Laurent de Médicis (1449–1478)
. Clermont-Ferrand: Université de Paris, 1963.
—(ed.),
Le pouvoir et la plume: incitation, contrôle et répression dans l’Italie du 16e siècle
. Paris: Université de la Sorbonne nouvelle, 1982.
Roeck, B.,
Der junge Aby Warburg
. Munich: Beck, 1997.
Rogers, M. (ed.),
Fashioning Identities in Renaissance Art
. Aldershot: Ashgate, 2000.
Romano, R.,
Tra due crisi: l’Italia del Rinascimento
. Turin: Einaudi, 1971.
Roover, R. de, ‘A Florentine firm of cloth manufacturers’,
Speculum
16 (1941), pp. 3–30.
—
The Rise and Decline of the Medici Bank
. Rev. edn, Cambridge, MA: Harvard University Press, 1963.
Rosand, D.,
Painting in Cinquecento Venice: Titian, Veronese, Tintoretto
. Rev. edn, Cambridge: Cambridge University Press, 1997.
Roscoe, W.,
The Life of Lorenzo de’Medici
. London, 1795.
Rose, P. L.,
The Italian Renaissance of Mathematics
. Geneva: Droz, 1975.
Rosenberg, C. (ed.),
The Court Cities of Northern Italy
. Cambridge: Cambridge University Press, 2010.
Rossi, S.,
Dalle botteghe alle accademie: realtà sociale e teorie artistiche a Firenze dal xiv al xvi secolo
. Milan: Feltrinelli, 1980.
Rostow, W. W.,
The Stages of Economic Growth.
Cambridge: Cambridge University Press, 1960.
Rotunda, D. P.,
Motif-Index of the Italian Novella in Prose
. Bloomington: Indiana University Press, 1942.
Rowe, J. G., and W. H. Stockdale (eds),
Florilegium historiale
. Toronto: University of Toronto Press, 1971.
Rowland, I.,
The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome
. Cambridge: Cambridge University Press, 1998.
—
From Heaven to Arcadia: The Sacred and the Profane in the Renaissance
. New York: New York Review of Books, 2005.
Rubin, I. E.,
The Renaissance and Mannerism
. Princeton, NJ: Princeton University Press, 1963.
Rubin, P. L.,
Giorgio Vasari: Art and History
. New Haven, CT: Yale University Press, 1995.
—
Images and Identity in Fifteenth-Century Florence
. New Haven, CT: Yale University Press, 2007.
Rubinstein, N. (ed.),
Florentine Studies
. London: Faber, 1968.
—
The Government of Florence under the Medici
. 2nd edn, Oxford: Clarendon Press, 1997.
—‘Notes on the word
stato
in Florence before Machiavelli’, in
Florilegium historiale
, ed. J. G. Rowe and W. H. Stockdale, pp. 314–21. Toronto: University of Toronto Press, 1971.
Rucellai, B.,
Giovanni Rucellai ed il suo Zibaldone
. London: Warburg Institute, 1960.
Ruda, J.,
Fra Filippo Lippi
. London: Phaidon Press, 1993.
Rupprecht, B., ‘Villa: Geschichte eines Ideals’, in
Probleme der Kunstwissenschaft
2, pp. 210–50. Berlin: De Gruyter, 1966.
Rusconi, R., ‘Dal pulpito alla confessione: modelli di comportamento religioso’, in
Strutture ecclesiastiche in Italia e in Germania prima della Riforma
, ed. P. Prodi and P. Johanek, pp. 259–315. Bologna: Il Mulino, 1984.
—‘Predicatori e predicazione (secoli ix–xviii)’,
Storia d’Italia, Annali 4
, pp. 951–1053. Turin: Einaudi, 1981.
Ryder, A. F., ‘Antonio Beccadelli’, in
Cultural Aspects of the Italian Renaissance
, ed. C. H. Clough, ch. 7. Manchester: Manchester University Press, 1976.
—
The Kingdom of Naples under Alfonso the Magnanimous
. Oxford: Clarendon Press, 1976.
Saalman, H., ‘Antonio Filarete’,
Art Bulletin
41 (1959), pp. 89–106.
—‘Filippo Brunelleschi’,
Art Bulletin
40 (1958), pp. 113–37.
Sabbadini, R., ‘Come il Panormita diventò poeta aulico’,
Archivio Storico Lombardo
43 (1916), pp. 5–28.
Salomon, X. F., ‘Cardinal Pietro Barbo’s collection and its inventory’,
Journal of the History of Collections
15 (2003), pp. 1–18.
Sannazzaro, J.,
L’Arcadia
. Venice, 1504.
Santangelo, G. (ed.),
Le
epistole ‘De imitatione’
di Giovanfrancesco Pico della Mirandola e di Pietro Bembo
. Florence: Olschki, 1954.
Santillana, G. de, ‘Paolo Toscanelli and his friends’, in
The Renaissance Image of Man and the World
, ed. B. O’Kelly, pp. 105–28. Columbus: Ohio State University Press, 1966.
Santoro, C.,
Gli uffici del dominio sforzesco (1450–1500)
. Milan: Fondazione Treccani, 1948.
Sardella, P.,
Nouvelles et spéculations à Venise au début du XVIe siècle
. Paris: Colin, 1948.
Savonarola, G.,
Prediche e scritti
. Florence: Olschki, 1952.
Saxl, F.,
La fede astrologica di Agostino Chigi
. Rome: Reale accademia d’Italia, 1934.
—
Lectures
. London: Warburg Institute, 1957.
Schaffran, E., ‘Die Inquisitionsprozesse gegen Paolo Veronese’,
Archiv fur Kulturgeschichte
42 (1960), pp. 17–93.
Schiaparelli, A.,
La casa fiorentina e i suoi arredi nei secoli XIV e XV
Florence: Sansoni, 1908.
Schmarsow, A.,
Gotik in der Renaissance
. Stuttgart: F. Enke, 1921.
Schmitt, C., (ed.),
The Cambridge History of Renaissance Philosophy
. Cambridge: Cambridge University Press, 1988.
—‘Philosophy and science in sixteenth-century universities’, in
The Cultural Context of Medieval Learning
, ed. J. E. Murdoch and E. D. Sylla. Dordrech: D. Reidel, 1975.
Schofield, R., ‘Avoiding Rome: an introduction to Lombard sculptors and the antique’,
Arte Lombarda
100 (1992), pp. 29–44.
Scholderer, V.,
Printers and Readers in Italy in the Fifteenth Century
. London: G. Cumberlege, 1949.
Schubring, P.,
Cassoni
. Leipzig: Hiersemann, 1915.
Schulz, A. M.,
The Sculpture of Bernardo Rossellino and his Workshop
. Princeton, NJ: Princeton University Press, 1977.
Schutte, A. J., ‘Printing, piety and the people in Italy: the first thirty years’,
Archiv für Reformationsgeschichte
71 (1980), pp. 5–20.
Segarizzi, A. (ed.),
Relazioni degli ambasciatori veneti
, vol
.
3. Bari: Laterza, 1916.
Seigel, J., ‘Civic humanism or Ciceronian rhetoric?’,
Past and Present
34 (1966), pp. 3–48.
Senatore, F.,
Uno mundo de carta: forme et strutture della diplomazia sforzesca
. Naples: Liguori, 1998.
Serafino dell’Aquila,
Opere
. Venice, 1505.
Sereni, E., ‘Agricoltura e mondo rurale’,
Storia d’Italia
1, pp. 136–252. Turin: Einaudi, 1973.
—
Storia del paesaggio agrario italiano
. Bari: Laterza, 1961.
Serra Desfilis, A., ‘Classical language and imperial ideal in the early Renaissance: the artistic patronage of Alfonso V the Magnanimous’, in
Europe and its Empires
, ed. N. Harris and C. Lévai, pp. 17–29. Pisa, PLUS-Pisa University Press, 2008.
Settis, S., ‘Artisti e committenti fra quattro e cinquecento’,
Storia d’Italia, Annali 4
, pp. 791–64. Turin: Einaudi, 1981.
—
Giorgione’s Tempest: Interpreting the Hidden Subject
. Eng. trans., Cambridge: Polity, 1990.
—‘The
iconography of Italian art, 1100–1500’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 2, pp. 119–259. Cambridge: Polity, 1994.
—(ed.),
Memoria dell’antico nell’arte italiana
, 2 vols. Turin: Einaudi, 1984–5.
Seymour, C.,
Michelangelo’s David: A Search for Identity.
2nd edn, New York: W. W. Norton, 1974.
—
Sculpture in Italy, 1400 to 1500
. Harmondsworth: Penguin, 1966.
Seznec, J.,
The Survival of the Pagan Gods
. Eng. trans., New York: Pantheon Books, 1953.
Shaftesbury, Lord,
Second Characters, or, The Language of Forms
. Cambridge: Cambridge University Press, 1914.
Sheard, W. S., and J. T. Paoletti (eds),
Collaboration in Italian Renaissance Art
. New Haven, CT: Yale University Press, 1978.
Shearman, J.,
Andrea del Sarto
, 2 vols. New Haven, CT: Yale University Press, 1965.
—‘The collections of the younger branch of the Medici’,
Burlington Magazine
117 (1975), pp. 12–27.
—‘The Florentine entrata of Leo X, 1515’,
JWCI
38 (1975), pp. 136–44.
—
Mannerism
. Harmondsworth: Penguin, 1967.
—‘Il mecenatismo di Giulio II e Leone X’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 213–42.Turin: Einaudi, 1995.
—
Only Connect: Art and the Spectator in the Italian Renaissance
. Princeton, NJ: Princeton University Press, 1992.
—‘The Vatican stanze: functions and decoration’,
Proceedings of the British Academy
57 (1971), pp. 369–424.
Sheldon, C. D.,
The Rise of the Merchant Class in Tokugawa Japan
. Locust Valley, NY: Association for Asian Studies, 1958.
Shepherd, R., ‘Republican anxiety and courtly confidence: the politics of magnificence and fifteenth-century Italian architecture’, in
The Material Renaissance
, ed. M. O’Malley and E. Welch, pp. 47–70. Manchester: Manchester University Press, 2007.
Simeoni, L., ‘Una vendetta signorile nel ’400’,
Nuovo Archivio Veneto
5 (1903), pp. 252–8.
Simons, P., ‘Women in frames’,
History Workshop
25 (1988), pp. 4–30.
Singleton, C. (ed.),
Canti carnascialeschi
. Bari: Laterza, 1936.
Siraisi, N.,
Avicenna in Renaissance Italy
. Princeton, NJ: Princeton University Press, 1987.
—
The Clock and the Mirror: Girolamo Cardano and Renaissance Medicine
. Princeton, NJ: Princeton University Press, 1997.
Skinner, Q.,
Foundations of Modern Political Thought
, 2 vols. Cambridge: Cambridge University Press, 1978.
—‘The
vocabulary of Renaissance republicanism: a cultural
longue durée
?’, in
Language and Images of Renaissance Italy
, ed. A. Brown, pp. 87–110. Oxford: Clarendon Press, 1995.
Smith, C.,
Architecture in the Culture of Early Humanism
. New York: Oxford University Press, 1992.
Smith, W., ‘On the original location of the
Primavera
’,
Art Bulletin
57 (1975), pp. 31–40.
Smyth, C. H.,
Mannerism and Maniera
. Locust Valley, NY: J. J. Augustin, 1962.
Snow-Smith, J.,
The Primavera of Sandro Botticelli: A Neoplatonic Interpretation
. New York: Peter Lang, 1993.
Solum, S. (2008) ‘The problem of female patronage in fifteenth-century Florence’,
Art Bulletin
90, pp. 76–100.
Soria, A.,
Los humanistas de la corte de Alfonso el Magnanimo
. Granada: Universidad de Granada, 1956.
Sorrentino, A.,
La letteratura italiana e il Sant’Uffizio
. Naples: Francesco Perrella, 1935.
Spencer, J. R., ‘
Ut rhetorica pictura
’,
JWCI
20 (1957), pp. 26–44.
Starn, R., ‘A postmodern Renaissance?’,
Renaissance Quarterly
60 (2007), pp.1–24.
Steinberg, R. M.,
Fra Girolamo Savonarola, Florentine Art, and Renaissance Historiography
. Athens: Ohio University Press, 1977.
Locating Renaissance Art
. New Haven, CT: Yale University Press, 2007.
—
Reclaiming Rome: Cardinals in the Fifteenth Century
. Leiden: E. J. Brill, 2009.
Ringbom, S.,
Icon to Narrative: The Rise of the Dramatic Close-Up Fifteenth-Century Devotional Painting
. Åbo: Åbo Akademi, 1965.
Roberts, A.,
Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa
. Farnham: Ashgate, 2008.
Robertson, C., ‘Annibal Caro as iconographer’,
JWCI
45 (1982), pp. 160–75.
—
‘Il gran cardinale’: Alessandro Farnese, Patron of the Arts
. New Haven, CT: Yale University Press, 1992.
Robin, D.,
Filelfo in Milan
. Princeton, NJ: Princeton University Press, 1991.
Rochon, A. (ed.),
Les écrivains et le pouvoir en Italie à l’époque de la Renaissance
, 1. Paris: Université de la Sorbonne nouvelle, 1973.
—(ed.),
Formes et significations de la beffa dans la littérature italienne de la Renaissance
. Paris: Université de la Sorbonne nouvelle, 1972.
—
La jeunesse de Laurent de Médicis (1449–1478)
. Clermont-Ferrand: Université de Paris, 1963.
—(ed.),
Le pouvoir et la plume: incitation, contrôle et répression dans l’Italie du 16e siècle
. Paris: Université de la Sorbonne nouvelle, 1982.
Roeck, B.,
Der junge Aby Warburg
. Munich: Beck, 1997.
Rogers, M. (ed.),
Fashioning Identities in Renaissance Art
. Aldershot: Ashgate, 2000.
Romano, R.,
Tra due crisi: l’Italia del Rinascimento
. Turin: Einaudi, 1971.
Roover, R. de, ‘A Florentine firm of cloth manufacturers’,
Speculum
16 (1941), pp. 3–30.
—
The Rise and Decline of the Medici Bank
. Rev. edn, Cambridge, MA: Harvard University Press, 1963.
Rosand, D.,
Painting in Cinquecento Venice: Titian, Veronese, Tintoretto
. Rev. edn, Cambridge: Cambridge University Press, 1997.
Roscoe, W.,
The Life of Lorenzo de’Medici
. London, 1795.
Rose, P. L.,
The Italian Renaissance of Mathematics
. Geneva: Droz, 1975.
Rosenberg, C. (ed.),
The Court Cities of Northern Italy
. Cambridge: Cambridge University Press, 2010.
Rossi, S.,
Dalle botteghe alle accademie: realtà sociale e teorie artistiche a Firenze dal xiv al xvi secolo
. Milan: Feltrinelli, 1980.
Rostow, W. W.,
The Stages of Economic Growth.
Cambridge: Cambridge University Press, 1960.
Rotunda, D. P.,
Motif-Index of the Italian Novella in Prose
. Bloomington: Indiana University Press, 1942.
Rowe, J. G., and W. H. Stockdale (eds),
Florilegium historiale
. Toronto: University of Toronto Press, 1971.
Rowland, I.,
The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome
. Cambridge: Cambridge University Press, 1998.
—
From Heaven to Arcadia: The Sacred and the Profane in the Renaissance
. New York: New York Review of Books, 2005.
Rubin, I. E.,
The Renaissance and Mannerism
. Princeton, NJ: Princeton University Press, 1963.
Rubin, P. L.,
Giorgio Vasari: Art and History
. New Haven, CT: Yale University Press, 1995.
—
Images and Identity in Fifteenth-Century Florence
. New Haven, CT: Yale University Press, 2007.
Rubinstein, N. (ed.),
Florentine Studies
. London: Faber, 1968.
—
The Government of Florence under the Medici
. 2nd edn, Oxford: Clarendon Press, 1997.
—‘Notes on the word
stato
in Florence before Machiavelli’, in
Florilegium historiale
, ed. J. G. Rowe and W. H. Stockdale, pp. 314–21. Toronto: University of Toronto Press, 1971.
Rucellai, B.,
Giovanni Rucellai ed il suo Zibaldone
. London: Warburg Institute, 1960.
Ruda, J.,
Fra Filippo Lippi
. London: Phaidon Press, 1993.
Rupprecht, B., ‘Villa: Geschichte eines Ideals’, in
Probleme der Kunstwissenschaft
2, pp. 210–50. Berlin: De Gruyter, 1966.
Rusconi, R., ‘Dal pulpito alla confessione: modelli di comportamento religioso’, in
Strutture ecclesiastiche in Italia e in Germania prima della Riforma
, ed. P. Prodi and P. Johanek, pp. 259–315. Bologna: Il Mulino, 1984.
—‘Predicatori e predicazione (secoli ix–xviii)’,
Storia d’Italia, Annali 4
, pp. 951–1053. Turin: Einaudi, 1981.
Ryder, A. F., ‘Antonio Beccadelli’, in
Cultural Aspects of the Italian Renaissance
, ed. C. H. Clough, ch. 7. Manchester: Manchester University Press, 1976.
—
The Kingdom of Naples under Alfonso the Magnanimous
. Oxford: Clarendon Press, 1976.
Saalman, H., ‘Antonio Filarete’,
Art Bulletin
41 (1959), pp. 89–106.
—‘Filippo Brunelleschi’,
Art Bulletin
40 (1958), pp. 113–37.
Sabbadini, R., ‘Come il Panormita diventò poeta aulico’,
Archivio Storico Lombardo
43 (1916), pp. 5–28.
Salomon, X. F., ‘Cardinal Pietro Barbo’s collection and its inventory’,
Journal of the History of Collections
15 (2003), pp. 1–18.
Sannazzaro, J.,
L’Arcadia
. Venice, 1504.
Santangelo, G. (ed.),
Le
epistole ‘De imitatione’
di Giovanfrancesco Pico della Mirandola e di Pietro Bembo
. Florence: Olschki, 1954.
Santillana, G. de, ‘Paolo Toscanelli and his friends’, in
The Renaissance Image of Man and the World
, ed. B. O’Kelly, pp. 105–28. Columbus: Ohio State University Press, 1966.
Santoro, C.,
Gli uffici del dominio sforzesco (1450–1500)
. Milan: Fondazione Treccani, 1948.
Sardella, P.,
Nouvelles et spéculations à Venise au début du XVIe siècle
. Paris: Colin, 1948.
Savonarola, G.,
Prediche e scritti
. Florence: Olschki, 1952.
Saxl, F.,
La fede astrologica di Agostino Chigi
. Rome: Reale accademia d’Italia, 1934.
—
Lectures
. London: Warburg Institute, 1957.
Schaffran, E., ‘Die Inquisitionsprozesse gegen Paolo Veronese’,
Archiv fur Kulturgeschichte
42 (1960), pp. 17–93.
Schiaparelli, A.,
La casa fiorentina e i suoi arredi nei secoli XIV e XV
Florence: Sansoni, 1908.
Schmarsow, A.,
Gotik in der Renaissance
. Stuttgart: F. Enke, 1921.
Schmitt, C., (ed.),
The Cambridge History of Renaissance Philosophy
. Cambridge: Cambridge University Press, 1988.
—‘Philosophy and science in sixteenth-century universities’, in
The Cultural Context of Medieval Learning
, ed. J. E. Murdoch and E. D. Sylla. Dordrech: D. Reidel, 1975.
Schofield, R., ‘Avoiding Rome: an introduction to Lombard sculptors and the antique’,
Arte Lombarda
100 (1992), pp. 29–44.
Scholderer, V.,
Printers and Readers in Italy in the Fifteenth Century
. London: G. Cumberlege, 1949.
Schubring, P.,
Cassoni
. Leipzig: Hiersemann, 1915.
Schulz, A. M.,
The Sculpture of Bernardo Rossellino and his Workshop
. Princeton, NJ: Princeton University Press, 1977.
Schutte, A. J., ‘Printing, piety and the people in Italy: the first thirty years’,
Archiv für Reformationsgeschichte
71 (1980), pp. 5–20.
Segarizzi, A. (ed.),
Relazioni degli ambasciatori veneti
, vol
.
3. Bari: Laterza, 1916.
Seigel, J., ‘Civic humanism or Ciceronian rhetoric?’,
Past and Present
34 (1966), pp. 3–48.
Senatore, F.,
Uno mundo de carta: forme et strutture della diplomazia sforzesca
. Naples: Liguori, 1998.
Serafino dell’Aquila,
Opere
. Venice, 1505.
Sereni, E., ‘Agricoltura e mondo rurale’,
Storia d’Italia
1, pp. 136–252. Turin: Einaudi, 1973.
—
Storia del paesaggio agrario italiano
. Bari: Laterza, 1961.
Serra Desfilis, A., ‘Classical language and imperial ideal in the early Renaissance: the artistic patronage of Alfonso V the Magnanimous’, in
Europe and its Empires
, ed. N. Harris and C. Lévai, pp. 17–29. Pisa, PLUS-Pisa University Press, 2008.
Settis, S., ‘Artisti e committenti fra quattro e cinquecento’,
Storia d’Italia, Annali 4
, pp. 791–64. Turin: Einaudi, 1981.
—
Giorgione’s Tempest: Interpreting the Hidden Subject
. Eng. trans., Cambridge: Polity, 1990.
—‘The
iconography of Italian art, 1100–1500’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 2, pp. 119–259. Cambridge: Polity, 1994.
—(ed.),
Memoria dell’antico nell’arte italiana
, 2 vols. Turin: Einaudi, 1984–5.
Seymour, C.,
Michelangelo’s David: A Search for Identity.
2nd edn, New York: W. W. Norton, 1974.
—
Sculpture in Italy, 1400 to 1500
. Harmondsworth: Penguin, 1966.
Seznec, J.,
The Survival of the Pagan Gods
. Eng. trans., New York: Pantheon Books, 1953.
Shaftesbury, Lord,
Second Characters, or, The Language of Forms
. Cambridge: Cambridge University Press, 1914.
Sheard, W. S., and J. T. Paoletti (eds),
Collaboration in Italian Renaissance Art
. New Haven, CT: Yale University Press, 1978.
Shearman, J.,
Andrea del Sarto
, 2 vols. New Haven, CT: Yale University Press, 1965.
—‘The collections of the younger branch of the Medici’,
Burlington Magazine
117 (1975), pp. 12–27.
—‘The Florentine entrata of Leo X, 1515’,
JWCI
38 (1975), pp. 136–44.
—
Mannerism
. Harmondsworth: Penguin, 1967.
—‘Il mecenatismo di Giulio II e Leone X’, in
Arte, committenza ed economia a Roma e nelle corti del Rinascimento, 1420–1530
, ed. A. Esch and C. L. Frommel, pp. 213–42.Turin: Einaudi, 1995.
—
Only Connect: Art and the Spectator in the Italian Renaissance
. Princeton, NJ: Princeton University Press, 1992.
—‘The Vatican stanze: functions and decoration’,
Proceedings of the British Academy
57 (1971), pp. 369–424.
Sheldon, C. D.,
The Rise of the Merchant Class in Tokugawa Japan
. Locust Valley, NY: Association for Asian Studies, 1958.
Shepherd, R., ‘Republican anxiety and courtly confidence: the politics of magnificence and fifteenth-century Italian architecture’, in
The Material Renaissance
, ed. M. O’Malley and E. Welch, pp. 47–70. Manchester: Manchester University Press, 2007.
Simeoni, L., ‘Una vendetta signorile nel ’400’,
Nuovo Archivio Veneto
5 (1903), pp. 252–8.
Simons, P., ‘Women in frames’,
History Workshop
25 (1988), pp. 4–30.
Singleton, C. (ed.),
Canti carnascialeschi
. Bari: Laterza, 1936.
Siraisi, N.,
Avicenna in Renaissance Italy
. Princeton, NJ: Princeton University Press, 1987.
—
The Clock and the Mirror: Girolamo Cardano and Renaissance Medicine
. Princeton, NJ: Princeton University Press, 1997.
Skinner, Q.,
Foundations of Modern Political Thought
, 2 vols. Cambridge: Cambridge University Press, 1978.
—‘The
vocabulary of Renaissance republicanism: a cultural
longue durée
?’, in
Language and Images of Renaissance Italy
, ed. A. Brown, pp. 87–110. Oxford: Clarendon Press, 1995.
Smith, C.,
Architecture in the Culture of Early Humanism
. New York: Oxford University Press, 1992.
Smith, W., ‘On the original location of the
Primavera
’,
Art Bulletin
57 (1975), pp. 31–40.
Smyth, C. H.,
Mannerism and Maniera
. Locust Valley, NY: J. J. Augustin, 1962.
Snow-Smith, J.,
The Primavera of Sandro Botticelli: A Neoplatonic Interpretation
. New York: Peter Lang, 1993.
Solum, S. (2008) ‘The problem of female patronage in fifteenth-century Florence’,
Art Bulletin
90, pp. 76–100.
Soria, A.,
Los humanistas de la corte de Alfonso el Magnanimo
. Granada: Universidad de Granada, 1956.
Sorrentino, A.,
La letteratura italiana e il Sant’Uffizio
. Naples: Francesco Perrella, 1935.
Spencer, J. R., ‘
Ut rhetorica pictura
’,
JWCI
20 (1957), pp. 26–44.
Starn, R., ‘A postmodern Renaissance?’,
Renaissance Quarterly
60 (2007), pp.1–24.
Steinberg, R. M.,
Fra Girolamo Savonarola, Florentine Art, and Renaissance Historiography
. Athens: Ohio University Press, 1977.
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Naughty Bits 2 by Jenesi Ash, Elliot Mabeuse, Lilli Feisty, Charlotte Featherstone, Cathryn Fox, Portia Da Costa, Megan Hart, Saskia Walker
